I’m loving this completely bizarre music video by Luci Schroder for Melbourne based electronic group Alpine where young girls make out with axes, themselves, the tv, watermelons, fish in swimming pools, and eat ice cream floats in jacuzzis. Watch the full vid after the jump.
Fabienne Verdier paints with unconventionally large tools. She creates her own brushes, made from substances like sheep hair, duck down, or horse hair, sometimes reaching 6 feet long and over 150 pounds. The brushes are suspended with rope, and then handled physically, or with the help of a pair of bicycle handlebars. Trained under a Chinese painting tradition, Verdier frequently uses black to create her paintings, but will often transgress this tradition by using bright, earthy colors. Preparing ascetically before each piece and practicing the art of spontaneous expression form the basis of her work.
Bruce Ingram’s sculptures feel both natural and fantastic. Like discovering a new cave system or a perfectly preserved dead hummingbird in your garage (which really happened to me; the bird thing not the cave thing). I’ve always felt like one of the signs of “good” art is that you kind of forget that someone had to make it. Ingram’s work feels like it manifested itself–like the world meant for it to be.
Erica Svec’s paintings draw inspiration directly from her environment. Influenced by the detritus found in her Brooklyn neighborhood, Svec finds hidden beauty in the sidewalk trash, litter, graffiti, and spilled paint and tar that she encounters in her everyday life. Intrigued by the residual human energy retained by discarded items, Svec collects things cast off by others and reassembles them into small still lifes which she uses as the basis for larger painted compositions. The humanness of these objects is articulated both literally and metaphorically in her paintings as figurative shapes are expressed or implied by elaborate collections of items.
While Svec’s vivid, evocative paintings betray diverse influences such as the late work of Georges Braque and Audrey Flack, the result is a visual language that is uniquely hers. Drawing on abandoned objects and indexical marks of human occupation, the resulting works depict vibrant and invitingly dream-like alien environments.
If you feature cats, they will come. That’s what Australian marketing executive, Rach Aslett discovered when she created the Tumblr titled Cats That Look Like Pin Up Girls. The original intention was to promote a Hurly Burly, a new rockabilly fashion shop, but transcended into viral popularity because of the amusing fact that cuddly cats were paired alongside busty vintage pinups.
Based on the signature on the works, some of the illustrations seen here by the legendary artist Gil Elvgren, who produced these iconic works between the 1930’s and early 1970’s. They represent a facet commercial art that was popular during this time, and one that set a standard for pin up girl illustrations today.Of course, when combined with the pictures of cats, it takes them from serious-yet-cheeky art to something that’s just silly. The ridiculous poses of a kitten or hairless feline undermine the sexiness that these would have been otherwise. While this Tumblr is not fine art, it’s no doubt amusing to look at.(Via Spiceytec)
The future predicts a change in the definition of gender as we know it. The new work of Can Pekmedir, a Turkish artist, could not fall at a better time. In his series “Bone Structure” he is examining how the human face would look like with distorted features and a seamless flesh.The result is intriguing and repulsive. The flesh and individual hair seen so close creates a feeling of discomfort. He manipulates photographs using an algorithm and three dimensional technology. Through 3D, the viewer has the freedom to examine the visuals, whereas when it’s in 2D, he is following the artist’s point of view.
Coincidence and failed experiences are at the premise of these artistic discoveries. Can Pekmedir is instinctively morphing recognizable body shapes to get harmony. “My studies are focused on reconstructing and deforming bodies by altering the physical conditions in which the entity exists and/or treating them as test subjects for virtual experiments”.
If these creatures are perceived as mutants, then in no time we can imagine being close to sci-fi and fantastic inhabitants populating the earth. The artist isn’t telling us a story, he is delivering a brutal reality of his artistic vision. We have the liberty to accept or reject it, but the fact that a change is yet to come in the way the human race will evolve is a crucial point to investigate. (via designfaves)
There’s been a lot of talk of 2012 being the “Year of the Infographic”: visual representations of data as aesthetically pleasing as they are informational. Chad Hagen welcomes us to “the world of fictional information” with illustrations that explore what we’ve come to accept as infographic staples — a visual key, multi-dimensional shapes, a vibrant color selection — with none of the facts. Without the burden of telling a story culled from factual data, various dimensions, planes and colors are free to tell whatever story they choose. (via)