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Adventure Photographer David Heath Captures The Enchanting Beauty Of Burma Over The Course Of Five Years

David Heath - Digital Photography

David Heath - Digital Photography

Adventure photographer David Heath delicately captures the enchanting land of Burma, showing its shockingly stunning, exotic beauty. Over the course of five years and after taking eight individual trips to this mysterious place, Heath has completed a masterpiece of a collection of photographs radiating with natural beauty, and dripping with color. This incredible series, now available in print as a coffee table book, is a tribute and celebration to the lush culture and land that is Burma.

“From the moment I first set foot in this magical land, I fell under its spell. I found it to be one of the most enthralling and visually captivating countries I have had the privilege to explore – truly a photographer’s paradise,” explains Heath, “I aspired to convey the soul of the beautiful Burmese people, their mystical culture and mysterious customs, in the most artistic way possible”.

Burma, a place not many people can say they have traveled to, has become a place of comfort for Heath, as you can see in his photographs. He captures subjects with such love and allows such a strong authenticity to remain within them. Heath uses no flash, only natural lighting in order to show the true, authentic nature of this amazing culture. Traveling through Burma by boat, canoe, train and foot, Heath shows us remote and rare perspective of this captivating land. Each image is a remarkable adventure where we can see ancient temples, colorful and traditional Burmese clothing, busy street markets, tribal face tattoos, and the sparkling, eager eyes of the children of Burma. We are able to experience a culture that seems a world away through the intimacy of David Heath’s travels.

Make sure to check out the book “BURMA: An Enchanted Spirit” to see more unforgettable photographs.

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B/D Movie Time reviewed!

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Our friends over at Evil Monito  recently reviewed our last “Movie Time” at Space 15Twenty. If you haven’t made it out yet- be sure to come tomorrow night, 8pm sharp! We’ll be playing “Who the (ahem) is Jackson Pollock,” and will also be a fun time. Click HERE to read Caleb’s full review over at EM.

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Self-Folding Paper Robot Assembles Itself In Less Than 4 Minutes And Even Walks Away

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US-based team of scientists has built a robot that folds itself into an origami-inspired shape starting from a flat sheet. The assemblage of such robot doesn’t require any human intervention. It is made from a polymer material which shrinks when heated, also has electronics and motors attached to it. When the heating elements affect the hinges made in paper, the robot starts transforming into a crab-like machine. The whole process takes about 4 minutes before the robot can start walking.

The team behind the project said their inspiration came from the complex 3-D shapes in origami: like in the Japanese paper art, various three-dimensional shapes are constructed from a single sheet of paper. This robot takes origami a step further. According to the developer team, such self-assembling robots can be greatly employed in construction or rescue works.

“[They could be delivered] through a confined passageway, such as a collapsed building, after which they would assemble into their final form autonomously,” states Marc Lavine, senior editor at Science.

Robot‘s small size makes is what makes it very useful because of the easy transportation and storage. Apart from search-and-rescue missions, a more advanced version of the robot could be easily used construction works, especially in places that are hard to reach. The whole project is said to cost $11,000 but with the initial designs in place, the mass-production robots should cost around $100 each. (via NPR)

Watch a short video about the project after the jump.

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Liu Zhi Yin

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Liu Zhi Yin, an emerging artist from China, recently earned her Masters at the Luxun Academy of Fine Arts and has been exhibiting her sculptures in group shows. Liu Zhi uses fiber glass or bronze to construct sculptures of female characters that exude humor, but more than anything else, femininity in every sense of the word. Regardless of either awkward pose or expression, the movement and form of her pieces executes the constant sophisticated finish.

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Made With Color Presents: Colin Roberts’ Grotesque And Funny Sculptures

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Website builder Made With Color and Beautiful/Decay have teamed up this week to bring you an exclusive artist feature. Each week we join forces to showcase some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek website. All Made With Color sites are responsive and come with a built in mobile site, which means that your portfolio looks beautiful no matter how it’s viewed. This week we are excited to present the sculptures and drawings of Colin Roberts.

The work of Los Angeles based artist Colin Roberts are based on the uncanny. Robert’s work consists of sculpture, drawings, and installation that deal with the subject of psychic fragility. At times grotesque (see flesh book above) or humorous (see obese wooden figure above), his work is an exploration of the human condition which employs the tactics of both surrealism and abject art. The work evokes familiar imagery and obscures it in uncanny and fantastical ways. By using lexicons common to everyday life, the pieces have the ability to cross significant cultural, social and psychic boundaries.

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Dylan DeRose’s Cat Fanciers Association

Photographer Dylan DeRose’s Cat Fanciers Association series proves that not only do dog owners look like their pets but cat owners do as well.

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Andreas Laszlo Konrath

Andreas Laszlo Konrath‘s beautiful photographs of youth gone wild.

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Hilary Brace’s Shifting Cloud World Drawings

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In reviewing Hilary Brace’s drawings, the New York Times said, “once in a while you come across an art of such refined technique that it seems the product of sorcery more than human craft…” Starting with the smooth surface of polyester film darkened with charcoal, Brace works in a reductive manner by removing charcoal with erasers and other hand made tools. Despite the photographic veracity of her technique, Brace composes her images without premeditation, through an explorative process that allows them to unfold in unanticipated directions. Her subjects are based upon clouds, water, mist and mountains, but she takes these forms to sublime and unimaginable new heights. As Christopher Knight remarked in the Los Angeles Times, her work is “like a Vija Celmins drawing made Baroque, [it] conjures ephemeral poetics of light and space.” For all their vastness and grandeur, Brace’s drawings are relatively small and intimate. As Leah Ollman observed in Art in America, these drawings “put those two realms – the private and the cosmic – within reach of each other.”  (via)

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