I was perusing the Beautiful/Decay Creative Pic Flickr Pool this morning and came across Meyoko’s densely delicate ink drawings. Half Arcimboldo’s grotesque fruit heads, half seething with creatures from the garden of Hieronymous Bosch‘s earthly delights, Meyoko’s works flit, tangle, weave, drip, and feather their way into strange specters. I realized I’ve seen her work before, somewhere, though I can’t recall exactly, so when it popped up on our Flickr page like a repeat-dream I was strangely enchanted- fitting I suppose! More works after the jump. I can’t seem to find any other information about her aside from her Flickr page. So, Meyoko, if you want to tell us who you are (or anyone knows the whereabouts of this mysterious ink-chanteuse) let me know!
Christian Cuoco is an illustrator and graphic artist working in New York. Cuoco states his fondness of “existentialism, books on improvement, and films by Stanley Kubrick.” He currently works with Gojiberry NYC building websites and does freelance graphic design. His mixed media pop art is inspiring to say the least.
Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
What do birds hallucinate about when they go on a drug berry induced psychological trip? I don’t know if any of this would be accurate, but I hope to rainbow laser toting, owl-man monster-bird it is. A gorgeous music video of Hermanos Inglesos’s “Wanderland,” designed by Kristof Luyckx and Michèle Vanparys.
These majestic, bird’s eye view images are of the remote Yuanyang Hani Rice Terraces located in China’s Yunnan province. Small bodies of water are punctuated by the bold lines that create the terraces, and they signify the harmony of man and nature. Their brilliant colors and complex designs give them the appearance of abstract paintings rather than natural splendor.
The 1,300-year-old terraces cover 461 square kilometers, and are said to display the best-developed in three valleys. And although it’s hard to tell from these photos, they cascade from a summit of 2,000 meters above sea level to the base of the Ailao mountain range.
From late April to late September, the Hani people grow red rice. The water from brooks, springs, and rain is collected by forests and distributed through the gravitational system. This accounts for the vibrant grounds we see here. (Via China Discovery Blog and Dana Boulos)
Sparkling sequence and plush yarn are just some of the mixture of materials that artist Rachel Denny uses in her work to cover bodies, or sometimes just heads, of animals. This Portland based artist’s work lives in a world somewhere between taxidermy and your grandmother’s craft room. Her unique take on animal trophy heads uses cashmere knitting and twine to transform what looks like the shape of the head of a dead animal. Denny’s artwork includes a diverse variety of woodland fauna, including deer, horses, goats, lambs, and even bears. Sometimes her colorful, eclectic materials, including satin, matchsticks, and pennies cover an entire body of a creature, other times it is just the head unattached to its body.
The creative and interesting use of materials used transforms the animals into something different, something very inviting and attractive, but also unnatural. The seductive sparkles of the black sequence Denny uses pulls you in closer, all the while there is a “bear” underneath. There is a theme of masking over organic beauty with our own human inventions that is apparent in the artists work. Humans often take a natural object or creature that is already beautiful, and try to improve on it. We alter it so that it fits our own needs, or that we may see it as looking even better. Although Denny’s work is incredibly bright and fun with her pastel yarn and sparkling materials, there is a dark hint of the hand that humans have on the natural environment. (via The Jealous Curator)