Swiss Origami artist Sipho Mabona creates a full-scale white elephant by using a single sheet of paper. By using one slice of white paper measuring 15 by 15 meters (50 by 50 feet), the skilled artist was able to craft up this grand ‘white elephant’, which stands more than 3 meters (10 feet) tall.
The project, apart from being living-proof of outstanding talent, was also treated as a performance; this live video [posted here] shows Mabona doing what he does best. As we intently watch it, we see a slow progression, a focused Mabona, and a paper-elephant slowly taking shape. “There is no limit in origami”, says Mabona.
Mabona financed the project through Indiegogo, the Internet-crowdfunding platform. He raised over $26,000 from 631 funders. In order to share with the donors, a webcam was installed where Mabona worked. The artist ran into some major challenges like figuring out how to spread a huge sheet of paper, measuring 15 meters by 15 meters (or 50 by 50 feet), in a hall, to transform the sheet of paper into the body of an elephant. There were moments during the folding process wherehe had to get the help of up to ten people to lift and fold the paper. (via My Modern Met)
Josh Jefferson is a Boston-based artist who paints and draws raw, coarsely layered, and geometric portraits. Viewing the face as the locus of emotion and individuality — as well as a mask we shape to convey our identities — Jefferson’s rough-yet-sophisticated style allows him to represent the structures of the face while simultaneously exploring the symbolic interiority of each portrait; with loose and boldly-colored brush strokes and layered washes of paint, Jefferson gives each portrait a constructed superficiality as well as a deeper, visible core: translucent shapes become thoughts floating around inside a skull, eyes sink into deep vortexes, and mouths smile and grimace all at once. In a statement provided to Beautiful/Decay, Jefferson described his style and motivations:
“What really gets me excited is when I see a painting that seems effortless — when an artist has confidence and it appears that the painting came about like one fast whiplash, a slaphappy moment. If I could convey that feeling of loose abandon and control I would be happy. The distortions and geometric interpretations in my drawings and paintings act as structures for me to build on and react to. I kind of need to repeat things to find their meaning, and the structures help with this process.”
Just as our emotions shift, fluctuate, and blend together, Jefferson’s imaginative-yet-structured portraits manifest the complexity of inward experiences — experiences that may seem abstract or unreadable to anyone not enduring them personally. As Jefferson strives for that balance between “abandon and control,” there is a distinct sense of chaos and order, childhood lightness and adult stoicism; shifting between semi-transparent shapes and bold lines, Jefferson’s faces invite and repel us. In showing the imperfections amidst an otherwise bold exterior, the portraits allow us to view identity as a careful construction — a facade — over a complex and vulnerable personal world.
Jefferson’s works will be featured at Head First, an exhibition at the TURN Gallery in New York City running from June 24th until August 16th. The gallery will be hosting the opening reception on the 24th from 6-8pm. Check out Jefferson’s website to see a larger collection of his work.
I’ve known El Kamino for more than 15 years having shared many memories of painting graffiti during our youth. He’s a hard character to pin down as he rarely makes public appearances and prefers lurking in the shadows than using technology to promote his work. That’s why I was blown away when he made this very rare appearance on camera to discuss his work and his process. Enjoy!
Cath Riley is an artist who creates stunning, photorealistic drawings that explore the power of touch and the sensuality of flesh. In each image from this series, bodies are pinched, gripped, and squeezed, with Riley’s masterful shading depicting the smooth skin as it creases and dimples. And even though we are only given a small portion of the body — such as a hand clenching a waist, or pressing between the thighs — the drawings emanate warmth, intimacy, and humanity. In a synesthesia of visual perceptions and tactile sensations, Riley’s works celebrate the materiality and strengths of the body, exploring the pleasure and personal connections that derive from the loving, physical interplay of firmness and softness.
All of Riley works — which can be viewed on her website — portray an incredible attention to detail and awareness of the human form. In her Hands series, for example, she captures complex musculature and tiny creases with sublime accuracy and beauty. It is no wonder that her work has been recognized; her recent clients include Nike, GQ, and The New York Times, and she has won several awards, listed here. In regards to upcoming work, Riley writes that her “current on-going experimental ‘drawing’ includes very large scale drawing, based around the human figure, which are very different in character from the pencil portrait and ‘flesh’ figure drawings which are featured here. Some of the new work is abstract in nature.” She adds that “examples of this ‘new direction’ […] will appear on the site quite soon,” so be sure to follow her work (Source). More images from the Flesh series after the jump. (Via Juxtapoz)
Ben Sanders lives and works in Los Angeles, CA. His wacky acrylic paintings are full of vibrant colors, characters, and objects. Always with a sense of humor, Sanders renders portraits like The Physical Imposibility Of A Politically Correct Thanksgiving Card with glee. Another series focuses on paintings of “Magic Shoes” against exuberant backdrops of slick geometric shapes. His joyfully off-kilter environments are a treat for the senses.
Improvised Making is and was an interactive installation by artist Dominic Wilcox. Created for the Making Together exhibit in Milan, Wilcox began the installation/sculpture with a single chair. He invited the public to donate sticks for the project and sticks of all sorts were brought to the gallery. Over the course of six days, Wilcox taped all of the sticks as they were brought to him to the chair. Carefully balancing and taping each piece to the structure, he only allowed the four legs of the chair to touch the ground and support the structure. Prior to moving the completed sculpture into another gallery, the structure’s shadow was documented in red on the wall and floor.
July’s shirt of the month is an ultra-limited edition shirt with a one-of-a-kind color way & printing process we are calling “B/D Yoga Vintage.” With only 25 units ever made, this shirt will definitely sell out quickly! The shirt image of a playfully levitating yogi has been printed without a white base to give it a lovingly-faded appearance. It looks like your favorite shirt, without having to wear & wash it 200 times to get the same effect. Once gone, this shirt will not be reprinted–so pick yours up ASAP at the Beautiful/Decay Online Shop!
Recently, a completely fantastical portal of swirling stars and lights dazzled thousands of Norwegians who happened to witness this astrological phenomena. The spectacle was, for lack of other words, divinely unreal. Calls flooded the Norwegian Astrological Society shorty later…what was it? Of course, the media called it a “failed Russian missile launch,” which was never confirmed, (the best “rationalization” of this irrational event was by CBS: watch here) leaving me filled with wonder at the potentialities of our forever amazing infite universe. Was it a portal opening to take us back to the mothership? The unexplainable beyond materialized? Black hole? Worm hole? Are we just tiny sea monkeys swimming in a crystal-skulled reptilian-humanoid’s fish tank? Was this him tapping on the glass of our little bowl for amusement, to watch us scurry about? Are we just dust in the wind? Who knows. Check out videos of the phenomena after the jump…careful, it’ll probably blow your mind.