Have you ever been staring at the screen on your phone so long that you feel like a zombie? Well, Steve Cutts illustrates this bizarre technology, zombie-like phenomena as a terrible reality. His vividly colored illustrations and animations cleverly and satirically portray contemporary society as a series of greedy monsters, zombies, and hollow-eyed humans with no trace of humanity. Each scene exposes the sad truth of what is wrong with the world today, with money hungry men and dismal humans being completely controlled by a piece of technology. He uses a graphic novel-like style, full of bold colors, with an intensity that will stay engrained in your mind for years to come. The London-based artist illustrates and animates depictions of familiar characters like Roger and Jessica Rabbit in a somewhat humorous, but undoubtedly dark way.
The abysmal world that is portrayed is one of shallow intentions and hopeless monotony. Steve Cutts’ work leaves us questioning our own society and our role in it. He points a stern finger back at the viewer in his vibrant, unforgettable work. Displaying the ‘rat race’ we all find ourselves in as one with actual rats, it shocks us into contemplation. These rats are not only stuffed into small places, but also caught and killed brutally in a trap. Steve Cutts’ work is insightful, intriguing, and incredibly well done, however, this is not a world that is appealing to the masses. Make sure to check out his full animations on his website. (via Bored Panda)
Black Forest, German native Stefan Strumbel is another urban fine artist represented by the Circleculture Gallery of Berlin. Strumbel reinterprets embedded regional folk classics of his personal past: the cuckoo clock, the pre-lentan Alemannic Carnival mask… familiar objects of home transformed with pop-culture flair, bright colors and iconic substitutions; a confrontation to cultural cliches. Strumbel’s work will be on exhibit in October as part of Escape 2010: Escape the Golden Cage, International Exhibition of Urban Art, Austria.
Peter Scherrer is a Washington (state) based artist and makes amazing paintings about the woods he grew up around. His newer work feels like a combination of fauvism and DeKooning, but his older stuff is 100% woods and it makes the woods feel like a whole other kind of jungle. If you find yourself in Seattle in the next two days, check out his work at the Cornish College where he is hanging until the 13th. “You have to love the paintings of Peter Scherrer. They’re perfectly serious, thick and virtuosic and painterly and dark, and funny at the same time.” – Jen Graves of The Stranger ( via )
The pages of Nicholas Stevenson‘s sketchbooks feel more complete than most. Rather than distract, the thoughtful use of bright colors and intricate patterns help pull the scenes together. Each spread portrays a private moment in which viewers may pass unnoticed and draw their own conclusions. (via)
Sven Lamme seems to playfully sit on the fence, so to say, between art and design. In collaboration with landscaper Terra Incognita, Lamme constructed these three “seating elements” throughout a nature preserve in the Netherlands. They at once serve as kind of landmark for the natural surroundings as well as a means to passively interact with the environment. Lamme also makes use of visual puns in the design of his seating elements. The first seat a literal interpretation of sitting on the fence, and the third resembling a buoy – a reference to the lands elevation below sea level.
Artist Mister Finch is a seamster, dollmaker, and reclaimer of lost souls. He works in discarded trinkets and found objects, cobbling them together into sculptures and models from a strange and much more wondrous place. “Scraps of thread, fabric and paper are stitched and pulled into fairytale creatures looking for new owners and worlds to inhabit,” the splashpage to his webpage proclaims. “They hide in the woods, behind masks, some have died along the way and are buried under spoon lockets.”
For inspiration, Mister Finch turns to nature and his native British folklore. “British folklore is also so beautifully rich in fabulous stories and warnings and never ceases to be at the heart of what I make,” he says. “Shape shifting witches, moon gazing hares and a smartly dressed devil ready to invite you to stray from the path.” The fantastical touch of myth and fairy tale can be seen in the inviting curl of pristine pastel toadstools and creatures that are half fox, half human.
By all appearances, the materials of his art have been truly transformed from their former life in this world, becoming something magical along the way. Of his choice to recycle, Mister finch says: “It’s a joy to hunt for things for my work… the lost, found and forgotten all have places in what I make. Most of my pieces use recycled materials, not only as an ethical statement, but I believe they add more authenticity and charm. A story sewn in, woven in.” (via This Is Colossal)
Have you ever thought about how people will remember you when you are gone? Do you wish to be remembered in a particular way? Perhaps with a specific outfit, or at a specific age? Why would you have someone else choose the picture? You have a choice while you are alive.
Belgian photographer Frieke Janssens is offering her services in order to create the ultimate headshot, the one that you would like on your grave and everyone’s minds once you’ve past away.
The eerie yet beautiful and polished headshots are Janssens’ way to change people’s mindsets when it comes to ideas of death and memory. The series of ‘Your Last Shot’ reflects a combination of the sitter’s wishes and the photographer’s style. With make up assistance, styling and post-production, Jenssen creates master portraits that defy the ugliness that death brings about. In a sense, having a say on what you’ll look like to those alive when you are dead is a way to take control. This will perhaps leave us a bit more at ease about the whole death process.
The ‘last portrait’ will be finished in porcelain so that it can actually be used when the time comes.
“My personal preference goes to static portraits as they were taken at the occasion of weddings at the beginning of the 20th century. My aim is to make an iconic portrait that is beautiful, serene and fearless, preferably with a gentle smile, indicating that the model is clearly aware of the fact that this portrait will be used for a very long time to come.”
You can check the project’s website to find out more on how you can participate- it is a limited time thing,so if you want in, go check it out now!