Italian charity La Collina dei Conigli ONLUS rescues rabbits, mice, rats, and guinea pigs from labs or mistreatment. The now-adoptable pets were the recent subjects of a photo series by Rachele Totaro that’s inspired by Lewis Carroll’s famous novel Alice in Wonderland. Volunteer Attilia Conti had the idea, and it commemorates the first 10 years of the charity’s operation. So, why Alice in Wonderland? Because the book and organization both started with a white rabbit.
The fantastical photographs feature the animals holding objects, poking out of a teapot, and of course, gazing into the looking glass. “Mice were the most cooperative models, while guinea pigs were the laziest (they stayed still only with food present),” Totaro writes. “Rats were the most attractive, and rabbits… were the most disapproving.” You can see that with some of the critters, there was no coercing them into any sort of cutesy pose.
The charity’s rescue center is located in Monza, near Milan, and many of the animals are still looking for new homes. If you’re local to the city, you can adopt one. (Via Bored Panda)
Michael Burnett, renowned skate photographer extraordinare, has taken many of the iconic photographs that come to mind when thinking of greats such as Tom Penny and John Cardiel. However, taking a great skateboarding photograph is a much different task than photographing the people above the skateboard. His portraits of suburban kids sprawling for free t-shirts and familiar faces removed from their territory tell a different story- often the much more interesting one.
Kevin Cooley creates Controlled Burns, a series of striking images that showcase swirling and imposing clouds of black, white, and gray smoke. Inspired by the communicative purpose of smoke signals during Papal conclave, the series focuses on ideas and actions dealing with communication, specifically human interactions with nature.
Cooley creates and manufactures the images himself, the smoke is real, and so is the fire creating it, but the artist here is rendering an image, controlling it and taking charge of something that can potentially be uncontrollable. The project is indicative of something we are well aware of, particularly our impotence yet possibility to control natural, powerful elements in our world. The paradox makes us contemplate on something we know, but do not really think about often.
Fire is a powerful natural force that we harness for greater good, and it is the only Classical element that we can create on demand. Yet, when out of control, it has the potential for grave destruction. Controlled Burns is a visual representation of this inherit duality, symbolic of our desire to conquer and control, reminding us that sometimes we must fight fire with fire.
Beginning January 11th, 2014, the Kopeikin Gallery will present Cooley’s work in UNEXPLORED TERRITORY, an interdisciplinary exhibition that explores “the limits of human exploration and our desire to conquer and control nature.” Themes range from colonial exploration of the American West, harnessing fire in the form of combustion to launch rockets into space, to anthropomorphic actions of everyday objects such as box fans, and helium balloons.
Ossian Brown is an English artist and musician whose book “Haunted Air” gives us a rare glimpse at the vintage celebration of Halloween in America, c. 1875-1955. Anonymous photographs collected from family albums depict the traditional macabre costumes from ages past.
“I find their haunting melancholy completely absorbing; all of these photographs <…> now torn out, disembodied and forgotten <…> they’ve now become fully and utterly the masks and phantoms they dragged up as, all those years ago.”
Compared to today’s flashy, pop-culture inspired Halloween costumes, these get ups of are capable of giving viewer the chills. Black and white photographs feature children and adults dressed with strange DIY masks and robes. Popular motifs contain disguising as devils, witches or animals.
According to Brown, he was fascinated by the wild imagination of these people who at the time were living in great poverty but still managed to create “these incredible and phantasmagorical apparitions”. From whatever inanimate objects, they would construct truly haunting costumes and kept with the essence of tradition which is overlooked nowadays.
To give the book even more mystery, the foreword was written by David Lynch. A short excerpt presented here:
“All the clocks had stopped. A void out of time. And here they are – looking out and holding themselves still – holding still at that point where two worlds join – the familiar – ant the other.”
The engineering and design studio Bot & Dolly created the video Box. In it a simple flat surface is visually transformed in unbelievable ways. Projection mapping has been especially popular lately because of its extreme versatility among other things. For projection mapping a computer basically maps a surface, one often considered too irregular for traditional projection. The software’s images are then projected on precise locations on the surface. In this way projects can appear to interact with the surface or produce the illusion of depth. For the video Bot & Dolly seem to push the potential of projection mapping. Flat surfaces are attached to large robotics, thus the projection not only interacts with the nontraditional surface but also its movement. It does this so effectively that at times its difficult to remember the surface is indeed flat. Amazingly, all of the effects are in camera – that is, no special effects were applied after recording. After watching the video, its interesting to think about the potential use of such technology. Bot & Dolly go on to speak about the project saying:
“Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.”