Pauline Hisbacq’sThis Side Of Paradise documents Rallyes, parties for teenagers from upper-class in France where well dressed young people dance, drink, and try to seduce one another in a world where they are free to be young and live a careless existence.
From the exquisitely drawn works of Los Angeles based artist Ben Tegel to the mixed media collages of Ryan De La Hoz Beautiful/Decay’s Click To Collect program offers you an accessible way to hang original art works in your home. Priced $75-500 all 60 of these works are sure to transport creativity into your home and office and ignite inspiration in your everyday life. Shop Click To Collect Now!
James Clarkson‘s collages take photographic images of objects from old art catalogues and treats them as a blank canvas to add abstract paint-strokes and form new art. The Sheffield-based artist focuses on the contradictions between high-art, design and mass-production; demoting the artworks of the photography to mere found objects in order to explore new forms and meaning. Check out more images after the jump.
Peter Scherrer is a Washington (state) based artist and makes amazing paintings about the woods he grew up around. His newer work feels like a combination of fauvism and DeKooning, but his older stuff is 100% woods and it makes the woods feel like a whole other kind of jungle. If you find yourself in Seattle in the next two days, check out his work at the Cornish College where he is hanging until the 13th. “You have to love the paintings of Peter Scherrer. They’re perfectly serious, thick and virtuosic and painterly and dark, and funny at the same time.” – Jen Graves of The Stranger ( via )
Finnish illustrator/photographer/director Miika Saksi’s work is everything I love about fantastical and mythic Lisa Frank evoking creatures galloping the fine line between awesome and cheesy as hell. It’s almost as if (for me) the relationship between work I like, and what I can Google image search is basically one and the same…
I haven’t seen a show that has blown me a away in some time so it was amazing to see the current show at Ace Gallery by John Millei. I wasn’t familiar with Millei’s work but apparently he’s been making abstract painting for a while, working in various styles and techniques. I had a few minutes to walk through the show but I can easily say that this is some of the most important abstract painting being done in the last 10 years. My favorite pieces in the show were the black, white, and silver paintings from the Quicksilver, and Maritime series. These are massive paintings that command attention in both their complex compositions and masterly paint handling. The photos just don’t do the work justice as the subtle colors and layering are lost in translation. If you’re in the LA area do yourself a favor and check out this show. I already have plans to make a second and third trip myself.
In 2012, Paris-based photographer Floriane de Lassée was in Ethiopia when she came up with her “How Much Can You Carry?” series. While there, she took notice of the varieties of weight that people would carry above their shoulders. Since Ethiopia, de Lassée has traveled to 6 other countries – Rwanda, Nepal, India, Japan, Indonesia, Bolivia, and Brazil – documenting an even more diverse array of humanity and its essentials. de Lassée says, “‘How Much Can You Carry?'” is above all a tribute to the bearers of life; those whose life is heavy and where smiles and laughter become the key to a livable existence. This series can be read on two levels. The first refers to these modern caryatids; the second, more secret, talks about various weights we all carry, whether physical or psychological (the weight of tradition, education, family, etc).” (via junk culture)
We’ve all probably spent too much time watching creamer dissipate into coffee (or at least i did when i bussed tables). The interesting part to me wasn’t how beautiful and otherworldly the plumes looked, but how watching them never seemed to get old. Italian photographer Albert Seveso obviously shares this fascination and expands on it with varicolored inks which he captures with high-speed photography as they unfold underwater. Captured like this, the ink looks incredibly physical, like glass sculptures. Witnessing the transformation of substances feels like watching the cosmos themselves, which we are in a sense, and is why this is a series third graders and thirty year olds alike can get behind.