I particularly like the dreaminess of Todd Hebert’s above painting aptly titled, Dreamcatcher. The soft focus fireworks insinuate the mundane and transcendental in a surreal fashion. I love the feeling of feather contrasted with the light, as well. Hebert’s new works will be on display at Mark Moore Gallery beginning July 11th.
Looking like a scene from Lord of the Rings, the Ice Castles of Lincoln, New Hampshire are the result of some very talented artists. Their work has been captured by Filmmaker Julian Tryba in collaboration with time lapse artist Michael Sutton in a new documentary called Frozen Fortress. The film features not only the amazing work of the ice sculptures but an innovative technology which captures the activity in a sped up time lapse format. In the film, we first witness the ice castles at dawn sparkling like gigantic petrified crystals. Once night falls and under multi-colored lights, the glass-like structures change dramatically. The hyper lapse technology enables us to see the same environment come alive as ravers flock to the scene at dusk to experience the castles’ unique beauty in a club-like setting.
Each winter, thousands of icicles are grown and carved into amazing sculptures. Through a process which sprays water on metal, the frozen material is transported daily to build the magnificent site-specific collection of motifs, paths and caves. Artists continue building on the structure during the run and ultimately create an incredible Matterhorn-like structure. The scope is deceiving and in Tryba’s film takes on a much grander scale.
The castles are visited daily by hundreds of people during the winter months in four U.S. states (New Hampshire, Vermont, Utah and Minnesota). They have been the unique setting for music videos and now a well made documentary. (via creators project)
David Datuna, a Georgian-born American artist, established his signature technique of laying a cascading veil of varying optical lenses over an intricate, multi-dimensional, interactive narrative. In December 2013 David Datuna became the first artist in the world to utilize Google Glass in a contemporary work of art with the piece ‘Portrait of America’- a part of his Viewpoint of Billions series.
The piece resembles an American Flag; the 12-foot ‘Portrait of America’, is made up of about 2,000 eyeglass lenses as well as 400 portraits of relevant Americans that either magnify or shrink underneath the glass.
The monumental flag, the first of 10 works in the “Viewpoint of Billions” series, is covered in Datuna’s signature style with hundreds of eyeglass lenses. Creating an experiential dialogue through a sculptural veil of optics, the artist uses different magnifications to draw the viewer to the thematic collage inside his work. The prismatic effects invite inspection, while offering a vehicle for observation, and expanding the definition of modern portraiture.
These embedded images include historical and contemporary American figures: George Washington, John F. Kennedy and Martin Luther King, Jr. as well as Lady Gaga, Steve Jobs and Michael Jackson.
You must be wondering when and how the google glass factor comes into play here. It turns out that the premise of the piece comes alive when it is viewed with a pair of GG. It is then that the work turns into, what the artist calls, a living organism.
By working with Bricksimple, Datuna was able to construct a work that simultaneously worked as a standard tangible piece of art, to something that becomes alive digitally, through audio and visual clips presented on ‘our’ Google Glasses. By simply looking or speaking about the work, your voice and movement will trigger a series of short video clips and questions (to be answered by you) that further examine ideas of power and democracy and its relationship to the history and current state of the U.S. Ten cameras, embedded in the artwork, together with the built-in camera in the Google Glasses work to record your answers and to take your portrait. These clips of information, taken from you, will be archived as a part of the digital collage emebedded in the work. Your interaction with the artwork will also be sent out to the world via social media.
The work becomes, in a sense, a living and ever-changing archive that simultaneously works as a piece of art and a malleable and interactive biographical ‘text’ that takes shape into relevant historical (in both art history and world history) progress.
Katherine Akey’s works traces the delicacies of life on this planet in various ways. Through photograms and photographs, she narrates the whimsical beauty of nature. These smokey, sparkling greys are from a body of work titled Aurora, where she captured the mysterious movement of the night sky. Her penchant for unearthing, discovering, and a curiosity about the sacred aspects of voyage have imbedded in her a unique way of viewing the world, one she projects masterfully from glass lens to gelatin. Outfitting herself to visit Svalbard in the next year, she will no doubt deliver a new body of work that is even more sophisticated and compelling.
Akey is a beautiful writer, and her this excerpt from her blog shows her motivations and what led her to commit to the upcoming Arctic Circle Residency in Svalbard. Beautiful and compelling, it reads like poetry:
“These questions and their associated emotional valences could be analyzed using the machines and tools of a scientist; I choose, however, to use the events of the past, the texts left behind, the myths generated, and, hopefully, my own foray into those parts of the world as material for art making. My work also confronts the reality that adventure as we have long thought of it is just about snuffed out. Astronauts go to the safety of space stations instead of venturing into the infinite universe, and robots have taken the place of humans to explore the dusty surface of Mars. The ambitions of so many of these men who went north to explore were complicated and compelling; what drove them to embark, what kindled the hope that kept them alive, and what they give credit to for their success once they return are all completely different things. The North Pole itself is elusive and misleading; there’s a geographic north pole, a magnetic north pole, the celestial North Pole, and a northern pole of inaccessibility. The Arctic, unlike the Antarctic, is a frozen ocean, not a continent; there’s no land mass, just sea ice. The mythic explorer hero is also a foggy, misleading concept; these men were egotistical, driven by ambition, and many of them died miserable, needless deaths alone. All of my interests and works come out of this deep respect for the Human; I see it so clearly in these fevered moments of triumph-cum-horror, like the World Wars or the Golden Age(s) of exploration.”
It’s a never ending summer inside Dan McCarthy’s world. The mirage created by the blue ocean and the red flesh of the bodys on the beach, captivates the eye which is enticed to stare at the warm nuances that the painting is offering. The “dreamscapes” are liberating.
The artist is not only is a painter, sculptor, messenger; he is a poet. Through his art, his desire is to create a memory. The details don’t have to be remembered; the viewer leaving with a feeling of freedom and comfort is the optimal destiny of his work.
The barely dressed women and men are expressing personal emotions and allowing the viewers to feel their fragility. Accessorized by fish, birds, mountains and rainbows they encourage a dialogue in the direction of nature and the world at large. The props such as a guitar, skateboard and surfboard are symbols used to reiterate location; these devices lead the viewer to fill in the gaps based on other clues like paint handling and materiality.
Dan McCarthy works quickly by rinsing and blotting thin layers of washed out pastel tones, allowing the paint to drip down the canvas. It’s a process based largely on intuition and working within the moment. He is stripping it all down to the essential basics, trying to let the sunshine in.
He recently started to work on ceramic sculptures that he calls Facepots. Wanting to express emotion, attitude and humour in his work, he chose faces as an obvious starting point. As Dan Mccarthy once remarked: “I’d like to include in my work something of the living spirit, something positive that can be taken away and built upon by a viewer. Certainly more a feeling than an attitude or ideology”.
Unless you’ve been living under a rock you’ve heard about the arrest of prominent Chinese artists and activist Ai WeiWei by the Chinese Government. Ai Wei Wei and dozens of bloggers and artists were arrested earlier in April for “inciting subversion of state power,” a catch-all term used to jail anyone critical of Communist Party rule. Apparently The government is concerned that activists want to launch a “jasmine revolution” similar to the protests taking place in the Middle East.
Yesterday NPR released a great story about graffiti popping up all over China supporting the artist and demanding for his release. Street art is at its best when used to expose corruption. Taking your cause to the streets is one of the only ways to let your voice be heard In a country where the government won’t give a legitimate platform to its citizens. Lets hope that more people stand up to the government and demand that not just Ai Wei Wei but all political prisoners are released and that an open discussion can begin between the Chinese government and the countries 1.4 Billion residents.