This is the unbelievable survival story of a young skateboarder named Ross Capicchioni from Detroit. I don’t want to ruin the story but if you only do one thing today watch this video. I promise that you’ll forever be changed. Watch the 2 part video after the jump.
Herbert Baglione, a native from Brazil, has brought to light the strong culture of graffiti from the streets of Sao Paulo to the rest of the world. The art that lives in the streets of the South American country is very well portrayed in his artwork as he brings to life the monotonous urban environment that we pass by every day. He takes on the task of making it part of his canvas.
The work of artist Pard Morrison seems to reference both the analog and the digital at once. His hard edged fields of color are reminiscent of image pixels or two dimensional mock ups of some sort. Morrison often contrasts these blocks of color with a natural landscape barely touched by technology. His work addresses how experience is increasingly mediated by technology – how a three-dimensional landscape is increasingly lived in two dimensions. While these pixels and blocks build many images we experience everyday, they also can hide and obfuscate them. [via]
I stopped by Leon Reid IV‘s studio in Greenpoint to see what he’s been up to lately. He’s been pretty busy. Last month, he installed “100 Story House” a public art piece created in collaboration with Julia Marchesi. And he released a new sculpture series less than two weeks ago. On top of all of that, he’s in the midst of raising funds for “A Spider Lurks in Brooklyn”, his proposed project to put a giant spider between the cables of the Brooklyn Bridge during October of 2014 (you can get involved with the project here). So I was pretty psyched that he was able to make time to show me around. Leon’s been creating public art in some form or another for eighteen years now, and his studio was full of past projects and concept sketches.
The kids in Emily Stein’s photographs of mosh pits at concerts are totally free. It’s fascinating that teens – who we all know are notoriously self-conscious – are able to let go to such a wild extent. At the same time, it is not at all surprising, as when are you wilder than in your teenage years? Stein captures the gamut of experiences: intense energy, happiness, rapture, contentedness, trance and goofiness.
If you’ve ever moshed, you know it’s a one of a kind experience. The energy can become very aggressive, but people are almost always responsible and friendly. You can be shoved violently by the same person who lends you a hand to pull you back up off the floor. It’s a great release of energy and opportunity for expression without judgment. You can flail and hurl yourself any way you want, and no one will call you on insanity, because they’re all in it with you. It’s beautiful to see the teenagers so enrapt in the experience. Stein’s photocomposition is candid and not overly calculated, probably because of the nature of the project. It’s exciting when you find the half-hidden expression of some head-banging preteen thoroughly enjoying their epic Saturday night.
Titian, Danaë With Eros, 1544Sandro Botticelli, Birth of Venus, 1486Jean Auguste Dominique Ingres, Grande Odalisque, 1814Raphael, Three Graces, 1504–1505
Unfortunately, today’s media offers a limiting vision of female beauty, urging all women to have slender waists and full chests. Bodies that deviate from this standard are tossed by the wayside by publishers and media giants, photoshopped into figures that conform to an often impossible ideal. But it wasn’t always like this; Baroque painters like Titian and Peter Paul Rubens idealized fuller figures, imagining their nudes with sensuous curves of the flesh.
Lauren Wade, a senior photo editor for Take Part, has seen firsthand the digital nipping and tucking that goes on behind the scenes in the publishing and entertainment industry. In response to the societal obsession with “perfect,” unrealistic female bodies, Wade has digitally altered Renaissance, Modernist, and Post-Impressionist masterpieces to mimic the ways in which fashion models and celebrities are edited today. By releasing a series of gifs showing the extreme lengths to which industry standards alter the human form, she hopes to bring awareness to the fact that what we see in the magazines is entirely unrealistic and to remind us that “beauty” comes in all shapes and sizes.
Here, the female subjects of Paul Gauguin and Edgar Degas, once considered to be idealized, get uncomfortably slim waists and oversized breasts. Raphael’s three graces, once representing the characteristics of female perfection— charm, beauty, and creativity— are also cruelly altered. The goddess of beauty herself, Botticelli’s Venus, doesn’t conform to 21st century societal standards, and she too is deeply changed. Even Titian’s Cupid gets a makeover. Wade’s work reminds us that definitions of “beauty” are in constant flux; as the centuries pass, we set one arbitrary ideal before another. In the end, aren’t all figures lovely and worthy of artistic representation? (via Design Boom)
What are you going to do when you’re retired? Will you tinker in your garage, enjoy making crafts, or go on giant sight-seeing trips? Photographer Harry Griffin paints portraits of old age in his series titled Gold Coast. Dentures, wrinkled hands, and an easy chair, and more showcase a quiet-yet-luxurious existence in a sunny place like South Florida.
The vividly-colored images are cropped compositions that are bizarre in the framing. Although we know that we’re looking at retirement, it’s hard to glean a lot of information about what we’re seeing. So, a guy taking out his dentures wrapped in green plastic is equal parts amusing and confusing. It doesn’t seem that different than the act of getting old itself – moving towards a life of easy living while at the same time finding yourself doing ridiculous-looking things to keep up comfortable and entertained. (Via La Monda)