The photographer Sarolta Bán’s new series of images of abandoned and sheltered animals stays true to its touchingly simple title: Help Dogs with Images. For homeless animals, visibility is often a dream; far too many go unseen and unrecognized, and through her vivid imaginings in Photoshop—brought to life by the dignified warmth and wisdom of furry faces—Bán, previously featured here, hopes to change all that. With a support network of over 105,000 followers, she invites people around the world to submit photographs, transforming them into complex and poignant works of art and activism.
What stands out in Help Dogs with Images is the artist’s honest and humane representations of animal yearning. A photograph of a white dog becomes a symbol of hope and light; his playful and expectant glance upwards illuminates a single white butterfly amidst a dark nighttime landscape. As a child might wish upon a shooting star, a dappled dog implores a bright moon, a celestial beacon of recognition that movingly shares his own black and white spots.
Bán’s work is so successful because its soulfulness never veers into saccharine or cutesy territory; each image is hopeful yet serious, its emotionality heightened by stark contrasts and high resolutions. In one desperately heartrending photograph, a dog and cat watch an hourglass begin to count down; each knows the gravity of his situation, and they are left within a darkly tinted frame, anticipating uncertain futures. Shining canine coats and piercing feline eyes entreat the viewer to consider the dignity, humanity, and thoughtfulness that each creature possesses. To get involved, be sure to visit the project’s Facebook page. (via My Modern Metropolis)
Ever been caught with your pants down? LG’s new video Stage Fright- So Real It’s Scary, set out to do just that. LG’s new video is a followup to their 2012 viral hit “So Real It’s Scary,” in which elevator passengers got the scare of their life when the floor started to disintegrate before their eyes.
LG’s new video once again begs the question, is LG’s new IPS picture quality is so high it can fool the human eye? In their new video, it seems so, as they surprise men with with a realistic game of peeping tom on LG’s IPS 21:9 UltraWide monitors installed in an otherwise normal seeming men’s restroom.
Like looking into the private thoughts of a diary, photographer Adeline Mai creates narratives of intimacy, portraying poetic scenes of human interaction. In her body of work, she creates ethereal images of profound closeness between her subjects. With titles like J’ai Embrassé L’Aube D’Été, French for I Embraced the Summer Dawn, Weightlessness, and Dirty Weekend, the names of each series are just as lyrical as the photographs itself. The Parisian artist captures stunning images of contorting bodies, displaying breathtaking views of the human body. In her series I Embraced the Summer Dawn, each photograph contains a stark emptiness except for the two, nude figures beautifully entwined as if they are attempting to become one body. This same sense of intimacy is embodied in her series Dirty Weekend. Only instead of gracefully posed, flawless bodies, we are now given a view of a more natural nudity, out in the woods and in more candid positions. Mai not only captures a playful kind of nakedness, but a shared closeness between clothed subjects as well. She is a master at capturing tender moments between her subjects and laying them out for all to see.
Mai having the ability to brilliantly capture light on her subjects, her series Weightlessness includes floating figures with soft, warm light consuming their surroundings. These figures appear to be floating, but they are actually underwater! The photographer has turned this normally cool-colored environment into a glow of yellows, reds, and oranges. Adeline Mai’s entrancing photography pulls you in to its intimate scenes of magnificent nudes being swallowed up by a sea of color or by human embrace.
The Artist Collective known as DSC or Dinosaur Special Cassette make some pretty neat stuff. Based out of the UK, it consists of two people who create drawings and garments. A colorful variation of ideas on instagram eventually show up in clothing lines for children and adults. These drawings stand alone in originality encompassing vibrant hue reminiscent of rainbows and youthful subject matter. They possess an amazing amount of original wonder and charm. They take a lot of influence from children’s textile patterns but with a tad more flavor. The narratives speak to Romare Bearden in collaged color and placement. It’s exciting to see people on social media drawing with such abandon. This is where you can see the best scribbles of DSC.
DSC’s clothing is sewn under the label Klushka. These are one of a kind pieces inspired by their fabulous drawings. One called “Critter Applique Jumper” is a blue smiling blob painted on top a pink sweatshirt made of newsprint patterned material. It combines early Sex Pistols never mind the bollocks with a funky collage effect. A collection of long tees or nighties with elaborately drawn prints of aliens and dollar signs are also offered. Those take reference from eighties artists like Jean Michel Basquiat and Keith Haring.
The engineering and design studio Bot & Dolly created the video Box. In it a simple flat surface is visually transformed in unbelievable ways. Projection mapping has been especially popular lately because of its extreme versatility among other things. For projection mapping a computer basically maps a surface, one often considered too irregular for traditional projection. The software’s images are then projected on precise locations on the surface. In this way projects can appear to interact with the surface or produce the illusion of depth. For the video Bot & Dolly seem to push the potential of projection mapping. Flat surfaces are attached to large robotics, thus the projection not only interacts with the nontraditional surface but also its movement. It does this so effectively that at times its difficult to remember the surface is indeed flat. Amazingly, all of the effects are in camera – that is, no special effects were applied after recording. After watching the video, its interesting to think about the potential use of such technology. Bot & Dolly go on to speak about the project saying:
“Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.”
Viola’s plaid suitcase was empty except for this tiny scrap of paper.
When Willard Psychiatric Center in New York’s Finger Lakes area closed its doors in 1995, staff member Bev Courtwright made a miraculous discovery. Tucked away in the attic were a collection of over 400 abandoned suitcases containing the possessions of their original owners before they were committed to the institution. Photographer Jon Crispin began documenting the collections of belongings in 2011, offering a poignant look into the lives of the people who entered this place (and often never left).
The patients and their suitcases arrived at the Center between 1910 and 1960. Since many of them were treated for chronic mental illness, it wasn’t uncommon that patients died while in the hospital and were buried in the graveyard across the street. If no family member came to claim their belongings, they were taken and stored in the room where Courtwright eventually found them.
The suitcases and trunks vary in their contents, of course, and some were more robustly-packed than others. This fascinating series that examines the objects we hold sacred and what we’re personally attached to, as strange as they may seem. Crispin’s website sheds light on the individual stories of each patient, and in a way memorializes those who owned them. (Via Let’s Get Lost. H/T Meighan O’Toole)
Erika Sanada’s imaginary creatures toe the line between the grotesque and the adorable; inspired by her childhood trauma and memories of bullying, the artist delves into her deepest anxieties, plucking out tiny hairless ceramic beasts, each of whom appears strangely misshapen by a nervous sort of womb. As a girl, Sanada imagined transforming her tormenters into hideous monsters, presented here as birds and rats with twin heads or dogs that display infinite rows of glinting teeth.
As if stolen from a perverse Eden, Sanada’s endearing beasts are as innocent as they are frightful. “Newborns” introduces a trinity of puppy-rat hybrids, who, despite their sharp claws and thick, bald tails, elicit our sympathies; their soft, tender eyes have yet to open, and the tiniest of baby tongues pokes out of a toothless mouth. Similarly, a hairless beast crawls across a platform, leaving a trail of sticky epoxy that resembles amniotic fluid. He has two tails, each fleshy and naked, and yet he is so poignantly small and delicate that we yearn to comfort and protect him as he makes a perilous journey into the adult world.
As if possessed, Sanada’s cast of characters, whom she charmingly refers to as “Odd Things,” reveal black marble-white eyes, absent of pupils or irises, the effect of which is wonderfully unsettling. As we confront these magical manifestations of our most secret fears, they stare back invisibly, tracking us not with sight but with an intractable knowledge of our own vulnerabilities. Take a look. (via KoiKoiKoi)