In December, New Zealand’s Antarctic Heritage Trust released their discovery and restoration of photographic cellulose nitrate negatives that were clumped together in a box and found in expedition photographer Herbert Ponting’s darkroom in Captain Scott’s last expedition at Cape Evans. As part of the Ross Sea Heritage Restoration Project, the trust recovered 22 images from Ernest Shackleton’s 1914-1917 Ross Sea Party, including a striking image of Alexander Stevens, Shackleton’s Chief Scientist, standing aboard the Aurora, the expedition’s ship. Though many of the photographs are damaged and the identity of the photographer is unknown, landmarks around McMurdo Sound were recognizable to the Antarctic Heritage Trust.
So far, more than 10,000 objects have been conserved at Captain Scott’s Cape Evans hut. Four years ago, the same conservation group discovered 3 crates of whiskey and 2 crates of brandy under Shackleton’s 1908 base. (via npr)
This is just a fraction of the digital Valhalla Bo Lee created with his fresh new html/art piece “The Elephant“. I cant promise that this page will provide you with all the answers, but it begins with a poem that put my entire, boring life into depressing context. On a lighter note, this page also allows comparison between all the web-pages of major organized religions. I hate to say it, but, Scientology raised that bar way up.
I’m not sure if I’m supposed to be all “nay, that’s wrong, you’re ruining works of art! you’re unappreciative!” or if I’m supposed to join in on the fun. It makes me question if people are bored, or if security guards should still make you put away cameras in museums (cough cough tate modern!), but, in my younger days, I used to try on prom dresses, dance, and take photos of it in the dressing rooms. Me and my friend called it Prom-dress moshing… So I ain’t judgin’! But yes, this blog is dedicated to those of you who must dance and jump in front of works of art. My parents would probably tell me to be quiet and give me a 20 minute history of the piece instead, and that’s why I’m a nerd…
Shan Hur‘s sculptures interact with the gallery space in a unique way. He embeds his sculptural work inside walls and pillars throughout the space. Each piece almost seems if it is in the middle of being excavated right out of the gallery wall. In this way the sculpture brings the entire gallery into the work of art, and by extenstion its visitors. Interestingly, Hur says of his work:
“One of the issues I have focused on is how to reduce the burden of the volume of sculpture. I then connect this mass to its surroundings, but not just as part of the whole. I think sculpture should communicate with its circumstances.”
Amy Ross, as she herself states, is quite interested in the idea of artists as “mad scientists”. She posts the question, “What would happen if the DNA sequence of a plant or mushroom were spliced with that of an animal?“. As she tries answering this question herself and to the viewers, her latest works titled, “Brother Wolf” addresses just that.
Eddie Martinez is hands down one of the best artists working today. I’m not even going to qualify it by saying he’s one of my favorite artists, he’s a lot of artists’ favorite artist. For visual people, being in front of Martinez’s work is like sitting down to a dinner where the food is so delicious you forget to say anything to each other. If you count visual as a sense, it’s sensual. I was very happy to get to visit his studio and report back to Beautiful/Decay with the goods. Eddie had a big stack of drawings which had not been photographed before. As I flipped through that rich pile of drawings my brain melted and the hair on my arms stood up. So take a moment, picture your spirit animal, relax and enjoy this. I feel like Morpheus, and you’re Neo, in that scene from the Matrix where Neo has to choose between the red pill and the blue pill. Once you’ve seen things through Eddie’s eyes you can’t go back.
At first glance, these twisted, manipulated, and camouflaged bodies appear to be the work of a photographer who is very skilled in Photoshop. However, the subjects in these photographs are not the product of digital alteration, but were transformed at the hand of a simple paintbrush. Artist Natalie Fletcher uses the body as a canvas, applying her paint and imagination directly upon the skin of her subjects. Formally trained at art school, she broke away from the traditional method of painting after graduation and began her pursuit as a master of body art. The artist uses the lines and color applied by paint as a means to create a variety of different captivating and puzzling optical illusions.
In her series titled Just An Illusion, op art breathes new life on the skin of her subjects, as she covers the bodies in spiraling lines. The bends formed in the patterns seem to warp the bodies so to us they appear twisted, sunk in, and even cut open. In another series of Natalie Fletcher’s, titled Against the Wall, an illusion is still apparent, as each body has been blended into the background thanks to her painterly magic. In some cases, it is difficult for you to decipher where the wall stops and where the paint begins. Fletcher’s talents in body painting has not gone unseen, as she has won GSN’s “Skin Wars” and is in the process of traveling across the country, painting two bodies in each state.