Jane Masters lives and works in Providence, RI. Using the scratchboard technique that originated in the 19th century she creates highly detailed abstractions. Using nothing but knives and sharp tools the art of scratchboard is creation through removal. In Masters’ case what remains are dizzying op art spirals and ribbons of intersecting waves. The stark black and white adds to the timelessness of designs that often resemble microscopic magnifications of viruses, cells, and other things found in biology. (via)
British artist Tom Phillips released the first edition of A Humument in 1970. To create this stunning book, Phillips illustrated and/or collaged each page of a found Victorian text – WH Mallock’s A Human Document – leaving parts of the original text exposed and uncovering a new story line with a new protagonist named Bill Toge, whose name appears only when the word “together” or “altogether” appears in Mallock’s original text. Of the text and his project, Phillips says,”It is a forgotten Victorian novel found by chance …I plundered, mined, and undermined its text to make it yield the ghosts of other possible stories, scenes, poems, erotic incidents, and surrealist catastrophes which seemed to lurk within its wall of words. As I worked on it, I replaced the text I’d stripped away with visual images of all kinds. It began to tell and depict, among other memories, dreams, and reflections, the sad story of Bill Toge, one of love’s casualties.”
Over the years, Phillips has revised and replaced pages of the text, resulting in updated editions. The most recent 5th edition was published in 2012. In 2010, A Humument made its digital debut as an app for the iPad and iPhone. Assisting in its develop, Phillips is very pleased with his work’s transition to the digital realm. For Phillips, a bright screen enhances his illustrations, lending them a glow his pens and paints couldn’t achieve, “almost like church windows at times.” After Phillips started working on the book in the 60s, he dreamed that it could one day be used as an oracle. Forty years of technology later, Phillips’ dream has been realized, and he’s become his own consumer: “Each night after midnight I consult, somewhat furtively (even though alone), the Oracle I have made. I’m often surprised by pages made long ago and almost forgotten, as well as by the sometimes uncanny predictions they offer their maker.” (via the guardian)
The Burqa, full-body cover up worn primarily by Islamic women of faith, has been subject of much controversy for decades, especially in Western societies. Many say that the garment oppresses women, leaving them astray and without a voice in a world were men dominate them.
Selina Roman‘s Burqa Project takes the Burqa and turns its literal meaning around through the medium of photography and visual composition in order to challenge the viewer’s mainstream knowledge of it.
Roman, a former reporter, hopes to offer her audience a different view point, a new way of seeing, she comments on her artist statement.
Although the Burqa is shrouded in religious significance, I take it out of this context in an attempt to explore these other attributes. Instead of showcasing it as an oppressive garment, I place the Burqa in idyllic Florida landscapes to let it float and billow. In turn, it becomes an ephemeral and weightless object removed from its politicized context.
Apart from Roman’s obvious emphasis on the beauty and femininity that these garments project, she also wants to shed light on the qualities that we often forget to acknowledge. There are many interesting characteristics that the Burqa provides to any that wears it- i.e anonymity, security, and power.
14 acoustic guitars, 31 dc motors, 300 m cable, fabric and one computer create the wall of delicate sound in Ruben Dhers’ Playa. Using the computer to spin fabric-tipped motors just above the guitar strings, Dhers creates an atmospheric symphony played not by dozens of musicians but by a single computer only following the instructions that have been seth forth in its program. Watch the full video documentation of Playa after the jump. (via)
Jacob Arden McClure is a Los Angeles based filmmaker and artist that works in a variety of mediums from paintings, sculptures, film, design and installation, which as he mentions, “showcase his unique and cohesive style with layered iconography and narrative storytelling.” The images shown here are from his latest film titled, “SCOUT”. Containing a mixture of confrontational scenes as depicted in the imagery, as well as dramatic and mysterious lighting and shots, I am very much looking forward to watching this film.
After being a commerical photographer for the past 20 years, Christian Chaize came to discover a specific stretch of coast in Portugal that both revolutionized his life and his subject of photography. He has been photographing this same stretch obsessively since he found it on vacation in 2004. His series is haunting and lovely, each piece beautifully treated and composed- focused on time and space.