Scott Espeseth’s works draw from cartoons, children’s books, and the doodles we used to sketch into the margins of notebooks when we were supposed to be taking notes. (Who says memorizing the state capitals is more important that creative expression, anyways?) Espeseth says he draws in order to get lost in a different space and time, often to reminisce. He favors a wide range of media that are “commonplace, overlooked, and sometimes obsolete,” from silverpoint to the humble ballpoint pen.
Do you revel in hot, anguished tears rolling down the innocent face of a child? We certainly do not. How can you solve this world-wide problem? We suggest you subscribe to Beautiful/Decay. As artist C.W. Moss has illustrated in Reason #2 of our hand-painted illustrated series, a subscription a year will erase every child’s tear.
I thought long and hard about whether I should post this but even after a good nights sleep i’m still angered by this video. If you’re not familiar with Justin Bua he is an illustrator primarily focusing on urban imageries of dj’s, breakdancers, and other various hip-hop related imagery. What do we think of his work? Well lets just say you won’t find him featured in B/D anytime soon. But I digress.
A Reason to Live Lowbrow Art Exhibition opens this Friday, June 4th, at Coalition in little old San Luis Obispo, CA. The DIY-style event, intended to inspire future collaboration & support for this small but thriving local art scene, will exhibit the most “interesting and provocative” artists from the area. The Lowbrow show is part of the city’s Art After Dark gallery walk – held the first friday of every month – and will certainly be a stroll off the beaten coastal-landscape painting path. Featured artists include Lisa Harrison, Steve Taggard, Gary Ellsworth (a.k.a. Sawdust), Joshua Jesse, Brittany App & more. Local art, live music, great company and some good old fashioned lowbrow fun!
I love these installations by New York based artist Heide Fasnacht. Fasacht captures the beauty in catastrophe with her intricate, freeze-frame sculptures. They’re so detailed that I think I must be looking at a movie still, rather than something three-dimensional, something I can hold in my hands.
“Why should I subscribe to Beautiful/Decay,” one may find themselves wondering, “when I can pay over 33% more to purchase it on newsstands? And besides, running the risk of Beautiful/Decay selling out before I get a hold of my hand-numbered, limited edition copy is so exhilarating, it’s practically legalized gambling!”
In addition to the popularly publicized reasons of saving money and never missing a copy, Beautiful/Decay has actually closely guarded, for centuries now, a highly secret set of reasons to subscribe. Until today, that is. In collaboration with artist C.W. Moss, Beautiful/Decay is proud to present a hand-painted watercolor series, illustrating 5 new reasons to subscribe. Stay tuned every this week for 4 more great reasons to subscribe!
Illustrator Catherine Campbell is the kind of artist that really speaks to my imagination. I mean, what young girl didn’t dream of owning a carousel-horse teacup big enough to bathe in? I did! I feel like these drawings are so sweet and delicate that I don’t even want them up on the big, bad internet–I want to stick them in my hope chest and keep them safe. Assuming I have a hope chest…
Apart from UCLA being my own alma mater, I thought I’d give a quick shout-out to the upcoming Senior Design show as it features a whopping round-up of not one, but four former fearless B/D interns, including: Matt Manos, Kate Slovin, Corinna Loo and Greg Ruben! Go team and congrats on graduating! Check it out June 3rd, 5pm at UCLA.