“Found antique objects and miniature tintype photos form the emotional core of several works, juxtaposing the musty aura of a dusty attic with smooth, delicate ethereal forms, computer rendered yet exquisitely hand-crafted.”
Brooklyn via Russia artist Stanislav Ginzburg‘s Curiophyla is a series of staged photographs of original sculpture placed within specific, relevant mise en scène environs. The sculptures, beautiful references to cellular anatomy that incorporate emotionally charged vintage (and faux-vintage) tintype portraiture, take on a unique appeal when positioned amongst their ethereal settings. The overall aesthetic perfectly captures an elemental, organic feel (moss, insects, blood, etc.), while the photographic elements within the works offer a distinctly human connection. By reducing things to their most basic, cellular level, Ginzburg illustrates a deep connection between past and present. So beautiful.
Artist Romain Crelier has transformed the already ornate and beautiful interior of Bellelay Abbey with reflective pools of used motor oil. This unique and unlikely installation is created by pouring pools of motor oil into an extensive and organic-shaped vessel that holds the oil into its form, brilliantly complimenting the architecture. This Swiss Abbey contains intricate and ornate 12th century architecture, including Baroque style monasteries and elaborate stucco paintings. The dark, glossy oil is a stark contrast to the bright, white interior, creating a harsh but remarkable juxtaposition. The already dramatic interior is complimented by this reflective source, mirroring not only its complex architecture, but also the viewer.
Motor oil is not the first thing that comes to mind when you think of an attractive, shiny material. This is definitely not your traditional installation. Normally thought of as a messy material, the deep, sleek liquid creates a deep impact on the viewer, full of mystery and awe. The church is often a place of reflection, where you can go to experience a sense of stillness or tranquility. Crelier furthers this experience by giving you a literal reflective liquid to gaze into while you roam this space. The wonder you might feel by entering such a monumental place is magnified through this installation, moving you to a place of awe. This installation has a seemingly simple concept, but results in an immeasurable effect on the viewer, creating layers of visual possibilities. Romain Crelier’s installation, titled La Mise en Abime, is just one of the incredibly colossal installations the very talented, Swiss artist has under his belt. (via MyModernMet)
At first glance the Stone Fields of designer Giuseppe Randazzo seem to be akin to stoic environmental art a la Andy Goldsworthy. Under closer scrutiny, however, these pieces are far from ‘natural’. Randazzo begins with optimal packing algorithms – algorithms that determine the most efficient way to fill a certain amount of space with various sized objects. He then modifies the algorithms to produce different arrangements of stones in the circular field. Further, the stones aren’t ‘natural’ – that is, they’re not real! Rather, the images produced by Randazzo are actually hyper-realistic 3D renderings.
Will Bryant is a designer who excels at following design trends. His use of triangles is both ironic and non-ironic. He also has an illustration style that is very reminiscent of a lot of other illustrators working today. Overall, Mr. Bryant is fantastic at creating work following the lead of a select few trendsetters.
Malin Gabriella Nordin lives and works in Bergen, Norway. She creates subtle compositions in multiple media with a focus on modest shapes. Natural and manmade textures are sourced and assembled to compose elegant collages. These collages then inform her sculptures that are as meek as they are monumental.
Graphic designer and art director Albert Exergian’s humorous take on popular TV series “minimizes” the concept of each show into 2-3 colors and shapes. Remember old Penguin Classics book covers? This is the revamped modern sitcom version!
While the mechanics of pinball were developed by engineers, the illustrations were handled by graphic artists. This work included the back glass and the playing field of each machine. Curated by local collector, Mark Andresen, this exhibition features the work of acclaimed pinball machine artist, Dave Christensen. 11 pinball machines will display Christensen’s graphics as well as the original artwork used in fabrication and drawings for proposed and/or rejected versions and prototypes.
San Francisco based artist Ryan De La Hoz has expanded upon his ink and paper cut practice to include laser cut sculptures made with hand manipulated found imagery, textile works, and pieces made from custom fabricated puzzles that have been meticulously disassembled and rearranged to form dynamic compositions. This new media is presented along with his signature hand cut paper and ink works for the first time in his new solo exhibition What New Mystery Is This at RVCA SF. The exhibition presents a fractured alternate history where statues warp and pulsate alongside dizzying Op-Art. The exhibition is on view daily 11 – 7 through May 25th at RVCA | VASF 1485 Haight St San Francisco, CA 94117. Photos: Sami Naffziger.