We all love the lights that pop up during the holiday season. Most of the time individuals and local city planners hang the standard lights that we’ve come accustom to or the occasional Santa Silhouette climbing down a chimney. However this holiday season the good folks of Madrids’ Barrio De Salamanca had the smarts to hire Architect Teresa Sapey to push the envelope of cheerful holiday lights. Instead of using the traditional holiday symbols that we’re used to seeing Sapey designed a series of concentric circles that overlap creating the trippiest holiday light display you’ve ever seen. The patterns overlap and become more intense the further you are with colors, patterns and shapes overlapping one another to create a spectacular and optically dazzling new take on a tradition that has been taking place for many decades. Happy holidays to all indeed! (via)
For SWAMP’s piece Supermajor (a term used in the Gulf Coast referring to the six biggest publicly owned oil companies) the artist collective has created an ingenious and perplexing sculpture that will surely make you take a double take. In the gallery a wire rack of (vintage) oil cans sits. One oilcan has a visible fissure out of which oil slowly flows cascading onto the pedestal and gallery floor… The only thing is, the oil isn’t exactly flowing out of the can. Instead, oil appears to slow slowly drop by drop back into the can. At times the drops of oil hover unsupported in midair. Other times the drops are in the process of a slow motion splash onto the pedestal. This is a piece that can only be fully appreciated in person or on video as the oil literally looks like it is moving backwards in time back into the can.
SWAMP (Studies of Work Atmosphere and Mass Production) was founded in 1999 by artists Douglas Easterly and Matt Kenyon. Focusing on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between life and artificial life.
Watch the video above and after the jump to see the piece in action! (via)
Hailing from Houston, TX (home of the Geto Boys) and holding an MFA from Cornell, artist Mindy Kober paints scenes inspired by the images on the backs of those state commemorative quarters. Inspired is the operative word here – Kober uses a great deal of imagination in her humorous recreations of the scenes, often incorporating imagery from current American pop culture.
James Turrell is one of the most important artists in the world dealing in light and space. Born in Los Angeles in 1943, Turrell studied mathematics, psychology and sensory synesthesia as well as art at university. He flies around the desert in little planes and has devoted the best part his working life to turning a volcano into a piece of land art. “The spaces you encounter during flight can be amazing: meeting the dawn or watching the Aurora Borealis,” he says and describes an experience of taking off once at dawn and seeing the sunlight trapped between ground fog below and cloud cover above. These words paint a perfect portrait of his work.
If you’ve ever renovated a home you know how challenging it is to find floor coverings that fit in with your Eames Eiffel chairs and Eli Walker paintings. And if you’re looking for something that’s made in the USA, great quality and environmentally friendly, it’s an even greater challenge. That’s where Stonepeak Ceramics comes in, they offer Italian quality tiles made in the USA using advanced technology to reduce waste and even carry a Greenguard certification.
The impenetrable geometries of John Powers’ abstract sculptures call to mind a wide range of influences, borrowing equally from art movements like postminimalism and pop culture icons like Star Wars. Meticulously constructed by hand, Power’s forms are constructed out of a limited formal vocabulary: Polystyrene blocks cut to a selection of preset sizes, attached to each other at 90 degree angles. The resulting structure gives the appearance of being a computer-aided design but is in reality the outcome of a human-executed algorithm, dictated by the artist’s intuition expressed through the repetitive action of connecting blocks.
Korehiko Hino’s paintings and drawings of bug-eyed figures remind me sci-fi movies where aliens come down and put humans under a trance right before they probe them. They are frozen in time, with no clues of whether they are about to die or if they are in an eternal state of euphoria.
The installations of Carly Fisher may at first appear to be trash strewn galleries. However, closer inspection reveals that none of the items are actual garbage. Rather, Fisher carefully recreates litter from little more than paper and glue. The meticulous attention she gives to sculpting trash replicas, so to say, may seem odd. However, the familiar international name brands dotting the gallery floor raise the question: do these corporations possibly give the same meticulous attention to the branding of litter as Fischer? As one of her gallery statements puts it, “Perhaps there is a marketing edge to trash?”