I’m not exactly sure of how I feel about these digital expulsions by the Poster Company. I think my reaction came in 3 stages: first oscillating between questioning the validity of their artfulness, then awe at the convoluted jungle of pixels, then back to confusion again.
Ekta‘s simple yet elegant portraits are a great example of what can happen when careful color selection, refined composition, and carefully selected patterning come together to make an image.
London based company Dot One takes product customization to the next level. The company, named after the 0.1 percent of a genetic sequence that makes each human unique, uses your DNA samples to create one of a kind products (such as scarves and prints) from the very part of your genome that makes you distinct. The company requires a simple cheek swab DNA test (the type made popular by direct-to-consumer personal genome tests such as 23andMe). Dot One then outsources the lab testing to AlphaBioLabs, where they extract, identify, and use DNA profiling to distinguish the desired portion of the code. AlphaBioLabs does this by creating a genetic finger print through scanning for Short Tandem Repeats (STRs), which are tiny bits of genetic code that are different for every person (except identical twins, of course). Once Dot One has the genetic finger print, they use an algorithm to translate these codes into a color, resulting in a pattern that is personalized to your specific DNA. These patterns are designed to imitate what a DNA sample would look like in a genetic gel test in a lab. While these products are made through a high technological process, they are reminiscent to traditional weavings and folk art patterns. They possess a true quality of something warm and special. You can even get a Tartan, which is created from the DNA of two people, or get a poster of your family tree. Cute. (Via HYPERALLERGIC)
In artist Reiner Hansen’s series Facial Fallout, she paints self portraits that each depict a different persona. In some, she plays a character, like a reality star or the girl next door. In others, it’s another version of who she already is, but with a different hair style, skin sunburnt, and more. All of these are a departure of her true identity, which itself is fleeting and malleable based on who she was trying to be. Hansen explains:
Each is based on, or rather mapped onto, my own features and characteristics. My self image is re-conceived as these other women, who live in a world entirely different from my own. There is a process of transformation into involuntarily ‘stereotyped’ notions of who these people are or might be, a sort of method acting in painted form, leaving a history of performance in each image. Simultaneously a game that is playful as well as a meditative speculation on a fabricated ‘other life’, these images are partly about investigating the idea of ‘escape,’ not just away from ‘the self’ and into anonymity, but also away from the art historical traditions of the self portrait and its established practice of depicting the artist. Instead, concealing my self behind imagined personas, I attempt to escape identification.
These portraits are humorous, and part of the joy of looking at Hansen’s work is finding glimpses of her true self within all of these paintings.
Wookjae Maeng creates ceramic sculptures exclusively representing animals. Most of the time hung off the wall like trophies or mixed with human body parts. His purpose is to not only to trigger a feeling but also a reaction when facing the pieces. Environment, nature and human kind are themes the artist wants to support. He is choosing ceramics to do so.
The animals Wookjae Maeng designs are perfect depictions. Deers, rhinoceroses, mice, pigs and rams, the variety is large. The details of the features are flawlessly imitated. The artist chooses to apply neutral colors to the body of the animals. A dominant of white with a touch of grey, black and brown. The eyes are the part that’s always rendered in shiny gold no exception.
The relationship between the animals and human kind is the focus here. The artist wants to create a 3 way conversation. ‘Within this process the viewer not only intellectually comprehends the work but also viscerally appreciates it if their preconceptions are challenged or senses other than sight are stimulated.’ The presence of nature and its creatures needs nurturing and special care. In an elegant and optimistic way, Wookjae Maeng is suggesting that we all take care of each other, however small and insignificant we may appear to each other. (Via Trendland).
Garrett Pruter constructs architecutral wonders with collage and drawing techniques. He combines graphite and acrylic on top of collage to create mini villages on the page. I wouldn’t be surprised if there were mini civilizations occupying his turn-of-the-century cityscapes. He is currently studying Illustration at Parsons School of Design.
Aaron Bickner is a truly skilled artist hailing from Minneapolis. Aaron is not only an illustrator, designer, sign-painter, & trash collector, but a very nice individual as well. I had the pleasure of attending illustration courses with Aaron at MCAD, and I was always so excited to see what he would come up with for our briefs. Every piece always seemed to stand out from the rest of the pack in some way or another; whether it be by his soft-spoken well thought out ideas or by the brilliant execution. Aaron’s work is thoughtful by not only his beautiful line quality but in the way he seems to complete an illustration as a whole. At times he will create small shadow boxes, sculptures, 3D collages usually including found materials from his environment. Aaron always struck me as someone completely in-tune with his surroundings and his work really portrays that well. I also dig that in his commercial portfolio most of his client work involves small independent and community beneficial organizations. Nice!
Check out more of Aaron’s work after the jump.
Yule Log 2.0 is a series of short films by illustrators, animators, directors, and creative coders, all revolving around the holiday Yule Log. Traditionally, the Yule Log is a hard, giant log that burns in a fireplace of traditional Christmas celebrations. In 1966, video of a burning log was televised by WPIX-TV as a gift to viewers, starting a phenomena that has yet to die. Urban Outfitters has even packaged and sold it at the appropriate time of the year, and you can view it on Netflix. Yule Log 2.0 takes on the log in a number of ways. Some are abstract representations, some are stories, and others rethink the log using different materials (including painted hands). Vignettes last from 10 seconds to a minute and half.
Yule Log 2.0 is a project curated by animator and illustrator Daniel Savage. He told Cool Hunting that he had the idea when looking for the original on Youtube, but was dismayed by all of the low quality videos. He explains, “So I thought, ‘Wouldn’t it be awesome to get a bunch of people to redo this?” Savage enlisted the help of 65 creatives and created 53 films, which all employ the quintessential wood burning noise. He was delighted by the quality of films, stating, “I didn’t really know what to expect from everyone; I know it’s a busy time of the year so I assumed they would be simple, but then some people blew my mind—like the marshmallow one [created by Michael Fuchs, Daniel Leyva, Bianca Meier]. Getting three people to work on one was amazing.”