Artist Marion Lane creates almost otherworldly abstract paintings. Her peculiar style and use of acrylic on panel seems to belong to an action other than painting. Lane’s shapes appear to grow organically, emerging more from cell division than brush stroke. However, the inorganic nature of Lane’s medium isn’t lost on her. Rather, she seems to exploit the plasticity of acrylic paint, making it plain in the shape and sheen of her fantastic subjects. Lane’s pieces at once explore abstraction and figuration as well as the natural and synthetic.
Tel Aviv artist Zero Cents updated his blog recently. Cents is great because his style fits his subject matter so well. I feel dirty just looking at these, and I mean that in the best way possible. See more of the artist’s gory new stuff after the jump.
We normally think of the Playboy Bunnies as busty blondes with smiles on their faces. Taylor Marie Prendergast, however, shatters that stereotype in her pen and ink drawings that feature the women in a much different light. The models that she depicts, while still in “sexy” poses, aren’t glowing. Instead we see every brush stroke that’s paired with muddy, dirty-yellow hair and a blank expression on their faces. While Prendergast has handled the media well and demonstrates a variety of techniques, we can’t escape the fact that these women wouldn’t be the “Playboy type.” And, according the artist, that’s the point. From her statement:
I’m challenging the contemporary zeitgeist by incorporating historically loaded images and abstracted figurations. The juxtaposition of the glamorous and the repulsive are necessary tools in order to create this reaction in the audience. At first the piece entices the viewer with aesthetically pleasing elements, and as the viewers settles into the work they’re confronted with disturbing details.
While the ink is still wet, Prendergast loads the drawing with more pigment and allows it to bleed onto the paper. It creates a dripping effect that’s both beautiful but in the context of a figure, a little gruesome. This allows the artist to subvert popular culture, and as she explains, “They [the viewer] are invited to re-consider the cultural state of both themselves and humanity. As the viewer inhales the work, there is a subtle yet significant revolting shock.”
Jessica Drenk is an artist currently living and working in South Carolina. I’m fascinated by her series of inherent sculptures made of the ‘old school’ HB pencils we can all remember using in elementary school days. For me, I enjoy these for nostalgia sake and also how she can create such organic, free-flowing shapes from such a rigid, preconceived mundane tool that we can all relate using to write our abc’s with. (via)
Artists Ralph Lagoi & Kate Lace’s recent series entitled “Love Land Invaders,” is a portfolio of fashion, art, and “luxurious pop” set in some of Japan’s extraordinary love hotels. I feel like I am peeping in on some superhero’s intimate moment!
Artist Mehmet Gozetlik has designed a series of popular trademarks into neon signs. The series called Chinatown takes popular logos and adds a description of the represented product in chinese neon letters. The sign’s unusual characters reminisce experiences tourists have wandering aimlessly throughout the world’s Chinatowns letting themselves get seduced by these exotic bright letters. The irony is that nine out of ten times the logo itself is recognizable on its own and the words are unnecessary. Is there anyone on the planet who cannot identify Starbucks or Pepsi brands on sight?
Mehmet’s signs are made from handblown painted glass. Each letter and product logo is stenciled out and designed from a printed drawing. The process of blowing glass is long and tedious. The flame has to be exactly the right temperature in order for it to mold into the desired shape. After it hardens the glass is painted. Upon studying the signs and seeing them together you realize people cannot digest more than a few colors at once when making a decision. Each logo Mehmet chose has three colors or less which is not a coincidence. It’s been documented that the brain can only handle six choices at once. If it goes over that number it shuts down. Corporate culture wouldn’t dream of this happening and explains why these logos are kept simple.
A few years ago, Gozetlik designed another interesting series which minimized logo packaging. The study “Minimalist effect in the maximalist market” showed how a product becomes more desirable as the packaging is stripped away. He used brands such as Nutella and Pringles to achieve this goal. (via designboom)
Artist Gary Hovey constructs shiny animal sculptures by welding stainless steel utensils. Hovey uses the initial shape of the particular piece of cutlery – the curves of spoons, the spikeyness of forks, or the flatness of knives – to inform the overall form of the animal he is crafting. Each piece is unique – no molds are used to help shape his work. The most astounding part of Hovey’s work is that the artist has struggled with the effects of Parkinson’s disease since he was diagnosed in 1994. Since 2004, he has been welding flatware, and he finds producing and showing this work to be therapeutic. “I work when I’m able to move. Family and friends carry sculptures for me. But I still get to make them,” says Hovey. “I don’t think the quality has suffered, but it does take longer to make them. It helps financially support my family and it is therapy for me. It has allowed me to meet many wonderful people.” (via my modern met)
Irma Gruenholz creates charming illustrations out of clay. Treat yourself to some afternoon clay delight.