We can’t talk design without talking about the products that make it all happen. When I first heard of Wacom’s forthcoming Inkling I could barely contain my excitement at the possibilities. It works on an up to A4 size paper, you can draw in layers and importing into your computer seems seamless. Imagine what you could do in Adobe Photoshop and Adobe Illustrator with this tool? My current Wacom Intuos is a permanent fixture and I can’t imagine working in Adobe Illustrator without it.
Summer’s really come to a close now, so if you find yourself yearning for those last licks of outdoor time, look no further than Danna Ray‘s ethereal illustration work. Each piece, with its washed out application of paint, is like a huge sigh. Somehow the delicate, minimalistic elements that make up each one contribute to a subliminal impression that’s actually pretty large. Each image finds a way to communicate a lot of space, and no space all at once. Such a dynamic allows you to briefly posses each as your own personal refuge. The artist’s restraint in creating these really pays off and I find myself returning to them again and again.
Commercial illustrator Théo Gènnitsakis was born in Greece, and is now Creative Director of design agency LA SUNRISE in Paris whose modus operandi is “Audacity is the safest path” (check out their blog, it’s kinda funny). Well, it’s definitely safe to assume we know what Théo enjoys! And…safe to say that I feel a bit violated looking at these, haha.
Sculptor Claire Curneen works with everything from porcelain to terracotta, creating figurines that are cathartic and vaguely surreal. Her humanoid sculptures are faceless yet somehow expressive, posed in beseechingly though it would be up to interpretation just what they are looking for.
According to her artist’s statement, Curneen aims to “explore grand themes about the body and the human condition.” This sometimes manifests itself viscerally in her works where human bodies are pierced with thorns or otherwise immobilized. Other pieces are subtler, the figures lost in a shroud of apparent existential angst.
Curneen’s artist statement also says:
“Referencing Roman Catholic imagery and ideology and early Italian Renaissance paintings such as Piero Della Francesca’s ‘Baptism of Christ’, these figures bear bold narratives of saints, martyrs and rites of passage punctuated by often delicate yet dramatic totems to death, re-birth and the sublime.” (via Dark Silence in Suburbia)
French artist Gilles Cenazandotti constructs life-size animals out of litter he’s combed from beaches, recycling a variety of plastics and other detritus. Titled, “Future Bestiary,” this series of sculptures directly addresses problems related to throw-away culture and the waste that results from conspicuous consumption. When the creatures are inserted into natural landscapes, they almost appear digitally rendered because the contrast between natural and man-made elements is so pronounced. Of his work, Cenazandotti says,
“Impressed by everything that the Sea, in turn, rejects and transforms, on the beaches I harvest the products derived from petroleum and its industry. The choice of animals that are part of the endangered species completes this process. In covering these animals with a new skin harvested from the banks of the Sea, I hope to draw attention to this possible metamorphosis – to create a trompe l’oeil of a modified reality.” (via laughing squid and junk culture)
Indianapolis artist Nathaniel Russell comin’ through with the brush clutch. I don’t know what stands out more with these – the super subtle humor or the pseudo 70’s illustrative steez, but they’ve got me feeling warm inside. Click past the jump to see more of what I’m talking about. And if you’re out all the way east right now, looks like he’s got a show coming up in Tokyo next month.
Now that i’ve covered spooky looking kids why don’t we enjoy the work of British painter Mary Jane Ansell who has stepped it up with her series of teenage girls complete with glossed over sinister looks in their eyes.
Comic Sans Destroyer is a project that was designed by Happiness Brussels, a communication agency, in order to find a new graphic designer. The project includes an application you can use to apply for their job opportunity. The concept of applying for a job has gone creative for creatives! The artwork was done by Jean Andre.