Not only does Steven Riddle make bold and eye catching collage work but he is also one of the featured artists in Beautiful/Decay :Future Perfect book. We can’t ruin all the fun and show you what Steven’s contribution to the book is but you can get your very own copy here at the B/D shop before it sells out!
For his recent show at Almine Rech GalleryDon Brown has produced his sculptures at a scale that is significantly larger than usual. Questions of scale are essential in the long process involved in the preparation of these works. The artist initially fashions a detailed clay maquette that will serve as the prototype for a much larger cast. Following enlargement and refining, the sculptures are then produced in either acrylic composite or bronze, but also, although rarely, in silver. The making takes several months, and the pieces are finally covered in a layer of gesso.
For years now Don Brown has been photographing his sculptures against a white background in daylight in order to document his work and bring out elements. By enlarging the prints, he gradually discovered in the flat representation of a volume a certain autonomy that is both powerful and subtle: “It’s as if everything is concentrated in a single view and the surface is uninterrupted” (D.B.).
Jennifer Ziliotto is a Los Angeles based photographer (and happens to be a good friend and bandmate of mine!) One of my favorite shots is the David Lynch-ian inspired portrait, above, of Zachary James. I love its flickering, dramatic spot- lighting, its textural qualities; the soft focus, played against the cool, hard steel of the sword, the interplay of velvet on velvet, and its stunning jewel-tone palette – a beauty! Could almost be an out take of a surreal performance from Mulholland Drive or an unexpected hallway in Twin Peak’s black lodge. If her stunning, surreal photography that fuses psychedelia with glamour isn’t enough, she’s also an amazing make-up artist, having worked with the likes of Kat von D and Full Metal Jackie of Indie 103.1 fame.
The team known as Lang Baumann is made up of artists Sabina Lang and Daniel Baumann. Together they create large scale installations which playfully interact with the surrounding environment. Comfort, the series presented here, fills houses, barns, apartments, and more with tubes of air. The tubes twist through doors and windows completely overtaking the space they’re stuffed in. The installation and its title recall homes, living spaces, and an the perpetual search for physical comfort.
Young Hungarian photographer Noell Oszvald creates elegantly surreal images. Her black and white photographs resemble mid-century fashion photography as much as it does the work of her surrealist influences. Severe contrasts between light and dark create graceful lines and a definite composition for each piece. In this way each image is intriguing, not only for its dreamy content but also because they are simply pleasing to look at. Perhaps what is most surprising, though, is the fact Oszvald’s relationship with the camera is relatively new. Only twenty-two years old Oszvald has only been using the medium for a little over a year. [via]
Covert Operations: Investigating the Known Unknowns, curated by Claire C. Carter, recently opened at Scottsdale Museum of Contemporary Art(SMoCA), occupying the museum’s four exhibition spaces with intense focus. Encompassing digital media works, large scale photography and interactive installations, the exhibition questions what we know and what we think we know.
SMoCA writes: “Covert Operations: Investigating the Known Unknowns is the first major survey of a generation of artists working in the violent and uncertain decade following the 9/11 terrorist attacks to collect and reveal previously unreported or under-reported information. This group of international artists includes Ahmed Basiony, Thomas Demand, Hasan Elahi, Harun Farocki, Jenny Holzer, Trevor Paglen and Taryn Simon. They use legal procedures as well as traditional research methods and resources such as the Freedom of Information Act, government archives, field research and insider connections. The thirty-seven artworks included in Covert Operations employ the tools of democracy to bear witness to attacks on liberty and to embrace democratic ideals, open government and civil rights.
Perhaps you want to make your walk through the park more interesting; or maybe you’re dying to sit on the bus and immerse yourself in Jimi Hendrix’s Electric Ladyland while gazing at a psychedelic horizon. Thanks to Hungarian designer Bence Agoston’s “Mood Sunglasses,” you can indulge in a pseudo-trip at your leisure. Accompanying the glasses’ half-circle, 3D-printed frames are six lenses, each imprinted with Moiré patterns that filter blue, green, and red light. When layered and rotated in their frames, the lenses create the visual experiences of LSD without the drug itself.
In discussion with Fastco Design, Agoston explained how the Moods work. “Because each color filters the incoming lights differently, and the patterns can overlap each other or leave blank fields, the new view is completely random and twisted.” Agoston also has versatility in mind, just in case you need a break from your simulated LSD journey: “Mood can also be used with clear lenses, for everyday living.”
Agoston goes on to describe the suggested use of such “hallucinogenic” sunglasses. “The ideal situation for use is during travel, when people listen to music, just looking out the window and watching the ever-changing sights, in perfect harmony with the music. The shape is designed with the aim of simplicity and distinctness, as if the wearer belongs to a kind of subculture” (Source). In short: the Moods are prescribed for anyone who enjoys (or needs) a taste of altered reality. (Via Fastco Design)