Artist Pierre Schmidt constructs surreal worlds filled with the inner horrors of the subconscious, both terrifying and beautiful. Using photo-manipulation, illustration, and collage, he combines both traditional and digital methods to create scenes of people with faces dripping right off their skulls. Many of his disturbing, melting face runs down the composition, only to reveal sudden bouquets of flowers. Using vintage photographs, he collages imagery of 1950’s housewife types lounging about, only to be caught up in a peculiar and fantastic scene. Schmidt’s work is highly psychological, as many of his pieces have titles based on the theories and writings of philosopher Friedrich Nietzsche. His flowing faces crack open the hidden psyche, pouring out its contents for us to examine. The face being a vessel of identity, Schmidt strips his characters of this so that we may look inwards into our own mind.
The Berlin based artist offers us a glimpse into a strange world of bizarre happenings, filled with faceless ladies, lush flora, and silhouettes that contain galaxies. Schmidt’s work is full of emotion and internal awareness, leaving us to sort out his stunning and complicated mash of imagery. We are left to decipher his sliced open heads, melting eyes, and rainbows oozing from faces. Like stream of consciousness, Schmidt melds together his illustrations with a unifying flow, effortlessly forming captivating and magnetic work. (via Hi-Fructose)
Welcome to Kadvre Exquis‘s film noir stylized animated short. I really loved the lighting of the city scape and the varying points of view that really allow the viewer to get into the film. Kadvre Exquis has other videos similar to this one on Vimeo. Check it out!
New York based Judith Braun’s ongoing series, “Symmetrical Procedures” is an ongoing series of drawings constrained by four rules: Abstraction, Bilateral Symmetry, Square Format, and Graphite. This first image looks like a generative Processing application- but actually “Fingerings” are done with fingers dipped in charcoal, sometimes using both hands simultaneously to the extent of arms’ reach and developing a vocabulary of mark making with these simple means.
The paintings of Victor Castillo have a unique eerie style. He began drawing from a young age inspired by cartoons, comics, and album covers. Castillo finally attended art school but found himself disillusioned with his time there. After leaving school he spent some time working with an experimental art collective in his native country of Chile. Next Castillo relocated to Barcelona, Spain. It is in Barcelona that his signature style solidified.
His painted world are most noticeably populated by children wearing clown-like masks: a red nose protrudes from a white face and any eyes are conspicuously absent. Though the masks smile, there is something disturbingly insincere about the expressions. Castillo carefully sets up each scene of his paintings almost as a sort of visual parable. A small narrative unfolds hinting at a larger message. Political themes such as greed or abuse of power begin to emerge within the symbolism of each piece. Castillo makes use of narrative tools often found not only in painting, but also comics. A statement from a past solo exhibit at the Jonathan Levine Gallery further explains the symbolism behind his paintings:
“In this exhibition, Castillo’s allegorical visions of the current socio-economic world crisis come in the form of spooky children’s tales. Through acrylic works on canvas and drawings on paper, his cast of masked, hollow-eyed children serve as a vehicle to convey ominous narratives of survival, greed and indoctrination. Inspired by vintage animation, his paintings are like theatrical sketches of tragicomic situations. With cartoon-like figures in the foreground and lush, classical landscapes in the background, Castillo’s dramatic baroque lighting completes the effect of exposing corrupted innocence.”
Photographer Mark Holthusen shows an unexpected side to cockfighting in his aptly-titled series Pelea De Gallos (Cockfight).Instead of capturing the brutal matches, he went a more tame route. Holthusen rented a photo studio called Hollywood Fotos and invited the Partido Tres Hermanos cockfighting team in Zaragosa, Mexico to have their portraits taken.
Holthusen’s pictures focus on seven different team members that pose with their beloved rooster. Some cradle the bird in their arms with others grip it with both hands. Either way, the majestic-looking creature sits as calmly as the men do.
In a blog post about Pelea De Gallos, Holthusen shares his experience. The team is made up of people who are a dentist, teacher, businessman, and student. “In the end they were nothing but smiles, excited to have their pictures taken.”
However docile these images appear, they are tainted with the knowledge that these birds are forced into a cruel blood sport where death is an outcome. Roosters are specifically bred, fed, trained, and given steroids to make them into killing machines for our entertainment. It’s illegal in the United States but still popular and prevalent in many other countries.
If you enjoy Holthusen’s photos, check out his Second in Show series that we recently featured. It highlights the eerie similarities between show dogs and their owners.
Fashion for the stylish art history nerd alert: Dr. Martens has drawn inspiration from Hieronymus Bosch’s “The Garden of Earthly Delights.”
You can now find a collections of combat boots, oxfords and satchel bags that beautifully display the heaven and hell imagery of this 16th century Flemish masterpiece. The Capsule Collection items are now available on the Dr.Martens website and in select dealers around the world, amongst them Urban Outfitters and Journeys.
The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee
Canadian artist Shary Boyle’s beautiful sculptures know no bounds. Her physically delicate yet intrinsically powerful ceramic pieces push boundaries of the real, stretching seemingly ordinary moments into fantastical satire of historic dark realities. Her work explores the complexity of power dynamics, addressing a vast array of social structures including gender politics, colonialism, and exoticism. Her work exists in a state of quiet conflict; it is fragile, precious, and plays on notions of traditionalist elegant aesthetics, while simultaneously delivering sharp intellectual puns that are clever, sophisticated, and some how, even through the visual distortion, perfectly intellectually exact. For example, her piece Family (2010) features a pilgrim man and woman sitting by a fire made up of a totem pole reminiscent pile of a decapitated heads.
Along side her ceramic sculpture practice, Boyle is also prolific artist in a endless variety of media spanning painting, performance, and film, to name a few. The artist also does beautiful “live drawing” collaborations with musicians. She has worked with artists such as Feist, Peaches, and Christine Fellows.
Shary Boyle has won various awards including The Hnatyshyn Foundation Award and the Gershon Iskowitz Prize. She has shown her work at prestigious institutions such as the Centre Ppmpidou, The National Gallery of Canada, and The Art Gallery of Ontario. She exhibited at the 2010 Canadian Biennial as well as the 2013 Venice Biennale.