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Paul Yore’s Joyful Sexual Tapestries Provokes And Shocks To The Point Of Censorship

Paul Yore - Illustrations 2
fuck the police

everything is fucked

Paul Yore - Illustrations 12

The world of Paul Yore is encrypted. Behind the simplistic images hand woven on his tapestries there is a subtle will to provoke our thoughts on gender, identity, consumerism and daily violence. The artist chooses to apply psychedelic vivid colors to ultra detailed illustrations : phalluses shooting out rainbows, youths riding white unicorns, skulls conversing with pigeons, and pigs dressed up as police officers. He designs a whole lot of messages in his work, whether it’s tapestries or large installations made out of an accumulation of toys found on the streets. (One of his last pieces, “Everything is fucked”,  was removed from his last show, allegedly representing child sex abuse, see the very two last pictures below).

Paul Yore is protesting in his own way by impregnating the culture of excess on his overflowing tapestries. We are immersed within his dystopia, his family of masturbating characters, naked flying humanized butterflies and cheerful animated vanities. This joyful scenario hides his honest concerns about real debates. The actual consequences of social and cultural nonsense in our existence is a primordial topic. In a world where communicating is done through all kinds of ways, he doesn’t seem to have the freedom he needs to express his ideas. Censorship versus artistic freedom between the artist and the authorities is the culminant point this battle has reached.

Paul Yore’s work will be shown at the Museum of contemporary Art in Australia as part of the Primavera 2015: young Australian artists until december 2015. (via Juxtapoz)

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Nona Faustine’s Powerful Nude Photographs Expose NYC Locations Connected To The Slave Trade

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Nona Faustine’s powerful imagery looks back to a time of slavery that exposes locations around NYC where humans were once bought and sold in the slave trade.  Entitled “White Shoes”, Faustine photographed herself completely nude except for a pair of white shoes in areas where much of this illicit activity took place. On Manhattan island, this includes a busy street on Wall Street and the steps of City Hall. In the photographs, Faustine stood atop a box on the Financial Street, as if she were back in a slave market and then walked up the steps of City Hall built over an African burial ground. Her visuals speak volumes to the viewer as we can only envision someone like her in that detestable situation.
Some of the more powerful shots of “White Shoes” find the artist passed out in the water near rocks on a beach and atop three gravestones in Brooklyn. Her courage to use herself rather than a model is exemplary in that it shows her genuine interest in having a direct connection with the narrative. Along with the photographs, she uses quotes which mimic passages from the Declaration of Independence and other human rights documents. Slave trading was legal in New York for almost 200 years. It began in 1626 with the Dutch West India Company and ended in 1827 with the help of slave advocacy group the New York Manumission Society.
Nona Faustine is a 2013 MFA graduate of Bard college. Her work delves into gender politics, folklore and how the past affects the present and future. (via blackgirllonghair)

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A Sign Of The Times: Jakub Geltner’s Creepy Installations Made From Surveillance Equipment Are Always Watching You

Jakub Geltner - security installations Jakub Geltner - security installationsJakub Geltner - security installationsJakub Geltner - security installations

The installations, sculptures and street art, of Jakub Geltner is subtle, disconcerting, and very in-sync with the Zeitgeist and hot topic of the moment. The Prague-based artist installs groups, or rather – herds – of security cameras, satellite dishes, and surveillance equipment in different outdoor settings. Drawing attention to the presence of being watched and filmed in some way or another, the groups of equipment is very creepy.

Geltner places the gear in absurd places – screens are tilted to look directly at a brick wall, or to spy on a moss covered rock at the beach. Satellite dishes are clumped together on the side of a church – obviously not much use for anything and cleverly parodies the aesthetic of so many apartment blocks littered with the dishes in our modern day, technology-obsessed cities. The artist explains a bit more about his work:

My project is simply called “Nests” and mimics the random human activity in the urban landscape. I was inspired by the characteristics of several cities on my travels around the world where I often found different unplanned, almost organically placed, elements that interfere with the typical facades of the buildings in specific cities.

