Catherine Nelson is a visual artist who uses the digital medium to create orbital worlds of imaginary landscapes. Her ‘Future Memories’ series comprises of 20 floating worlds, meticulously composed with thousands of assembled details. Visual poetry, nature photography and digital techniques blend together to give shape to these transcendental landscapes. The result is a contemporary pictorial mythology that subtly reminds the viewer of a profound truth: that it is in the flourishing variety of the local that the fate of the world resides.
Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium.
Pablo Reinoso recreates a basic park bench into a swirling chaotic knot of line and form, giving a new dimension to a common piece of furniture. By sculpting organic spaghetti shaped wood branches his ultimate goal is to modify the perception we have on simple objects. Those animated random pieces of furniture are meant to create a state of visual suprise, the materials (wood, marble, steel) are becoming living beings; new species of their own.
The artist extends the primal functions of a bench, a frame, a chair, a pillow and a slab of marble to a new dimension, gently associating sculpture and art with nature.
The result is baffling, our notion of space is reset as there is no manual of how to consider the transformed pieces. Pablo Reinoso builds a landscape from marble, an air ventilating machine from pillows, spaghetti roots from a bench and replaces the canvas of a frame with swirled pieces of wood with no other intention than to turn our world around. By reinitializing daily objects and giving them life we encounter Pablo Reinoso’s subtle prediction: “The presence of flora is a message, mother nature is somewhere around. And she could be taking over”.
Pablo Reinoso’s solo show can be viewed at La Maison de l’Amerique Latine in Paris, St Germain district until September 5th 2015. The Breathing Sculptures piece can be viewed at La Maison Rouge in Paris, Bastille disctrict as part of the Buenos Aires artists group exhibition until September 20th 2015.
Photographer Matej Peljhan created these vividly imagined images with the help of twelve year old Luka. Luka suffers from muscular dystrophy. The muscle disease has severly limited Luka’s movement to mostly his fingers making even the most basic task difficult or impossible. Luka worked with Peljhan to create photographs of fun activities that would usually be impossible for Luka to take part in. Using simple props, Luka would be positioned on the ground as Peljhan shot the photographs from above. The resulting images form a heartwarming series titled The Little Prince. [via]
Davis Ayer is an LA based photographer who shoots on a Mamiya RZ, has mastered the art of the double exposure, and has an unbending attraction toward what is beautiful. A true nostalgist, Ayer’s work features a dreamy host of colors and moods. His photos have a hauntingly droney saturation about them. His work comes forth through the precision of technicality but ultimately breaks most every rule there is with stunning alacrity. Light leaks, double exposures, solar flare, and other manipulations make the colors in his film bleed so majestically and form the spine of his work. Sometimes I see Mapplethorpe, sometimes I see old film stills, sometimes I see another dimension, sometimes I see Gregory Crewdson. He often photographs women in desolate places and there lingers a level of timelessness that none of the other kids working with distressed film seem to get. The timelessness is essential because it allows the viewer to insert their own subconscious desires into the narrative. The timelessness keeps it relevant. If it’s not dated then it can’t go out of style. He knows the angle to work, and because of that his photographs will always be interesting and beautiful to look at, even after Urban Outfitters stops selling Holga’s and the trend has surpassed. In many ways, that is the mark of a work of art: you can see it hundreds of times and still find something beautiful and new within it each time you look. When I see his work, I hear music, and I see it all play out. Imagine the wind whipping through your hair as My Bloody Valentine blasts through the speakers of the 1969 Chevy Camaro, matte black, that you’re driving like a bat out of hell, and as you meander through the New Mexican landscape, nightfall casts across the desert a meandering series of pinks, purples and blues. This is his world you’ve driven into, come ready to dress in the richness of dreams.
Photographer Amy Lombard is no stranger to the fringe cultures. Last year, she attended Bronycon in Baltimore (previously featured on B/D here), where she captured some of the festivities. During the year, she also frequented different animal shows and photographed who and what she saw there. The result comprised a series titled, Welcome to the Show. The types of animals range from cats, dogs, lizards, horses, and bugs. Lombard not only documents the animals, but their owners, and the relationship to one another.
The shows she attended are not the likes of the Westminster Kennel Club. Instead, they appear to be local and amateur. Since we don’t know what the context is of the shows, it makes the photographs all the more alluring. Some seem to double as pet shops (it’s only $5 for a painted hermit crab). Her style is candid, and her subjects not posing for the camera. Instead, they go about their business of show, looking, buying, and selling.
Welcome to the Show is the documentary of a niche interest. It’s not particularly glamorous, but is interesting and amusing. Lombard’s eye captures subtleties like small, amusing moments. A dog is wearing a skirt (or apron) with a $1 bill tucked in it. There are numerous people that look like their pets, which doesn’t seem surprising at an event like this.
Swiss-Italian photographer Christian Tagliavini’s contemporary antique photos blend fine arts and craftsmanship seamlessly into “1503,” his captivating portrait series. 1503 is the birth year of Agnolo Bronzino, an Italian court painter for the Medici family of Florence, whose realistic paintings had an enormous influence on portraiture.
Though Tagliavini’s photos may appear to be historically based oil paintings, they are more than just a literal translation of antiquated art through new technology. The clothes and body positioning echo Bronzino and the light in these portraits is tender and perfect, but it’s the details of the photos that emphasize the modernity of the work-the stylized outfits, exaggerated necks, translucent skin and clear directness of the models’ gazes. Unlike the bold colors of the paintings, the photographs are printed in pale, unsaturated tones, which work to make them feel more contemporary.
“Christian Tagliavini loves designing stories with open endings (requiring observer’s complicity) on unexplored themes or unusual concepts, featuring uncommon people with their lives and their thoughts made visible. This rich and exciting collision of circumstances results in photos as a final product.”
Tagliavini is impressively skilled-not only is he the photographer, he is also the costume designer, set builder, and casting director. He says, “I’m fascinated by the fact that I don’t simply release the shutter, but that the real fun for me is before I take the pictures. I say that I’m not really a photographer, but a workman of photography.”
Merging sound and landscape, Ukrainian architect and designer Anna Marinenko has created a series of images – called “Nature Sound Form Wave” – that presents juxtapositions of sound waves alongside panoramas of sky, water, mountain, and tree lines. Marinenko’s pairings demonstrate the synchronicity and parallels to be found in different patterns among natural and manufactured designs, the similarity between the forms remarkably uncanny. Because Marinenko meticulously lines up the designs and maintains the same color palette throughout the images, ocean waves, flight paths, and landscapes appear to be transforming into the sound waves, the transition nearly seamless. (via design boom)