Brooklyn artist Leon Reid IV (in collaboration with Poster Boy) is the man behind the “Hot Off the Press” Showpaper distribution box (pictured above), a functional newspaper box that melts into the pavement outside Printed Matter in NYC. Reid, who creates humorous, public installations that have been placed in cities all over the world, is apparently trying to put a giant spider on the Brooklyn Bridge now? Whether he’s manipulating elements already in existence (like the George Washington statue in Union Square Park) or introducing new material onto the street, Reid always brings sharp social commentary with a strong visual punch. While you wait for the spider, check out some of Reid’s past projects after the jump.
Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
Charise Isis‘ Grace”, a series featuring portraits of women who are breast cancer survivors and have experienced Mastectomy Surgery, is a stunning compilation of images that simultaneously reinvents feminine beauty and inspires courage in women with similar experiences. The project’s process and presentation allows both subject and viewer to access a place of acceptance and beauty.
The photographic project is influenced by Hellenic sculpture (Greek). Its influence serves as a visual reference for the portraits; the draped cloths and the poses the women are photographed in are very indicative of the feminine portrayal in these hellenic sculptures (i.e “Venus De Milo” and “Nike of Samathrace”). According to the artist statement, the reference is also to implicate notions of the survival, adoration, beauty of old ‘artifacts’.
Furthermore, “Grace” is a continuation of the artist’s ongoing exploration of the feminine body and its perception of beauty in contemporary culture.
New York City native photographer Steve Schapiro documents what it means to be a hippie in 2015. Originally known for his photographs of and participation in the original Haight-Ashbury scene in San Francisco in the 1960s, Schapiro’s new aim is to explore where today’s hippie energy lays. From 2012 to 2014, Steve Schapiro, teaming with his son Theophilus Donoghue, traveled throughout the country following various “free-spirit movement” festivals such as Burning man in Nevada, Shasta festival and Rainbow Gathering in California, and others of the likes. Here what they found is that the “neo-hippie” generation “has more to do with meditation, yoga, fellowship, good vibes, and a search for the divine than it does with the mind-altering substances of its 60s predecessor.” Through images of mass nude meditation, men covered in mud in what looks like states of pure euphoria, group circles of shirtless people forming hand hearts with their neighbors, Schapiro sheds light into a community deeply rooted in finding their happiness through channels of love and nature.
“In Bliss, Schapiro captures the multitudes who come to commune with nature, other like-minded souls, and all that is divine and inspirational in the multi-hued spectrum of human spirituality. He focuses on a subculture of the current hippie counterculture known as “Bliss Ninnies” — individuals who embrace meditation and dancing as a way to reach ecstatic states of joy. The book provides an overview of a new contemporary hippie life within America introduced to Schapiro by his son who began his own journey into Bliss at age 23.”
“I heard my song at Whole Foods like a half an hour ago… this is weird”, said Montreal’s Cœur de Pirate, aka Béatrice Martin who performed this past weekend in LA at the El Rey Theatre in front of a very enthusiastic crowd. At only 23 years old, she already has two award winning LP’s under her belt and three new nominations from the ADISQ (Association québécoise de l’industrie du disque, du spectacle et de la vidéo) this year, and she was invited to perform at the Francofolies first American event, A Tribute to Édith Piaf at New York’s Beacon Theatre tonight. I was more than happy that the busy young singer/songwriter graciously sat down with me to chat before her LA debut.
“It’s my first California tour, I did Portland and Sasquatch about a year ago when I was still pregnant so that was intense”. “I wasn’t expecting such a turn out” she says about her show at San Francisco’s Great American Music Hall the night before. “I thought 3 people were gonna show up… it was packed… people that don’t know French and they’re just singing… it was really nice so I’m excited about tonight”.
Together, artists Anton Abo and Ooli Mos make up Orka Collective. The like-minded, Eastern block natives draw inspiration from nature, animals, people, and magic in the creation of their predominantly black-and-white illustrations.
Artist Filippo Minelli uses the ethereal smoke bomb to paint atmosphere in vibrant colors in his striking series Silence/Shapes. This title refers to Minelli’s intention of giving the concept of silence a physical form. His clouds of color give off the impression of a demanding presence, taking over the incredibly picturesque surroundings that it inhabits. The photographer’s smoke bombs always take place in breathtaking environments, like deep in the mountains are on the surface of a serene lake. The boldness of the colored smoke is a harsh contrast to the calmness of its environment. However, the smoke can be as unpredictable and wild as the wilderness it is in, as it swirls and explodes with color into the misty air of forests and meadows. Even further, some of the most incredible views of Filippo Minelli’s compositions are of his smoke bombs wafting through the air of abandoned buildings. The organic shapes that the clouds take on create an amazing juxtaposition against the manmade structures that enclose around it.
When exploring this aesthetically genius series of Minelli’s, you realize that there is a complete absence of human form. No people are ever present. It is almost as if the colored clouds are a life of their own, standing in for human life. In one of Filippo MInelli’s photographs, it even appears that a bright, orange cloud is resting on a bench outside. The smoke begins to take on personality and substance, traveling to different natural environments and absorbing their majesty. Filippo Minelli explains the inspiration behind the series.
“The idea came to his mind when looking at political demonstrations footage, when he noticed that when the smoke was coming into the scene people stopped screaming and the scene was visually silenced too, so he thought of the smoke as the shape of silence taking over.”
London based photographer Hana Knížová‘s new series Young Hollywood focuses on the dreams, goals, hopes and aspirations of the optimistic youth of L.A looking to make a break in the industry. Noted for it’s cut throat competitiveness, Hollywood is no child’s playground. These portraits capture a time of these people’s lives when they are aware of the challenges ahead, but not intimated enough to stop trying. Knížová says of her inspiration:
I am interested in the topic of youth and its ambitions, as it’s something which develops and changes as we grow older. Our motivation and priorities change. Some personal goals might not be achieved for several different reasons – it can be quite disappointing and bitter, but other goals might gradually and naturally start lacking relevance in one’s life. Only time will show.
Stylistically the photographs are shot in various locations, either in personal cars, or homes, local diners, street corners or burger joints – all seeming very personal. It is a rare look at a performer’s inner emotions. It is easy to see boundless optimism and hope, but somewhere niggling doubts are also lingering. Knížová goes on:
I also asked my sitters to fill a short questionnaire about their current situation, about their aspirations, and what “fame” and “success” mean to them. This serves for my personal record, although it was certainly challenging for them verbalise the thoughts. Sometimes we catch ourselves in auto pilot or chasing a dream without forming some sort of context, this exercise is both reaffirming and acknowledging of these big picture goals they set for themselves.
It will indeed be an interesting social experiment to see just where these young Hollywood star and starlets end up down the track. To see more of Knížová’s beautiful work visit her tumblr site. (Via Juxtapoz)