Anyone who has been around me for approximately the last 96 hours will know that I am slowly becoming a CDL (Crazy Dog Lady) for my 12 week old puglet, Ziggy Stardust! He works hard for Beautiful/Decay each day as our unofficial office mascot! Anyways, here is a picture of him above modeling the collaborative sticker insert with Mat Brown that will go into each and every copy of Book 1! It’s pretty much a valient warrior riding a narwhal-unicorn cross breed into an apocalyptic sunset….yeah. More pictures below. Anyways, Book 1 is almost booked up for the July 1st ship date (woohoo!), so be sure to subscribe soon! (And tell me what you think about my dog, ha!)
Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light.” (via colossal)
Stumble onto Matija Erceg’s Instagram account — inconspicuously named @seriousdesign — and find yourself immersed in a gallery of delight and disgust. Erceg, a Vancouver-based web and graphic designer, combines images of food — usually raw meat — with everyday objects. Among his hilariously gross “inventions” are shrimp earbuds, pizza irons, ground pork trolls, and sausage vibrators (the latter design taking the “food porn” trend to an entirely new level). The idea emerged when Erceg came across a photoshopped image of sandals with cooked beef as soles; while contemplating the absurd experience of putting them on, Erceg decided he wanted to try and evoke similar reactions among people, discovering as he went that food “lends itself nicely to being a part of an inanimate object” — hence how easily a chicken breast can be made to look like an oven mitt.
In addition to making people laugh and cringe, Erceg’s designs are experiments in context. If food is presented neatly — and properly cooked — on a plate, it is seen as acceptable and appealing; but, as Erceg observes, when the same food makes contact with “your skin (hands, feet, ears, face, etc.), [it] becomes gross or weird” — shrimp, while often considered a delicacy, does not belong inside the ear canal. There are several possible reasons for this discomfort, whether it’s in regards to phobias surrounding the (potential) toxicity of raw meat, or just the idea of dead, cold flesh lying around the house as a useable object. Erceg, however, pushes it further, commenting on how his designs confront us with the unglamorous realities of modern food production: “We admire food, but typically only when we don’t need to get too close to it — [the] raw texture, pre-cooked form, farming, and slaughtering.” His designs remind us of how alienated we are from the foods we eat; food — like sunglasses, housewares, and sex toys — has become grossly commodified.
When I asked Erceg where he aims to take his project next, he said he would like to collaborate with a fake food artist and create real-life versions of his designs. Follow Erceg on Instagram and see what edible objects he dreams up next. But be warned — you may not look at packaged chicken breasts or slabs of beef the same way again.
Chinese artist Liu Bolin doesn’t need to be in the spotlight at all times. He prefers to kick back and literally blend into his surroundings. Watch him as he disappears into piles of trash, various landscapes, and literally merges with buildings after the jump.
Anton Gerasimenko‘s single paged web-works uses functionalities and traits of the internet browser in surprising ways. He turns the aesthetically mundane objects which are essential to any sort of online activity, tool bars and radio buttons, into subjects of these small sites. Each page has few to no links- when there are links, they transform the screen into a maze of pop ups, and when there are none the window seems to become a movie screen.
Lukasz Wierzbowski is a freelance photographer from Wroclaw, Poland. His photographs exude youthful energy and a sense of humor. With a keen eye for composition and a love for nature his work often features a figure playfully interacting with an environment. The result is a body of work that serves as pictorial allegories involving our relationship with the world around us.
Russian underwater photographer and biologist Alexander Semenov has created a new series of images that brilliantly captures a variety of deep sea worms known as polychaetes, some of which may be unknown to scientists. Semenov has spent many hours diving in places like the White Sea and Great Barrier Reef in Australia in order to get up close and personal with this creepy, crawly sea life. Altogether, Semenov photographed 222 different species of polychaetes that are currently being studied and documented by scientists.
Semenov first began photographing sea life for fun while organizing the White Sea Biological Station underwater projects. Using basic photography equipment, he’d get a few good shots every few months, and this eventually encouraged Semenov and his team to acquire more professional equipment. Semenov now produces images like the ones seen here, as well as a series of jellyfish and tiny creature images are all just as stunning. (via colossal)