I first saw these a few months back and slept on posting them. But after bumping into them again I had to share them with my fellow cult members. Street artist Evol has redecorated those ugly electric boxes and other utilitarian outdoor structures into mini skyscrapers and apartment complexes. My favorite piece is the planter that is turned into a section 8 housing unit complete with tiny graffiti. See that and more after the jump!
Design collective Dorothy brings the hell of war to your toy chest. In July 2009 Colorado Springs Gazettea published a two-part series entitled “Casualties of War”. The articles focused on a single battalion based at Fort Carson in Colorado Springs, who since returning from duty in Iraq had been involved in brawls, beatings, rapes, drunk driving, drug deals, domestic violence, shootings, stabbings, kidnapping and suicides. Returning soldiers were committing murder at a rate 20 times greater than other young American males. A seperate investiagtion into the high suicide rate among veterans published in the New York Times in October 2010 revealed that three times as many California veterans and active service members were dying soon after returning home than those being killed in Iraq and Afghanistan combined. We hear little about the personal hell soldiers live through after returning home.
collaborative duo Nicholas Kahn and Richard Selesnick‘s Mars: Adrift on the Hourglass Sea exhibition opens on Saturday, May 21st at Kopeikin Gallery. Kahn & Selesnick work lies at the intersection of historical fact, apocalyptic future and nerdy museology. Melding childlike playfulness with adult obsession, they create faux-historical narratives realized as photography, sculpture, and installation. “Adrift on the Hourglass Sea” is set on the planet Mars where the artists present a dark and powerful visage of a collapsed civilization on the red planet. Using photo-mosaics of the Martian landscape taken by NASA space rovers (they were recipients of a NASA commission to create work about Mars) and combining them with their own photographs of deserts in Nevada and Utah, the artists present their distinctive brand of sci-fi mysticism.
Apparently McDonalds is embracing graffiti with full force and using it as part of their greasy interior decoration. This is only happening in France and Japan so far but if we’re lucky we’ll have some graffiti wallpaper in the Boise Idaho stores in no time. What’s worse than graffiti in the crappiest fast food spot on earth you ask? Graffiti in the crappiest fast food spot on earth being used without the artists permission or compensation. Sure the graffiti writers didn’t ask for permission to paint your city streets but something about this just doesn’t feel right. Next thing you know we’re going to be eating a McBansky or a Space Invader fries. What do you think? Should the artists get compensated or can Mcdees do as they please?
Read more background info about McDonalds graffiti campaign after the jump.