Bruce Ingram’s sculptures feel both natural and fantastic. Like discovering a new cave system or a perfectly preserved dead hummingbird in your garage (which really happened to me; the bird thing not the cave thing). I’ve always felt like one of the signs of “good” art is that you kind of forget that someone had to make it. Ingram’s work feels like it manifested itself–like the world meant for it to be.
Marco Nicotra is a graphic designer from Milan, Italy. Much of his style is collage influenced with many textures and layers. Nicotra has done work for Super 8 Magazine, Heineken Jammin’ Festival, and Nitepeople Magazine.
James Joyce is a London based artist and designer. His work is a mixture of simple typography, bold colorful colors, and crisp geometry. Joyce designs are very bold and eye-catching. I enjoy the simplicity of it but, like the “Chemical World” poster, it has a not so simple message.
Have you found yourself in a dark wood? Has the clear path been lost? Do you have a dead fish in your hand? If so then HELP ME HELP YOU at Goat Helper: Volume 1 debuting tomorrow at Los Angeles artspace Show Cave!
This LIVE screening of experimental video art and animation, installation, live video, goat themed food art, costumed “Helpers”, and of course Oreo the beloved pygmy goat. The screening features work from Shana Moulton, Jacob Ciocci of Paper Rad, John Michael Boling, Art Clokey (creator of Gumby) and many more! Don’t miss out. Screening starts at 9PM sharp.
A while back we posted a great studio visit with NYC painter Brendan Cass. While combing vimeo I stumbled across these 2 videos of Brendan both in the studio and giving a walk through of his show at Lars Bohman gallery in Stockholm. Both videos give an insiders look into Brendan’s techniques, references, and thought process. I appreciated Brendan’s openness and sincerity about his work.
I’ve always loved hearing artists speak about how the create their work. There is so much thought that goes into making a painting that the viewer doesn’t see with a quick glance. This made me think about my own studio practice and all the dots that I try to connect in my head as I’m making work. There are many times when i try out new things in my paintings not knowing if viewers will pick up on it. I guess that’s just how it goes. You’ll never know what the outcome will be if you don’t take that first step and try.
Josh Evans is a Los Angeles based illustrator who works his pieces from varied sources of inspiration; a music icon, the meaning behind a word, an historical yet obscure event. I admire Josh’s illustrative methods which change from one work to another… he seems to choose a medium best fit for the story of his subject. Don’t miss Josh’s recently published zine titled Rankle Jones, and the curious history of how this publication came to pass.