Lucy Hilmer is a photographer who has taken nude self portraits each year for the last 40 years of her life, on her birthday. She takes the photos wearing only underwear, socks, and shoes. The act of being naked, she says, is in defiance of the prescribed definition of beauty applied to her body. Being a woman with a slim figure and classically appealing features, she found she wanted to define herself through these photographs, rather than accept the definitions of others.
It seems counter-intuitive at first to remove your clothes in photographs in order to redefine how you are perceived. If you stand nearly naked in front of a camera in a relatively neutral pose, and you are “beautiful”, chances are you will just continue to look beautiful in that photo. Still, for Hilmer it isn’t really about how others perceive her, it is about how she perceives herself. She looks beautiful throughout, as she is pregnant, as she ages, in whatever setting she’s in, because she is comfortable in her skin.
The portraits are well composed and creative. In one, Hilmer’s arm imitates the shape of a large driftwood tree beside her. In another, the dynamic composition makes her pose beside her equally naked husband (facing backward) comic but also epic against the tall trees in the background. (Via Lost at E Minor)
Canadian photographer, Lissy Laricchia, creates the beautifully crafted dreamy world of fairy tale references in all its beauty and horror simply using smart props, location, minimal costume, and digital manipulation.
Digital artist and graphic designer Kode Logic (aka Boss Logic) is used to taking existing imagery and adapting, changing and repurposing it. With his newest series, Playing With History, the Melbourne, Australia artist samples some of the most recognizable photos in the history of the medium, and either subtly or blatantly alters them by including superheroes and villains.
Ranging from the construction workers who built New York’s skyscrapers palling around with Spiderman, or an alternate history where Mortal Kombat’s four-armed boss Goro menacingly watches over Ellis Island on the Statue of Liberty’s plinth, Kode Logic plays with both humor and irreverence (exemplified by two separate Kennedy edits – one with Marty McFly skitching on his hover-board, the other featuring The Watchmen’s The Comedian preparing to assassinate the president). Explaining the project (and a premise shared by many from the digital and web-based design and art communities), Kode Logic says, “…as a digital artist we are the new breed of artists and we are all trying to innovate our own style to be remembered and past on as a foundation you laid down…” (via albotas)
Stephanie Davidson’s works are, for lack of a better word, super bratty. Like she totally knows it, too. It’s loaded with post-modern irony lost in the throes of youthful know-it-allness. (My Swedish friend calls them: Besser-Vissers. Better knowers? I always liked this invented word.) It’s kinda like wearing a scrunchie and reading the Babysitter’s Club while blasting Boyz II Men just for the kicks of a patronizingly late 90’s obtuse reference, regardless of how little I actually like it. Or, like staring into a gradient-laden orb slowly rotating a white wizzard in the middle of space. (PS thanks to Jason Redwood for the link.)
Joshua Renouf, a designer based in London, has sleekly blended the morning routines of waking up and making coffee by building an alarm clock that doubles as a barista. The Barisieur uses induction heating produced by stainless steel ball bearings to heat the water before transferring it over to a stainless steel funnel for filtering. There’s even a spot big enough to store just the right amount of milk on the machine. The stainless steel tools paired with nicely finished wood lends the design of the Barisieur an elegance and simplicity. Renouf is currently in the process of developing the Barisieur, which will be available for a retail price of £150-£250 (around $250-$420). Included in the product’s description: “It encourages a ritual before going to sleep, signaling to the body and mind that is time to unwind and relax. Living slow when times are fast.” (via visual news)
Brooklyn based SVA grad Ran Hwang makes these huge, flowing sculptures with nothing but beads and pins! The uplifting, spiritual elements involved here work really well with the light, dispersed beads. You can almost see the birds’ wings flapping, and everything seems sort of frozen in time at some climactic, freeing moment. Obviously the Zen influence is deliberate. From the artist’s website: “The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen.” I guess patience does pay off. (via)
Cody Hoyt titled his website ART, and with a wide selection of silkscreen, photo lithography, and etching mixed media projects, as well as siiiiiick album covers and posters, I can’t say it’s an inappropriate title.