Not sure how old this video is but there are some fun candy coated motion graphics mixed in with hipster hangout action in this Uffie video.
In a classical compositional style, Photographer Phillip Toledano‘s series A New Kind of Beauty depicts subjects that have drastically augmented their bodies. The photographs contrast classical ideas of beauty with the contemporary and nearly obsessive pursuit of it. A fixation with beauty is ancient, but the images examine it in the light of modern body modification. Toledano says of the series:
“I’m interested in what we define as beauty, when we choose to create it ourselves. Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?”
Olaf Breuning commissioned a series of coffins to be created by Ghanaian casket makers. The design of eccentric coffins actually has a long history and tradition in Ghana, so to some this work is actually not that peculiar. Still, it’s not every day you see a coffin in the shape of a melting popsicle. More images of the coffins and the process of making them after the jump.
Polish artist Olek not only treats her crochet practice as an art form, but also as a catalyst for social change, or at least political and societal commentary. As a part of the St+art Delhi street festival in Delhi, she chose a homeless shelter to decorate with her colorful and energetic woolen pieces. Enlisting the help of fashion design labels in India to not only donate fabric and materials to her community project, but also volunteering helpers, she was able to cover a huge space. Paying homage to India’s infamous textile economy and bright culture, Olek stitches vivid patterns of purples, blues, reds, yellows and oranges together.
She normally recreates anything in stitches that crosses her way – from text messages to medical reports to found objects; she has even covered an entire studio apartment and a life-size dinosaur with her signature crochet. She says of her intention behind her work:
My work changes from place to place. I studied the science of culture. With a miner’s work ethic, I long to delve deeper and deeper into my investigations. My art was a development that took me away from industrial, close-minded Silesia, Poland. It has always sought to bring color and life, energy, and surprise to the living space. I intend to take advantage of living in NYC with various neighborhoods and, with my actions, create a feedback to the economic and social reality in our community. (Source)
Always working with the public in the back of her mind, Olek has produced work in some pretty interesting settings, from Brazil to Brooklyn, and for some interesting causes. For more of her projects, see here. (Via Hi Fructose)
Michael Anderson has been busy, since the studio visit Beautiful/Decay did with him in August he’s prepared two major solo shows. Anderson makes large-scale collages from street posters, sometimes measuring 12 feet across. Anderson’s newest show promises to a be visually mesmerizing cultural stew of optimistic, reverse advertising, aka subvertising. I talked with him about “She’s Okay,” the above collage, and he compared the golden lattice structure to the complexity of the girl’s thoughts and experiences. The exhibition, Equal Opportunity Destroyer, is opening April 8th in Copenhagen Denmark at Gallery Poulsen.
In a stunning series of images that blend photography, calligraphy, and performance art, Nantes-based artist Julien Breton (aka Kaalam) uses light and dance to “paint” beautiful and fleeting characters into the air. Inspired by a combination of Latin and Arabic writing styles, each piece is captured on long-exposure film while the artist creates his inscriptions using colored lamps and careful, intention-filled movements. As a living, artistic response to the environment, the designs are matched in compositional harmony to the surrounding backdrop, be it an underpass in New York, an abandoned building in France, or a magnificent hall in India. Each performance lasts several minutes and is then transformed into a single frame, transcending the boundaries of time and our perception of light.
On his biography page, Breton is quoted as explaining his choice of medium, which is rooted in a synchrony of bodily and spiritual practice: “a white sheet is too limiting. To paint on a canvas, however large, means in any case a limit within which I do not feel myself free to express my whole being. Only light is really infinite. The only limit is the air” (Source). Exploring infinitude, Breton’s images demonstrate the seemingly contradictory nature of light; it is bright and endless, yet also fleeting and enveloped by darkness. Both presence and absence are at play in the photographs; the artist disappears while his physical, expressive “trace” (the writing) remains behind. In these pieces, subjectivity and self-expression become greater, geometric portraits of universal energies.
Apart from UCLA being my own alma mater, I thought I’d give a quick shout-out to the upcoming Senior Design show as it features a whopping round-up of not one, but four former fearless B/D interns, including: Matt Manos, Kate Slovin, Corinna Loo and Greg Ruben! Go team and congrats on graduating! Check it out June 3rd, 5pm at UCLA.
Fresh from our Flickr Pool I introduce you to Miss Julia Jones of Sydney, Australia. Julia photographs are of the snapshot genre, mostly focusing on her hip set of friends doing all kinds of things from pretending to be Elvis & Iggy Pop to well, looking hip! If I were to judge Julia’s life by her photos I’d think she was living in a non-stop party.. I’m officially jealous.
Make sure to Join the B/D Flickr Pool and you just may see your work posted next!