The art of Skinner is full of mullets, monsters and metal heads, not to mention the lurkers, samurai and lil’ devils. The self-proclaimed nerd for life takes inspiration from the world of fantasy, giving life to the dreams (or sometimes nightmares) of Slayer fans and Dungeon masters everywhere. The beautifully detailed works combine the aesthetics of street art, comic book illustrations, and something akin to black velvet paintings on acid. Each work has such an immense sense of epicness, it’s hard to not get caught up in the world created. And while many of the paintings and drawings convey infinitely complex scenes that you could look at for hours, Skinner also makes lighter works that are hard not to love, especially when they’re called things like Eternal Jamnation, and have a dark, glowing monster jamming on a guitar, surrounded by bats. It’s the kind of work that just oozes passion, because no one could make images so far from reality without being totally immersed in the process. It’s like a Metalocolypse Halloween episode 365 days a year. But, despite the awesome appearance of his work, Skinner is extremely introspective and self-critical, constantly challenging himself as an artist and working to create something completely innovative. His determination to return to a more childlike inspiration, a time when “it was just raw freedom, there were no expectations, there were no ideas of good or bad it was just being in the moment and trying [his] best to do something that looks good.”
Over a decade before Lady Gaga thought about wearing bizarre costumes, collaborating with artists, and being a walking sculpture björk was busy creating work that was challenging both to your eyes as well as your ears. It’s great to see that she’s still as quirky as ever in her new video for Moon,complete with red afro (with a chinstrap) and a harp belt. Watch the full video for Moon after the jump.
Why paint the front of the canvas when you can turn it around, add a few more stretcher bars into the mix, and create work that blurs the line between sculpture and paintings. Well Maria Walker has done just that with her colorfield paintings covered with tumor-like bumps and protruding limbs.
I’m usually into very loud and boisturous paintings but there is something extremely rewarding in the quiet and subtle portraits by Shauna Born. Each modestly sized painting features a sitter looking blankly into the viewer. The sitters don’t do much in the paintings but the piercing looks in their eyes warn you of a hurricane of emotions that is to come.
She Is Frank mixes bizarre scenarios and bold retro sets to create captivating fashion photography. A personal favorite is the image above. Who doesn’t like to see beautiful images of models eating Chinese food with such vigor?
Dan Attoe has a new show up in Berlin at Peres Projects. The places in Attoe’s new work are psychologically pregnant. Some feature groups of people doing a focused activity together, like camping or going to a dirt track demolition derby. There’s enough detail that we can put ourselves into the places, and hear the moon crickets, or smell the b.o., beer, and car exhaust mixing into a sort of glorious perfume. Many artists are concerned with myth making, and that’s because we live on the Earth, but in a world. A world isn’t a physical thing – it’s a story we tell ourselves to make sense of our experience. Attoe’s newest work conjures places in order to get at the heart of that human story, and he’s weaving a spell of world-making as much as image-making here. All the images in this post are courtesy of Peres Projects. Dan’s show is up until November 5th.
Does an artist’s, like a pro-wrestler’s, value depend on his or her physical mass? Not necessarily; however, Faye Mullen’si am an artist and i weigh physically contextualizes the worth of the artist in a quantiﬁed way with the intention to resurface the question of self worth and the value of the artist’s creative output.