Casey Ruble‘s cut-out paper collages are “more or less” true, according to the artist. Inspired by Truman Capote‘s “nonfiction novel” genre, Ruble bases her work on real imagery: photographs, books, magazines. She selectively omits, adds, and mixes facts and fiction, constructing scenes best read by their details.
A giant red ball has traveled the globe for the past 13 years. Aptly called the RedBall Project, it’s stopped in cities from Paris to Perth and is currently stationed in Rennes, France at the historic Place de la Mairie. It’s there from July 3rd to July 9th as part of the Les Tombées de la Nuit Arts Festival.
The larger-than-life inflatable sphere is currently squeezed into the Opéra de Rennes’ narrow archways and begs for the passersby to interact with it; at 250 pounds and 15 feet tall, it’s hard to miss. Reminiscent of a child’s toy on steroids, it adds a sense of playfulness to the landscape as it’s photographed, touched, and even bounced into.
The creator, Kurt Perschke, explains the idea behind his sculpture:
The urban environment is overbuilt and full of possibilities, and the project is about seeing the sculptural spaces of a city. The humor and charisma of the piece allow it access to the city and invites others into its story. I think it’s essential for public work to do more than be “outdoors” – it needs to live in the public’s imagination. (Via designboom)
If you’re in the New Orleans area this Friday come by Loyola University to hear me talk about the history of Beautiful/Decay and the trials and tribulations of DIY publishing. I’ll be discussing how B/D began, how we morphed from a zine to a internationally distributed publication, working in the art/design world, and all the various projects we’ve been involved in along the way. The lecture presented by AIGA, starts at 7pm, and is open to the public. Hope to see and meet all of you there!
Somehow along with doing Beautiful/Decay, making my own art and occasionally sleeping, I have also been teaching a class called “Exploring The Los Angeles Art Scene” at UCLA for the last six months. The word “teaching” actually might be a bit misleading as we don’t meet in a classroom, and there are no tests or lectures. It’s more like a series of field trips that we take to some of the most exciting galleries, artist’s studios, and collections in and around Los Angeles. We meet at a new location on the first Saturday of every month and get an insiders view into some of the major (and aspiring major) players in the LA art scene. I never bothered posting about the class on here but it occurred to me that it may be interesting to some of you out there in blog land.
Starting in January I’ll be teaching the class once again and visiting a whole slew of new galleries and artists all around town. There are around 25 slots for the class and half are already filled so If you’re looking for something fun to do on Saturday mornings sign up and join professor Amir!
The illustrations of Ville Savimaa are smooth. The soft curves and soft colors combine to produce dreamy scenes. He fuses elements of nature, animals, people, and fashion, to complete very complex compositions that are not overly busy. Savimaa begins his pieces in pencil and completes them digitally. His clean and fluid style as an illustrator has won him several high profile clients including Adidas, Disney, Nokia, and Sony.
As glossy, digital, full color perfection becomes the norm on brochures and other printed matter, the photocopier has become more of an artistic medium than a simple reproduction system. Jakob Johnsen’s collages and image manipulations are sublimely composed and pull on dark, thought-provoking subject matter.
Martin Feijoo’s drawings are inspired by what he imagines the clouds in the sky to look like. His blog offers an image of his own artwork alone, as well as a comparison between the original photograph of the clouds. It’s fun, if you can manage not to peak, to look at the clouds first and see what you see before looking at Faijoo’s images. His style is illustrative and bold, which helps to see his images quite clearly in the clouds on their own. He might pursue more play between the cloud and his image as he continues with this series, to blur the lines more between reality and his imagination.
Feijoo speaks about his inspiration to start the series on his website:
When I was a child I was told that clouds’ shapes were created by expert balloon twister clowns who live in the sky, so that they can keep entertaining children. On my last trip to Mexico I remembered this and I started to photograph clouds on the road. The result is Shaping Clouds, a series of illustrations where I drew the first thing that came into my mind when I saw these clouds that I imagine someone made for me.