KIM KEEVER’s large-scale photographs are created by meticulously constructing miniature topographies in a 200-gallon tank, which is then filled with water. These dioramas of fictitious environments are brought to life with colored lights and the dispersal of pigment, producing ephemeral atmospheres that he must quickly capture with his large-format camera.
Roman Klonek has a soft spot for old fashioned cartoons, especially east european styled prints that sit somewhere between folk art, pop, and propaganda graphics. In the 90s he studied Graphic Arts in Duesseldorf and discovered a passion for woodblock printing. For the last 10 years he has been creating posters with a wide range of whimsical creatures, mostly half animal/half human, preferential in awkward situations.
Peter Hoffman’s series about The Bryan House, a unique institution in Aurora, Illinois, where legally established refugees are allowed to reside for periods of a year or more at a time while saving up for a new home, or college tuition, etc. More images after the jump.
Using salvaged plaster lath, the wooden strips embedded in the construction of walls of old houses, Andy Vogt creates two and three dimensional sculptures and installations that explore the structural vernacular of our built environment and how we perceive it. Through the rules and methods of technical drawing and the vantage points of architectural model building Andy pursues concepts of mass, weight and space via material that has little integrity on it’s own.
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Jillian Ludwig’s series Fam Farm reflects in a calm, gentle manner the loss of natural farming within westernized culture. Genetic modification, factory farming, as well as deceitful packaging and misguided labeling results in confusion and a disconnection between customer and the source of their food.