Within the setting of his captured vistas Vasilis Avramidis typically paints an arrangement of symbolic motifs, rendered in a way to be suggestive of neglect. These depicted scenes and objects are overgrown with moss and ivy, alluding to an overriding sense of decay that the paintings’ inhabitants desire to control and maintain. These characters are gardeners, keepers of sites, land and buildings. They are the caretakers.
The paintings express a repetition of varying hues of green, a reference to the duality between sickness and growth and how the land eventually reclaims everything that sits upon it. Objects being imbued with foliage confirm these concepts of the ongoing and endless conflict between the forces of destruction and the forces of philosophical cultivation. This force of nature against man-made structures and ideologies not only conveys a relentless struggle but also comments on the history of art and architecture being overwritten and unearthed with the passing of time.
Chicago based Ryan Travis Christian has just opened his first Museum Exhibition at CAM Raleigh entitled Well, Here We Aren’t Again. Ryan spent three weeks on site creating a large-scale wall drawing, sculptures and floor installation specifically for CAM Raleigh’s Independent Weekly Gallery. This new body of work continues his hazy vision of dank landscapes ripe with powerful patterns, cartoon personalities, and awkward situations expertly rendered with graphite and ink.
I’m absolutely loving this series of of dictator sculptures by Stephen Ives’ based on everyones favorite toy Mr. Potato Head! Saddam Hussain, Stalin, Kim Jong II, Lenin, and even Hitler call all be made with the removal and addition of a few pieces. Now you can have playtime and pretend to be an evil dictator all at once! More dictators and other amazing sculptures based on toys after the jump!
I feel like most people dream of falling in love one day, but what if that day turns into a year – and then another? What if the act of falling in love becomes an all-consuming force that necessitates the creation of your own color-coded language? What if your name is Michelle Jane Lee, and this series of ‘what ifs’ has actually been your life for the last three years? The end result of that experience might resemble a thirty-foot love letter and a mountain of other drawings representing your unmentionable thoughts and desires for a woman that would ultimately come to reject you. A hard pill to swallow for most, but Lee seems undeterred in her pursuit of the unattainable. After all, true obsession is captivating – for both artist and audience in this case. Her work is incredibly personal, absolutely honest, and exceptionally beautiful. If you are in or around Los Angeles on April 7th – I recommend that you attend the opening reception of her most recent solo exhibition at Gallery 3209.
In his project “Scrublands”, French photographer Antoine Bruy pulls down the curtain on the mysterious back-to-the-land movement and its members. His series documents the lives of several communities who isolated themselves from the civilized world and have been living in the wilderness for more than 20 years now.
In 2010, Bruy embarked on a hitchhiking journey across Europe. With no specific destination in mind he wandered from one place to another hoping to find those secluded communities of people who abandoned their modern lifestyle, freed themselves from social constraints and chose to live in the wilderness. He would spend days and weeks together with them, helping in everyday chores and taking photographs of their daily routines.
Photographer notices that despite different locations and professional backgrounds (from philosophy teachers to engineers), these communities and their members are all linked to each other through handmade buildings and agriculture-based living. Bruy has plans to continue his project next year by exploring the United States. (via featureshoot)
This is a huge disco ball. The hugest, actually. Michel De Broin‘s newest site specific installation One Thousand Speculations was created for Toronoto’s Luminato Festival. The piece consists of disco ball over 25 feet in diameter hoisted 80 feet into the air, spun and spotlit each night of the festival. The ‘thousand’ of the piece’s title likely refers to the ball’s mirrors – a thousand of which reflect on David Pecaut Square below. Each of the individual mirrors reflect a large swath of light that travels over the yards and buildings each evening. The surrounds, perhaps unavoidably, seem to feel just a little more lighthearted.
Chicago artist Nick Cave’s outlandish “soundsuits” have enough awesome going on standing still, but these intricate assemblages are also performance costumes. Grab a copy of Beautiful/Decay Book 4 for a sprawling feature on Cave with tons more (giant, gorgeous) images and an interview in which he discusses his recent exhibition at the Fowler museum, his process creating the suits, and his desire for art to be a joyous community-wide experience.
New York-based designer/illustrator/art director/what have you Mario Hugo is a talented guy. Working mostly in print, he creates work that utilizes his painting skills in a way that feels very sophisticated and contemporary. Mr. Hugo is also the co-owner of an artist management firm called Hugo & Marie.