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Angel Olsen’s Burn Your Fire For No Witness

Photo by Zia Anger.

Photo by Zia Anger.

Singer Angel Olsen is back with a new album, Burn Your Fire For No Witness released earlier this month on Jagjaguwar. I featured Angel here on Beautiful Decay early last year with her incredibly haunting sophomore record, Half Way Home. She has one of those unique voices that clearly stands on its own and with this new record she brings some of it with an edgier, harder sound.

The record starts simply enough with the opening track, “Unfucktheworld” where she sings about a broken heart and then lets loose with the next track, “Forgiven/Forgotten“. It’s truly a beautiful record from start to finish and quite different than both her debut, Strange Cacti and Half Way Home, but her voice is still the star of the show.

Angel is about to embark on a massive three month tour of the US and Europe so you have plenty of chances to see her live. You can catch her this coming Sunday, March 2nd at the Echoplex in Los Angeles, March 3rd at San Francisco’s Great American Music Hall, and Friday March 7th at Barboza in Seattle. She’ll also be playing at the SXSW Music Festival in Austin as well as at Primavera Sound in Barcelona, Spain. Check out all of her tour dates here and check out her new video for, “Hi-Five” directed by her frequent collaborator, Zia Anger.

 

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Photography, Performance, Video, And Cardboard Cut-Outs Combine For One Volatile Installation

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Katya Grokhovsky‘s series Untitled Heroic is deeply complex and familiarly conflicted.  For the series Grokhovsky makes use any medium necessary – photography, performance, video, and even a cardboard cut-out installation.  The artist seems to attract and repel.  The series is at once confrontational, seductive, and wonderfully volatile.  By way of her statement, Grokhovsky says that Untitled Heroic is, “A series of performances for photography and video, culminating in a large-scale cutboard cutout installation, whereby a female artist is dealing with frustrating desire to both attract and reject the notion of a male gaze.”  Grokohovsky’s work is also the subject of an upcoming solo exhibit at New York’s Galerie Protégé.

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Artistic Duo Challenge Body Politics Through Remarkable Images Made With Menstrual Blood

Jen and Rob Lewis - Digital Images of Menstrual BloodJen and Rob Lewis - Digital Images of Menstrual BloodJen and Rob Lewis - Digital Images of Menstrual Blood

Menstrual Designer Jen Lewis and Photographer Rob Lewis are redefining body politics in their series Beauty in Blood. Together, they create breathtaking images with an unlikely, and, more often than not, taboo material; menstrual blood. The idea of using her own bodily fluid as a medium came to Jen Lewis after deciding to use a different kind of feminine care product; reusable collecting cup that she would use and then dump its substance into a toilet. She explains that seeing such a bright, red liquid swirl around stark, white porcelain was absolutely stunning. Believing that menstruation is a beautiful, natural part of life that is all too often avoided, the artist decided to capture it in remarkable photographs to open up a dialogue and shed some much needed light on the subject. Jen Lewis explains that this series is not meant to be shocking or vulgar, but exactly the opposite. Her and her partner Rob create each striking image through a process of design, care, and selection.

This series is a celebration of femininity, a look into a healthy part of every woman’s life that we are often taught to be ashamed or embarrassed of. This dynamic duo aims to change the social norm of menstruation being hidden or taboo in society by allowing the viewer to get up close and personal with a natural part of life, not to mention part of the cycle that creates life. Each image claims the true and honest beauty that this significant and momentous part of life deserves. The aesthetic appeal and allure this series holds breaks down the politics of women’s bodies that contemporary society tends to control. Jen Lewis elaborates on this subject. (via FeatureShoot)

“In my experience, women and men are hungry for an authentic dialogue about menstruation and all that encompasses. It is clear the time is now to stand up and speak out on behalf of menstruation. It is a natural, messy but beautiful part of life.”

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Magic Eye: Ari Fararooy’s Surreal Self Portraits Made With Mirrors Will Play Tricks On Your Eyes

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Just like you shouldn’t trust everything you read on the internet, you shouldn’t believe everything you see. L.A based special effects artist Ari Fararooy‘s latest photographic series is a perfect example of this. Using a tripod, mirrors, a self timer and ‘a few digital manipulations’ he has created a very surreal, and futuristic set of self portraits. He went to Joshua Tree National Park wanting to carry on his creative twists on the latest ‘selfies’ craze.

The goal was to experiment with reflections and explore the various ways I could creatively photograph myself. (Source)

He also had this aim in mind while attending the Burning Man festival in 2014. After he found himself in the strange environment that is the desert, surrounded by many creative people, he began clicking his shutter and coming up with some very inventive camera tricks, involving glow sticks, long exposures, strange perspectives and wide angles. You can see that series here.

His photographs are just as surreal as a Dali painting, but he uses modern technologies and a different set of skills. Be sure to see the extent of his talents to transform the ordinary into the extraordinary on his Facebook and Instagram pages. (Via Fubiz)

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Touché

November 11 – December 16 2010

APF Lab 15 Wooster Street, New York City

Fridays and Saturdays 12-6

Or by appointment. Please call: 347 882 9175

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Frederic Fluery’s Playful & Grotesque Drawings

Frederic Fluery lives and works in Dunkirk, France. His work remains playfull while dealing with zombies, human insides, and destruction. Fluery renders simplified characters in awkward situations.Like Daniel Clowes, his style slightly changes as his narratives shift. Frederic doesn’t hold on to a cast of characters for too long before switching gears which makes for an invigorating variety of characters and story lines.

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ARTIST INTERVIEW: ROBERT FONTENOT’s Bread Dough Sculptures

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Robert Fontenot’s sculptures, made out of bread dough, present the viewer with extremely humorous, yet severely violent worlds. He’s the author and designer of three books. Two of which are about the histories of ancient mythologies and the other of which is an illustrated history of performance art – that is, in my opinion, far more entertaining than Roselee Goldberg’s classic Performance Art: From Futurism to the Present. However, skillfully sculpting the human form’s most revealing gestures is not Robert Fontenot’s only mastered practice. He also has an ongoing series, where he embroiders textiles, as well as another project entitled Recycle LACMA – in which he buys deaccessioned items from the museum at auction and then turns them into items of use. For example, he transformed a Brocade evening dress into a fully functional fanny pack. If you have your wits about you, then it won’t take long to recognize the awesomeness of Robert Fontenot’s work.

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Queer Artist Wynne Neilly’s Powerful Self-Portraits Document Transition From Female To “Male”

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Toronto based photographer Wynne Neilly‘s self-portrait project, “Female to ‘Male'” documents the artist’s exploration into his gender identity. Neilly documented his journey from female to “male” with weekly photographs, vocal audio recordings, and other objects that represent a particular part or moment of the transition. As a trans identified queer artist who has photographed all types of people within the queer community, Neilly never had intimate access to another person’s physical transition. Once he knew he was going to start taking hormones, he decided to fully document the experience using a cheap instant camera.
With regard to the quotations used around “male”, Neilly maintains that his trans identity is a continual evolution: “I very strongly identify with being trans. My trans identity is not binary in the ways that society probably expects it to be. When heteronormative or mainstream society imagines a female born body transiting to a body that is perceived as masculine, there is an automatic reading of that person being “female to male” or FTM. This FTM experience might be very relatable and true for many trans people, but it is also completely wrong for others. I don’t identify as being male at all. Putting it in quotations challenges what it means to be a trans masculine individual. Having “male” in the title acts to eliminate some of the stigma behind thinking there is only one way to transition, and there is only one type of trans experience.” (via huffington post)

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