The paper cut pieces of Wendy Wallin Malinow reveal the deeper goings-on of animals. Malinow’s pieces are cut to expose an x-ray type view of various forest and ocean animals. In addition to the bone structure, a meal is visible inside each animal. While playful, there is also a sad quality to her work. Malinow’s work reveals the nourishment and effort to needed to survive as well as the violence at times inherent in that. A squirrel has ingested some acorn’s while a wolf seems to be filled with the ghost of a red riding hood.
Jansson Stegner’s work could easily have turned into your typical figurative work but the strange elongation of the figures gives the work a bizarre psychological twist. It’s kind of a mix between Balthus and John Currin.
Artist Corey Corcoran forgoes paper or canvas for a less traditional medium. He carefully etches his work into mushrooms, artist conk mushroom to be exact. Corcoran’s etchings are intricately detailed and lightly engraved into the underside of the mushroom. His work seems to be caught in the middle of an engrossing narrative, a story unfolding. Also, Corcoran doesn’t forget the natural character of his medium when determining the content of each piece. The mushrooms are populated with carefully depicted plant life, insects, animals, and even people.
From 1975 until 1977, Iranian photojournalist Kaveh Golestan captured the lives of the women in Tehran’s red light district. Although primarily known for documenting war and conflict in the Middle East, Golestan’s project involving these women gives light to a different issue, one that has not seen the spotlight in years if not never in Iranian society.
“Some of the women were tragically charred to death during the blaze and several others were arrested and later faced the revolutionary firing squads in the summer of 1980.”
Golestan’s series, comprised of 45 black-and-white photographs, reveals an honest but explicit look the women that lived this lifestyle in a region formerly known as Citadel of Shahr-e No. Due to their rare and insightful qualities, the photographs where immediately released in the Iranian newspaper ‘Ayandegan’ and later, in 1978, they were shown at the University of Tehran. The exposure of such imagery, however, alarmed authorities, and the exhibition was shut down after 14 days without an official explanation. A year after the exhibition, the Citadel (the place where Golestan shoot these photographs) burned to the ground during the 1979 Iranian revolution.
Today, these photographs remain as records of Iranian history but also an a courageous and beautiful series of art photography. Today, Golestan’s “The Citadel”, an exhibition devoted to these women, will be showing at Foam in Amsterdam starting in March 21 until May 4th, 2014. Apart from the images, the exhibition will also feature Golestan’s personal journal entries and essays relating to his experiences traveling the region, illuminating the stories of the Citadel’s forgotten women. ( via Huff Post)
Do you stay awake at night dreaming of the day when you can interact with artists and designers from around the world? Do you get a warm & fuzzy feeling every time you walk by a bookstore or magazine stand? Have you always wanted to work side by side with the an elite group of creative minds who only use the finest office supplies such as golden staples? Do you enjoy nothing more than resizing and cropping a pile of photographs as tall as a 3 story building? If you answered yes to any of these (or none of these questions) then this just may be the internship for you!
Now that you feel excited about our internship opening read the fine detail after the jump!
Constance Mallinson‘s large-scale paintings merge the man-made world and nature literally by constructing figures from images of leaves, twigs, and decaying organic material. They are grotesque meditations on both the mortality of humans and the world in which they live. Her full-figured “nature people” reference both the works of Giuseppe Arcimboldo, the 16th-century Italian known for paintings in which still life objects are used to form surreal portraits, and famous paintings, such as Edouard Manet’s 1863 seminal painting “Olympia.”
In examining her recent paintings created from decaying matter, L.A. Times critic Christopher Knight wrote that “after painting savvy landscapes for more than twenty five years”… the current “imagery suggests the way in which we project ourselves on conceptions of nature, creating the natural world even as we go about assuring its destruction.”
Illustrator Jed Henry is pretty deep into this series. Using characters from Nintendo video games, Henry creates digital works in the style of Japanese woodblock prints. The pairing makes sense. Nintendo is, after all, a Japanese company. These lend a certain gravity to the characters, which were originally designed to be animated and simple. They establish the narratives behind the games as some sort of Aesopian fable. Donkey Kong is ten times more badass in this version than the actual games. (via)