Amsterdam-based artist Cedric Laquieze has recently completed an exquisite series of taxidermy Fairies. These probably aren’t the type of fairies you’re imagining – no Tinkerbell-looking creatures here. Instead, the small, delicate sculptures are constructed using a myriad of different insect species, bones, seeds, and even scorpion parts, giving them a quasi-bug look.
Laquieze uses the brilliant blues, greens, oranges, and more to form the fairies’ wings, headdresses, and bodies. The insects are meticulously crafted and seamlessly integrate all of the otherwise disparate parts into a whole. While they might not look like the typical storybook cartoons, they are definitely more detailed and visually intriguing. The artist’s interpretation lends itself to darker, less cheery tales where fairies don’t have to be good. (Via Archie McPhee)
This is a must see documentary for anyone interested in the art world. I walked out of the theater shaking my head in disbelief!
The Art of the Steal follows the struggle for control of Dr. Albert C. Barnes’ 25 billion dollar collection of modern and post-impressionist art collection of, a treasury of works by Renoir (181 of them), Cezanne (69), Van Gogh (7), Seurat (6), Picasso (46) and Matisse (59), to name just a few, all of it tucked away in the Philadelphia suburb of Lower Merion in a Paul Cret-designed villa Barnes built for it in 1924. The collection contains some of the key works of early Modernism, including Cezanne’s Nudes in a Landscape and The Card Players, Seurat’s Models and Matisse’s The Joy of Life, jewel in the crown of his fauve period.
Artist Amandine Urruty’s new series of drawings delivers a collection of artworks worthy of illustrating an Alice in Wonderland picture book . Urruty’s new work is mainly done in pencil or graphite and in black and white. She depicts a mildly disturbing combination of children’s book and cartoon characters, monsters, as well as a wide selection of pop culture elements. The way she depicts nightmarish scenes and sometimes works in triptychs is reminiscent of the work of Hieronymus Bosch and, in a way she has delivered a contemporary, almost cute version of his work.
Her work unfolds in the details: she places familiar yet odd items in the backgrounds and in the corners of her pictures and you have to look closely to see the intricacy of her work. For instance one of her drawings includes a Victorian house next to a waterfall with what resembles a hotdog in a boat floating down the waterfall. Her illustrations are also sprinkled with little sheet ghosts which give her drawings an additional Halloween touch. The ways in which she makes use of the shadows in her illustrations give her work a sort of gothic touch. Upon close examination of her work, in one of her pictures, a collection of small cultural artifacts can also be seen: little men in masks with painted chests are huddled around a young girl sitting on a log while their compatriots are in the background holding up a brain with arrows planted in it.
Urruty’s wide eyed, monochromatic characters border the psychedelic, with their dark, blank stares and oscillating bodies. Her use of black and white lines and shading gives her work an extra otherworldly touch, in such a way that it almost looks like it comes straight out of the 1960s. She also says that her works contain a certain number of personal items, which gives her work an added touch of mystery and depth. Her combination of characters, albeit mildly terrifying still have a little touch of playfulness which gives them the potential to serve as illustrations in a children’s book.
London designer/artist Arran Gregory recently opened “Wolf”, a solo exhibition of sculpture and illustration at Print House Gallery in London. The show features these reflective, mirrored wolf and rhinocerous taxidermy heads cut in angular geometry. The mirrors sort of remove the animal from the equation, leaving gallery patron staring back at his or herself, left to ponder our relationship with animals- dead and alive. The end result is kind of jarring, as though accountability for our own actions is a scarier concept then sharp teeth in open jaws. More pics below. (via)