Swiss artist Till Rabus combines hyperrealism aesthetics with a touch of surreal scenarios to create his sexually charged, marginal paintings. Rabus’s inconvenient art consists mostly of suggestive anthropomorphic still lives and tangled up limbs, all engaging in provoking sexual situations. His immaculate attention to real-life detail makes it hard to distinguish a painting from a photograph.
Regardless of the intended eroticism, Rabus’s paintings are far from vulgar. His works rarely depict straightforward sexual objects, rather use symbols to create the desired connotation. Viewer is left with phallic confectionery, oysters and other inanimate objects that stimulate the imagination. Even the orgiastic compositions don’t reveal the full story but depend on observer’s ability to give personal meaning.
The clash between hyper-realistic style and symbolic, surreal content is what makes Rabus’s works so eye-catching. An also unexpected symmetry and palette of complementary colors induces a sense of order in an otherwise chaotic Rabus’s world of fantasy. (via Asylum Art)
Motion designer Dan Marker-Moore has a beautiful collection of collaged time-lapse photographs depicting the light and color transitions in the sky due to the movements of the Sun and Moon. In his series, “Timeslice,” Marker-Moore layers images taken within seconds or minutes of each other, demonstrating the spectrum of beauty to be found in the (mainly) Los Angeles skyscape. His talent for capturing time-lapse beauty first came to the attention of the internet when his images and short time-lapse video of the full moon rising in LA, a series of 11 still frames that were captured over a time period of 27 minutes and 59 seconds, were featured by art and science blogs. Since then, he has added more photographs to his “Timeslice” series, creating a gorgeous collection of the sky in transition. You can check out more of his images via his website or Instagram. (via jeda vu)
Are you always in search of the perfect color palette? Well, Pantone Café has not only given you just that, but their brilliant hues are available now on a platter. Finally, food that is worth snapping a picture of! Now, the food you eat can match your mood or even your outfit. Each serving tray, cup, napkin, slushy, and food item has been matched with its Pantone color equivalent. Even the espresso machines hold incredible, eye-catching colors that are impossible to ignore. The menu at the Pantone Café is a masterpiece in itself, with the food and beverage choices being grouped in palettes that are to die for.
This minimalistic café provides an incredibly modern, aesthetically pleasing atmosphere down to the last napkin. Each colorful edible has its appropriate Pantone color name, with delicious hues such as pistachio green, canal blue, strawberry pink, and dazzling blue. Each meal contains such amazing color that it is almost too beautiful to eat. The café is a perfect little Pantone universe where color and design meets culinary beauty. This is a place where you can truly taste color and create delicious palettes for your own palate. This pop-up restaurant is located at the Grimaldi Forum and will be open only until September 9th. (via The Creators Project)
Swedish architect Gert Wingårdh and Finnish artist Kustaa Saksi have teamed up to produce a massive installation for the 2013 Stockholm Furniture Fair. The project consists of 700,000 illustrated sheets of A3 paper and 44,000 suspension points. The result is a vibrant mosaic of art and design. In Kutsaa Saksi’s own words: “I’m fascinated by architecture and antique ceiling paintings in temples all over the world, and the way they’ve attracted people to share their thoughts and ideas. I’ve wanted to create a similar aesthetics, mixed with orientalism, art, mathematics, science and psychedelia, by depicting communication as Darwinistic evolution. Constantly on the move and a work in progress, like bacteria and marine animals when they crawled out of the depths of the sea millions of years ago.”
Watch a time lapse video of the installation being built after the jump! (via)
Greg Lundgren of Lundgren Monuments is an artist in bringing light and color to the one situation where the dress code is all black. Lundgren, who is a Seattle artist and entrepreneur, has built a business that has people seeing the final resting place in a whole new light.
Starting with the thought that there should always be beauty with the burial, Lundgren challenged conventional notions of fixed, grey headstones once he began to create his own. Working with bronze, steel, granite and cast glass, Lundgren designs personalized headstones and urns that will best communicate the light and energy of the departed. Often done through a collaborative planning process with the family of the deceased, what emerges from his designs are stunning, illustrious sculptures that capture and emulate the warmth and respect felt toward the lost loved one.
