Hawaiian artist Jared Yamanuha takes his own photographs of iconic Hawaiian brands and images and expertly cuts finely detailed shapes into them. For these pieces, Yamanuha treats the photographs as raw material, applying the most amount of detail and intensity as possible.
“The whole collection is centered under the idea of ‘omiyage’ or the Japanese act of bringing small gifts back to friends from abroad. All of the pieces in my collection make reference to that tradition,” said Yamanuha. “I feel that I was able to authentically showcase a slice of Hawaii.”
Yamanuha most recently had his work featured at In4mation in Honolulu. In February and March of next year, Yamanuha will also be showcasing his work in San Francisco at the Museum of Craft and Design. (via booooooom and in4mation)
Barcelona based graphic design studio Good Mondays specializes in areas of art direction, corporate identity, editorial design, package design, and illustration. I am particularly fond of the above Donut Explosion piece.
The work of Johan Björkegren feels like a fairy tale, with twists and turns. It’s what I pictured when I was 5 and holding the covers hearing stories. It is decrepid and pronounced, and can, at times, feel like a house that won’t stop squeaking. It feels loved and nurtured, but it doesn’t believe in purity or the idea of white.
I have never heard anyone utter a word of dislike towards Yuichi Yokoyama‘s work, and for good reason. Personally, I have never come across a comic artist this flawless and complete. His style is immediately recognizable, but never tedious, and his works are as spectacular as Hollywood action films, yet they can be about visiting a garden, traveling on a train, or building strange forms of shelter. He reinvigorated my interest in comics, and I hope he can do the same for you (if needed).
Eric Shaw creates fractal-filled cosmic psychedelic drawings and paintings that takes both abstraction and figuration to strange, surreal new levels. We’ve actually had the pleasure of doing an in-depth interview with him on the B/D site last year, so it was great to catch up with him! Just a few days away ’til “Art Works Every Time,” and we can’t wait!
Crazy Love is probably one of the more bizarre documentaries i’ve seen in a while. Here’s a great review of the film by Eric D. Snider.
Ideally, you would watch “Crazy Love” without knowing anything about it beyond what’s contained in these first few paragraphs. It is a documentary about two New Yorkers who met and fell in love in the 1950s, and the turbulence their relationship has endured since then. It’s a bizarre, riveting, and outrageously original story, and it’s 100 percent true. You’ll enjoy it more if you’re surprised by what happens, which you won’t be if you continue reading this review, or any other review or summary of the film, including the one-line plot outline at IMDb.com.
I would love to leave it at that, but it’s impossible to review the film without talking about some of its basic elements. And the fact is, despite knowing some of the story’s more jaw-dropping developments beforehand, I was still riveted and surprised by the movie. Reading a review won’t ruin it for you; you’ll just be slightly less flabbergasted when you see it.
“Crazy Love” does not mince words about its protagonists: These people are not right in the head, and their love for one another defies all reason. But then again, one is compelled to consider, doesn’t all love defy reason? Isn’t its irrationality part of what makes it true love?
(Here’s where you should stop reading and go see the film.)
Street art is well known for its finite lifespan and dependence on documentation for audiences outside of the immediate vicinity of the public work to experience it. French street artist FAREWELL typically creates accompanying videos along with his interventions, expertly documenting the entirety of his project from conception to execution. And Strip Box might be his best yet.
As seen in this poetic yet instructional video, FAREWELL creates a rather simple device (which the artist calls the “destructeur”) with wood, hardware and X-Acto blades. Executed in Paris, the destructeur is placed inside of a bus stop’s rotating advertisement, creating a self-shredding device when the ads rotate. Strip Box is not only ingeniously simple, but also strongly imagines a world where advertisements disrupt themselves. (via vandalog)