István Szugyiczky is a digital artist currently living in Budapest. His recently updated portfolio employs a simplified palette and strong, almost structural forms. The lines and forms are elusive and seductive mixed against the grainy glow offered in many of his illustrations. Take a moment to enjoy the dark world his pieces have to offer.
Delilah Jones‘ ‘Portal’ collage series forms entrances into other worlds through ripping and layering found photography. The artist, currently residing in Portland, uses traditional techniques in the digital world to seemingly travel through time itself with her fantastical juxtapositions. More after the jump.
Gil Batle is an American artist who spent over 20 years in Californian prisons for fraud and forgery. He endured some of the state’s most infamous facilities, including San Quentin, Chuckawalla, and Jamestown, living in racially segregated conditions under the constant threat of gang violence. During that time, Gil’s astounding ability to draw and tattoo with extreme precision gave him an esteemed reputation among the inmates, thus protecting him from harm and intimidation.
In an exhibition titled “Hatched in Prison,” which will be featured at the Ricco/Maresca gallery in New York from November 5th–January 9th, 2016, Batle presents viewers with a fascinating, sensitive, and detailed glimpse into the hardship and abuse endured in prison by carving these experiences onto the surfaces of ostrich eggs. Brutal images of isolation, beatings from security guards, and chain gangs cover the delicate, ivory-colored surfaces. Barbed wire, gang symbols, and shivs create an ominous symmetry.
In this unique medium, Batle reveals scenes that are usually hidden away from the public eye. There is a special significance to carving trauma onto an egg—an object which Ricco/Maresca’s press release describes as “nature’s most perfect creation and manifestation of life and birth” (Source); Batle’s creations seem to convey vulnerability as well as a sense of hope, renewal, and redemption.
Artist Kat O’Sullivan spent a large amount of time dazzling up her home in upstate New York to be the psychedelic retreat she had always dreamed of. This run-down 1840s residence that she recently purchased is no longer a run of the mill home! O’Sullivan, who specializes in adding a dash of color to nearly everything she encounters, lit her home up like a rainbow. Working with her partner Mason Brown, they added oddly shaped windows and a unique color scheme. The interior, which is not finished yet, will surely prove to be something entirely unique. The house looks like a candy colored structure out of a fairy tale. As O’Sullivan said on her website:
“This is our crazy home, Calico, the House That Sweaters Built! It’s been quite a renovation journey to get it to its psychedelic rainbow state. This is just the first coat. It will only get weirder.”
That is bound to be an understatement. We can’t wait to see what you do with it! (Excerpt from Site)
Oxford, England based artist Jenny Saville, is frightening in how she is so good in what she does. Her paintings always make me feel uncomfortable, and in that way, seduced as well. She is mostly known for her paintings of large, fleshy women that quite often appear similar to landscapes or a huge slab of meat. It’s a desire of mine to one day see her work in person. Amir has, and apparently photographic records of her work does not do it justice.
Flickr user Harvezt imagines what the reverse side of iconic album covers would look like in their illustrative series, The Dark Side of the Covers. Taking famous works by Nirvana, David Bowie, The Beatles and more, the artist not only fills in the other half of well-known characters, but creates entire worlds with a sinister-esque twist.
Harvezt’s additions to these albums make them more well-rounded and conceptually rich. Our new, second viewpoint enhances the story. On Dio’s cover for Dream Evil, we see the original image has a demon making the devil horn with his hands as he peers into a sleeping child’s bedroom. Harvezt’s reverse illustration reveals the the demon being cheered on by a crowd of supporters sporting their own horns.
With all of the thoughtful details that the artist put into these works, they pay homage to these influential covers. Today’s digital downloads don’t always place an emphasis on album artwork, and makes Harvezt’s series a tribute to a time when people purchased physical copies of their music. (Via Metal Injection)