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Fanny Bostrom

Franny Bostrom

Fanny Bostrom is a Swedish painter and illustrator currently working and residing in New York. I love her literature-appreciating kittens and the rough strokes she uses to paint.

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Bart Hess’ STRP mutants

The STRP mutants were designed by Bart Hess together with Heyheyhey for the 2011 STRP Art & Technology Festival campaign. The mutants evolved around the idea of transformation. They visualize movement and the ever changing boundaries between the different disciplines: art, music and technology.

STRP Festival is one of the largest indoor art & technology festivals in Europe, that fuses music art and technology. The multidisicplinary program is a mix of a 360- degree experience with adventure which appeal to a wide audience. At STRP there are projects of young game designers next to major works from the international art circuit and experimental live cinema next to succesfol pop artists and DJs. At STRP you find interactive art, light art, robotics, concerts, DJs, theatrical and dance performances, experimental music, interviews, discussion, live cinema, films, lectures, video art, animation and workshops.

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Kostas Seremetis’ Ready…Steady…Go!

Belonging to the genre of abstract expressionism, Kostas Seremetis uses recognizable imagery from comics, film, and life in new and evocative ways; juxtaposing shapes and colors to powerful effect. Kostas’ Ready…Set…Go!, a solo exhibition by Kostas will premiere on September 12th at Fourth Wall Project in Boston.

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Awesome Video Of The Day: Cannibal Vikings From Hell

B/D featured artists and pals Allison Schulnik and Eric Yahnker go on a cannibalistic Viking orgy of death in this The Singers video. Watch them club each other over the head, eat humans, dance around fire, and generally cause mayhem in the desert!

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The Clayton Brothers Visit The Same Thrift Shop For Four Years For Their Latest Exhibit

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Artist duo Christian and Rob Clayton, who exhibit as The Clayton Brothers, found their muse at Sun Thrift, inspiring their latest show “Open to the Public.” Three to four years in the making, the artists visited the shop almost every other day to browse and people watch. Rob Clayton says:

“There are two aspects to this show: one side of it is the store itself and the employees that run it, and more importantly, the other side is the people that go there to get things they need.” (Source)

A third aspect could be said to be the pieces that the brothers purchased and brought into their studio, and sometimes into their finished works. Drawn to the handmade and personal the artists speculate on the embedded stories the objects can’t tell. They see the store itself as a curated collection of sorts, where the employees determine the exhibition by making connections and creating categories. Christian and Rob, inspired by this method of organization, say it inspired the way they worked for this show.

When creating, the brothers have an interesting method of collaboration. They work simultaneously in the same studio, leaving unfinished pieces out for the other to be inspired by and often to add to.

Rob elaborates, “At the studio we don’t say, ‘This is mine, that’s yours.’ We refer to the drawings that haven’t made it into the process yet as carcasses. If a painting sits around for a while, one of us will usually grab it all of a sudden and change it in some way. It’s a constant give and take.” Christian adds, “When do get into a heated spot with a piece, we know each other well enough to let things stew.” (Source)

Their different approaches and techniques are evident in this collection, and it is particularly apt. The varied stylistic choices — assemblage, drawing, collage—speak to the patchwork merchandise in the store as well as to the diverse shoppers.

“The characters that inhabit Open to the Public are overall a sweet bunch. They might look disjointed and fractured, or some might say disturbing, but our overall intent with these drawings was to gain an honest understanding of ourselves as humans. The objects that are discarded or donated to the thrift store become a direct reflection on us as people. We look at the objects like archaeologists, and there is narration attached to all of it. The stories of peoples lives, creative heartfelt moments, messages left for loved ones, forgotten memories… this is what has been driving our characters.” (Source)

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Artwork Of The Day: Mike Ruiz X Michael Jordan X Mercedes Benz

Mike Ruiz presents us with the ultimate (and completely not real) luxury collaboration. The  funny thing about this is that it isn’t too far fetched. I can see it now,  hundreds of sneaker heads waiting for days in line around their Mercedes dealership for the chance to drive the Michael Jordan Jumpman.

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Lauren Semivan’s Black And White Photography Digs At Our Primitive Nature

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Lauren Semivan’s black and white photography raises the dead, feels rich with ritual, and sullen from the earth. To say it is simply an abstract psychological expression would be too easy. There’s something else happening here that is magically archaic, and it’s not just the finely tailored compositions that carefully, yet seemingly casually, dig at our remains by arranging drawn fragments, bodies, vegetation, bones, and string, against a sparse backdrop. This “something else” is movement or play not just in the environment, but as or with the environment, a dreamy surreal fade that lingers.

Technically, each image is a true representation of not just what collects, but how the collection becomes. Shot with a purist sense of photography’s past, Semivan uses an early 20th century 8 x 10″ view camera and, without digital manipulation or any touch-ups at all, develops prints from a scanned large format negative. The ephemeral result, interestingly, pushes on our own anthropological or archeological impulses as a species– asking us to engage and connect with our ancestors, creatively, scientifically, and divinely.

Of her work, Semivan states, “In scientific disciplines, a line is classified as an event. Something as primitive as a scrawl on a surface reveals an aggregate of events, intersecting and changing course. Drawings made on the seamless backdrop describe an emotional space. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds. Within each image, ghosts of previous drawings.”

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Pinball Wizard!

While you’re with your family yawning over Triptophan-turkey food comas slumped into your pumpkin pie, why not surprise everyone and inject your holiday with a little ROCK! Maybe try jumping on the table and singing “Pinball Wizard” from The Who’s “Tommy.” Really, nothing beats Elton John as a pinball-hat, giant glasses, stilted piano-playing wizard battling a satin-chained Roger Daltry.

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