I don’t want to ruin this, so just make sure you watch this video all the way to the end. Patrick Wolf is a total nut! Directed by Jorge Jaramillo.
It’s Monday! Can’t waste anymore time sitting in front of the boob tube rotting your brain away watching Jersey Shore reruns! But before you kick it into high gear watch this investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off”. Sometimes the only way to get something done is to do two dozen other things first.
Story, Animation, Direction: Johnny Kelly
Mischievious paintings by Kristen Keegan.
Beijing based fraternal pair Gao Brothers have been collaborating on nstallation, performance, sculpture, photography works and writing now for three decades and shocking museums around the world with their guerrilla tactic art, one such featuring an apologetic Chairman Mao on his knees with a detachable head. Exhibitions by the Gao brothers, whose work the authorities find politically challenging, have been shut down in the past, and their studio has been raided. So they keep the head of Mao hidden in a separate location — reuniting it with its body only on special occasions to show friends and colleagues. Normally, the body of the statue remains headless, unidentifiable and nonthreatening.
The people of the United States alone toss out millions of plastic bottles every hour, and in a year, enough plastic film to shrink wrap Texas (which would be both a hilarious and horrifying feat.) Everyone knows it’s important to recycle, but it’s often hard to realize the consequences of forgetting about one little bottle; maybe we should consider not buying this stuff in the first place. (I drink out of the tap all the time, heck, I’d drink out of the hose.) Without getting on a soapbox, the following artists have made powerful statements about the ways in which we waste…. by re-using materials that would otherwise be thrown away, and removing paper and plastics completely from the recycling loop…. as even the act of recycling uses massive amounts of energy.
Artist Alessandra Maria uses tools like graphite, gold leaf, and black ink to produce her intriguing portraits. In addition to these traditional materials, she has an unconventional surface that she works on – coffee stained paper. The dark brown ground offers an entry point for these characters, and the gray pencil adds a soft touch to her realistic-looking figures.
Gold leaf is seen here as an accent for the butterflies, flowers, and intricate details. Their drawing style and symbolism conjure fairy tales and other fantastical stories. While there’s a lot of luscious, life-like drawing, the characters often have a blank stare. It’s hard to determine what they’re thinking, which makes Maria’s compositions all the more alluring. Here, beauty is a facade for a deeper, potentially darker below.
Artist Francis Upritchard sculpts, paints, and conjures up different figures and artifacts. Alluding to different ancient tribes and cultures (Native American, Maori) Upritchard creates objects soaked in sentimentality. From wrapped mummies and robed shamans, to shrunken heads and mysteriously worn down relics, her objects belong to a time of tranquility, of sensitivity and purity.
Her effigies have painted faces, triangles woven into silken robes, draped scarves hang off their fragile frames. They often have strange markings and are accompanied by personal artifacts or offerings. These not-quite-humans hold up their hands, not in protest but in some sort of ritual. We seem to have stumbled in half way through a sacred process. Lunge, Archer, Sneaky – all these titles suggest a movement that is half way through completion. She says of her new figures:
I wanted them to be really close to Dungeons and Dragons figures. Fantasy alongside the sentimental, nostalgic and idealized – or perhaps I mean stylized. Almost like dolls.
Upritchard scours flea markets and second hand stores looking for vases, hockey sticks, cookie jars, anything that can be turned into some sort of relic. Using real teeth, human hair, silks, wood, and natural rubber from Brazil, boiled with different pigments, her work is immensely tactile, and immediately old.
Her work is a glimpse of a time that either has happened, is happening, or will be happening. It is an idea of a modern day Utopia, one of subtlety, and quiet power. This is the new Voodoo.