Something is not quite right with Nandan Ghiya‘s portraits. Indeed, several are titled Download Error. Ghiya’s antique portraits of upper class men and women from the past seem to be physical manifestations of garbled JPEG files. Each portrait is collaged and each frame carefully modified in a ways that resemble corrupted digital photographs. The now forgotten subjects of these portraits may have sought posterity through these images and the artist seems to communicate this in a familiar visual language of the digital. He uses life documented through JPEG’s, glitches, and error messages to reflect the modern plastic identity.
Do you know thousands of artists and designers who need to get some well deserved exposure? Do love writing about art and want an outlet? Do you want over a million monthly readers from around the world reading and hanging on your every word? Do you want to join Beautiful/Decay in our quest for all things groundbreaking and creative? If so then we have the perfect job for you!
Beautiful/Decay is looking for a few young writers who are looking to get their foot in the door and contribute to our daily blog. We are looking for smart writers in all corners of the globe who have their fingers on the pulse of the contemporary art and design world and want to join our group of art bloggers.
To apply send a few short writing samples (or links), 5 links to artists who you would like to write about and a cover letter about why you want to join the Beautiful/Decay contributor team to contactbd(at)beautifuldecay.com.
Writers must be able to commit to a minimum of five 300 word posts per week. This is a paid freelance position.
Peruvian artist Cecilia Paredes gives new meaning to the term “wallflower.” In her recent collection of photographs, entitled “Landscapes,” Paredes seamlessly disappears into a dizzying array of patterned wallpapers, using only paint and, in some cases, simple costumes to complete the transformation. Paredes’ self-painting is so precise that, oftentimes, the only hint of her presence is a flash of sleek brown hair or a pair of gleaming white eyes peering out from the background. Through this disappearing act, Paredes explores themes of displacement and migration, illustrating the difficulties of blending in to new surroundings without completely casting off one’s roots.
In artist Diana Scherer’s series Nurture Studies, she used soil, seeds, and photography to produce her work. Letting flowers grow in vases rather than the ground, she matured the plants and later broke the glass, exposing the dense roots that took the shape of their containers. They were then photographed at the peak of their lives; Flowers had bloomed, plants grew tall, and nearly all the flora was green.
Scherer’s work is visually very tight. The dirt is packed against the roots, and even out of their containers, the plants hold their shape. Although the plants look highly controlled, there is very little that Scherer can actually manipulate. Aint-Bad Magazine wrote about this Scherer’s photographs, highlighting this fact. They state:
There is an inherent contradiction in Scherer’s working method. Although she is dedicated to the project and keeps a close eye on whether the roots are developing as desired—checking them carefully and with the utmost precision—her ability to manipulate the plants’ growth is limited. She has to accept the impossibility of total control. This contrast between almost obsessive monitoring and an inability to fundamentally influence events becomes an intense, almost ritual presence in her work. Scherer’s photos are carefully rationed, showing a single moment as the culmination of a long process of growth.
Scherer’s presentation of the plants is very straightforward. There is no extreme lighting and the background is devoid of anything but a color. With the a series with the word “studies” in the title, I see Scherer’s work as specimens, the result of an exercise in timing, and, for lack of a better word, nurture. (Via Aint-Bad magazine)
Aaron McIntosh reinterprets old romance novels and photographs in his art while examining the lines between abnormality and normality, pleasure and disturbance. He is fascinated by human romantic and sexual natures, and both questions and challenges our social constructions of love and sex.
Hong Kong based Kurt Lam’s site says that he is a fashion illustrator but his portfolio is full of illustrations that reference art nouveau, art deco, japanese scroll painting, and various modes of abstraction that defy traditional fashion illustration tropes and push the boundaries of the genre.
The nightmarish sculptures of Italian artist Sasha Vinci are both alluring and unsettling. With the human body often being his subject, his work portrays a sense of longing, a palpable sense of a tormented soul. Having work with titles like The Eternal Wait and You Are Here You Exist, the suffering of human existence is strongly felt. Ripe with emotion, his mutated figures look for a sense of belonging in the world. His fleshy subjects seem to have skin that melts off their feet and hands, binding the two together. Vinci’s subjects are trapped by means of their own body, perhaps a metaphor for humanity’s own self-destructive nature.
Although monochromatic, we can almost see the color of flesh and blood absent in many of his sculptures. In his artwork titled The Eternal Wait, the drips of flesh coming down from the entire body add an intensely graphic, carnal element that is extremely alarming. We cannot see the face in this or any of Sasha Vinci’s figures, adding another layer of isolation to these already lonely creatures. One of Vinci’s more disturbing sculptures is The Hung, where a person’s body, or what’s left of it, is being hung. The body has been disfigured, with half of its limbs missing from its faceless body. The artist’s work forms a truly ominous atmosphere that draws you in while at the same time chilling you to the bone. Sasha Vinci, being a multi-talented artist, also creates work in mediums such as installations, performance, painting, drawing, and writing.
(via Hi Fructose)
Here is some nice atmospheric work from Spanish photographer Ivan Sanjuan. His hazy imagery fits the mood of this rainy Thursday quite well.