Originally from Seoul, Korea Ji Yeo now resides in Rhode Island. From 2009 – 2012 she worked on an extensive photography project entitled The Beauty in which she documented numerous women in Seoul, Korea immediately after they had undergone plastic surgery. With a sensitive demeanor Yeo highlights an aspect of our current culture that has become increasingly commonplace. Ji explains that “…Beauty is integral to human nature, and people find beauty in the most difficult circumstances, during emotional chaos and disorder, within social taboos and the breaking of such taboos and even in the face of death. My work focuses on ideas of “beauty” in contemporary culture, specifically in how women in our culture come to define and enforce an ideal of beauty on themselves…”
XVALA is the artist behind the #FearGoogle campaign, which caused him to be rife with controversy when he put up wheat pastes featuring nude photos of Scarlett Johansson. However, for the past year, he’s been working on a much larger project, in which he went digging through celebrity’s trashcans to re-purpose their discarded objects into art. Early on in his gatherings though, Forbes Magazine received leaked information that he had been to both Steve Jobs’ and Mark Zuckerberg’s residences – where he discovered one of Zuckerberg’s coat hangers and had it fabricated into an almost indestructible phallic sculpture.
Olive and Mocha: Fast Times At Sugar High is the tale of an unlikely friendship between a goody-goody and a bad seed results in havoc at a birthday party. Watch the full video after the jump!
Serbian designer Bratislav Milenkovic’s imagery sits at the intersection of typography and illustration usually combining the two to create cleaver and playful images. Morre Typography fun after the jump.
When you think of fine art, one of the last places you’d probably consider finding it is in the laundromat. Photographer Yvette Meltzer, long fascinated with the transformation of soiled to clean clothes, first sought to explore her fascination by visiting many different laundromats in Chicago. During these visits, she documented various aspects of the laundromat experience, but it wasn’t until she saw the images of dryers tumbling clothes on her computer that she knew she had captured something beautiful – animal and human forms were revealed to her through the compositions of color and texture being tossed around in the machines. Thus, Meltzer’s “Revolution” series was born, a series that transforms an everyday, mundane image into an experience of abstract mystery. Meltzer says, “What I see is not what someone else does. But people do seem mesmerized by the images and attempt to discern what it is they are looking for. People seem to have such a need for definition and tend to be uncomfortable with the ambiguous.” (via slate)
To the street artist known as R1, the city is a living thing and he creates his ‘interventions’ accordingly. The city and its streets are something we interact with each day. R1’s simple interventions reveal our relationship with our urban homes. Perhaps more importantly, though, it challenges us to interact with the city in an entirely new ways. R1 says of his process:
“I consider the street as an open canvas. I work with urban interventions and collect every day found materials, transforming them and placing them back where they came from, to become a part of the city’s journey. The resulting artwork is tactile, moving within the motion of the cityscape. Like the street, the work finds its meaning once an interaction with the passer-by takes place.”
Ginette Lapalme makes awesome illustration work about animals, animals loving animals, animal loving humans, and humans that remind me of animals.
Matthew Pillsbury‘s long exposure photography series, “Screen Lives,” largely documents domestic activity related to screens that glow from televisions, computers, or mobile phones. Eleven of those photographs, however, represent a specific time during Pillsbury’s life when he fell in love with a man, left his wife, and came out as a gay man to his friends and family. This event changed the direction of Pillsbury’s project. While initially focused on photographing screen scenes with subjects who didn’t move around as much, Pillsbury’s project evolved once he met Nate. “I think it took the freedom of my coming out to make a picture like the one of Nate in Vegas or Cell Phone on Venice Beach. I was breaking down the very rules I had set for my own artistic project,” Pillsbury said. Documenting movement, intimacy, and relationship dynamics, Pillsbury’s collection is at once haunting and lucid.
The eleven photographs representing this transition are titled “Nate and Me” and will be on view at the Sasha Wolf Gallery in NYC until April 20. (via slate)