Pierre Andre Senizergues is a professional skateboarder and owner of Sole Technologies. He has developed his dream home that will be built in Malibu, California. The house is entirely skateable both inside and out and was designed to be a compact living space that will overlook the Pacific Ocean. The prototype was designed by Gil Lebon Delapointe and Francois Perrin. Nicknamed the PAS House this abode is a true skateboarders paradise.
Athens, Greece-based artist HOPE is well-known for his use of large-format collaged pieces, both in the streets and in the gallery. Taking the ruins of the classical sculptures of his homeland, HOPE returns these images to decaying buildings, using large stickers applied outdoors. Though he found his fame in the streets of Athens, the mixed-media artist has been transitioning towards exhibiting his works more indoors, both in decrepit public spaces and in white-walled galleries. Describing his style of using and remixing classical and recognizable sculpture, HOPE says, “My works are marked by mythology. They are sculptural images inspired from the past with a new aesthetic rule.”
HOPE continues, “What interests me about street art and public art, in general, is that it can exist as a forum/platform for dialogue. We live and think within the public space. When you place an artwork in the public domain, you’re interacting with the public. This makes you think about the public order. You’re given the opportunity to express your opinion politically and sociologically through a work, the longevity of which is determined according to the public opinion… But the main reason I got involved in street art was the feeling that I was creating an anti-monument, a new kind of creative model which escapes private places. Sometimes, when public art is effective, it can even change the world.” (via artnau and yatzer)
Hungarian artist Flora Borsi’s latest work was fueled by the emotions she felt after visiting Detroit. The artistic examination of architectural and infrastructural ruin has proven to be a topic of interest for many a creative person. From the ruins of once bustling institutions comes an idealization of the past that in turn triggers reflection on the future. She explains that she was “saddened by the state of abandoned buildings and factories”. She transferred this feeling into her latest project, simply entitled “Detroit”, which is a clever series of photos where she places old photographs of people in Detroit on top of photos she took during her time visiting the city.
Her photos include couples roaming the streets, children ice skating, and factory workers manufacturing tire parts. She merges what she sees as a very alive past and a very much less alive present. Through her splicing of past and present, she addresses the melancholy associated with the decay of an urban setting and the nostalgia of a metropolis in its heyday.
Her series reaches beyond a simple display of sadness and neglect, and the clashing of the city’s past and recent present provides strong grounds for reflection on the idea of rebirth. By doing this, she has somewhat created her own vision of urban decay in a way that is both bleak and hopeful.
Manjari Sharma’s newest project, called “Shower Series,” takes her subjects into an area that is usually private and very intimate; the shower. In this new series, the subject is invited to her apartment where she photographs them in her bathroom. The experience, Sharma says, was one in which, “.. every new person in the shower became a brand new allegory. With every new visit I had a new protagonist; A new plot and a new parable of hurt and heroic that came undone under that shower – My Shower.”
Manjari Sharma was born and raised in Mumbai, India. She has worked as a photojournalist with many respected magazines in India as well as been featured on the cover of many publications. Her work can be seen on her website.
Photographer Minh Tran captures the raw, gritty nightlife of Portland in his series Nights, Camera, Action! The images simultaneously surprise with their intimacy and reflect what one might expect in a Portland night out complete with some PBR cradling. It’s a fun, seemingly endless scroll of people who just look like a real good time. When you make it over there, make sure to keep an eye out for a Stevie Wonder cameo.
Chuck Close is best known as a photorealist painter, but he is also interested in photography. Close achieved amazing results as a hyperrealist portrait painter working from gridded photographs. Suffering from a condition known as Prosopagnosia, also known as face blindness, Close is unable to recognize faces. Because of this condition Close was drawn to painting and photographing portraits. A seizure left him partially paralyzed in 1988 and after that he continued to paint, but had to adopt new techniques.
Recently Close created a series of portraits for Vanity Fair. Close decided to use poloroids so that his subjects could immediately see the image. After every shot he and his subject viewed the photograph so they could decide what to change for the next one. “No hair, no make-up, no wardrobe, comb your own hair,” were the guidelines Close gave his subjects. He didn’t want to produce “glamour shots,” and it was important that his subjects played an active role in the process, and moreover, that they trusted him. Seeking to show the “humanity” in each of his celebrity subjects Close wasn’t concerned about flattery or status, but rather with accuracy. The results are a series of distinguished and honest portraits. Check out the Hollywood issue of Vanity Fair.
Eddie Martinez is hands down one of the best artists working today. I’m not even going to qualify it by saying he’s one of my favorite artists, he’s a lot of artists’ favorite artist. For visual people, being in front of Martinez’s work is like sitting down to a dinner where the food is so delicious you forget to say anything to each other. If you count visual as a sense, it’s sensual. I was very happy to get to visit his studio and report back to Beautiful/Decay with the goods. Eddie had a big stack of drawings which had not been photographed before. As I flipped through that rich pile of drawings my brain melted and the hair on my arms stood up. So take a moment, picture your spirit animal, relax and enjoy this. I feel like Morpheus, and you’re Neo, in that scene from the Matrix where Neo has to choose between the red pill and the blue pill. Once you’ve seen things through Eddie’s eyes you can’t go back.
I have absolutely no idea what Sasquatch Birth Journal 2 is this is but you’ll laugh, you’ll cry, you’ll WTF! It says that it’s part of the Sundance Film Festival but who knows. It may be a bizarre teaser for a film or some creative agencies latest viral vid. It’s made by Zellner Bros but I’m not really sure who they are. In any case it’s totally bizarre so I thought I’d share. If anyone has any info on what this is all about please do share. I’m officially intrigued. Enjoy!