Dutch artist Ronald van der Meijs’ “Play it one more time for me La Ville Fumée” is a sound-art installation that works on hand made cigars and refers to the history of Eindhoven city, when it was one of the largest cigar-producing cities of Europe. At that time the city was also called ‘La Ville Fumée’. The installation is in many ways about nature versus culture. The technique used here has an almost machine like character, that is controlled and monitored by a natural and traditional item: the hand made cigar. Because each cigar has its own strength by the natural and traditional way of making, they all have their own fire rate. It is precisely this fact that the installation is not working in a predictable way but rather relates to a more or less natural rhythm. The installation has 4 tuners each control a recorder by means of pistons containing the hand-rolled cigars. There are 4 different recorders: a bass flute, alto, tenor, and a soprano. The pistons with the cigars and the recorders are both controlled by 2 abstract lungs. This sound-art burning cigar installation can be seen as a tribute to the former tobacco industry of Eindhoven city and its thousands of workers and craftsmen. The sound composition is a requiem for the former cigar production industry of Eindhoven. (via)
Taylor Baldwin’s highly crafted sculptures are filled with hundreds pieces that come together to create a complex explosion of texture, color, material, and sculptural techniques. From representational wood carvings to computer assisted laser etched drawings, Taylor combines anything and everything to bring to life his rich pieces that will have you staring at them for hours.
Sam Burford lives and works in London. Inspired by such films as Star Wars and Blade Runner he creates photographic work in multiple media that encapsulate entire films within them. Take for example his sculpture made out of jesmonite that consists of a time-lapse photograph of Star Wars IV transformed into a surface relief. The film is condensed into an abstract pattern and presented as a three dimensional sculpture. In another piece a time-lapse photographic detail from Blade Runner is highlighted on hand printed film and allowed to curl for a dimensional effect. With his work he serves to reveal the optical patterns inherent in the moving image that can be captured with modern technology.
Eddie Martinez and José Lerma have a two person show up at Halsey Mckay Gallery in East Hampton NY. It’s only up until this Wednesday, August the 29th, I know it’s just two days to get there, but these are two of the best drawing/fabric/paintslingers of our generation. The colors in Martinez’s paintings can’t be replicated in a photograph because the paint is physical, like a thick smear of deep red oil paint that looks like martian roofing slate, or maybe a crack inside an antediluvian sea cliff containing some strange fossil reminding us of how old thinking is, and how we are only here for a little while so we should be kind to each other. Yes, red paint can say all that. Lerma’s pirate-like-figuration feels musical, and reminds me of the Clancy Brothers singing a sea shanty “Way haul away, haul away Jose.” History comes up to us and then recedes like the tide in Lerma’s work, you recognize something and then it is and isn’t what you thought. This is a good summer trip, like the first time you went to a water slide park after noticing girls/boys for the first time, an expanse of wave pools lapping lazily against a big breasted life guard and tower slides of pure unadulterated joy.
Illustrator & art director Julia Kostreva is a lady with many talents—whether it’s working on membership kits for creative co-lo hotspot Makeshift Society, web design for brands like Kodenko Jeans or creating intriguing artwork for The Dirty Projectors. After studying graphic design and printmaking at Maryland Institute College of Art in Baltimore, Kostreva made the trek out to San Francisco, where she has rooted herself in a multi-faceted creative career. Kostreva has gone on to develop a series of simple, visually striking letterpress prints, notebooks, calendars and cards—in addition to textile patterns.
Sonia Rentsch is an art director and still life artist from Melbourne. From intricately arranged appetizers to a hanging lamp fashioned out of a head of lettuce, Rentsch’s work is both dynamic and elegant, often incorporating food as a subject. This trend is put to most effective use in her series Harm Less, an installation in which Rentsch fashioned weaponry out of completely organic objects. Each piece is visually arresting, the imagery of handguns and bullets hauntingly familiar and yet transformed into something beautiful when created out of green produce and plants. The series, in which handguns are made out of everything from bamboo shoots to roses, presents a powerful statement about gun violence and its impact as well as Rentsch’s impeccable eye for detail.
Rentsch has worked with photographer Scott Newett, assisted with design duo Tin and Ed, and worked as the production designer for Australian popstar Kimbra’s music video for “Good Intent”. Her work is consistently bright and colorful, but always proffers a lens through which viewers can fully immerse themselves in the elaborate scenery. One of her most recent projects, a public installation with artist Ben Davis, included a garden of colored pinwheels displayed in Melbourne’s La Trobe Place. Although the meticulous design behind Rentsch’s still life images is evident in each minute detail, Rentsch is assured in working with no set process. As she said in an interview, “An idea comes as quickly as it has to.”
Dubai and the United Arab Emirates has seen a recent influx of street art and artists. However, those working beyond preordained areas, outside the law and within a true graffati tradition, still surprisingly few. One of the only such street artists is known Arcadia Blank. Though rare and often illegal, the artist’s work has garnered the support of many locals by forgoing trite tagging for short thought provoking maxims. The short text pieces touch on religion, politics, globalization, media, and a range of other matters with an intriguing mix of sarcasm and sincerity. Further, Arcadia often utilizes temporary structures, which not only minimize private property damage but also is especially appropriate to the artwork’s style.