Constance & Eric are a married couple from Brooklyn who have carved a niche and figured out how to make a living taking pictures of people having sex. Blurring the lines between high art and commercial photography, the duo have photographed over 140 couples. Beginning the project out of disappointment in the way commercial photography generally treats bodies and sex, the couple came up with their own parameters for “sexy.” Disenchanted, as many of us are, by the narrow definition advertising and media give to the term, Constance and Eric decided to pursue a visual journey through the erotic and corporeal.
Subtle in their abstraction, the duo’s photographs transcend pornography or explicit imagery and become mere suggestions of the actual act. But there is a sensual nature to the images that feels incredibly personal, even if a viewer can’t actually discern what precisely he is looking at. In an interview with Nerve, Constance said, “The abstract images help create more of a feeling of the moment. It enables the viewer to put themselves in the image without the distraction of recognizable features.”
In an interview with Huffington Post Constance and Eric said that the part of their job they enjoy the most is “Showing people how beautiful they are together.” Check out their website, and if you’re brave enough, grab your significant other and contact them for a session. (via HuffPost & Nerve)
Camgirlsproject was created by former fashion student Vanessa Omoregie who began the ongoing series about a year ago. The project seeks to investigate the female image within the context of the internet by presenting images of classic paintings that feature webcam selfies in the place of the painted nude female form. All images are user-submitted and present the viewer with a reappropriation or reclamation of female nudity as something to be celebrated and not shamed for.
The term – camgirl – originally applied to anyone who recorded themselves via webcam doing anything, not just sexual acts, but has been more currently associated most strongly with sexual behavior. Omoregie says, “The name has connotations of its own.The project hopefully makes people rethink what they know about the term and how they view girls who choose to be in front of a camera -sexual or not.”
Something you may notice about the submissions is that these modern-day nudes overwhelmingly represent lean, white, hairless bodies, almost a complete reflection of the bodies in the classic paintings. As a black woman, Omoregie is disappointed that more women of color and varying body types have not submitted to the project, although she has herself participated and tries to encourage more women to submit. Her hope was that women who are not typically represented by the media would feel more comfortable presenting their bodies in this sort of space, but so far, submissions of more variance have been few and far between.
While not currently taking submissions, Omoregie will be inviting followers to contribute to future projects of hers through this project’s site. She has also suggested that people follow her personal blog in order to keep up with forthcoming projects. (via telegraph and animal)
With funny fake titles that satirize the real thing, Harland Miller paints a colorful collection of paperbacks which function as a shrine for predictable literary personalities from Waugh to Hemingway . . . and he doesn’t stop there. He also gets personal, implicating his own self-titles into the mix, adding a whole other autobiographical subtext that is both playfully light and familiarly bold.
Chris Butler is an autobiographical street photographer based in Los Angeles. He shoots mainly in black and white and was selected as a Leica Explorer in 2011. I recently had the chance to ask him about his process:
“I prefer photographing everyday life. My work is largely autobiographical and about extracting photographic opportunities from the day-to-day. It’s the opposite of studio work, set-building, etc. I don’t like to invent and manufacture; I prefer to seek out what is happening around me, to be improvisational and compel an image out of the moment.”
Brendan Scott Carroll’s polaroids document the people and places in New Jersey . Each polaroid comes with an anecdote that is typewritten on the lower white margin of each Polaroid. The anecdotes are fictional or derived from personal memory, other people’s memories, and actual events.
The people of the United States alone toss out millions of plastic bottles every hour, and in a year, enough plastic film to shrink wrap Texas (which would be both a hilarious and horrifying feat.) Everyone knows it’s important to recycle, but it’s often hard to realize the consequences of forgetting about one little bottle; maybe we should consider not buying this stuff in the first place. (I drink out of the tap all the time, heck, I’d drink out of the hose.) Without getting on a soapbox, the following artists have made powerful statements about the ways in which we waste…. by re-using materials that would otherwise be thrown away, and removing paper and plastics completely from the recycling loop…. as even the act of recycling uses massive amounts of energy.
Mark King creates photographs that document every day life in his hometown of Barbados. What I am particularly drawn to within the works is their overarching sense of point-and-shoot honesty, as well as their glossy/gritty vibe that could almost be high fashion editorial Vice essay- its sort of like a candid, William Eggleston approach meets Terry Richardson. Mark’s work seems to capture the culture around him and highlight them in new, surreal and fascinating ways. Discoered on the Beautiful/Decay Creative Pic Pool– be sure to upload your work there today and it may just end up on the B/D blog!