French artists Zim and Zou, comprised of Lucie Thomas and Thibault Zimmermann, took Spain by storm this May during EXPO Milan 2015 with their elaborate, thought provoking artwork. In store windows in the streets of Milan, the talented pair installed displays of intricate, three-dimensional work bursting with color and environmental messages. Created mostly out of carefully cut paper, Zim and Zou’s series illustrates the harmful effects GMO’s and aggressive farming can have on the environment, our own bodies, and the food industry as a whole. This fell in line with this years EXPO Milan theme for 2015, which is “Feeding the planet, Energy for life.”
The series in the display windows, titled Edible Monsters, reveals an array of sterile looking plants and animals, complete with mutant-like features and unnatural colors. Although these seemingly bright and cheery scenes evoke feelings of warmth and pleasantness at first glance, they all hold a bizarre aura, showing how the path that we currently are on can lead to terrible and irreversible effects on nature. One scene displays brilliantly colored, happy flowers that devour insects. In another window, one can see a fish swallowing harmful pills and a rabbit with a mutated third ear and crazed eyes. Each installation is beautifully done, but has a dark undertone of what effects chemical use and genetic manipulation can possibly have on our future. These eye-catching window displays shed light on the important subject of the world’s dietary habits and sustainability in a fantastical way. (via Design Boom)
At a time when makers have more tools at their fingertips than ever before, it’s intriguing to see an artist dedicated to perfecting the use of the most basic, universal medium: pencil on paper. The delicate, slowly unraveling works of Bay Area artist Claire Colette showcase a deep understanding and intimacy with her chosen medium. The works are an investigation of fragmentation—reminiscent of destroyed VHS film, magazine clippings or even slightly fragmented memories. The works reveal the artist’s interest in capturing, remixing and representing an instantaneous moment, despite the fact that each piece is slowly and meticulously rendered in graphite.
Bijan Berahimi is a Los Angeles local designer, illustrator, publisher, and more. He has recently updated his website with fresh works from posters, to postcards; web sites to exhibits. His work is light-hearted and welcoming, full of color and suprises. Bijan also publishes an e-zine titled FISK – a growing resource for designers – a platform for discussion & participation.
Petra Zlonoga is an artist living in Zagreb, Croatia. This is her first hand drawn animated film. Pretty impressive, right? This glorious video reminds me of cartoon shorts I adored as a kind. Good ole’ hand drawn animations. Makes me want to see more! Besides being an animator, she is also a very talented illustrator. You can check out here work on her blog that she updates 3 times a week.
Not only has Kate bequeathed copious amounts of love and affection on Mr. Zigglez, our lil hard-workin’ B/D office mascot (which makes her good in my books) she has won all of our respect here at B/D for her amazing bit-mapped B/D graphics, lovely blog posts, and sharp as nails design sensibility! We will miss you terribly Kate. We were not so sure, seeing as your boyfriend Matt interned here first and is a very hard act to follow. Just kidding! We were sure you would totally be better than him. Just kidding! We love you both equally. Thanks again! Check out Kate’s amazing design portfolio here and view some of her works after the jump!
Yes, you read that right; the artist Antoine Bridier-Nahmias paints with mould, marrying art and science in an unexpectedly delightful way. His strange media include various sets of bacteria and fungi, ranging in color, texture, and density, and a petri dish serves as his canvas. Once a piece is grown to his aesthetic satisfaction, the artist photographs it from above, capturing the nuances of the material in stunning resolution.
Bridier-Nahmias’s images, perhaps revolting if seen inside your fridge, are visually enthralling when viewed in the sterile confines of the dish. Like strange and serendipitous science experiments, the moldy surfaces create ordered geometric patterns found time and again in nature; unlike paint, the bacteria reproduces itself in accordance with complex biological laws, forming perfect circles and straight lines that emanate from their centers.
A gorgeous visual balance is achieved through the artist’s careful and deliberate use of color and form; within the gestalt of the dish, puffy clouds of mould, large as sand dollars, are balanced out perceptually with bright reds; seemingly disparate species of bacteria work together to create a harmonious work.
In these pieces, the chaos of life and bacterial growth exists in continual tension with the neatly ordered aesthetic of the work, inviting views to examine moldy patterns not with disgust but with transfixed delight. When given free reign to multiply within the petri dish, these species create astoundingly formal compositions, flawless patterns that no master artist has come even close to replicating. Take a look. (via Design Boom and It’s Nice That)
Welcome to the HR Giger bar located at the museum of the famous sci-fi artist in Gruyeres, Switzerland. Decked out with bone chairs, spinal chord ceilings, and dead baby relief wallpaper this bar is surely to leave a lasting impression on while your awake as well as in your darkest dreams. (via)
The interior of the otherworldly environment that is the H.R. Giger Museum Bar is a cavernous, skeletal structure covered by double arches of vertebrae that crisscross the vaulted ceiling of an ancient castle. The sensation of being in this extraordinary setting recalls the tale of Jonah and the whale, lending the feel of being literally in the belly of a fossilized, prehistoric beast, or that you have been transported into the remains of a mutated future civilization. Text excerpt from Secret Magazine No. 23, by Javier De Pison