As said on their website:
“Cemeteries are not known for their colorful sculptures. Typically they are monochromatic landscapes – variations of grey and black and other stone types. There is no burst of color, no spectrum of light or illuminating sense of life. And this seems grossly out of character to represent the diverse, colorful and individuality of the people cemeteries honor and represent.
Even in the depths of grief and loss, a little color – a little rainbow, can help us remember the magic that is life and the good times that our loved ones experienced, lived and continue to fuel. Even in the darkest hour, it is important to remember that the people we have lost were vibrant, illuminating, and entirely one of a kind. That is the kind of memorial Lundgren Monuments wants to create, and we are very honored and proud to help contribute to this memory, this reminder, this alternative to the cemetery landscape.”
Who wouldn’t want to be buried beneath something so beautiful? (Excerpt from Source)
It’s hard not to be absolutely delighted with this story and these illustrations. Mica Angela Hendricks is an illustrator and graphic artist who used to keep her art projects separate from her daughter’s as a way to maintain control of artistic direction. One day, that changed when her 4-year-old insisted that Hendricks share her new sketchbook with her, finally berating her with, “we might have to take it away if you can’t share,” something Hendricks told her daughter often. So Hendricks let her finish the bodies of many faces she’d started (informed by old black and white movie stills), and was surprised and delighted with the results. Hendricks claims her daughter often has a focused direction when finishing a piece, and that her imagination is unpredictable.
After her daughter finishes drawing, Hendricks adds color and highlights, texture and painting to complete them. Her daughter critques most of them a bit harshly, but ultimately enjoys their collaboration. As for Hendricks, the collaboration means more to her than the creation of interesting and unique illustrations:
“…From it all, here are the lessons I learned: to try not to be so rigid. Yes, some things (like my new sketchbook) are sacred, but if you let go of those chains, new and wonderful things can happen. Those things you hold so dear cannot change and grow and expand unless you loosen your grip on them a little. In sharing my artwork and allowing our daughter to be an equal in our collaborations, I helped solidify her confidence, which is way more precious than any doodle I could have done. In her mind, her contributions were as valid as mine (and in truth, they really were). Most importantly, I learned that if you have a preconceived notion of how something should be, YOU WILL ALWAYS BE DISAPPOINTED. Instead, just go with it, just ACCEPT it, because usually something even more wonderful will come out of it.”
You can purchase prints of these delightful illustrations here. (via)
Artist Joanne Arnett‘s artwork reproduces mugshots in a uniquely meticulous way. She painstakingly recreates these images as woven textiles. Mixing thread a wire, the result is similar to a shimmering newspaper photograph. Mug shots are generally thought of as utilitarian, empty of aesthetic, and quickly forgotten. Arnett wittily juxtaposes this against the form of a tapestry – valuable textiles often passed on as heirlooms. Interestingly, the title of each piece is the accused’s sentence. For example, the title of the first image is “Two Years and a Fine of $2,000”.
Clément Guegan is a Montréal-based photographer and filmmaker from Paris. His works are dark and conceptual, exploring nightmares and states of alienation. Interested in the loss of control, he depicts characters who are struggling within the remains of identity; their faces are always turned away or obscured, putting the viewer’s focus on their bleak surroundings. In some photos, people fall from the sky, and in others, the camera follows them as they walk through graveyards and down empty mountain roads. There is a sense you are being guided through a surreal world with no certainty (or even sense) of where you’re going.
Existential voids aside, there is a beauty that arrives through the fearlessness of Guegan’s work. He is not afraid to unravel identity and reality by exploring existence as a strange wandering. At the same time, the stillness he conveys is inspiring, and the mystery is provoking. His characters (when they aren’t plummeting from the clouds) seem brave going into the unknown, even though they merely represent the physical remnants of the self. In this way, Geugan’s images make meaning where meaning seems to have been stripped away.
On January 1st, 2015, Guegan started a 365 Day Project, which means he posted a picture every day of the year. The project is almost at a close, but the results are impressive, blending portraiture with his unique surrealist style. Some of the photos from the challenge are featured here, and you can see a bigger selection on his website. He also has a Tumblr and Flickr to check out.