Ave Rose is a writer and artist whose love for the beautifully macabre has manifested itself into a collection of undead, baroque-styled robotic dolls. Using tiny bones and taxidermied animal parts, Ave brilliantly assembles morbid objects into miniature characters, each one uniquely adorned with intricate clothing and glimmering stones. From rings on clawed fingers, to bejewelled masks, to a delicate, golden dress tailored for frog hips, the detail she crafts is incredible. Each creation is animated with motion mechanics, allowing them to move and sway along with accompanying music, like grotesque music box ballerinas. In an anxious (and sometimes satirical) collision of materiality with the horrors of death and rot, Ave’s living-dead creations ultimately represent the “beauty that can be found in decay and disarray” (Source).
This collection, titled Bestiary of the Automata, was featured as part of the 3rd Biennial Taxidermy Show (2014) at the La Luz de Jesus Gallery in Hollywood. In addition to her dark menagerie, Ave crafts a collection of other motion-infused works, such as mechanical butterflies and Watchbots, which are “miniature robots made of watch parts” (Source). Her works are characterized by compelling double-effects, blending beauty with the bizarre, technology with tradition, and youthful whimsy with the cold, mechanical realities of death. Behind all of the clockwork, darkness, and hints of satire, Ave’s creations celebrate life by fearlessly confronting themes of a macabre nature.
Fashion photographer Diego Diaz and hat designer Federica Moretti collaborated on this project, “Sickhead,” featuring an all black collection of bold, graphic, and whimsical creations by Moretti. It’s hard to believe that these are actually supposed to be hats, and the photographs seem to suggest sculpture rather than fashion. Either way, these “looks” are exciting and dramatic.
There’s a pervasive sense of childlike fantasy that seems to underline many pop surrealist works. Make-believe animals that don checkered coats, tight rope walkers and re-imagined cats all vibrate within and beyond the confines chosen by each artist at hand.
The alluring world of pop surrealism frequently ushers in a sense of mythical innocence and humor, unifying the superficial world of popular culture with the recesses of the unconscious. With underlying themes of fragility and the macabre delicately hidden beneath a veil of cultural kitsch, saccharine sweet dreamscapes transform and redefine a caustically bright world enamored with packaged goods. The fantastical worlds created through the lens of the following artists explores the relationship between the seemingly pristine and the accompanying bittersweet decay that dwells beneath it. Featured artists include: Casey Weldon, Mac Sorro, Rafael Silveira, Leslie Ditto, and Britt Ehringer.
Eddie Martinez and José Lerma have a two person show up at Halsey Mckay Gallery in East Hampton NY. It’s only up until this Wednesday, August the 29th, I know it’s just two days to get there, but these are two of the best drawing/fabric/paintslingers of our generation. The colors in Martinez’s paintings can’t be replicated in a photograph because the paint is physical, like a thick smear of deep red oil paint that looks like martian roofing slate, or maybe a crack inside an antediluvian sea cliff containing some strange fossil reminding us of how old thinking is, and how we are only here for a little while so we should be kind to each other. Yes, red paint can say all that. Lerma’s pirate-like-figuration feels musical, and reminds me of the Clancy Brothers singing a sea shanty “Way haul away, haul away Jose.” History comes up to us and then recedes like the tide in Lerma’s work, you recognize something and then it is and isn’t what you thought. This is a good summer trip, like the first time you went to a water slide park after noticing girls/boys for the first time, an expanse of wave pools lapping lazily against a big breasted life guard and tower slides of pure unadulterated joy.
Like stunning x-rays from an alien world, Bruce Riley‘s resin paintings seem to be lit from within. His playful shapes and psychedelic colors blossom in suspended animation, humming with as much electrical energy as any other multicellular organism.
Riley describes his process as intuitive and organic, saying, “I’m not really trying to define any ideas, I’m just letting it flow.” Watching him work is certainly hypnotizing as fluorescent greens and ozone blues blossom and blend into each other. The paintings can be appreciated from afar as well as up close, each brimming with meditative detail.
“You’re always investigating,” Riley says of his process. “It’s not about an end result. [You’re] trying to use techniques that you remember but also looking for things you’ve never seen before.”
Part of the beauty of Riley’s work is that it can be appreciated on various levels. Open to interpretation, one could call it the secret life of lava lamps . It could also be described with a narrative, a foray into extraterrestrial forensics. Or you could just take it as it is: the stream of conscious of a man who certainly knows his way around a paint brush. (via This Is Colossal)
Alexander Kostinskyi is a photographer hailing from Kyiv, Ukraine. His work is chilly, sparse and sometimes a bit strange. Some of his images give me the heebie-jeebies while others make me smile, all while retaining his natural untouched style.