Greg Eason of Norfolk, UK, has a hand for drawing very realistic pencil illustrations, to fantastic patterns and sketches that stretch and bend across his sketchbook page. There’s something very comforting in his illustrations, their lifelike feeling, and the vacant page that inhabits the characters of his pieces.
My current work explores the era Anthropocene, working primarily in pencil, and the focus of my current work is driven by the desire to push the physical limitations of scale. I am also interested in the unpredictable nature of pattern; my interest lies in the production of organic linear structures and the suggestion of fluidity through repeated marks.
Beryl Fine‘s newest exploration into the extraordinary ordinary is her series entitled “Baby Mama.” As the image above alludes, Amy-Ann is “very pregnate and very beautiful.” Fine’s series evokes an odd sensation, not sure if we should laugh, turn away, or see the beauty of a proudly pregnant woman. “Ordinary Beauty” indeed.
Beautiful/Decay’s own Creative Director Amir H. Fallah will be exhibiting new work, alongside artists Clark Goolsby,Jessalyn Haggenjos, Stella Lai, Jason Redwood, Mark Schoening and Mike Swaney, in POV Evolving‘s “Pop of Colors” show. The show is based around artists who use vibrant, Pop Art colors in a new way, either conceptually or as a decorative tool within their works. If you are not familiar with each of these artists, I’ve included an example of their work after the jump. If you are in town this Friday, October 9th, from 6-10, be sure check out this not-to-be-missed round up of LA’s best & brightest young artists! (And I really just ain’t sayin’ this ’cause Amir’s my boss- check out the works after the jump if you don’t believe me!)
Andreco, negli Italia (that’s Italian for “from Italy”… I hope) recently had a project where he showed videos created from paper-cuts as a live performance “shown in a very old palace in Bologna citycenter, (‘RE ENZO Palace’, the old King Enzo building.),” according to the artist. I love the simplicity and stiffness of the stop motion, and the morbid beauty of the figures.
Rory Kurtz, based out of Chicago, is a modern illustrator in the fact that he uses “digital paint.” Self-taught, his works are a taste of fashion and celebrity, as well as odd little black and white illustrations that remind of the works of Edward Gorey, one of my favorite pen and ink illustrators. Kurtz’ use of mixed media makes for a whole new genre of illustration.
We’ve been getting a lot of emails asking what we’re doing for Book 2 of after having Kyle Thomas hand draw all 1,500 hundred copies of Book 1. If you haven’t seen Book 1 yet rush over to our shop and check them out!
After months of planning and scheming I’m excited to announce that each issue of Book 2 will come with a limited edition, silk screened, hand signed & numbered 4″x6″ print by Cody Hoyt. For those of you not familiar with Cody, he is one of the main guys behind the Apenest books as well as an amazing artist. The print was silkscreened locally by our friends over at Two Rabbits Studios.
This print is nothing short of bonkers featuring a skeleton, zombie, four armed creature practicing yoga, eating a taco, eating cereal, vomiting, pouring glue in its eye, and taking bong hits all at once! I wish I could multi-task like that!
The only way to get this limited edition print is through purchasing Beautiful/Decay. They will not be sold separately anywhere. Head over to our shop and reserve your copy of Book 2 by subscribing.
At this summer’s TED Conference, photographer Taryn Simon gave this excellent talk (which is having embed problems) about her work. TED’s description: Taryn Simon exhibits her startling take on photography — to reveal worlds and people we would never see otherwise. She shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit. I’m not sure which is more impressive – the photos themselves or Simon’s gall in asking to document some of these subjects. Some of these photos are after the jump, many more are included in her lecture.
Brion Nuda Rosch creates what I can best describe as collage-interventions that complicate the “reading” of every day photographs, paint, found objects and magazine spreads. Through the simplest of gestures, Rosch construes new layers and meanings within the context of his images. Above, an elegant blue dot over the face of a dog renders the portrait surreal and anonymous, the blob of paint simultaneously transforming to some kind of bizarre mask or humorous joke-shop clown nose. Rosch currently has some works in the Baer Ridgway exhibition “Hot & Cold” which is up for few more days if you happen to be in SF.