If you haven’t heard, Book 2 is in the shops just in time for the holiday season! Get your copy now or subscribe and take advantage of our B/D Holiday Sale- 20% off all merchandise (just enter BDXMAS20 at check out!)
Supplies are limited and once we sell out they will never be reprinted. Just 1,500 hand-numbered copies of this baby are in existence! Each book comes with a hand-numbered, hand-signed silkscreen print and artist sticker- in addition to our usual 164 pages of full color ad-free art and design content.
Check the video above to see Book 2 come to life in a motion-picture preview! More info about the book’s theme, special inserts and artists below.
There is something desolate about Ryan Pierce’s woodblock-style paintings, although they’re filled with color and often the riotous bounty of nature…maybe it’s the lack of human presence that makes all of his scenes feel somewhat abandoned. A couple of the pieces below, in particular, are very Van-Gogh-ish in their paint handling and palette, a reference I feel I haven’t seen explored much out of young contemporary artists. Ryan seems to update the expressionist ethos into a post-industrial landscape.
Swedish artist Michael Johansson is the Tetris master of art. His brilliant assemblages of found objects such as books, luggage and other everyday materials into tight geometric shapes is absolutely brilliant. Filling empty spaces in buildings, between shipping containers and entrances, Johansson transforms voids into color coordinated shapes of wonder. (via)
Beccy Ridsdel, a UK based ceramicists makes an interesting and truthful (to some) statement:
I know we all have our own opinions, but I think craft is technical and art is meaningful (or a reason for being made, beyond the thing itself). Overly simplistic? Probably, but for ceramicists this can be a big issue as ceramics is almost universally seen as craft regardless.
Ridsdel poses an interesting question here, one that not many contemporary artists are asking themselves simply because we are living in a world were art, for the most part, is conceptual. But what happens when someone like Ridsdel, who has the ability to make pottery, or plates, in this case, wants to make her craft both functional and a conceptual art piece?
I chose to make a series of definitely craft objects – bone china plates, mugs, jugs – and ‘dissect’ them.
Here, Ridsdel presents to us an interesting series of ceramic pieces that shows both her craftsmanship but also her creative thinking process. These endearing and fun plate and tea cup sets allude to something more than just eating and drinking. While still remaining functional, the cups and plates work as a signifier that brings to mind ideas of surgery and cosmetic alterations. This concept is ingeniously embedded within the multi-layers plates, and the surgical tools placed near them. (via Colossal)
Jean-Pierre Roy is a New York-based artist who paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Their behaviors are likewise strange; wearing modern clothing, they loom against empty horizons, their faces splintered into expressionless shapes. Many of them appear contemplative, or even violent, pulling the clothes off prone bodies and engaged in silent feuds.
Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality. He strives to explore what he identifies as “the pull of the fantastical”—that moment when “your existential understanding of the nature of things will be questioned.” (Source) By making the earth unearthly, by depicting the self in unexplained contexts, and by crossing the beautiful with the unknown, Roy’s work provides fascinating visions of immaterial and cosmic worlds. (Via Trendland)
Blurring the boundaries between safety and horror, Video Psychedelic Hockey Mask is the perfect film for the hockey fan…and the horror film fan? The one-hour long video features an all-star cast of one goaltender’s mask popularized by numerous hockey goalies and crazed killers. From the creator of Video Pizza, this video features 60 minutes of psychedelia as the mask spins its way to high heaven. This one-of-a-kind experience, produced by Wolf Choir Home Video, is a must have for any person who wears costumes, is preparing to be a psychotic murderer, or who loves rotating things soaked in golden hues.
Karen Knorr’s past work from the 1980’s onwards took as its theme the ideas of power that underlie cultural heritage, playfully challenging the underlying assumptions of fine art collections in academies and museums in Europe through photography and video. Since 2008 her work has taken a new turn and focused its gaze on the upper caste culture of the Rajput in India and its relationship to the “other” through the use of photography, video and performance. The photographic series considers men’s space (mardana) and women’s space (zanana) in Mughal and Rajput palace architecture, havelis and mausoleums through large format digital photography.
Karen Knorr celebrates the rich visual culture, the foundation myths and stories of northern India, focusing on Rajasthan and using sacred and secular sites to consider caste, femininity and its relationship to the animal world. Interiors are painstakingly photographed with a large format Sinar P3 analogue camera and scanned to very high resolution. Live animals are inserted into the architectural sites, fusing high resolution digital with analogue photography. Animals photographed in sanctuaries, zoos and cities inhabit palaces, mausoleums , temples and holy sites, interrogating Indian cultural heritage and rigid hierarchies. Cranes, zebus, langurs, tigers and elephants mutate from princely pets to avatars of past feminine historic characters, blurring boundaries between reality and illusion and reinventing the Panchatantra for the 21st century. (via)