With a moniker like Daisy Balloon, it’s no surprise that their medium of choice is balloons and sculpted like you’ve probably never seen them before. The artist (whose real name is Rie Hosokai) uses them in window displays and as art objects, but more surprisingly, fashion. Taking numerous small balloons, she gathers them into large groups that make up long flowing dresses, body suits, and structures reminiscent of armor. Her avant-garde designs are worn by models and celebrities like Bjork (are you shocked?).
Her entire portfolio is no doubt impressive – after all, keeping all of those balloons full is no small feat – but the colorful, giant teddy bear that’s constructed completely out of smaller teddy bears is the right mix of visual ingenuity, nostalgia, and fun. (Via Spoon & Tamango)
I stopped by Leon Reid IV‘s studio in Greenpoint to see what he’s been up to lately. He’s been pretty busy. Last month, he installed “100 Story House” a public art piece created in collaboration with Julia Marchesi. And he released a new sculpture series less than two weeks ago. On top of all of that, he’s in the midst of raising funds for “A Spider Lurks in Brooklyn”, his proposed project to put a giant spider between the cables of the Brooklyn Bridge during October of 2014 (you can get involved with the project here). So I was pretty psyched that he was able to make time to show me around. Leon’s been creating public art in some form or another for eighteen years now, and his studio was full of past projects and concept sketches.
Artist Gary Hovey constructs shiny animal sculptures by welding stainless steel utensils. Hovey uses the initial shape of the particular piece of cutlery – the curves of spoons, the spikeyness of forks, or the flatness of knives – to inform the overall form of the animal he is crafting. Each piece is unique – no molds are used to help shape his work. The most astounding part of Hovey’s work is that the artist has struggled with the effects of Parkinson’s disease since he was diagnosed in 1994. Since 2004, he has been welding flatware, and he finds producing and showing this work to be therapeutic. “I work when I’m able to move. Family and friends carry sculptures for me. But I still get to make them,” says Hovey. “I don’t think the quality has suffered, but it does take longer to make them. It helps financially support my family and it is therapy for me. It has allowed me to meet many wonderful people.” (via my modern met)
Everyone knows i’m a fan of simple yet effective videos. This probably wasn’t easy to make but the concept is so simple that it leaves me feeling like like “why didn’t I think of that.” Video by Korb, music by Mario Basanov & Vidis Featuring Jazzu.
Damon Casarez is a Los Angeles based photographer raised in suburban Diamond Bar, CA. In his recent series “Sweet Lolita”, Casarez covered the Dollyhouse Runway a “Lolita” based fashion show for Southern California Lolita fashion designers. His images give us a fascinating glimpse behind the scenes of this fashion subculture.
In 1995, artist Bryan Lewis Saunders decided to create a unique self-portrait every day for the rest of his life. In 2001 he committed to taking a different drug or intoxicant every day before making his daily portrait, calling this sub-series “Under the Influence.” From absinthe and cocaine to cough syrup and computer duster he sniffed, swallowed and smoked his way through interesting art and into mild, but reversible, brain damage.
Though these are only a small fraction of the collection of over 8,600 self-portraits, they have received the most attention, resurfacing in the media over and over throughout the years. Saunders has mixed feelings about this, telling Fast Company:
“To be honest I’m not proud to be on any drugs in any pictures. I think drugs make me look really ugly. And I’m really a six trick pony, but the world only likes one of my tricks. Each year 500,000 kids around the world discover drugs and so the virus never dies.”
The portraits themselves are fascinating. Is it possible that one day of a psychotropic medicine would have such a clear effect? Are some of these images influenced by Saunders perception of the drug, and not the actual effect of the drug itself? Does it even matter?
“For hundreds of years, artists have been putting themselves into representations of the world around them. I am doing the exact opposite. I put the world around me into representations of myself as I find this more true to my Central Nervous System.”
This is art, not a science experiment. If the idea of the drugs has more of an effect on the art than the drugs themselves, that’s Saunders’ artistic prerogative. The work is provocative and often more than a little bit haunting. The brain spilling Saunders on Abilify and the dark, isolated, limbless Saunders on Nitrous Oxide/Valium represent disturbing and disturbed states of mind. Though he no longer takes drugs in the pursuit of art, the self-portrait series continues, and continues to fascinate.
Stripping is pretty cool, but stripping to songs takes it that much further. Imagine, if you will, the H.M.S. Pinafore with g-strings. Or just imagine burlesque, which combines showmanship, rump shaking, and a generous pinch of snark to create one saucy form of theater. But performers are more than the sum of their tassels, and photographer Nicky Devine has been smart enough to document the burlesque community from behind the scenes, giving us a candid look at those who spend their lives in service of this bawdy entertainment.
So we got an email from Mr. Matt Manos of B/D internship fame, regarding UCLA’s Design Media Arts Undergrad show on Jan 14th. In his words: “what is funny is that me, Kate Slovin, and Corinna Loo are the ones curating it. Also what is funny is that I designed the poster for it and Greg Ruben took the photo for the poster. Also, Cameron Charles will be in attendance. So the show is basically reigned upon by B/D alumni.” Well yay, B/D alumni! More official text after the jump….