I’m absolutely loving the 3D illustrations of Chris Labrooy with their dynamic sense of color, composition, and playful humor. If that’s not enough Labrooy also has a brilliant eye for typography, creating custom typefaces out of everything from people to architecture. (via)
Photographer Jeremy Ayer and graphic designer Julien Mercier have been collaborating on a series of photographs titled “Aude” that feature a nude female exploring, or used as a decoration in, a large mansion. In some of the photographs, the female body appears to be on ornamental display, almost doll-like, and contrasted with some of the other objects on display in the mansion. Despite her nude body, the photographs are shot in such a way as to leave the female figure shrouded in a bit of mystery.
“With her pale skin, her slender body, she represents a certain ideology of beauty, as dictated by contemporary magazines. But paradoxically, the raw image remains in a direct visual language, not constrained by any commercial obligations. There is no digital manipulation which would withdraw all of her natural eroticism. In the same process, the statues whth their perfectly carved silouhettes, oppose with her curves left intact. The brutal and frontal lighting, exposes here entire body. But always fleeting, she remains inaccessible to the viewer, out of reach, in height.” (via ignant)
The Queen of lush and juicy paint Allison Schulnik opened up her studio to Beautiful/Decay and Visual Creatures to give our readers insight into the world of sad hobo clowns and her painting and animation process. Allison discusses how her paintings inform her animations and vice versa, the long history of artists in her family, and how Los Angeles allows artists to have quiet time in the studio yet have a community.
Welcome to the world of London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.
I love the work of Laura Splan. She uses a combined knowledge of biological sciences and fine art to re-invent patterns and forms created by the human body. Because her work is closely linked to the biology of the human condition, it evokes an inherent discomfort. For me, this is most prevalent in “Purse #1″, a delicate evening bag constructed with remnant facial peels from her breast.
Erik Jones paints a blend of vibrant, colorful, graphic-orientated paintings with hyper realistic, disconnected parts of women’s bodies. Originally from St Petersburg, Florida he moved to New York with $81 and took different jobs in the comic industry – an influence to which he owes his distinct graphic style. They are a original mix of pop styling with hard lines and distinct patterns, sporadic mark making and illustrative details of the female form. High fashion magazine-style renderings of faces, breasts and limbs are broken up and disjointed by digital-like patterns.
Realizing his passion for illustration and figure rendering, Jones initially was drawn to animation and creating stimulating visuals. Not completely satisfied by just animating, he applied the techniques he learnt to painting. He starts his creative process with a photoshoot, or various inspirational photos, then adds the figure reference and refines it digitally. He explains more:
I build on top of the figure as if they were wearing these shapes. I’ll also create patters with the shapes to move your eye around in a structured way. Despite all the clutter and chaos in these newer works, there is something soothing and comfortable in each piece, at least I feel there is. I believe it’s the patterns that you’re subconsciously finding that keep it from being completely chaotic and overwhelming to look at. (Source)
Jones uses several different types of media to build up a textured, layered, collage look. Even though his work is a blend of so many different elements, he tries to give equal weighting to each of them. He says most importantly for him is to keep a harmonious balance, and not to glorify the figure.
Joachim Schmid is a Berlin-based artist working with photography and public image sources. Schmid has found acclaim in his numerous series, spanning thirty years, but a personal favourite is Photogenic Drafts. The series consists of portraits made from donated shredded negatives, which question identity, gender and age with satirical wit.