Through this project I wanted to point out the extent of these “infections” to show how disruptively absurd as well as interesting the urban space can become. I have been working on these nests since 2011, when I set up the first “Nest 01″ in the city center of Prague. I installed it directly on the waterfront of the Vltava river while I was still studying at the Academy of Fine Arts in Prague. (Source)

So maybe next time you are walking on the street around your city, remember to look up and check out just what, where and how many technological ‘infections’ there are around you…..they may just spread their disease to you…. (Via Bored Panda)

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Grzegorz Gwiazda’s 19th Century Inspired Classic Nudes Use Hints Of Color And Abstraction To Catch Your Eye

Grzegorz Gwiazda - Mixed MediaGrzegorz Gwiazda - Mixed Media

Grzegorz Gwiazda - Mixed Media

Grzegorz Gwiazda - Mixed Media

The curious artwork of Grzegorz Gwiazda breaks down form and structure, yet often builds up color and shape. His sculptures range from a wide variety of style, whether it is representational, surreal, or incredibly abstract. Reminiscent of 19th century European sculptures, his work has a timeless quality that demands respect and appreciation. However, there is always an unmistakable contemporary element present in each piece. For example, one of Gwiazda’s sculptures appears to be a classic, male nude made out of bronze. However, this man is also riding a unicycle, and even has one red foot. Another striking piece holds his arms out in a traditional stance, also nude. This sculpture contains a brilliant blue stripe dissecting the man in half, while several shades of vibrant colors fanning across the background in which he stands. The artist beautifully takes 19th century motifs and style and majestically brings them into contemporary times; into the avant garde.

Not all of Gwiazda’s sculptures display realistically sculpted, male nudes. Many of them break down the figure, melting their details and characteristics until, sometimes; they are nothing but a skeleton of a man. His multiplicity in styles is as impressive as his eclectic us of media. He uses more common materials like bronze and ceramic, but also uses more obscure ones like resin and paper. The artist is able to create such magnificent form and detail, with just enough abstraction to push male nude sculpture to the next level.

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Barbie Meets Cyber Feminism In Signe Pierce’s Neo 80s Hyperrealist World

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In the dark corners of the Internet lie Signe Pierce’s neon creations, full of nocturnal urban decors, poolside decorations and a message. Although her work has a strong aesthetic presence, it is the atmosphere that surrounds it and the energy that runs through it that are truly powerful.

A few years ago, her self-described “social experiment” video entitled American Reflexxx shot by fellow artist Alli Coates provided a visceral look into human prejudice, violence and, amongst other things, the male gaze. The 14 minute film depicts Pierce silently walking down a boulevard in Myrtle Beach, South Carolina dressed like a stripper sporting a reflective mask. Over the span of 14 minutes Pierce is catcalled, insulted, and shoved. Her project unintentionally created a portrait of the darker sides of human beings, and the anger and fear that result from a lack of understanding.

However Pierce’s work goes further than this, she also works a lot with photography and her girl power energy shines through her various projects which could described as a blend of feminism and humor dominated by the lurking feeling that something is not right. The settings of her photographs are a dominantly pink atmosphere, which gives off a strong 1980s Southern California/Miami vibe, providing the perfect backdrop for a vaporwave soundtrack. Through her body of work, Pierce manages to raise questions about gender, identity, sexuality and, on a greater scale, the reality we believe in.

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Linda Hall’s Beautifully Grim Textile Animal Sculptures Embody Pain, Healing, And Spiritual Hybridity

Gallery Collage

Gallery Collage

Mamma Mask for Neglected Dog Across the Street

Mamma Mask for Neglected Dog Across the Street

Pink Stag

Pink Stag

Demon Family

Demon Family

Linda Hall is a Florida-based artist whose textile sculptures blur the boundaries between human and animal, innocence and the grotesque. Like a taxidermy studio of preserved fairy tale creatures, fox heads and bipedal bearskins hang ominously, eyeless and empty. Using un-dyed tissue paper, handmade quilts, and other textiles, Hall gives her pieces a “patchwork” quality, sculpting a mix of twisted and fantastical bodily features, inlcuding warped antlers, multiple ears, and eerie, human-like grins. Designed like masks, puppets, and full-body costumes, Hall’s works are “containers for the spirit” that seek to deconstruct the human/animal binary in pursuit of a more fluid understanding of identity—one that morphs beyond the corporeal boundaries of species (Source). As she explains in a statement provided to Beautiful/Decay:

“Like a sixteenth-century curiosity cabinet, my objects aim to provide evidence of another reality. Many of the sculptures, domestic and wild, are constructed from collected handmade quilts and other textiles. These materials have their own intimate history, yet they are repurposed into charged spaces where humans and animals occupy the same space. Many forms show evidence of life and life events, such as wounds and the mending.”

