Nail artist Hatsuki Furutani has combined the love of designing incredible patterns for nails with her interest in cute narratives and scenarios. She has applied her active imagination in this new project to take her nail art designs next level. The Japanese manicurist has teamed up with a talented group of animators and software engineers to produce a few short animations telling beautiful little stories. After designing the nails on computers planning out exactly what parts of the nail would move, and in what way, the team processed the designs through a 3D printer. Over 500 nails were then printed out and applied to human hands. The fingernail creations were shot frame by frame and edited together.
Furutani likes to show the beauty and attraction in the things around us. She says there is mystery and charm in everything, in all
Living things, dead things, objects, phenomena, men’s mind, soul and imagination… Inorganic and organic matters, works of art… (Source)
Her animations see origami birds coming to life, colorful fish flapping around, wheels spinning, balls and blobs bouncing from nail to nail. Her video is full of life, joy and positivity. For more of her uplifting designs, be sure to check out her website, and maybe go and get a manicure afterwards – it will surely raise your spirit. (Via Design Boom)
Lukasz Wierzbowski is a freelance photographer from Wroclaw, Poland. His photographs exude youthful energy and a sense of humor. With a keen eye for composition and a love for nature his work often features a figure playfully interacting with an environment. The result is a body of work that serves as pictorial allegories involving our relationship with the world around us.
Simon Monk lives and works in London. He has an ongoing body of work entitled Secret Identity that consists of various action figures painted with oils exactly to scale. Depicting these figures within a plastic confine allows for a reflection on consumerism and commodification. These encapsulated mythic heroes are simultaneously honored and belittled.
As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Claude Collins-Stracensky. See the full studio visit and interview with Claude and other West Coast artists at www.inthemake.com.
Claude’s studio is in a commercial building in Downtown, Los Angeles right where two fairly busy streets intersect. It’s a few floors up, and as soon as Klea and I stepped out from the elevator doors Claude’s Vizsla dogs greeted us with wild tail-wagging enthusiasm and then lead the way into the studio. It’s a huge corner space with tons of natural light streaming in through the wide windows that lends an almost limitless feel to the room. I took a few minutes to wander around and take it all in— the dogs tumbling about together in play, the dust particles fluttering in and out of the hazy afternoon light, and the many projects underway, all of them in various states of completeness. At any given time Claude is often at work on multiple endeavors, taking time with each to experiment, re-think, tinker and tweak. His studio is a like a research lab where he plays around with concepts and materials, creating mock-ups and models, and then tries to bring these ideas to life with his hands. There is a bit of a “mad scientist” in Claude— he approaches his work with unfettered imagination and whimsy, totally unafraid to scheme and dream big, and he seems almost possessed by a rampant curiosity about the natural world and how it works. At the core of Claude’s practice is a preoccupation with physical systems and processes and the innate dynamics of different materials, and the ways in which these forces and elements can interact to bring about a new consciousness of one’s surroundings. Embracing a range of mediums, his practice often plays with perception and aims to expand his viewers’ visual experience and spatial awareness to create impressions that go beyond an everyday understanding of the world. I got the impression that the wheels in Claude’s brain must always be spinning at top speed, never at rest, always at work on questions, always in a state of assessing and hypothesizing. Which is kind of funny, because he comes across as super mellow… but I didn’t let that easy-going vibe fool me!
Julia Fullerton-Batten’s models seem naked in their nudity, and this is not just a clever play on words. John Berger, in his book Ways of Seeing, explains the difference: “Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.”
Here, in Fullerton-Batten’s Unadorned series, each model is indeed nude, as Berger suggests, posed on display, manipulated by the photographer to convey an idea, however . . . because he or she wears a certain type of nudity in the vein of old world masters from the 15th – 17th centuries . . . and because they are arranged in contemporary settings by female hands . . . and because their bodies are curvy and soft, as opposed to thin and hard . . . what results is also a fascinating feeling of nakedness: a complex historical/sociological revelation of us as a species in relation to gender, weight, and image.
Wyld File is a group of Flash animators creating work that’s pretty much in the same vein as Paper Rad‘s stuff. In fact they may very well be the same people, judging from the amount of times Paper Rad is referenced on Wyld File’s website. I think my favorite part of their gimmick is their parody (I think?) of Dogme 95, purporting that their brand of Flash animation is revolutionary and pushes Flash to its limits.
As Paper Rad puts it ,”A lot of cool shit was done in Flash, but there was never anything really that looked so funky that pushed Flash behond it limits, into an arena where the very tools of Flash have eaten themselves and caused a creative process to evolve against all the things Flash isn’t supposed to do.”
Paper Rap insists the loosely based value system “Dogman 99” consisting of the rules “no Wacom tablet, no scanning, pure RGB colors only, only fake tweening, as many alpha tricks as possible”…
If you weren’t lucky enough to subscribe to Beautiful Decay in time to get Book One: Supernaturalism, there’s still time to sign up and get our upcoming Book Two! Here’s a sneak peek of what Book Two will feature! But hurry, there’s only two months left to subscribe, so don’t dilly-dally, you don’t want to forget two months from now.