I wish I knew this artist’s real name so I didn’t have to refer to her by her Flickr moniker…but this will have to do for now. The paintings are a little bit too Asian-American (is that a genre?) for my taste…and I feel like maybe I can make this claim because I am a fair representation, but the colors are definitely eye-catching. And I like how auto-biographical the paintings feel.
Sarah Rosado, a self-taught illustrator and photographer, has recently implemented the medium of dirt scavenged from New York City’s parks to create quirky and playful images for her most recent project, Dirty Little Secrets. Oftentimes, she will accessorize the dirty images to give them a 3D effect and render them more realistic. She sets her dirty images against a stark white background, playing with the contrast of dirty/clean. A simple concept with a graceful execution.
For her frightening and beautiful portraits, the artist and designer Tamara Muller uses her own face, pasting it atop various haunting figures. Within the context of these crudely drawn bodies, her features, seen over and over again, take on an uncanny, trance-like quality, allowing them to collectively span her entire lifetime from girlhood to the present. Within this expressionistic realm, the barriers between childhood’s innocence and the guilt of adulthood are disturbingly blurred to create a narrative where play and fear work in tandem.
Muller’s faces leap dizzyingly through the ages: baby, child, adult, blurring the lines between male and female in the process. A seemingly incomplete rendering of the bodily form appears to the post-Renaissance eye as primitive or childlike, creating a cognitive and visceral tension with the heavily weighted heads, which are given a disproportionate depth and dimensionality. For this reason, the fleshy, flushed faces seem dangerously precarious, as if they were too psychologically burdened to rest comfortably on a naive and doll-like body.
In a realm where child self and grown self live side-by-side, an uncomfortable eroticism emerges, carrying with it the guilt of innocence lost. In one image, a woman bears her naked breasts, her head taxed with the weight of a baby face robbed of her body. In another disturbing piece, a young girl sits on a rabbit, normally a symbol of fertility and sex, baring her disturbingly youthful genitalia. A woman holds a younger version of herself, and the latter’s body wilts, rag doll like. In these powerful images, it’s unclear who is haunting whom; is the grown self plagued by her childhood, or is it the other way around? Take a look. (via HiFructose)
Jason Freeny lives and works in Brooklyn, NY. He has an ongoing series of sculptures that eschew the clean and safe demeanor of mainstream toys. From Barbie to Lego Figures, Freeny’s creations are dissected so that individual anatomy can be seen. The kitsch cuteness of a My Little Pony figure is immediately eradicated once the viewer takes in the bizarre skeletal structure on the opposite side. Jason finds a way to expose inherent creepiness in otherwise harmless characters that populate the pop culture landscape.
Canadian photographer and general polymath Chris McVeigh has found fame as an in-demand commercial illustrator and designer, but his recent forays into LEGO toy designs have been bringing him even more attention recently. Taking inspiration from outdated and outmoded technologies, McVeigh’s recent collection creates sets from existing LEGO parts – and offers them as kits for sale or open-source plans for those who wish to build their own.
Not only does McVeigh create toy replicas of tube-televisions, early computers and gaming systems, but he also creates miniature “sets” – realistic era backdrops – complete with shag carpet, wood-paneling, and tacky wallpaper, just so his creations fit in. (via colossal)
Emilia Brintnall lives and works in Philadelphia where she is a member of the Space 1026 art gallery and co-op. Her paper-mâché sculptures revel in the vibrancy of the animal kingdom as well as everyday objects. Snakes, Dinosaurs, Foxes, Fruits and Ghosts are simplified and minimally painted. Small yet mighty, Emilia’s spirited figures are a buoyant reminder of the merry and oftentimes silly world we inhabit.
I’m proud to say my witchy sisters & Texan friends, Sisters of the Black Moon, have recently “moonlighted” (in a black sense, of course) as the starry-eyed starring leading ladies in Black Mountain’s new music video, Old Fangs. Like a Nightshade-induced hallucination from a Belladonna dilated third eye, these sultry sirens seduce and induce cosmic visions and beyond.
And, if you love their sartorial sorcery, be sure to check out their website- they hawk their magick wares on an epic eBay store, The talented Miss Alecia Marcum of the coven, as if she isn’t fantastic enough already, also does styling work.
Check out more eye candy of these unbelievable beauties after the jump!