The Color Blind shirt just might be the craziest shirt we’ve ever released! Designed by Indonesian designer Galih Adi, this shirt features a 4-color printing process that is so detailed that every lens flare, color gradation, and microscopic detail is captured. Even with all the colors large graphic the shirt printing is still butter soft, fooling many people into thinking its a heat transfer. Purchase it on our shop!
Since the internet, the never-ending evolution of words and phrases changes like the blink of an eye. These neon signs were created from the messy scrawl of Seattle-based artist Dylan Neuwirth. Plucking from modern day “web speak,” Dylan has made a collection of glowing emblems that mark our point in history, almost to the second. There’s nothing more attention grabbing than a neon sign, and this installation illuminates the oddities of modern day speech in a playful way. The universal appeal of this work is enhanced by the statelessness of it; words and phrases not directly from any one region or culture, but drifting out from the collective voice of the internet.
Neuwirth describes where he fits into it: “I see myself not as a regional artist or attached to any one place… I want to be everywhere. Make work that looks like it could be anywhere. To be singular and be synonymous at the same time. Like a totally underground electronic artist who infiltrates the top charts only to return to the murky depths again.”
You can’t help but think: what slang will we be using five years from now, one year from now, or even a month from now?
Superman meets our ordinary daily laborious life. Ole Marius Joergensen depicts in his pictures the super hero trying to fly and making his dreams come true. An unusual situation here, as we witness Superman failing. We watch the struggle and identify with the character.
The series called ‘No. Superhero’ is inspired by comics and Norwegian values. The fantasy world created by Ole Marius Joergensen is grounded and disciplined. Halfway between a painting and a photography, the color scheme is colorful yet soft. The artist chooses to represent the super hero with different kinds of men and keeps the red and blue costume as well as the cape. He is climbing a high ladder, landing on a tree, falling headfirst on the snow or appearing lost in an empty field.
Failing and holding on until success is reached is part of human life. The unusual appearance of Superman within each scenes makes the introspection interesting. Are we dreaming too much and that’s why we are failing? Or is it necessary to fall and learn in order to progress and attain our goals? Ole Marius Joergensen seems to project his hopes and aspirations. Bringing reality to anyone who doubts of its capacity to make dreams come true. Creating a space for errors and multiple attempts appears necessary according to the artist, apparently even Superheroes fail from time to time.
Parisian photo retoucher Cristian Girotto believes that somewhere inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. He wondered “what would happen if this intimate essence would be completely revealed? ”
With the help of photographer Quentin Curtat L’ Enfant Extérieur (The Outer Child) was born, miraculously combining the innocence that are in children’s eyes with the pesky facial hair that one has to deal with as they transform into an adult. Simultaneously funny and poignant L’ Enfant Extérieur begs the question if age matters and if one can still keep the passion of youth alive in an adult world full of corruption, responsibilities and disappointment.
Canadian artist Shary Boyle’s beautiful sculptures know no bounds. Her physically delicate yet intrinsically powerful ceramic pieces push boundaries of the real, stretching seemingly ordinary moments into fantastical satire of historic dark realities. Her work explores the complexity of power dynamics, addressing a vast array of social structures including gender politics, colonialism, and exoticism. Her work exists in a state of quiet conflict; it is fragile, precious, and plays on notions of traditionalist elegant aesthetics, while simultaneously delivering sharp intellectual puns that are clever, sophisticated, and some how, even through the visual distortion, perfectly intellectually exact. For example, her piece Family (2010) features a pilgrim man and woman sitting by a fire made up of a totem pole reminiscent pile of a decapitated heads.
Along side her ceramic sculpture practice, Boyle is also prolific artist in a endless variety of media spanning painting, performance, and film, to name a few. The artist also does beautiful “live drawing” collaborations with musicians. She has worked with artists such as Feist, Peaches, and Christine Fellows.
Shary Boyle has won various awards including The Hnatyshyn Foundation Award and the Gershon Iskowitz Prize. She has shown her work at prestigious institutions such as the Centre Ppmpidou, The National Gallery of Canada, and The Art Gallery of Ontario. She exhibited at the 2010 Canadian Biennial as well as the 2013 Venice Biennale.
Photographer Jeremy Ayer and graphic designer Julien Mercier have been collaborating on a series of photographs titled “Aude” that feature a nude female exploring, or used as a decoration in, a large mansion. In some of the photographs, the female body appears to be on ornamental display, almost doll-like, and contrasted with some of the other objects on display in the mansion. Despite her nude body, the photographs are shot in such a way as to leave the female figure shrouded in a bit of mystery.
“With her pale skin, her slender body, she represents a certain ideology of beauty, as dictated by contemporary magazines. But paradoxically, the raw image remains in a direct visual language, not constrained by any commercial obligations. There is no digital manipulation which would withdraw all of her natural eroticism. In the same process, the statues whth their perfectly carved silouhettes, oppose with her curves left intact. The brutal and frontal lighting, exposes here entire body. But always fleeting, she remains inaccessible to the viewer, out of reach, in height.” (via ignant)
Kissing is an act of intimacy that has been iconically portrayed throughout art history — take the sculptural power of Auguste Rodin’s The Kiss, for example, or Gustav Klimt’s own interpretation of the erotic gesture at the dawn of modernism. Fast forward over a century later, and photographer Maggie West has revisited this tradition with her own contemporary style. Described as “dreamy” and “hallucinatory,” West’s debut book KISS is a sensual photo diary of LA-based artists. Dripping in a haze of neon eroticism, the gentle lovers in West’s photos embrace and engage each other with intense intimacy. In a statement provided to Beautiful/Decay, West explains the concept and creation of KISS:
By placing a common activity in such a dreamlike setting, I wanted the readers to reexamine the energy and intimacy taking place each time a couple embraces each other. Through the color choices and extreme close up angles, I hope that the viewer can appreciate specific aspects of a kiss that they may not have otherwise noticed.
[…] One of the objectives of the book was to examine the dynamic between a variety of relationships — not just established couples. Some couples had been dating for years, some were just friends, some barely knew each other, etc.
Initially everyone, no matter their relationship, was a little nervous. However, kissing is such a physical act that within a few minutes the models were so engrossed in each other that they seemed to forget they were being photographed.
Most of the models were chosen from among West’s friends who she knew in the LA community — “models, musicians, artists, porn stars, dancers” and more make up the group. Portraying the kiss as an act that knows no distinctions of identity or lifestyle preferences, KISS features a variety of ethnicities and sexualities, celebrating diversity and the fluid nature of attraction, desire, and love. “The kiss is a beautiful exchange regardless of the relationship,” West writes. And this is what KISS allows us to focus on: the gentleness of the moment, the tantalizing hesitation, and the oscillation of desiring energy and tenderness that makes kissing one of the most powerful ways to connect both flesh and heart.
KISS features a foreward by artist and journalist Hannah Stouffer. The launch party for the book is taking place on the rooftop of The Ace Hotel in Los Angeles on June 14th at 8pm. Visit West’s website, Twitter, Instagram, and Tumblr to view more of her work. (Via Juxtapoz)
Katy Krantz makes magical collage/painting hybrids. They bring to mind the French Surrealists’ favorite quote: “beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella”.*