Cattelan’s personal art practice has led to him gaining a reputation as an art scene’s joker. One of his best known sculptures, ‘La Nona Ora’ consists of an effigy of Pope John Paul II in full ceremonial dress being crushed by a meteor and is a good example of his typically humorous approach to work. Another of Cattelan’s quirks is his use of a ‘stand-in’ in media interviews equipped with a stock of evasive answers and non-sensical explanations.
The installations of Damian Ortega reflect a curiosity that is at once childlike and serious. His dismantled, dissected, carefully arranged pieces often hang from the ceiling prepared for inspection. Ortega’s installations encourage viewers to think about relationships between the parts and its whole, between individuals items and the group. It’s easy to see how these ideas can expand to wider topics. In a way, Ortega not only takes apart a Volkswagen physically, but also socially. He deconstructs ideas in a playfully literal way.
Gustavo Godoy‘s Fast Formal Object: Big White, opened last Saturday at Honor Fraser Gallery, and I’m happy to say that I was there for the opening. The first thing I noticed when I came in was big and white. Everything was white from the walls to the actual sculpture, even the event postcard. The sculpture is big and takes a big amount of the space in the room. Once you go in the room, the only space left is to walk around the big sculpture and little by little the details of the piece unfold as you maneuver your way around it.
Diana Chryzynska’s photoshop-ed female faces seem surprising natural upon first sight. With most of the pieces of a normal face present, the viewer’s brain mashes them together to make sense of them, when actually they’re quite reworked. It’s fascinating how well your brain is able to reconcile two noses and two mouths sandwiched between two hands with eyes on top. Somehow, it takes a few seconds to realize what you’re seeing is completely surreal. Of course you realize what you’re looking at isn’t quite right, but it takes a while for your brain to sort out exactly what that is.
Maybe what makes the images more consumable is the appealing features: big eyes, luscious lips, unblemished skin. I don’t think it’s that, though. It’s like when you read a word like baeufitul, and your brain is able to organize it into beautiful (with some coaxing). The see-through hands over the faces are the most interesting in terms of theme. They feel like veils, hiding the strange faces from view, though not entirely. It feels like the women are hiding their mixed up faces, but some are peaceful while others are confrontational. Most close their eyes, but the confrontational ones stare out from behind their hands, self-consciously aware of their strange arrangement.
We’re gearing up B/D Apparel for another season of collaborations with artists from around the world. It might seem like we just send our the art for the shirts to the printers and wait for them to ship us finished shirts but that’s far from the truth! We spend weeks camped out at our printers fine tuning every single shirt. The process can be grueling with some shirts taking an entire day just to get right. Here are some shots from a recent day at the printer….
Graphic, motion, and interactive designer Hannes Hummel has created a series of sculptures that are inspired by music. Titled Luxury Problems, the surreal busts are chopped up, duplicated, and mirrored. They might look like the typical “art historical” bust, but upon further inspection, there’s something seriously wrong. Some have more than one set of eyes, while others feature a skull that permeates the fusion of two faces. Hummel describes the inspiration and process of this unusual series of works.
Based on Andy Stott’s record »Luxury Problems« I created a set of 3 busts. In the same vein as his sample oriented, dark & chopped song structure, the process and methods used to create every bust are basically the same — with the help of autocad 123d catch I scanned several busts, stone sculptures and bones, recreated them digitally and created rapid prototying ready bust-remixes
The nightmarish sculptures are fascinating in the weird narrative that they create, and has you asking questions about their backstory. Why do they look the way that they do? Hummel has give us the opportunity to fill in the blanks. (Via Martineken)