Netherlands-based artist John Breed uses a myriad of materials in his work, and mannequin legs and womens’ shoes are on that list. He paints the individual body parts and their accessories, arranging them so they form an eye-catching design from afar. Depending on your vantage point, you might not even realize what you’re looking at. His all-gold piece titled Medusa’s Shoes features the different heels placed closely together so that they collectively resemble the monster’s wild hair instead of separate parts.
Breed’s other large-scale installation, titled Shoe Salon Breuniger, features an undulating, rainbow-colored collection of heels that sprout from a wall. Bent at different angles and cut at various lengths, each can be admired individually for its detail and accessorizing. It looks as though it was eventually installed somewhere with an escalator, like a mall. This candy-coated display seems like the perfect way to bring some fresh artistic air into a space that can seem stale.
Reservations are now being accepted for limited edition flu shots; each shot comes with corresponding certificate of authenticity signed by the artist.
-That phrase is taken from the press release for Get the Flu, Mark Benson‘s current exhibition at Ever Gold Gallery in San Francisco. A registered nurse was on site during the opening to administer real flu shots as part of a symbolic gesture to accompany the show, which focuses on themes surrounding the human need for control. It’s too hot?- turn on the air conditioner. Don’t want to get sick?- here, have a flu shot. Benson’s ability to present his commentary in such a unique, but direct way is really impressive.
Find some images from Get the Flu (on view til the 27th), below. And if you’re hankering for a further dose from the artist, you can still pick up a copy of Beautiful/Decay Book 7 right herewhich features a spread by him.
Here’s some thoughts from the artist about what inspires his work:
Nature is not evil, it´s ugly. That is why we have gardens. It´s like ok, but we can do it a little bit better by arranging everything. We are obsessed by Tetris, order and man-made systems.
Computers likes simple shapes, so do we. We make trees to planks and clay to bricks. Building cities, like with Lego. The animals think different, with their nests and Lodges.
Before nature was scary, then romantic. But now we feel sorry for it. But does it matter? Nature create shapes and we create shapes. Surely, we don´t want to be nature. I create shapes and so should you.
Dan Colen’s trash-to-treasure mixed media installations remind us of the potential of beauty in the discarded. In his exhibition, Blowin’ In the Wind, Colen repurposes the painting tools which he uses to create his Trash series. These objects are placed or hung in the gallery, absent of the painted canvases that resulted from their use. Painting tools include objects such as a flip-flop, a paint can, rags, string, bottles, a tire, a yellow mop bucket, a McDonald’s food bag, and an umbrella handle. In Out of the Blue and Into the Black, Colen tars and feathers an entire gallery wall with one small and bright painted canvas among this image of morbidity. Also part of this installation is a cluster of suspended beat-up and forgotten blue bicycles. Representing the more literal approach of trash-to-treasure are canvases onto which Colen has pasted painted trash or gum and gum wrappers. Colen’s background is in painting and a series of his oil paintings, entitled The Spirits That I Called, will be on view at Oko Gallery in New York from May 15 – June 15.
The advent of Google maps was eventful for the general public – it became the first time most of us had access to these views of earth. However, it also turned out to be problematic for some governements. Some governments obscure areas they deem too sensitive to appear on Google maps. This is generally done by simple blurring or covering an area with a white or black box. In his series Dutch Landscapes, Mishka Henner presents the unique censorship of the Dutch countryside. The Dutch forgo simpler censorship methods for a strangely attractive one. Variously shaped and colored polygons cover sites the government would rather keep off the map. Inadvertently (or perhaps intentionally) the Dutch government abstracts the landscape in way that fits in well with an artistic tradition.
Good buddy and painter extraordinaire Alison Blickle turned me onto the work of Christoph Ruckhäberle the other day and my mind was immediately blown.These paintings are completely bizarre and incredibly beautiful. Everything from the choice of color, the abstraction of the human body, and the strange vintage imagery sets it aside from work that you see on most gallery walls!
Michal Chelbin’s photographs of prisoners in the Ukraine and Russia makes me think who is this person? Chelbin chose to not discuss the prisoners crimes until after the photo shoot was over. The result is a haunting series of images that make the viewer ask who is this person? Why is he dressed like this? What does it mean to be locked up? And can we guess what a person’s crime is just by looking at his portrait?
Lutz Bacher‘s recent exhibition at San Francisco’s Ratio 3 included the series The Celestial Handbook: offset book pages taken from found copies of amateur astronomer Robert Burnham Jr.‘s 1966 handbook of the same title. Each page — there are 85 in the series — is individually framed, forever capturing timeless subjects in a dated format. What we see are images of things that surpass the power of imagery with captions that can’t help but fall short in describing things that surpass the power of language. (via)