Adam Vorhees’ photographs portray animals in a new light. Gone is the image of a pathetic beast destined for a crappy zoo or slaughter house. Instead Adam presents portraits of complex and intriguing animals that you want to keep around forever and maybe even go for a jog with (Babe’s training for a marathon!).
That’s right folks! Beautiful/Decay: Future Perfect is down to only 45 copies. This book will sell out this week so if you’ve been holding back on placing your order do it now. You can get your copy of this exquisitely designed Book: 6 for only $20 or buy a year long subscription for only $39.95 and get 3 books for $13 including shipping!
Welcome to Planet Earth is the story of the extremely unique Jody Pendarvis and his 30 foot UFO he built in his front yard in the small town of Bowman, SC. After a sighting of alien life forms, Jody built the giant UFO as a place to welcome aliens when they return. All though visitors are welcomed to check out this unique and slightly odd landmark, Jody hopes that he will one day see the return of his friends from the sky. Watch the full documentary by michael livingston for Pioneer Docs after the jump.
Michelle Devereux is a contributing artist for Austin multi-media label, Monofonus Press, a member of a female-centric video collective called Austin Video Bee, is a co-founder of an art-circuit tap troupe known as What’s Tappening?!, and plays drums in an apocalypse inspired chick band called Storm Shelter. When Michelle isn’t busy working on the many projects listed above she makes mind blowing, 80’s video arcade inspired drawings focusing on themes of innocent fantasy and finding beauty in the obvious and the embarrassing. Her drawings have to me one of my favorite new discoveries so I really hope that she makes more very very very soon!
Pieter Hugo’s new series, Permanent Error, depicts Agbogbloshie, a massive dump site for technological waste on the outskirts of Ghana’s capital city, and the locals who burn down the components to extract bits of copper, brass, aluminum and zinc for resale. Tons of outdated and broken computers, computer games, mobile phones and other e-waste are shipped to the area as “donations” from the West, under the guise of providing technology to developing countries. Rather than helping to bridge the digital divide, the equipment is transformed into noxious trash threatening the health of the area’s inhabitants and contaminating the water and soil.
Gray plumes of smoke rise from smoldering piles of disassembled monitors, motherboards and wiring, providing an apocalyptic backdrop for Hugo’s portraits of the workers. The subjects, many of whom are young men sent by their families from impoverished outlying villages, are photographed full-figure and directly engaged with Hugo’s medium-format camera. With each portrait, Hugo draws the viewer into the conditions imposed on this slum community and their effects on individuals. Collectively, the photographs expose consequences of the West’s consumption of ever-new technology and its disposal of outmoded products in poor countries ill-equipped to recycle them. See Pieter Hugo’s Permanent exhibition at Yossi Milo Gallery in NYC from Sept. 8- Oct. 29th.