In 2000, Belgian multimedia artist Wim Delvoye composed a series of photographs which appear to capture text and note style messages etched on the side of mountain faces. Known for his quirky sculptural style, like his elaborately carved tires, Delvoye manipulated these photographs in order to juxtapose the mundanity of the displayed messages with the sublime, natural beauty of the world’s structures. With messages like “RUDE BUT CUTE 18 YEAR OLD BABE 018 83 87 480″ and “HONEY, DON’T FORGET TO TAKE OUT THE GARBAGE. NINA,” Delvoye cleverly elevates the status of these banal declarations to a monumental scale. In Delvoye’s images, absurdities are reinforced while the overall importance of the messages – because of their ubiquity – is not entirely dismissed. Delvoye’s aesthetic is one of recontextualization and deconstruction – even the structure of website is a testament to his implementation well-known imagery in order to create an accessible and familiar user experience. (via public delivery)
Whether through painting, illustration, sculpture, or installation, Kenny Scharf displays an aesthetic saturated with bright colors and playful figures. Think: Pee Wee’s Playhouse + Keith Haring on acid. With his work, Scharf seamlessly integrates pop culture into fun and fluid forms. With his pop culture appeal, it’s no surprise that Scharf has been commissioned to do commercial work by companies such as Kiehl’s, Vans, and Swatch. While other artists might have a different viewpoint on commercial work, for Scharf, the opportunity to bring his playful forms into everyday products is of significant cultural value, “One very important and guiding principle to my work is to reach out beyond the elitist boundaries of fine art and connect to popular culture through my art,” Scharf writes in his artist statement.
In the newly-published book titled Hollywood Frame by Frame, author Karina Longworth examines the contact sheet, a necessity in film making before the advent of digital technology. The prints were used by photographer as a way to review and edit their work, and the sheets contain small thumbnails of multiple shots. They were marked, scribbled on, carefully examined to find the perfect shot later used in advertising.
These sheets are alluring; not for how interesting and different each individual frame is, but it’s a tiny glimpse into what went on behind the scenes in famous films. You’re able to see what was and wasn’t chosen, as well as the outtakes. A description for Hollywood Frame by Frame describes it as, “…it’s often the photos not chosen that best capture the true spirit of their subjects and the life they lead after the director yells cut. This was never truer than in the classic Hollywood era, where behind-the-scenes photos were carefully vetted for marketing purposes and unapproved shots were never expected to be seen again.”
Some of the films included in the book are: Some Like It Hot, Breakfast at Tiffany’s, Taxi Driver, and Silence of the Lambs. It was published by Princeton Architectural Press.
Flicking through Colin Crane‘s photography is like playing a game of hide and seek. It’s joyful, light-hearted, flirty, a bit adventurous, and will make you smile. Crane has the knack for capturing the happiness in his subjects and images. It may sound so simple, but the effect is not to be underestimated. His photographs are like a celebration of many different aspects of life, but mostly about curiosity, enjoyment, wonder and inhibition (or lack of).
Crane’s series Dreaming In Color is a collection of intimate, dreamy moments caught on camera. Coquettish girls lie basking in a meadow, zoned out in a blissful state. A grown adult is engrossed in a pair of binoculars as if they were discovering them for the very first time. We see a figure mysteriously emerging from colored lights placed in a forest – and can only dream about what they are up to – where they have come from and why. Adventurous faces are captured, ready to create another memorable experience that they will no doubt tell around the next campfire. Friends are profiled in surreal light, flares, and orbs, sharing something magical with each other.
Crane has a naivety to his work – but most certainly not in a negative way. It’s almost as if he is experiencing the world for the first time, with virgin eyes, and we get to share in his astonishment. His work has titles like Life Is Elsewhere, A Dream That Could Come True, and Nicaraguan Afternoon – and it certainly feels like we have entered a fictional, surreal reality when we enter the world of this young talented photographer.
There is something unsettling in many of the paintings of Alexis Rockman. His work typically depicts the natural world – wildlife of different sorts in locales as varied. The scenes are surreal as strange groupings of animals converge on a single canvas. However, some sort of order appears to be breaking down and a chaos not often found in nature seems to be gaining ground. Rockman’s paintings illustrate a wider ecological anxiety over our troubled world. In a way he uses his paintings as a form of protest. The work becomes a powerful expression of deep concern that is easy to feel.
Copenhagen based artist Peter Land works in a wide variety of media from painting to video to sculpture but my favorite works of his are these amazing large scale sculptures that remind me of childhood stories gone wrong.
Alberto Guedea Zamora is a multi-disciplinary artist from Toronto, Canada. Abstract in every sense of the definition, his presence lacks a concrete existence in his own work- often posing with his face covered by a tangle of hair or his body colored by some bright paper. He become a ghost, keeps distance and remains impersonal. You can see a longer in depth interview with him and the full text I’ve paraphrased at Things of Desire (“Canada’s Alternative Art Weekly”).