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Jason Hackenwerth

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Wow! Jason Hackenwerth brings a whole new meaning to the term balloon animal. His creations are more akin to balloon creatures resembling, perhaps, lifeforms of the deep sea or lifeforms viewed under a microscope. Conceived from the artist’s imagination, beautifully sketched, and sometimes consisting of more that a hundred individual balloons, these sculptures take life within the large spaces of museums, galleries, the street, and, if you’re lucky, right before your eyes as a performance piece. I’m particularly fond of the wearable art… how’s that for a party outfit!?

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Glenn Brown’s Incredibly Flat Paintings Look As If They Are Covered In Thick And Gooey Paint

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brown_GB145_DeepThr.tifPaintings by Glenn Brown are literally a blend of art references and a contemporary vision. Gloomy in the choice of subjects and bizarre in the colors used, the pictures resemble mutant depictions of grotesque figures.

Glenn Brown has a unique technique. He borrows images from subjects that have already been painted by masters such as Salvador Dali, Frank Auerbach, Rembrandt and unknown artists of mass market science fiction paperbacks. Taking his subjects directly from books or the internet, he then digitally retouches the features of the characters. Using Photoshop, he enlarges, crops and makes the necessary changes on the details he feels will give another outlook from the original version.
Paint is then applied to the altered picture. The artist’s brush strokes are thin and swirling on the canvas, creating a flat surface with a ‘trompe l’oeil’ effect. Glenn Brown exaggerates the flesh tones which counteracts with the kitsch color scheme. The rendering is wild and singular.

The artist is fascinated with the transformation of a reproduced picture. He is channeling new emotions from a subject that has already created previous sensations. Although his method has been used in the past by renown painters such as Picasso with the Velasquez’s Las Meninas, he is the only one who is impacting the original pieces he is working with. The soul of the paintings is dark and willing to connect with another dream world which, according to Glenn Brown would be welcoming different layers of unconscious fantasies.

Glenn Brown’s work is currently displayed in the piano room at the Brown’s Hotel in London until October 2015. A display curated by Gagosian Gallery representing the artist.

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Nick Blinko

Nick Blinko is considered an outsider artist. He also leads the relic punk band Rudimentary Peni. No one knows much about him other than a few smapshots of him and a few documents recording the time he spent in a psychiatric ward as a youth. subsequently, he believes that the anti-psychotics prescribed to him obstruct his creative impulses and spends long periods off of his medication, recording and creating detailed compositions of faces, coffins, figures, handwritten notes. I think appreciating his work helps if you are familiar with his music too. Surprise! he never made a website either.

 

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Jenn Mann’s Subconscious Vista

Jenn Mann taps into her subconscious where beautiful naked ladies climb geodes and man lives harmoniously with our flying feathered friends in the sky.

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Alberto Sevesos Liquid Nudes

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Alberto Sevesos creates turbulent digital images of nude female figures. Colours swirl inside the elusive bodies that appear and disappear with a hint of nipple or goose bumps running down a torso. The movements within the nudes are so compelling it becomes difficult to bring yourself out to view the images as a whole. The viewer’s eye becomes lost in the gestures, especially as you try to make sense of the forms. In parts the figures seem as though they are glass, filled with swirling paints, but then they fade into nothingness where just beside is a definitive form.

The positions of the bodies themselves also create movement in the work. They bend, extend and caress in a dancerly manner. Sometimes the bodies are surprising, as they seem only to be deconstructed and not reassembled. A hand appears without sense, transforming the texture of the swirls that are like liquid in one moment, and smoke in the next. The hot and cold oranges, blues, and whites add an elemental aspect to the work, complemented by the natural skin tones and clean bright lighting of the original photograph. The work is airy and also haunting as the tantalizing figures ghost in and out of existence in plain sight. (Via Illusion Scene 360)

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Michael Mapes’ Dissected Portraits

Michael Mapes Boxed collages house thousands of individual specimens consisting of dissected photographs and biographical DNA in the form of such things as hair, finger nails, scent, eye lashes, fingerprints, food, botanical elements, fabric swatches, makeup, dirt, handwriting samples and breath. The human specimens reflect the artist’s interest in the role of creative science as lab threatens to supplant studio in his own work. Representations of the specimen are dissected and then reconstructed through artistic interpretation invoking entomological, forensic and artistic methods. (via)

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Elle Muliarchyk’s Psychics/Dossier

Stills from New York photographer and film maker Elle Muliarchyk‘s new film project. She dressed up model Meghan Collinson in ten different disguises and sent her to different New York based psychics, filming the interactions with hidden cameras. Each costume resulted in a different fortune. The stills are more reminiscent of a beautifully styled period film than hidden camera surveillance.

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Greg Briggs’ Documents The Nameless Faces That Clean Galleries And Museums

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Australian photographer Greg Briggs‘ new photoseries Melbourne Cleaners highlights the often nameless faces that clean and restore the seemingly untouched galleries, theaters and museums. By focusing on the people who keep these spaces pristine, Briggs not only acknowledges the work of these people, but also takes the viewer behind the scenes to an even more quite, contemplative place, rarely seen by most museum-goers.

Taking place via a virtual tour of important architecture and places throughout Melbourne, Australia, Briggs’ photoseries was captured over six months. Capturing these workers who generally work alone, they are seemingly oblivious to the camera, and are caught in intensely private moments alone with their work. One cannot help but notice how these abandoned, quiet, spaces might be a better way to actually appreciate all the works of art we often walk right by during busy open hours.

Katie Hosmer at My Modern Met writes, “The artist captures what seem like voyeuristic moments as cleaners go about their work in some of the city’s important and iconic buildings including St Paul’s Cathedral and The Queens Hall, Parliament House. Surrounded by classic architecture andfamous artwork, each individual concentrates on the task at hand and seems completely unaware of the camera’s presence. Viewers can almost hear the low hum of polishing machines, the soft whoosh of feathers dusting across the nooks of a picture frame, and the splatter of bottle spraying cleaner along the surface of glass.” (via mymodernmet)

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