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Guerra de la Paz

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Old discarded clothes guide Miami artists Alain Guerra and Neraldo de la Paz to create works that are fueled by their “silent histories.” After they began to discover their love for using found objects in their work, they became inspired by the trashed clothes they found at a secondhand store near their home. Out of these materials, they’ve constructed bodies, nests, fabulous mounded towers of garments, and whole families of cotton people, eerily alluding to those that wore the clothes when they were new.

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Sydney Phillips Hardin’s Blow Up Palin

Massachusetts based artist Sydney Hardin’s work questions the relationship between the female gender and the media and asks the viewer why over simplified representations of female sexuality are aimed at male and female consumers alike.  I am really enjoying her work, not to mention the name of her website! ( http://www.giantvagina.com/ )

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Heavy Metal

CherylKelley

See those reflections shining in the chrome? Cheryl Kelley is a lady who strictly paints super awesome cars. California dreamin’!

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Beautiful/Decay @ Pulse Art Fair- Los Angeles

Beautiful/Decay is proud to present the work of 5 emerging artists at the Pulse Art Fair this weekend in Los Angeles. We’ll be exhibiting works by Beautiful/Decay Alums Stella Lai, Tanya Batura, Alison Blickle, Derek Albeck, and Sherin Guirguis all weekend long as well  as selling books and subscriptions. Make sure to visit the Pulse site for complete times and locations!

 

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Franklin Evans’ Eyesontheedge

 

 

 

 

 

 

 

Franklin Evans examines the processes of making art—the generation of ideas and materials, their transformation from one to the other, and the many varied states in between. For this exhibition, he will present paintings, sculptures, photographs, and a sound piece in an all-encompassing environment. The wall paintings and collage environments of past installations, such as timecompressionmachine from Greater New York 2010 at MoMA PS1, have been collapsed by the artist and transferred to the surface of large-scale canvases. Mundane materials such as artist’s tape that previously played a key role as a barrier, frame, and drawing tool, are carefully recreated as trompe l’oeil representations, as the use of actual tape in the final compositions diminishes.
In the past, Evans has used gallery press releases to create a framing system presented as temporal floor sculpture. This practice has morphed into the usage of visual highlights from the artist’s gallery visits, captured online images, text highlights from books read over the past year, and scanned photographs from family albums. The viewer will discover various aspects of Evans, as an artist and a person: his childhood in Nevada, his mixed Mexican heritage, and his gay male identity. By focusing on the myriad visuals referencing the various aspects of Evans’ personae, some of these “peripheral” images remain on the periphery, while others become a focal point, as they do for indexicalmeasfocalscreen2012. The archive of hundreds of photographs is threaded to create an “image curtain” that divides the main gallery in two and which occupies an artistic space that builds on the Atlases of Aby Warburg and Gerhard Richter.
Entering this tandem exploration of periphery and focus, the viewer walks into the gallery over Evans’ sculptural “library”, an elevated floor and installation object in flux. It starts as a representation of the literal, moves to a residue of process, evolves as the ideas are extracted from the represented books, and settles into the sound piece 1967 in the main gallery room. 1967 consists of 350 fragments from his readings in the past year, ranging from Justin Spring’s biography of Samuel Steward, Secret Historian, to October Files’ Robert Rauschenberg. The text extractions are voiced by five performers and are played on random shuffle. Operating in the slippery non-linearity of memory, 1967 takes us back to Evans’ birth year. Eyesontheedge is on view at Sue Scott Gallery in NYC until April 15th, 2012

 

 

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Jessica Dance Knows How To Satisfy Gluttony By Knitting Make-Believe Meals

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All the comfort foods we dream of eating but that we’d rather watch from a distance to avoid calories. Jessica Dance made it happen! The art director/model maker/prop stylist collaborated with photographer David Sykes for Stylist magazine to deliver perfectly arranged hand knitted fake meals.

A full platter of English breakfast, beans on toasts, a hot dog covered with mustard. And if we need more condiments we can find them next to our cutlery, salt, pepper, ketchup; Jessica thought of everything. Using lambswool and a knitting machine, she fashioned all the foods at home. She says the bacon was the hardest to achieve as she wanted all the fat to be as real as possible.

The colors are of course true to real food colors. But the tones are slightly altered, giving a healthy, non greasy aspect that we should have found looking at the dishes. If it wasn’t for the fact that this was commissioned for an adult magazine we could have thought we were looking at kids’ toys.
There’s something warm and gentle in the story. And it’s not just about the food elements. It’s a combination. The way it’s photographed, the set up and the overall look of the food that’s transforming random meals into a grown-up tea party set. (Via Booooooom)

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Massive 50% Off Sale On All Beautiful/Decay Goods!

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50% off on EVERYTHING for one week only! Do we need to say more? Beautiful/Decay is putting the finishing touches on an entirely new site, launching next week. We can’t tell you all the details just yet, but we’re super excited to show you the results!

To celebrate, we decided to say goodbye to our current website and shop with a bang by slashing our prices! ALL books, magazines, apparel, and accessories are half off. Most of our goods are already almost sold out- and none of it will ever be remade. So visit our shop and take advantage of this sale now!

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Casey Ruble is in the details

 

Casey Ruble‘s cut-out paper collages are “more or less” true, according to the artist. Inspired by Truman Capote‘s “nonfiction novel” genre, Ruble bases her work on real imagery: photographs, books, magazines. She selectively omits, adds, and mixes facts and fiction, constructing scenes best read by their details.

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