One of the most integral aspects of photography is the utilization of light. For his series, “Visible Light,” photographer Alexander Harding uses this vital resource as his subject. Harding manipulates natural sunlight, refracting it to create ethereal spaces filled with the soft luminescence of the sun’s rays. Harding says,
Whether it is acknowledged or not, we all have a strong relationship with the sun. Its light enables our visual perception and at times, shapes our emotions. Although the sun affects how we feel, its light remains mysterious and ephemeral. We can feel it on our skin and in our eyes, but it seems intangible to us. We cannot hold or preserve it.
Through my work I explore the sun’s physical presence and quantitative character, attempting to give sunlight an environment to travel within and record its behaviors. I primarily use photography to make my work as its apparatus promotes a very critical and literal type of visual perception and it is processes are controlled by light itself.
Harding’s work asks viewers to consider the centrality and importance of sunlight, and to think of this primary energy source as an art object in and of itself. (via lens scratch)
Berlin based illustrator, Melissa Murillo , better known as “Meyoko” her work reflects the darker side of Art Nouveau. Executed in free hand, with a fountain pen Black China ink and more recently Gold, the artworks by Meyoko are like open doorways to a microcosmic wilderness populated by divine entities and mythical creatures. Forests made of luxuriant hair are inhabited by tattooed flowers and plants ;by ravens and hummingbirds with strange silky bodies in place of feathers. An organic apotheosis executed with extreme minutia and with an endless creative sensibility.
Using toys, computer hardware, beading, and even money, Argentinian-based artist Elisa Insua assembles images of popular culture with the items that make up popular culture. The intricate works take similar textures, colors, and shapes to form iconic portraits of Darth Vader, a Playstation controller, and the lion from the 20th Century Fox logo. Sometimes, Insua also covers three dimensional objects, like Maneki-neko (fortune cat) and toy guns and dinosaurs.
Erika Rae on Core77 described these works as appealing to someone who used to thumb through the I Spy series, a set of books where the reader would find a specific object among many, many others to solve a puzzle or riddle. Looking at Insua’s works, this description feels very appropriate. The mosaic of bright and cheery objects is alluring to our eyes, and focusing on the innocence of all of the toys in every image is almost escapist. For a period of time, we can slowly look over every part of Insua’s and be mesmerized by past popular culture. (via Core77)
Los Angeles-based Apenest, a publishing/ printmaking project created by Cody Hoyt and Brian Willmont, presents Plain Air. Plain Air is the second in their series of exhibitions focused on showcasing talented emerging artists at Cinders Gallery in Brooklyn, NY. Plain Air is running from Oct 15th – Nov 14th, so if you’re in the neighborhood don’t miss out!
The Graffiti Of War is a project started by Jason Parsons, an Iraq war veteran who was deeply moved by the graffiti done by fellow soldiers in the mideast. When Jason came back stateside he was having bad bouts of PTSD and decided to create a book documenting the graffiti left behind by thousands of soldiers as a form of therapy. This once simple idea has grown into a full time mission to support the troops and tell their stories one photo at a time.
In her recent work, the photographer Lisa Lindvay archives the indirect yet undeniable marks left on her family and their home by her mother’s mental illness. With the family landscape surviving as her constant foundation, she invites viewers into a claustrophobic space isolated from the perspective and normalcy of the outside world. Although we are given indicators of their location— McDonald’s bags, generic soda, a “Legalize Gay” wristband—the family appears as if entombed in a time capsule, each member left to fend for themselves since the onset of the matriarch’s illness.
The camera acts as an active character throughout the narrative, forcing intimacy when the closeness and comforts of family seem irrevocably fractured. Eye contact is avoided with all creatures and things aside from the lens itself, which somehow breaks boundaries and transcends each subject’s seemingly self-imposed solitude. Intimate and sensual moments— the applying of hair dye, half-nude lounging, naps with the loyal dog— are generously laid bare for the artist, providing viewers with intermittent flickers of hope.
In her still lifes, otherwise mundane or grotesque subjects are assigned deeper meanings. The artist worshipfully documents trash, each object appearing like a pitiful symbol of continuing life and hope amidst crippling circumstances. A jar of cheese puffs is seen from the floor and lit from an unknowable source, as if standing at the alter of some personal cathedral; an oily ring on a pizza box surrounds a golden mane like the halo of a forgotten saint. As the family faces an uncertain future, half-eaten pizza and dirty socks become the only reminder that time has not in fact stood still within the house; Lindvay captures each with beautifully archival rigor as if to denote days on the calendar. Take a look. (via Feature Shoot)
20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)