Everyone loves a good behind the scene video that gives you a sneak peak into the artists creative process. The above video showcases the tedious process of stop motion. the means are simple but the final product is a lo-fi meets high concept video could have been made by a big budget studio. More info about the project after the jump!
Whether David Mesguich is creating sculptures or painting with watercolors, he maintains a basic color palette, heavy in contrasting blacks, whites, greys, and tones of sepia. His geometric sculptures of faces and people look like they were printed from a 3D printer. This conception gives his figures a digital effect that, when paired with the size, gaze, warp effects, or placement of them, has the potential to unsettle a viewer. This effect is even more pronounced when considered alongside Mesguich’s cardboard CCTV camera sculptures,100 of which he placed in various locations around Marseille. This idea of surveillance is even depicted throughout his watercolor paintings that represent scenes of city life, usually related to mobility and movement. Mesguich’s work seeks to challenge “modes of control” by addressing the “transparency of windows and shadows.”
Singer Angel Olsen is back with a new album, Burn Your Fire For No Witness released earlier this month on Jagjaguwar. I featured Angel here on Beautiful Decay early last year with her incredibly haunting sophomore record, Half Way Home. She has one of those unique voices that clearly stands on its own and with this new record she brings some of it with an edgier, harder sound.
The record starts simply enough with the opening track, “Unfucktheworld” where she sings about a broken heart and then lets loose with the next track, “Forgiven/Forgotten“. It’s truly a beautiful record from start to finish and quite different than both her debut, Strange Cacti and Half Way Home, but her voice is still the star of the show.
Angel is about to embark on a massive three month tour of the US and Europe so you have plenty of chances to see her live. You can catch her this coming Sunday, March 2nd at the Echoplex in Los Angeles, March 3rd at San Francisco’s Great American Music Hall, and Friday March 7th at Barboza in Seattle. She’ll also be playing at the SXSW Music Festival in Austin as well as at Primavera Sound in Barcelona, Spain. Check out all of her tour dates here and check out her new video for, “Hi-Five” directed by her frequent collaborator, Zia Anger.
Welcome to the psychedelic dream world of Anika Lori. Prepare to enter an alternative dimension of visual overload.
It’s a tricky thing, viewing the work of artist Ben Skinner—you catch yourself reading, absorbing, appreciating and simultaneously fighting the urge to snap a photo and immediately re-appropriate his multimedia text works to your own blog/Instagram/Twitter. Using an intriguing selection of materials (ranging from gold foil to neon to sprinkles), Skinner elegantly spells out heartbreaking phrases ripped from the Zeitgeist, with a little extra flair. The witty, multicolored multimedia works tow the line between design and art, with a little extra emphasis on drawing, craft and the making of an actual object. Many of his works could easily find a life as a piece of printed design, but it’s Skinner’s willingness to experiment with materials that allows his flat, graphic works to go one step further into the realm of something more substantial.
David Clarke brings on a whole new meaning to metal work. He is known as Britain’s very own groundbreaking silversmith. Master of his craft, he has a way of transforming domestic household items into intelligent and engaging pieces of art. Clarke’s work uses traditional silversmith techniques and takes it to a whole new extreme. His willingness to experiment sets his work apart from anyone else.
Daniel K Sparkes started his career in the British street art scene since the 2000s. His work is a juxtaposition of photographs, paintings and drawings that combined depict burlesque portraiture, illustrations and landscape. As if eaten alive, the portraits remain anonymous and faceless, yet there is plenty detail where the face or limbs should have been. These faceless and limbless portraitures are playful, disturbing and interesting, especially when done in large scale, as example of some of his murals.
When looking at Josh Podoll’s paintings they won’t give you anything to think about, and that is sort of the point. My eye gets caught in the air-brushed, optical illusion like, geometric patterns in a sort of empty, humming, awake way. Josh grew up in Fairfield Iowa – which is the former home of the Maharishi (of Beatles White Album fame) and one of the main centers for Transcendental Meditation in the US. He is in a show at Christopher Grimes Gallery in LA that opens January 16.