David Clarke brings on a whole new meaning to metal work. He is known as Britain’s very own groundbreaking silversmith. Master of his craft, he has a way of transforming domestic household items into intelligent and engaging pieces of art. Clarke’s work uses traditional silversmith techniques and takes it to a whole new extreme. His willingness to experiment sets his work apart from anyone else.
Byoungho Kim‘s The Progression of Silence engages sight and sound, using an aesthetically and aurally pleasing repetition of bells. A site-specific installation, Kim constructed the massive work from brass, piezo, signal wire and a sound controller, to hang in the spiral stair case of the Johnnie Walker House, an arts exhibition space opened in 2013 buy the famous whisky distiller. The piece hangs from the roof of the building down to the floor, engaging the entirety of the architecture, and with sound, the people inside the building. Says Kim, “One of the “materials” I like to use is sound. The essence of sound is the vibrations of frequency, and these vibrations are often seen as geometric patterns to the eye. Through the process of changing these geometric patterns, namely modulation, they become sounds for the artworks.”
Kim fully explains his process, “My work is an approach toward the rationality that was spontaneously generated with the progression of civilization such as systems, standards and modules. The unitized and systemized material/immaterial elements become the material of my work. The output created from my materials poses questions on the essence of life as well as being a study on human nature.” (via myampgoesto11)
After exploring ways in which she can make use of old, discarded books, British artist Kerry Miller experimented with dissecting and rebuilding them to produce unique artworks. Layering to create a 3D effect, She utilises only the illustrations and the shell of the book, while removing the written word.
These carved 3D books provide tantalising glimpses into a rich past, becoming miniature worlds that allow you to simply tumble into them. As technology threatens to replace the printed word, there has never been a better time to reimagine the book. (via)
Min Kim’s collages tend to evoke many feelings at the same time. While they seamlessly combine an almost naive poetic narrative with impeccable skill and adult morals, they offer us a visual language founded both in Korea and America. Kim’s manga-like figures seem to exist in a world where flora and fauna blend together with the earth and the sky, constantly evolving into each others forms. She combines the emotive strengths of Asian comics with the heritage of the psychedelic surrealism of the seventies.
The story of western contemporary art is only of use to her in the most superfluous way, she certainly doesn’t dwell on the past. Instead she looks for visual traditions in different cultures and tries to express their essence in her work. This cultural potpourri is translated to her own language of form and technique, which may be as diverse as her inspiration. We can view the end result as a whole of vibrant color, skilled paper craft and a sense of honest innocence. The stylized figures in her works are often drawn in grey, in contrast with their surroundings. Still, the stories she tries to tell are about blending, about the changing of form and about always becoming. These seemingly contradicting choices symbolize the feeling of being both the same and the other. A feeling all too common in today’s multicultural civilization.
Garnet Hertz, a research scientist at UCI, recently developed “OutRun,” a driving game that you can actually drive. The project’s physical form is a mashup between an arcade game from the 80s (OutRun) and a modern day golf cart complete with some sweet rims (check those things out!). Using computer vision, the graphics of the game are able to update in real time to correspond to the road ahead… making it possible to drive in a mixed reality! I don’t know about you, but I wish driving on the 10/110 interchange here in Los Angeles was this fun… Learn more about it works, and see it in action after the jump!
One of the most integral aspects of photography is the utilization of light. For his series, “Visible Light,” photographer Alexander Harding uses this vital resource as his subject. Harding manipulates natural sunlight, refracting it to create ethereal spaces filled with the soft luminescence of the sun’s rays. Harding says,
Whether it is acknowledged or not, we all have a strong relationship with the sun. Its light enables our visual perception and at times, shapes our emotions. Although the sun affects how we feel, its light remains mysterious and ephemeral. We can feel it on our skin and in our eyes, but it seems intangible to us. We cannot hold or preserve it.
Through my work I explore the sun’s physical presence and quantitative character, attempting to give sunlight an environment to travel within and record its behaviors. I primarily use photography to make my work as its apparatus promotes a very critical and literal type of visual perception and it is processes are controlled by light itself.
Harding’s work asks viewers to consider the centrality and importance of sunlight, and to think of this primary energy source as an art object in and of itself. (via lens scratch)
Olivier Blanckart’s works are fashioned using every day materials, such as construction paper, cardboard and tape. These non-confrontational, nostalgic, children’s craft oriented materials, alongside the humorous quality of the works, are effective tools of seduction. Once Blanckart reels the viewer in, with his jovial aesthetic, it becomes clear that a darker, disturbed political commentary underlies, canonizing and raising up figures for inspection and in many cases, subversion. It is this two-pronged attack– drawing in with the a unique pop sensibility, then attacking with sharp-witted critique– that makes Blanckart’s works truly compelling.