Breanne Trammell’s work is categorized by oversized every day objects created in monumental proportions. Her work is playful, inspiring, and just plain intriguing. Her candy cigarette installation is genius with giant cigarettes decorated like rainbow sprinkles, Reese’s cups, Sweettarts, Swedish fish and Junior Mints. In addition to her larger than life sculptures, she also incorporates patterns, prints, and 2D expertise into her body of work.
Photographer Marshall Scheuttle travels across the country, bringing his lens to bear on our nation’s cultural patchwork. In his work, desolate landscapes are occasionally dotted with a baptism or bolo tie, a snake charmer or carnival worker. It is a world that is lonely, powerful, surreal, and distinctly American.
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Jaw-dropping installations made from cardboard and tape, colorful and geometric paintings on discarded wood or subway car interiors, highly-patterned murals on the streets — Clemens Behr creates a little bit of everything. Or, rather, the Berlin-based artist makes A LOT of everything, much to the delight of his followers. Full disclosure: Yes, I am one such enthusiast.
Scottish artist Anna Geerdes‘s paintings focus on map landscapes, as she presents fields stitched together and filled with ants for a fantastical and surreal series entitled The Utopia Project. More images from the series, which was featured at the Royal Scottish Academy in 2010, after the jump.
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Guy Denning of Bristol, UK has been putting out emotive, figurative paintings for almost two decades. He works mostly in oil, perhaps the perfect medium for working with the human figure due to its unique luminous qualities, and he takes the guesswork out of using art as a mirror for the human condition by directly rendering our anguish and strife in muted, stylized tones. He also maintains a pretty awesome daily drawing blog.
Vered Sivan‘s installations combine sculpture and performance but they don’t seem alive — they seem lived in. Her use of synthetic thread and dental floss reads as dusty cobweb thriving in the space. Her crocheted steel wool has been cast on the floor. Sivan’s pieces exist in a state where objects don’t change but surfaces do.