Croatian-Austrian design studio Numen/For Use has built a large string supported jungle gym that is described as a “prototype of a self supporting inhabitable social sculpture.” Known for their large-scale tape and netting installations, “String Prototype” represents the studio’s first “large geometric inflatable object” installation. Thin ropes are tied on opposite sides of the form’s volume, keeping them parallel. When the object is inflated, the ropes are pulled and tightened into a structure that can support multiple human bodies. “Bodies entrapped in 3D grid, flying in unnatural positions throughout superficial white space, resemble Dadaist collages. Impossibility of perception of scale and direction results in simultaneous feeling of immenseness and absence of space.” (via my modern met)
The project is currently installed in the Viennese countryside, where it is still in development.
Brent Birnbaum is an artist with one hell of a sense of humor. To commemorate the 2o year anniversary of Vanilla Ice’sIce Ice Baby single (the first hip-hop single to top the Billboard charts) Brent created the alter ego Ice Ice Maybe. Find a recap of the performance and his recreation after the jump.
Artist collective Ghost Of A Dream uses discarded lottery tickets to create brilliant installations of what lottery winner just might buy with all that cold hard cash. The installation above features over $70,000 worth of discarded lottery tickets to create the ultimate “Dream Home” full of expensive art, antique furniture, and of course a lottery ticket encrusted chandelier. View more images of the Dream Home as well as the dream car and dream vacation after the jump.
Bradford Haubrich creates wondrous works of art containing a set of iconography culled from personal experiences and past memories. His work ranges from two dimensional paintings on found wood, to clocks and hand made mugs, and even a large scale installation containing a series of wooden flumes that dispense beer.
Today I remember just how much I enjoy Cal Lane’s work. Visually stunning, her sculptures are easily accessible yet deeply intellectual, but hey, that’s what you get when you work with a plasma cutter and 55 gallon oil drums. Amazing that she’s able to coax such ethereal work out of such crude material. Taking the reigns from the Smith’s and Serra’s of the sculpture world is no easy task, but Lane is seemingly running as fast as she can.
Melbourne based Joseph L. Griffiths’ drawings and mechanical installations seek to transcribe the living relationship between man and machine. The relentless accuracy of the drawings evoke the printed sheen of digital reproduction, simultaneously celebrating and denying the human touch. His interactive drawing machines propose a return to primitive technologies and encourage a reconnection to the natural and man -made worlds through manual crafts. Directly engaging the audience in the creative cycle, his work seeks to reevaluate the human position in the technological equation, and realize the potential for art to permeate everyday life. More images of the drawing machines and drawings after the jump.(via pulmonaire)