Kris Knight’s portraits are presented in such a settled and graceful manner, yet underneath the surface of the subjects in question, he is able to portray various feelings of awe and mystery. Who are these characters who candidly stare back at the viewer? Such hidden emotions are portrayed through a muted color palette and calculated brushstrokes, giving the viewer plenty to look at, yet with a feeling of wanting to know more.
Alana Dee Haynes has taken the doodles that most of us do while we’re talking on the phone to new heights. Creating detailed repetitive patterns on top of photographs for a wide assortment of magazines, Haynes has transformed these striking photographs into psychedelic and psychological images that haunt and intrigue. It would be interesting to see how this work progresses in the future as setting up her own shoots and fully creating a new world for her images surely would be the next logical evolution . We’re excited to see where Alana Dee Haynes goes next!
What at first may look like a Styrofoam Mona Lisa is actually incredibly detailed marble work by Italian artist Fabio Viale. Yes you read that right. Marble. Viale does some incredible work to modernize this “old-fashioned” medium, like re-creating Greek Korus torsos and hands covered in tattoos. He is able to transform this heavy, bulky material into creations that seem light and airy, like old beat up tires, popcorn or crumpled paper bags. Viale even went so far as to create a marble motorboat he called Ahgalla, which remarkably he used to navigate the rivers north of Italy.
I have a soft side for artists and designers who emerge from the punk rock/DIY scene. It’s probably because I grew up going to punk shows, making zines, and not fitting in with my own boring suburban surroundings . So when I opened my inbox and saw the work of Wasted Rita I immediately was drawn into her world of teen angst and brutal honesty. It reminded me of the same energy my friends and I had when we first started Beautiful/Decay. Thanks for keeping the dream alive Rita!
Lynn Palewicz has taken doodling on her hands to a whole new level. Her drawings, that fuse black pen body drawings with up-close photography, teeter on the edge between illusion and reality, abstraction and figuration. These dizzying images will definitely make you do a double-take.
Italian street art group SBAGLIATO (meaning “wrong” in Italian) covers, buildings, walls, and the occasional rock with trompe- l’oeil windows and doorways that beg viewers to walk and pear into places that we’re not supposed to look at. Their execution is so precise that from a short distance it’s difficult to tell their work apart from a real window or door. So next time you’re late for a meeting and running towards a door make sure it’s not the newest piece by SBAGLIATO or you’re sure to be greeted with a sore forehead and a few chipped teeth. (via)
Faig Ahmed, a visual artist from Baku, Azerbaijan, reworks the aesthetic of carpets, an “indestructible symbol of the Eastern tradition”, by weaving digital patterns onto the already conventional recurring patterns of the traditional Azerbaijani rug.
“Tradition is the main factor creating the society as a self regulated system. Changes in the non-written rule happen under influence of global modern culture.”
Ahmed’s interest in extending this traditional practice to one that alludes to today’s relevant digital imagery is his way of creating new boundaries. By mixing and matching two different aesthetics, Ahmed creates a rekindling of tradition and progress.
In order to create the illusions of glitchy carpet bits, Ahmed superimposes digital patterns onto traditional weaving compositions, these combinations either create rugs with bold optical illusions and/or generate transformations that leave carpets looking like unconventional sculptures.
“To be honest, things I do are not always right and beautiful. I do things without thinking- it’s my instantaneous expression. Changes in the world are instantaneous as well, and that is what I am channeling-ideas that have been formed for ages are being changed in moments- that is what I hope to do with me work. I just make bold experiments, putting them into the art scene, trusting myself and the viewers of my art.”
The paintings of Korean artist KwangHo Shin are most certainly portraits. Though they depart from many of the elements of typical portraits they’re instantly recognizable as such. Shin uses charcoal to build the underlying structure – parts resembling hair, neck, shoulders, and ears. The faces aren’t so much painted as formed by gobs of oi paint. Hints of facial features such as eyes and noses may be ambiguously implied in each piece. However, its really the inner person Shin is after, the echoes of which linger for a moment on the face.