The good folks at LG are introducing the UltraWide 21:9 monitors to the creative world in a unique way. Instead of a boring ad campaign they’ve decided to team up with YouTube sensation and master extreme sports video impresario Devin Graham A.K.A devinsupertramp. With 3/4 of a billion views and 4 million subscribers Devin has a loyal fan base that expects only the absolute best in video production and design so teaming up with LG was a natural fit. The UltraWide 21:9 monitor allows Devin to film and edit footage in glorious “Cinematic” aspect ratio making each of his videos feel like a real movie for the big screen. Find out more about this unique cinematic collaboration here and get more information about the new LG UltraWide 21:9 monitors here.
“Branched Lives” (2008). Clay, glaze, wax encaustic, 11.5 x 13 x 6″.
“Two Bas, Console and Consort” (2007). Clay, glaze, wax encaustic, approx. 23 x 32 x 9″ each.
“Lion, Awareness Series” (2011). Clay, glaze, gold leaf, 20 x 27 x 12″.
“The Dreamer Awakes” (2007). Clay, glaze, wax encaustic, 12.5 x 18 x 13″.
Adrian Arleo is a sculptor living near Missoula, Montana whose ceramic works hybridize the human figure with animal and environmental imagery. Among her creations are bodies pock-marked with honeycomb formations, people birthed from wasp nests, and animals whose skin ripple with human eyes. While there is a sadness and mystical darkness in some of her sculptures — the “Swallow Bust” hybrid, for example, seems suspended between life and death as birds inhabit her hollowed body — they also exhibit agelessness and awareness. Part of this can be attributed to the classical style of the sculptures, which is reminiscent of ancient Greek and Italian art. As Arleo writes on her About page: “By focussing on older, more mysterious ways of seeing the world, edges of consciousness and deeper levels of awareness suggest themselves” (Source).
Thematically, however, Arleo’s works draw their strength and knowledge from the cycles intrinsic to the natural world. As she explained in a 2012 chat with Ceramic Arts Daily:
“[M]y ideas come mainly through observation and curiosity, taking note of what’s around me: wasp nests, bird tracks in snow, the eyes in aspen tree bark, the limbs of trees, deer grazing in the fields, all these things are analogous to our own experiences with life cycles of birth and growth, reproduction and nurturing impulses, defense mechanisms, aging, death, decay. […] With the changing state of the world, I feel a greater and greater urgency to remember and express how we are all connected, all dependent on the same air, water, soil.” (Source).
As hybrids, the sculptures’ awareness of life, death, and the interconnectedness of all things is fused into their bodies. There is no distinction between what is solely “human” and “animal”; all worlds are represented in one. They remind us of our own material connections to the natural world, and how — through their sad, ancient expressions — the world is changing.
Not all of Arleo’s creations foretell this change passively, however. She expresses how her newer works are quietly unwilling to be reduced to extinction:
“[W]hen I ﬁnished this most recent body of work and looked for a feeling that encompassed it as a whole, I was struck by the concept of a harbinger: a dream, sign, or omen foreshadowing things to come. There is a quiet resistance, in this work, to the cultural and biological losses of our time” (Source).
In this way, we can read the sculptures as defiant, with their bodily hybridity signifying a memory of and connection to the natural world that will never be completely wiped away.
Visit Arleo’s website to view more of her work. You can read the rest of the article on Ceramic Arts Dailyhere. (Via I Need A Guide)
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Italo Romano is no average skateboarder. He skates better than most people I know and doesn’t sweat the small stuff like not having legs. After watching the above video I felt like a fat, lazy pessimist who see’s the world as a half empty cup. Make sure to watch this video next time you’re complaining about how tough you have it, how things feel impossible, or when you want to give up. Thanks Italo for showing us that anything is possible and that giving up is the easy way out!
Elik is a true NYC graffiti legend, gettin’ up hard with the roller. But like many of his peers in the graff world, he’s turned to exhibiting ‘street art’ on indoor, gallery walls. Last spring he unleashed a full load of collage and mixed media works on the Brooklynite Gallery in Bed-Stuy. The compositions are playful, and full of dynamic elements. Any one of the works could serve as an advertisement bill for a show (or party) that serves as a gritty, comprehensive sum-up of the entire 20th-century.
I came across the works of Akira Nishitake and fell in love with his illustrations (his website is pretty fun too). Akira Nishitake is a Japanese designer and illustrator. He explores a wide range of work styles including painting, drawing manga, and font design. I don’t know too much about him because his whole site is in Japanese, but definitely check him out.
In a rather intense bit of wordplay, artist Vik Muniz (whose fantastic illusory work has previously featured several times here) has teamed up with Marcelo Coelho to create intricate and near-impossibly detailed sandcastles. Taking a single grain of scan, the duo has spent four years perfecting a process of microscopically etching fortress-like castles into single grains of sand. Each piece of sand measures less than one half of a single millimeter are created using an incredibly focused ion beam (FIB – typically used to create microchips) and documented with a scanning electron microscope, later enlarged to show the incredibly fine detail of the the project.
Muniz explains why the duo uses sand, as opposed to post-photographic editing (such as photoshop), “When someone tells you it’s a grain of sand, there’s a moment where your reality falls apart and you have to reconstruct it. You have to step back and ask what the image is and what it means.’” Adds Coelho, “I think photography is just re-starting. There’s a whole new kind of photography emerging now. A lot of it is happening because of this combination between computers and cameras, and story telling and narratives can emerge as a result.”