Luis is the 2nd short video of the series “Lucía, Luis y el lobo” (”Lucía, Luis and the Wolf”). The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.
Beautiful fashion photography with a dark, experimental edge by Swedish photographer Axel Engström.
London based company Dot One takes product customization to the next level. The company, named after the 0.1 percent of a genetic sequence that makes each human unique, uses your DNA samples to create one of a kind products (such as scarves and prints) from the very part of your genome that makes you distinct. The company requires a simple cheek swab DNA test (the type made popular by direct-to-consumer personal genome tests such as 23andMe). Dot One then outsources the lab testing to AlphaBioLabs, where they extract, identify, and use DNA profiling to distinguish the desired portion of the code. AlphaBioLabs does this by creating a genetic finger print through scanning for Short Tandem Repeats (STRs), which are tiny bits of genetic code that are different for every person (except identical twins, of course). Once Dot One has the genetic finger print, they use an algorithm to translate these codes into a color, resulting in a pattern that is personalized to your specific DNA. These patterns are designed to imitate what a DNA sample would look like in a genetic gel test in a lab. While these products are made through a high technological process, they are reminiscent to traditional weavings and folk art patterns. They possess a true quality of something warm and special. You can even get a Tartan, which is created from the DNA of two people, or get a poster of your family tree. Cute. (Via HYPERALLERGIC)
Italian illustrator & artist Gianluigi Rivasi.
Elizabeth Zvonar is a Canadian artist whose collages and sculptures encounter us as objects of curiosity and contemplation. Her choice of mediums is vast, including brass, stone, porcelain, and hand-cut collage, but no matter what she creates, Zvonar’s work is tied together by a consistent style that is tactfully sexual, critically engaged, and subtly humorous. Her motifs include multiplicities of disembodied hands and fingers, magazine cutouts juxtaposing seductive imagery with the silly or strange, and high-fashion objects (such as porcelain high heels) splattered with a suggestive, white glaze. These works grab our attention and activate our minds, and this is precisely their intention. As Zvonar expresses in a fascinating interview with Here and Elsewhere,
“I like to make things strange and interesting to look at in order to engage. My method is tied to how advertising operates. I tend to use sex blatantly or metaphorically, mimicking advertising strategies [and] pushing the image/concept/work into unfamiliar territory.”
In this process of defamiliarization, Zvonar’s works become perceptual exercises in the effects of familiar and manipulative advertising imagery — the types of images that, as Zvonar acutely points out, inundate our waking lives “should one have their eyes open when walking down a street or in line at a grocery store” (Source). By removing idealized bodies and coveted material objects from their usual, seductive contexts and reconfiguring them in a socially aware manner, Zvonar’s creations cleverly critique the way fashion media and advertising operate on us by fragmenting and sexualizing the body.
Check out Zvonar’s website for a larger collection of her works, including a list of past exhibitions. If you’d like to learn more about her artistic themes and creative processes, I highly recommend reading the interview conducted by Here and Everywhere.
Stephen Orlando uses LED light to track all sorts of movements from recording kayaking, canoeing, whitewater kayaking, swimming, and other sports. The images of paddle sports are stunning, like light skipping across water as a stone does. It’s fascinating how regular the strokes can be, but the most interesting are when they’re over uneven waters and the kayaker had to compensate. The pink, purple, and blue traces that are particularly nice because you can sense the slow stroke of the canoe paddle. The reflections of the light in the water are quite surprising as well.
Orlando explains his interest in recording these motions in light:
“I’m fascinated with capturing motion through time and space into a single photograph. Using LED lights with custom color patterns and long exposure photography, I’m able to tell the story of movement. This technique reveals beautiful light trails created by paths of familiar objects. These light trails have not been artificially created with Photoshop and represent the actual paths of the objects.
My photos focus on motions in nature and in urban landscapes, as well as human movement. I am inspired by the works of Étienne-Jules Marey, Anton Giulio Bragaglia, Gjon Mili, and Frank Gilbreth and their pioneering techniques.” (Via Colossal)
I love patterns, and I definitely get my fill through Daniel Brereton’s work. We are featuring yet another renaissance man who not only exhibits his lively work in galleries, but also works in music videos, apparel design, and etc.
With a moniker like Daisy Balloon, it’s no surprise that their medium of choice is balloons and sculpted like you’ve probably never seen them before. The artist (whose real name is Rie Hosokai) uses them in window displays and as art objects, but more surprisingly, fashion. Taking numerous small balloons, she gathers them into large groups that make up long flowing dresses, body suits, and structures reminiscent of armor. Her avant-garde designs are worn by models and celebrities like Bjork (are you shocked?).
Her entire portfolio is no doubt impressive – after all, keeping all of those balloons full is no small feat – but the colorful, giant teddy bear that’s constructed completely out of smaller teddy bears is the right mix of visual ingenuity, nostalgia, and fun. (Via Spoon & Tamango)