Thomas Allen has created an extremely enticing visual display of creativity via vintage pulp paper back cut outs. I love his work. You should check him out!
Stemming from a desire to challenge the conventions of traditional portraiture, Bryan Drury has carefully selected affluent members of society to sit for him, and rather than acquiescing to expectations of flattery, he exploits the power of oil paint to describe their corporeal flaws as precisely as possible. Finding liberation in this reversal of patronage roles, Drury focuses on the organic quality of the flesh and shows the animalistic side of humans that we so commonly attempt to conceal. The works feature a single subject, executed with a painstaking degree of realism. The small-scale portraits capture the condescending and supercilious attitudes of the sitters, who gaze at the viewer with an air of disdain. Set against solid backgrounds, the sitters seem separated from the outside world, and their lifeless artificiality imbues the works with a sense of isolation. In an attempt to expose their vanity and the disconnect that exists between the corporeality of the body and the abstraction of identity, Drury meticulously renders facial details, paying special attention to imperfections and blemishes. His skillful use of light and shadow in portraits highlights the contours of the sitters’ faces, while the subtle glossy backgrounds further accentuate the tactile nature of the skin and hair.
These images may look like simple abstract paintings, or cut out pieces of cardboard collaged on top of each other, but they are anything but. They are actually a product of one of the most avant-garde photographic processes being used today. Brooklyn artist Liz Nielsen‘s current exhibition Wolf Moon is an eloquent display of a very strange technique. She places different objects and shapes cut from transparent colored gels directly onto photographic paper and exposes them to light resulting in dramatic compositions.
It is a negative process, so that colors are reversed. It has taken many years of dedicated darkroom experimentation to layer the overlapping shapes so that a subtle color results instead of pure white. The resulting unique chromogenic prints in Wolf Moon are singed with red from leaked light in the darkroom and populated by abstract shapes reminiscent of terrestrial and extraterrestrial forms. (Source)
Nielsen’s exhibition has a focus on landscapes, celestial shapes and beautiful phenomena (like electricity and lightning). The subject matter mirrors the strange and wonderful process she uses in developing the images. See more of her unique C-prints at the exhibition – running from Jan 29 – March 8 at Denny Gallery in New York. (Via Pattern Pulp)
Tom Sanford just might be todays urban Norman Rockwell. Like the famed painter from the mid 1900’s Sanford is concerned with American culture. From paintings of famed rappers such as Tupac to history paintings featuring sleazy right wing radio hosts, Sanford documents, interprets and comments on the American psyche.
For his latest show opening this Saturday at Kravets|Wehby Sanford painted the famous, eccentric, historical, powerful and colorful residents of New York City that inspire him. Film maker Spike Lee, street artist Steven Powers, and even Mayor Bloomberg make appearances in paintings that shift from smooth graphic rendering to impasto patterning.
“I didn’t grow up in New York City but I moved here to attend Columbia at eighteen. I remember around that time my grandfather told me that “When you leave Broadway you’re camping out.” I have been here (pretty much) ever since, and I plan to stay. I relate to Dylan Ebdus in Lethem’s “The Fortress of Solitude.” I feel like I am missing it all, between my pathological devotion to my studio and my daddy duties I can go days without leaving home at all, and sometimes weeks without getting on the subway. But I need New York City. I feed of the culture. All the amazing people who inhabit this magical place, doing fantastic things. They create an energy, or perhaps an anxiety, that nourishes me and I must be close to the source. Hopefully I am contributing that energy as well.
For this show I made New York genre paintings, portraits and scenes of ordinary life in my city. The portraits are of some of the thousands of New Yorkers that make this place so rich. These are people that I associate very strongly with New York and the city’s culture. Some of them are people I have met, some I know, some I have just seen at a deli or on the street. –Tom Sanford
If there is one band that I associate with the art world it would have to be Sonic Youth. Over the last 30 years the band has collaborated with such blue chip artists such as Mike Kelley, John Cage, Yoko Ono, and Christian Marclay. So it’s no surprise that Kim Gordon, one of Sonic Youth’s founding members has just released a book of paintings and photographs with Rizzoli Books and Nieves Titled “Performing/Guzzling.”
Performing/Guzzling functions more as a hard bound artist journal than a monograph filled with page after page of Gordon’s ghost like watercolors, text paintings, lyrics/poetry, and photography. The watercolor works are by far the most accomplished, inspired by on-stage performances where the faces in the audience become a dreamy and ethereal blur of color.
The first printing of the book will be in a limited edition of 3,000 copies, with each containing a signed print by Kim Gordon. Performing/Guzzling is a must have book for both artist book enthusiasts and Sonic Youth fans alike!
The Museum of Contemporary Art Chicago is hosting a massive exhibition about the one and only, David Bowie. A titan glam rocker and all-around swoonage daydream, Bowie is one of the most influential musicians to date. Running from September 23rd to January 5th, 2015, this exhibition, titled “David Bowie Is,” includes installations, outfits, artwork, album art, and much more. The exhibition unfolds chronologically, starting from Bowie’s teenage years and running up until his retirement from touring in the 2000’s.
“David Bowie Is presents the first retrospective of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. More than 400 objects, most from the David Bowie Archive—including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material from the past five decades—are brought together for the first time.
Bowie’s work has both influenced and been influenced by wider movements in art, design, theater, and contemporary culture, and the exhibition subsequently focuses on his creative processes, shifting style, and collaborative work with diverse designers in the fields of fashion, sound, graphics, theater, and film. Multimedia installations incorporating advanced sound technology produced by Sennheiser, original animations, continuous audio accompaniment, and video installations immerse visitors in the sights and sounds of Bowie’s artistic life. David Bowie Is was organized by the Victoria and Albert Museum, London, and has embarked on an international tour with the Museum of Contemporary Art Chicago as the only US venue.” (Excerpt from Source)
The video is amazing. It may seem like these guys don’t really care, but I think they really really do. Tricky.
Beth Livensperger’s painterly canvases are full of confusingly convincing visual miscues. Fluorescent lighting, mirrors, and expanses of reflective glass complicate vision by blinding, doubling, and flipping what we see. Livensperger uses these illusions in ways which prompt the question “what exactly am I looking at?” She makes us pay attention to places we would normally ignore, like store fronts, wood shops and laundry rooms. In the process bringing us into a one on one confrontation with our sense of sight.