The stories of “wounds” and “mending” are embedded directly into the sculptures through Hall’s creative process. Embellished with paint, beads, and flowers, the pieces are, in many ways, objects of curious beauty; like toys drawn from a child’s costume chest, they radiate with an endearing, imaginative, and anthropomorphized sense of friendliness. However, in many cases, paint has been plastered overtop of these adornments, creating a caked-on and disfigured appearance that signifies the messy process of healing and the scars left behind. Beautiful, lonely, and repulsive all at once, Hall’s menagerie confronts us with the familiar-yet-otherworldly emotional spaces that humans and animals both share—as well as the damage and exploitation inflicted on the natural world, despite these deep interrelations.

Visit Hall’s website and blog to follow her beautiful work.

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Joseph Walsh’s Latest Installation Is A Swirling Symphony Of Ash Wood That Transforms From A Desk To A Shelf As It Takes Over An Entire Room

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Joseph Walsh - Sculpture 2

Entering the studio of Joseph Walsh is like embarking on a vessel of imagination. His “Magnus Celestii” piece begins as a desk and then spirals upwards from the floor to the ceiling to end as a slender shelf. The great heaven; as the title of the piece translates in latin; is taking up the entire space, making the viewer the center of the sculpture wherever he is located in the room. Not only is the piece a beauty, but it’s also made out of ashes of wood. A detail that transports us to the premice of the creation, in the midst of nature, in a magical forest somewhere in Ireland, where the artist is from.

Regarding Joseph Walsh, the barrier between him being acknowledge as an artist or a designer is slim, almost inexistant. The fact that he is challenging the technical boundaries of wood carving demonstrates his talent and love for his passion.
He is a visionary redefining design as art. A piece of furniture created by his hands is a sculpture. He wishes to honor the collaboration man has had for decennies with the material of wood.

Once again through this sculpture he has our head swirling in a dream of wooden ribbons. Over the years, Joseph Walsh has created a language of curves, sensuatity and voluptuousness. There is not one way to appreciate his work. How the lines float and the silhouettes undulate leaves us in an eternal spin. No matter how many times we look at a piece, there will always be a new angle to discover it.The simplicity of the material and the complexicity of the lines are what makes his work so captivating.

Joseph Walsh has new work currently showing at Chatsworth House in Bakewell, Derbyshire, UK until October 2015. 

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The Futuristic And Visionary Super Yacht Designs Of Russian Architect Vasily Klyukin

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Vasily Klyukin is a business man, architect, charity supporter, space patron and now super-yacht designer, on a mission. After supporting commercial art initiatives and hosting art events for many years, the Russian powerhouse has turned his hand to the world of yachts. And just like his attitude to buildings, Klyukin believes yachts should be individualized, recognizable, and memorable. Luckily for us, his futuristic designs are exactly that.

Drafting up plans for yachts that look as surreal as they do expensive, the accomplished  designer will make you wish you could afford one just to see his ideas realized. He has come up with ideas like a floating Manhattan skyline, an over-sized Swan, a modern Mondrian homage, and a sleek ‘Red Shark’ design that will be sure to impress.

He talks about the inspiration behind his aesthetic:

Even if you would build the largest yacht in the world, there always is the sea lover who is richer than you, and he would beat your record to have the biggest one. But he would be a champion only for a certain period of time. A couple of years more and the garland will float away on the new boat, bigger than the previous ones. I’m not captivated with such a competition. I do not want to compete at all. I just want a special yacht: one of a kind. I do not want its beauty to float away from me when somebody will build its copy. (Source)

Klykin has also put together a 300 page book with publishing house Skira showcasing 50 of his land-based designs. Called Designing Legends, it contains images and ideas for towers, opera houses, museums and office buildings. As an extension of his interest in architecture, Kylkin has also exhibited his first professional sculptural and fine art show in 2013. Be sure to check out his impressive resume and more design work. (Via The Creator’s Project)

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