Light painting or light illustration has been a trending technique of late. Darren Pearson‘s skeletal pieces, though, are much more complex than most of the work we often seem to come across. While the camera shutter is open Pearson moves a light much like a brush which leaves its trail on the resulting photograph. The image appears to take up physical space and leave a haunting glow on its surroundings. Each piece also interacts with the surrounding scene, the California landscape which figures largely in much of Pearson’s work. [via]
You may remember our popular post last year about the gorgeous crochet portraits of Jo Hamilton. Well the artist decided to document the process of creation via stop motion animation. Watch as an abstract tangle of yarn gets transformed into a portrait through the power of 300 photographs and a lot of patience!
“This is a stop motion video I made to document my process of crocheting one of my larger than life portraits in yarn from start to finish. In my work I use a traditional basic crochet technique taught to me at an early age by my Gran. I work one knot at a time, from the inside out, row by row. In making the crochet portraits I always begin in the middle with the eyes and work out from there until the piece is completed. I work directly from photographs, using no sketches, graphs or computer imaging. Each piece is handmade, labor-intensive, instinctively composed. Nothing is planned ahead; I make it up as I go along. I spend a lot of time simply looking, unraveling, and reworking until I get it right. To make this video I photographed the work after each new yarn color or two was added, and edited the photos into a sequence. This 30 second sequence contains over 300 photos of the work in progress. The portrait is of my dear friend Arthur Cheesman, who is sadly no longer with us.”
I’m into anything called Safari Disco Club and you should be too. There’s people dancing in retro safari outfits, girls with their heads stuck in the ground, and weird french robot dancing courtesy of Yelle and backup dancers! There’s a few parts that look a little too much like a Lady Gaga video but I can look past that. Watch the full video after the jump!
Photographer Ana Oliveira‘s Identities II is a touching series of portraits. She begins with old photographs of her subjects and through similar lighting, clothing, and poses she creates a parallel photograph. As much as sixty years lies between some of the older and newer portraits. The two portraits arranged side by side become a sort of existential before and after. I find myself imagining what took place in the decades between the two photographs, evidence of something in the now more pronounced lines in each sitters face. Its difficult not to envision expressions of expectation in the younger portraits, and mixtures of disappointment or content in their older counterparts.
Tulsi Maya, a 22-year-old illustrator/ collage artist and self-proclaimed “jobless wonder” who goes by the moniker Prettywhores, describes her work as “an infinite motif of naked beings, patterns and the primitive fauna / flora of this world complimented by a riot of satanic beasts, creeps and mutant night walkers vomiting up nostalgia.” Check out more of her perfectly irreverent and deliciously grotesque monster mashups on her tumblr, The Darling and the Dirty.
The street artist known as Above works primarily with stencils and spray paint. However it can also be said that he works primarily with politics and wit. Above’s pieces expound on their surroundings, such as cast shadows, trash cans, electrical wires and even preexisting street art. He also uses these surroundings to bring attention to political issues. For example, a line of silhouetted people queue up down a city block as a comment on Spain’s high unemployment rate and a reference to the lines at the unemployment office. Another piece was daringly executed near an ATM – a masked figure points a gun at the ATM with one hand, and is handing cash to a real homeless woman nearby with the other.
Los Angeles Ben Bigelow is an extraordinary image-maker and narrator. His newest piece (cowboy and old-western influenced magic) debuts for the first time ever at the Videos Collide in Real 3D Space show tonight! Doors open at 8PM, show starts very promptly at 8:30PM. Bring your loved one, bring your arch-nemesis, your parents, your cyber crush, whoever it is, you’ll all walk out of it excited for the possibility of banishing YouTube and Vimeo and watching time-based art in REAL 3D SPACE.
The human figure is at the forefront of the research and production of the young Korean artist Dongwook Lee. His remodelling of the body is an obsession that had led him over the last few years to breathe life into a new human species, an army of figures characterised by two leitmotifs: Dongwook’s man is always to be found naked and in miniature. On one hand, working on a microscopic level links him up to a long tradition of interest in the skilful rendering of minute details in a small-scale reality; on the other, it reflects a desire to cover up, camouflage or conceal these “figurines” in the backwaters of the most banal normality to which they might instinctively belong. One pokes his head out from the shell of a snail; another cries out desperately from behind a dry twig like a malignant wood spirit; yet another is to be found squashed inside a syringe, as if ready to be injected to another body along with all his dramatic charge. Their nudity seems to reflect the will to do away with the mystification of the human body, to show it without frills, without any indication of social status. It is here that Dongwook would appear to denote a break with the cultural traditions of his origins.