Everytime we go to the mailbox a new treasure awaits. Usually it’s an invitation from a gallery, or postcards promoting an illustrator or a discount card for Staples ( I love office supplies!). However every once in a while i’ll get something that catches my eye. Mograg Magazine (pictured above) is a themed magazine from Tokyo. It’s almost all in Japanese but from what I can tell they select a different theme for each issue (like b/d) and feature artists working in a wide variety of media. It leans heavy on the illustration side of things but there’s some good stuff inside.
A ton of work must have gone into this awesome graffiti animation. BLU painstakingly shared his point of view about evolution by painting and shooting frame by frame on buildings, walls, and pipes in an urban setting. Whole apartments become sites of cosmological development, water pipes carry creatures from sea to land, and water towers launch nuclear WMDs.
Moroccan painter Zakaria Ramhani creates large-scale portraits using Arabic calligraphy as a medium to convey form. Ramhani uses the beautiful painterly forms of Islamic calligraphy to depict and further expound and question political issues, Muslim identity, Islamic piety, text and image in the Muslim culture, amongst other things. Through his technique, the artist defies and contradicts the religious taboo on figuration, which is, to say the least, a very scandalous thing to do. These works are part of a collection called May Allah Forgive you, a name derived from childhood memories of his father, a landscape painter, trying to avoid working on commissioned portraits of the human figure for religious reasons. His father would explain to Zakaria that ‘only god will forgive’ him for the sins he committed whilst painting the commissioned portraits.
Ramhani’s earlier work, precisely a piece called You Were my Only Love (2012), incited much controversy, as the work questioned religious tradition and the prevalent coercion at hand during the last couple of years in Egypt and the Middle East. The piece was banned from last year’s Art Dubai.
Zakaria’s first U.S. exhibition opened November 6th, at the Julie Meneret Contemporary Art (JMCA), a new gallery on the Lower East Side in NYC.
A few days back we posted the snow drawings of Sonja Hinrichsen and today we came across Simon Beck, another artist working with the medium of snow. Simon’s extremely complex drawings are made by simply walking in the geometric patterns in snow shoes for hours on end. Sometimes the same piece has to be redrawn several times due to new snow fall. Unexpected high temperatures are also problematic as pieces can melt away in just a few days giving the work an even more magical and ephemeral tone.
Lee Gainer attempts to question what we all constantly question ourselves, and that is true beauty. What is true beauty? Are they the faces we are asked to notice on billboards, TV, postcards, magazines, etc? Is it something we can buy and physically manipulate ourselves for? In her series, Frankenlovely, Lee Gainer asks us to observe the faces that have been advertised as “true beauty,” and reflect.
Informed by his education in biochemistry, photographer Linden Gledhill concentrates his work on the beauty of small, natural objects. With a fully automated macro focusing rail called StopShot (created by Cognisys), Gledhill is able to capture a high resolution macro image stack that is accurate down to 0.01 mm. With this specialized lens, Gledhill explores the structures and textures of butterfly and moth wings, exposing the shimmering and glittering form of the wings that almost look like textiles or flower petals. Beautiful patterns emerge from Gledhill’s photography, ones that mirror large and familiar patterns found in the world around us. You can see much more of Gledhill’s incredible macro photography on Flickr. (via slow art day)