Berkeley, California-based artist Justin Lovato explains that he likes to create works which are “dreamlike, ethereal landscapes that reflect his thoughts on nature and our relation to it, human belief systems, the psycho-political-control system, multidimensional concepts, and esoteric symbolism.” His paintings and illustrations are imaginative, seemingly drawn from some hidden symbolism within a secreted-away corner of the mind. Symbols and words intertwine with twisting bodies, often wounded by geometry.
Born in 1985, Mike Brodie began photographing when he was given a Polaroid camera in 2004. Working under the moniker ‘The Polaroid Kidd,’ Brodie spent the next four years circumambulating the United States, amassing an archive of photographs that make up one of the few, true collections of American travel photography. Brodie made work in the tradition of photographers like Robert Frank, William Eggleston and Stephen Shore, but due to never having undergone any formal training he always remained untethered to the pressures and expectations of the art market.
Brodie compulsively documented his exploration of the tumultuous world of transient subcultures without regard to how the photographs would exist beyond him. After feeling as though he documented all that he could of his subject, his insatiable wanderlust found a new passion, and as quickly as he began making photographs, he has left the medium to continue in his constant pursuit of new adventures.
I wish I had more information about these bizarre airbrush paintings by Norman Catherine but I don’t. You might be thinking to yourself that they were made a couple of months ago but in fact they are from the 1960’s & 70’s which is a wild fact considering the contemporary color choices and subject matter. If anyone can track down more info on Norman please share!
Christian Stearry is great example of what happens when one spends their entire youth skateboarding- it begins to permeate every aspect of your life. His illustrations are focused on the tongue-in-cheek jokes found in growing up “bad,” whether it’s through graffiti, drinking, or being that guy that brings his bong everywhere. Lucky for us, it works.
Funk upon a time, Brian Belott and Jesse Greenberg teamed up to create a two man show for Gallery Loyal in Sweden. I was wondering how to explain the work, but in the press release it says that “Not being able to pin down exactly what these objects are referring to is one of their powers,” so it’s better unexplained. I asked Brian about the power of not knowing and funkiness once, and he explained that working funky meant the difference between drawing inspiration from the sadness of the Blues, or the celebration of George Clinton and Parliment Funkadelic. The work in this show feels like a mash up between the ancient Egyptian religion, which at the time was thought to keep the sun rising, and today’s science fiction; a mythological range from prehistory to the future, it either expands time or contracts it depending on whether you like the Blues or P-Funk.
What happens when a classic Victorian illustrator lives through poverty, World War I, and the deaths of a sister, mother, and wife; all in the space of a few years? Louis Wain (1860-1939) has become a famous case study in mental illness. Wain, who became famous in the early twentieth-century for his pioneering, whimsical illustrations of anthropomorphic cats, suffered a mental breakdown at the age of 64, and spent the remaining 15 years of his life in various mental institutions. The Chris Beetles Gallery of London recently exhibited a host of works from various points in his career.