Nebraska based artist Cindy Chinn carves unbelievable miniaturized objects within the lead of carpenter pencils. Chinn’s starting material is less than an inch wide, yet using an X-Acto knife and a magnifying glass, the artist is able to achieve intricate details with a charming folk art-like character. Her most involved piece of the series features a tiny locomotive train that scales the whole pencil. This work even includes a cut out carved portion that acts like a bridge crossing, exposing the train to be the full length of the pencil. The work was created through a process of collage; she carved the 3/16 inch train from the lead of one pencil and then fashioned it within the center of another pencil, adding two other small pieces of lead as rails. Due to the unique size of her work, Chinn incorporates a tiny magnifying glass as a part of her pieces, glorifying the work’s preciousness and inviting the viewer to have a personalized and intimate experience of the minuscule details. Her work tends to portray every day and perhaps even nostalgia provoking objects. For example, a tiny Chuck Taylor shoe, a darling fall leaf, and a hockey stick with a puck. This pencil carving project is just a side project; she is also a multimedia artist with many focuses such as larger scale wood carvings, murals, and paintings. (via My Modern Met)
542,000,000 years after the start of the Phanerozoic eon comes the announcement of self-titled sound clip “Masters of the Universe – part 2″ by collaborative creative group The Russian Frost farmers. The video is a tad on the long side (13 but it’s got the usual psychedelic lo-fi meets shaman noise band sounds that are so prelevenant these days. Worth a look.
Rustam Qbic specializes in street art that seems larger than life. His paintings are saturated with lush storybook colors and are defined by a playful sense of the absurd. Popping up in both expected and unexpected locales, his murals beautify not only the crumbling walls of derelict buildings but also that of apartment buildings.
There’s a stunning sense of synthesis between Qbic’s art and its surroundings. His art recalls the various motifs of house and home, nature, and man’s role. The juxtaposition of the familiar with the unexpected evokes a magical feeling of whimsy. A boy lounges in a boat full of houses while a man with a house for a head unleashes a flock of birds. Yet another boy rides a fish under lily pad clouds — and another man with a house for a head fishes peacefully in a creek. The theme plays over and over again.
Qbic’s work almost seems to suggest that we are inextricable from our environment. Like a dream folding in on itself, it’s impossible to tell where our influence ends and where nature begins. (via This Is Colossal)
By stacking two otherwise banal objects and calling it art, Daniel Eatock‘s sculptures both make us laugh as well as re-view the objects around us as first and foremost formal objects and secondly as things we can use to, say, move a pile of dirt around. Try it! Look at all those little smooth squares your fingers are pushing. Look around you!
In his words ” […] I propose systems, templates, invitations and opportunities for collaboration, creating social networks where contributers shape the outcome and participate in the building of works. I embrace contradictions, and dilemmas. I like gray areas, oxymorons and the feeling of falling backwards. My favorite colour is the purple found in a soap bubble. I prefer to swap and exchange things rather than use money. I seek alignments, paradoxes, chance circumstance, loops, impossibilities and wit encountered in everyday life. I often change my mind, go full circle, and arrive at the beginning.” – Daniel Eatock
In her exhibition “Black Fairy Egg Nest,” Julia Sinelnikova asks us if fairies are good or bad. Experienced as a ritual site with candles and stones, “Black Fairy Egg Nest” feels like a secret den where winged creatures could emerge at any moment. The primary piece hovering overhead is a nest of hand cut resin light sculptures dripping into the exhibition space. A pregnant mass leaks thin glowing strands and dark stones dangle towards the ground below.
But while there is a medieval and religious feel to the work, Sinelnikova is more broadly concerned with the distinction between who we are and how we present ourselves to the world. Her use of a fairy as the icon of the work symbolizes the contradictions inherent in our identities. As Sinelnikova points out in her artist statement, fairies are represented as both benevolent creatures who grant wishes and tricksters who can thwart even the most noble of plans. In this way fairies seem to be like us, flying between the light and the dark.
“Black Fairy Nest Egg” is part of Sinelnikova’s larger “Fairy Organs” work and includes sculpture, video and performance. “Conjuring Rebirth,” performed by Sinelnikova aka The Oracle and Xenolith Yolita aka Culttastic uses the glowing, dangling sculptures as a location for mystical curiosity, acquiescence and frustration. “Meditation on Suffering” centers around a glowing square where multiple women decked in shimmering foil move in concert with whispering voices in a neon lit disco. “Sentinel Seraphim” moves the multiplied women out of the geometric world of “Meditation” and into nature where the foil then takes on the likeness of wings.
Julia Sinelnikova is an artist and curator working in New York City. She has had solo exhibitions in Brooklyn, Austin, Houston, Barcelona, and Oulu (Finland). She recently curated “LEMNIVERSE: Vector Gallery at Art Basel” at SELECT Fair, Miami Beach and “Seeking Space 2014” at the Active Space, Brooklyn.
The design studio/street art crew known as Truly Design is truly an expert at creating anamorphic art. The group is playful with both literal and figurative perspective. The Medusa anamorph, for example, does precisely this. According to the myth if a person looked directly at the serpant haired Gorgon they would instantly turn to stone. Perseus was only able to slay the monster by looking at her reflection. Similarly, this Medusa can only be seen from singular perspective.
Some tasty motion graphics & 3d mastering can be found on Jon Malkemus’s site.