London based illustrator Andrew Clark brings together the photorealistic, the abstract, and the geometric. His work seems to hint at the future, while interweaving what feels like folklore into his intricate illustrations.
Clark has created work for magazines, album covers, posters, and corporate identity.
Beautiful/Decay is excited to release the Spring ’09 line, hitting stores as we speak! The new season features iconic graphics from Beautiful/Decay Magazine Issue Y featured cover artist, Jesse Auersalo, and the hyper-colored psychedelic visions of previously featured artist Oliver Hibert. Designer James Callahan returns to the fold with some new, head-exploding graphics, along with a broad array of multitalented artists and designers. For artist interviews, profiles and more on Beautiful/Decay Apparel, visit: beautifuldecayapparel.com.
British/Turkish fashion designer Hussein Chalayan is not only an internationally known figure in the industry’s runway, he is also an artist and catalyst for change of what it means to wear something. With his progressive attitude to clothing as a decorate-able and manipulatable second layer of skin, Hussein Chalayan has expanded the the materials of construction to an awe-inspiring breadth of technology and innovation.
In his dream-like art and illustrations, London-based graphic artist and illustrator Ruben Ireland mixes traditional techniques — ink and acrylic — with non-traditional techniques — dirty water, food and weathered paper — and modern techniques — Photoshop and a wacom tablet. Women are fused with natural elements and despite the soft textures appear stronger and more beautiful for it.
Recently, we have featured the work of artists like Douglas Sonders and Fred Levy, who photograph dogs as a means of advocating for the voiceless and promoting awareness about animal rescue. With the “Rescue Me” project, the photographer Brian Moss occupies a unique space in this dialogue; in contrast with the polished, slightly commercial aesthetic of other animal portraits, his photographs of shelter dogs are emotionally raw and candid, delving more deeply into the psychology of his canine subjects.
Moss’s photographic setting is the Bergen County Protect & Rescue Foundation shelter, where he arranges a poignantly modest and “tiny ‘studio tableaux’ […] in between a sink and a leaky washing machine.” Shot under a relatively shallow depth of field, this magical little corner becomes all the more intimate; as well-worn towels and tender, raggedy blankets blur into the distance, the dog subject is fixed with stunning sharpness, revealing the touching imperfections of the face: eye gunk, snouts rubbed raw, noses flushed with pink.
Moss’s project was born from necessity; he felt for the animals left homeless, and yet it was too painful for him to volunteer at a kill shelter. This shoot, which takes place at a no-kill facility, is his tribute to the creatures he longs to help. The honest gaze of the artist’s images are reminiscent of his earlier project with body builders; here too, he seeks out a genuine connection with his subjects. The dogs aren’t posed to appease to viewer or to elicit less emotion, but instead they are free to express their inner fears with darting eyes, unsteady legs, and perked ears. Rich with empathy, Moss’s lens offers rare and invaluable insight into the hearts of our fellow creatures. Take a look. (via Lost at E Minor)
In two of Aurel Schmidt’s more recent series, the artist’s highly rendered drawings depict leafy vagina lettuce and ginger toes, among other inventive combinations of body parts and edibles. Her older drawings focused more on hedonism and a kind of consumptive chaos. She created party beasts constructed from accumulations of coke baggies, cigarette butts, pabst cans etc. They mischievously smiled out at the viewer like a visualization of a hangover. Even with discarded condoms and burn holes, she’s always had a tendency for beauty, though.
In contrast, the ideas in FRUITS are refined to a few poignant elements. There is a strong focus on associative forms, and Schmidt’s choice to pair white grapes with a plump penis emphasizes the gravity in the image. The nippled melon is equally sumptuous, and it’s great to finally see melon and breast united in one. Her style is laborious, but it doesn’t show in her drawings. She’s funny, with an I-don’t-give-a-fuck attitude that’s present throughout her work. It’s not indignant or aggressive; it’s joyful and celebrates absurdity and decay.
Black Drawings returns to a more standard subject matter for Schmidt, and the drawings become more severe without colour, maybe even cult-ish. The bellybuttons are the most seductive, because of their subtlety and curiosity. It takes a while to identify them for what they are. This series definitely demonstrates Schmidt’s breadth of ability, where the spurting penis cross is much more in your face than the bright sunflower nipples.
German hotel owner Michael Bonner has transformed a 600 square meter vacant warehouse into Base Camp Bonn Youth Hostel, an indoor landscape of 15 refurbished and themed caravans. Each caravan’s space is uniquely detailed and designed to reflect a particular era or theme, such as the “Hausboot,” “Flower Power,” and “Big Ben.” The hostel also plays host to two U.S. airstreams and two German railway cars that can accommodate small groups. This concept creates a charming community space for guests from all over the country. Prices vary per size and sleeping capacity, but start at EUR 54 per night. (via design boom)
These are real legos. Nathan Sawaya works with the popular toy to create large-scale figurative sculpture. Legos’ shatter-prone tendencies and the plastic material involved lend a fractured, modern quality to these. The cold geometry involved in each sculpture sets up a nice opportunity for reflection, and Sawaya’s emotional posing of the figures spurs even further questioning.
But the sculptures work just as well when taken at face value: legos were, and are a lot of fun to play with.
Lately, Sawaya’s been placing 15-inch “Hugmen” in various public spaces (see above), adding a little love to the daily grind. Click past the jump for more lego sculpture.