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Nancy Fouts’ Everyday Extraordinary

Nancy Fouts seeks out varied objects that she marries poetically, to transform each one into a surprise version of itself. Make sure to see Nancy’s upcoming show at Pertwee Anderson & Gold in New York City in August.

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Colorful Psychedelic Murals And Installations By Jason Botkin

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Montreal based mural artist Jason Botkin loves to paint large, strikingly colorful abstractions of faces doing weird things. And bodies doing weird things. He likes to paint hands out of scale, eye brows quivering, bird faces animated, alien shapes in bright bold shades and cartoon characters who are larger than life. Recently returning from the Festival Internacional de Arte Público in Mexico where he collaborated with Jeremy Shantz on a series of weird masks and faces, he is no stranger to combining his distinctive pop style with other artists’, to create unforgettable imagery.

Botkin is not only a master of street painting and graffiti-style work, but also of installations and drawings – all which have a surrealistic twist. His work in Cancun is a natural progression on from his more figurative work which is aptly described here after the success of his second solo show in 2008:

Figures turn inside out, dressed in their emperor’s finest; bodies unwrapped to explore inner worlds, emotions, and ideas; vapors and clouds permeate architectural structures of unknown purpose; buildings chart impossible perspectives, cities in chaos; geometric forms emerge from and are swallowed by the imagined inner workings of internal landscapes. These various elements form a tapestry of self divined utopias and personal myths. These offerings are made with the belief that change is possible, when we reinterpret social identities and then test deeply entrenched, and often flawed social realities. (Source)

Leading on from that, Botkin leaned toward painting more cartoon-like heads complete with their own personalities. He adds a healthy sense of humor to his work and enlarges it, places in it a public sphere and allows people to enjoy it at their own leisure. See more of his paintings after the jump. (Via Hi Fructose)

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Sterling Bartlett’s Heavy Metal Illustrations

The drawings of Los Angeles based illustrator Sterling Bartlett are a perfect mix of heavy metal cool and Ironic humor. Each drawing is a perfect iconic image that grabs your attention from a mile away yet is easy to digest in just a few seconds. Perhaps that’s why he creates graphics for some of our favorite LA based clothing lines such as Blood Is The New Black and Krew Denim.

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Chris Musina’s “Volatile Relationship” With Nature

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The human relationship with the natural world is a complex one that doesn’t seem to untangle anytime soon.  With animal life increasingly being abused and habitats encroached upon anxiety is understandably mounting.  Artist Chris Musina address these issues in painting and also sculpture.  Musina depicts the uglier side of the human/animal relationship.  Rather than highlight idyllic scenes of nature, he draws gruesome imagery of animal mistreatment to the forefront.  Animal carcasses are often kept as trophies, dead souvenirs of a once living creature.  Painting’s tradition of depicting killed animals is extensive – the fox hunt alone, for example, an entire genre.  Appropriately, then, Musina’s animal carcasses are not there to be admired but act as animals condemning the viewer.  They seem to be holding an accounting for their present condition in the painting as well as in a larger abstract sense. They act as a tool to deconstruct disassociation. Musina further explains his use of painting in addressing ecological and animal issues:

“Dealing directly with our increasingly volatile and uneasy relationship to the natural world, I draw from contemporary animal thought and a deep phylogeny of cultural cues. My work dismantles how we look at animals via “nature morte” painters, philosophy, hunting, museum dioramas, and the like. Manifested in life size compositions full of dark humor and bright color, I am addressing the animal as neither symbol nor object, but as subject, a subject aware of his or her own powerful symbolic nature. Painting represents the bulk of my practice precisely due to its place in the forefront of a history of representing animals. My paintings are populated with animal protagonists who stare back at the viewer in an uneasy gaze; aware of that place in our cultural history– asking for compassion, mercy, or simply to be put out of their misery.”

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Prettywhores’ Monster Mashups

Tulsi Maya, a 22-year-old illustrator/ collage artist and self-proclaimed “jobless wonder” who goes by the moniker Prettywhores, describes her work as “an infinite motif of naked beings, patterns and the primitive fauna / flora of this world complimented by a riot of satanic beasts, creeps and mutant night walkers vomiting up nostalgia.” Check out more of her perfectly irreverent and deliciously grotesque monster mashups on her tumblr, The Darling and the Dirty

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Craig Nunn

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Craig Nunn is a London based photographer and one third of pop group Internet Forever.

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The Heavens Smile Upon B/D

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Well bless Saturn’s moon, if ain’t Mr. Roy G. Biv stoppin by to bend his multi-colored grin right on over the offices of Beautiful/Decay! And not one, but two heavenly bows of Indra gracing our window! We happened to notice this full bow, DOUBLE rainbow straight from our office window this eve, I swear! Ah, and then, it was gone….as Virginia Woolf once said, it was all just as ephemeral as a rainbow.

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Nadia Lee Cohen Photographs Nudes And Cultural Motifs In Campy Visualizations Of The 1950s-70s

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The work of photographer Nadia Lee Cohen is a stimulating, modern take on vintage American and British style. Her diorama-esque compositions — with their nude, cigarette-smoking femme fatales and garish 1950s/60s/70s iconography — explode with color, attitude, and fetishized, retro-suburban life. Scattered throughout are bold insertions of cultural, consumer artifacts, from packs of Marlboro cigarettes, to Coca-Cola bottles, to lip-shaped telephones, which further emphasize the images’ glossy and style-saturated appeal. David Lynch and Alfred Hitchcock fans will certainly be able to identify a few crafty allusions; whether it is red curtains, or birds hovering menacingly in the background, Cohen has seamlessly meshed her own cinematic style with that of influential film directors, thereby creating a clever and campy pastiche of Western arts and culture.

When I asked Cohen what drives her work, she expressed that she primarily hopes that people enjoy the aesthetics of her photography, which is a “humorous, tongue-in-cheek” response to the way she views the world. And, aside from creating fascinating portraits of what she identifies as “strong, quirky, dark characters,” Cohen’s exploration of retro aesthetics through a modern lens provides a visible commentary on the way styles and cultural tastes have shifted over the decades — all from an alternative and progressive point of view; her work represents a range of personal styles, as well as a variety of body shapes and sizes. “I hope to convey a wider message of changing our perception of taste in terms of modern beauty ideals in fashion,” she explains, “which is why I tend to look to the interesting people around me rather than casting from agencies.”

Cohen has recently finished her MA in Fashion Photography at the London College of Fashion, and judging by her success and the in-depth nature of her style, she will be creating a lot of exciting work in 2015. Be sure to check out her website and Instagram. More adventurous (and amusingly retrospective) images after the jump. (Via Huffington Post)

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