Using photography as a tool for generating evidence, South African artist Dillon Marsh approaches the creation of his serial landscape works with the methodology of a researcher. Marsh is constantly looking to capture his subjects “in the wild,” and his watchful eye has yielded a variety of interesting results—with some topics touching on landscape, ownership and disruption in both realms.
For his “Invasive Species” series, Marsh captures instances of oddly jarring, slightly unapologetic occurrences of poorly disguised cell phone towers as they dot the South African landscape. He notes: “In 1996 a palm tree appeared almost overnight in a suburb of Cape Town. This was supposedly the world’s first ever disguised cell phone tower. Since then these trees have spread across the city, South Africa and the rest of the world. Invasive Species explores the relationship between the environment and the disguised towers of Cape Town and its surrounds.”
So you’ve endured months of deconstructing every sentence of each presidential candidate’s rhetoric. It’s only fitting that on the eve of Election Day we also visually deconstruct the president, both past and present. French artist Olivier Ratsi produced these presidential digital collages – glitch-like reconstructions of the presidential portrait. Each piece of the series Once Upon a Time the Presidents is made up of various facial features of past American presidents. For example while a portrait’s eyes may have been snatched from Harry Truman, his mouth may be Barack Obama’s and his hair Teddy Roosevelt’s (or is that that John F. Kennedy’s?) The clean shaven cheek, toothy smile, and neatly combed hair appear repeatedly and feel eerily ubiquitous. Ratsi forgoes overt political references in favor of a subtler idea. Each portrait doesn’t so much portray past presidents as it does the idea of the presidential image.
Adidas is once again pushing exploring the edge where street culture meets commerce and produces something original.
In this video The multi-talented DJ A-Trak takes these “found sounds” and transforms them into something multi-layered, new and exciting. So Me’s visuals capture the spirit of urban youth and takes you back to the days where you had nothing better to do than to hang out on the block.
A-Trak harvests the sounds French filmmaker So Me’s urban scenes- girls laughing, tires screeching, dogs barking and re-imagines them as a house party anthem and when married back to the remix of So Me’s visuals creates something wholly original.
Megan Leonard has a nice variety of photographs on her Flickr page but I keep going back to these images of the above model. At first I thought that this was Megan herself but looks like it’s not. Perhaps it’s Megan’s BFF, a favorite model, or even a muse. Either way I was drawn to the blank expression in all the shots.
I’m absolutely loving these sleepy narrative illustrations by Japanese artists Fuco Ueda. It’s as if each painting was painted with the tears of fairies from a far away distant land where animals and cute teenagers lived as equals.
Emilia Brintnall lives and works in Philadelphia where she is a member of the Space 1026 art gallery and co-op. Her paper-mâché sculptures revel in the vibrancy of the animal kingdom as well as everyday objects. Snakes, Dinosaurs, Foxes, Fruits and Ghosts are simplified and minimally painted. Small yet mighty, Emilia’s spirited figures are a buoyant reminder of the merry and oftentimes silly world we inhabit.