String woven to look like lace from NeSpoon, of Warsaw Poland. NeSpoon weaves designs into locations all over the artist’s native Poland and elsewhere, These images are taken from a recent project on the coast of the Baltic Sea. Nice to see people interacting in and around each piece. Each installation looks so natural in it’s setting, as though they just floated in on a breeze or washed ashore underneath a wave. When people hustle so hard to get noticed and make their mark everywhere, it’s nice to see NeSpoon making art that’s in perfect balance with the rest of the world. In this way, everything around us, man-made or not, takes on an unprecedented beauty. (via)
Dara Scully is a Spanish writer and photographer who captures dark, poetic scenes verging on fairy tale and myth. Nude figures inhabit the faded forests. Esoteric rituals transpire on quiet leaf beds. Death is present in the form of insects, prone bodies, and bleeding wounds, and rebirth occurs as birds escape their abandoned cages. As beautiful and graceful as Scully’s images is her creative biography, which reveals her sylvan, literary essence:
“Forest creature, winter girl. I like birches and aspen leaves. In my other life, I was a white deer, a fox, or a swallow. I’ve never flown. I drink milk tea and my favorite word is chrysalis. My heart belongs to Chopin and my body to the horses, but I’ve never ridden any. I read Jaeggy, Nabokov, Duras, and Müller. I read because it saves me. […] If I have to choose a sound, I’d say: the wind shaking the branches of the trees. Or rain. I always wear dresses and man shoes. I [have] written since I was thirteen. I’m afraid of moths. I have six moles in my pale chest.” (Source)
The power of conceptual photographers like Scully lies in the ability to tell stories in a single frame. Just as she encapsulates an entire sensorial experience in the above paragraph, each photo is a compressed narrative overflowing with hidden meaning and an emotional presence—the innocence of youth, the pain of growing, the sorrow of death. Blending reality with fiction, Scully employs subtly powerful symbols—such as the dead birds—to speak their meaning. Deeply subjective, her ambiguous scenes allow the viewer to instill their own significance.
Recent Ontario College of Art and Design graduate Sarah Joncas already has a distinct, characteristic style that has earned her several awards, as well as garnered the attentions of top galleries around the US. Her paintings often focus on a lone woman, drawing out her narrative in a combination of bold hues and shadowy tones. The themes explored in her works are at times dark but at other times quite whimsical. Currently, the Toronto-based artist is representing Canada in an all-female group show entitled ‘International Woman’ which can be caught at the UK’s Warrington Museum now through July 7th. Living on this side of the pond, as they say? Then check out the artist’s upcoming joint show with fellow painter Caia Koopman, opening June 16th at Thinkspace Gallery in Culver City, California.