At first glance you might write off Gerald Davis as another pervert painting his sick thoughts on canvas but this LA based artist has some serious painting and drawing chops. I recently saw his work in person and was blown away with the richness of his work and his glowing use of light. Gerald is a serious artist taking our funny and dirty thoughts and creating bold and imaginative works out of them.
Florentijn Hofman, mostly known for her interactive, cutsey and giant sculptures of children’s toys (ie. Rubber Duck, Max), has created Sunbathing Hare, another eye-catching and adorable installation for everyone to find their inner child with, yet again. It was taken down yesterday Oct.13th, 2013 as it was part of the Netherlands Bilateral Year and the Russian public arts program and was only allowed to be on site for a few months.
With outstretched arms, the over-sized lazy creature suggests a lazy, happy pose, as it lays on the green grass of Hare Island near the St. Peter and St. Paul Fortress in St. Petersburg, Russia. It has contagious vibe; people lie and sit next to it with intentions to relax and forget about their problems for a moment.
Sunbathing Hare measured 15 meters long by 8 meters wide and 2.5 meters high. It was made out of plywood boards, a pink painted nose, eyes, and smile with a touch of charm and humorousness. (via designboom)
“My sculptures cause an uproar, astonishment and put a smile on your face. They give people a break from their daily routines. Passers-by stop in front of them, get off their bicycle and enter into conversation with other spectators. People are making contact with each other again. That is the effect of my sculptures in the public domain.”
There is no doubt that the current resurgence of the .gif medium is indicative of how image-based and internet-dependent our networked society has become. Born of and propagated through the Internet, .gifs offer a perfect medium for our constantly consuming Share-Culture, a culture that artist Mark Vomit masterfully samples from, and takes particular pleasure in critiquing. Inspired in equal parts by nostalgic ’80s and ’90s ephemera and modern Internet imagery, Vomit’s aesthetic has made him a leading voice in a new online visual arts movement, despite his often apathetic and apocalyptic style.
When asked via email to describe his motivation, as well as his aesthetic, Vomit responded adroitly:
“1. Mark Vomit is documenting the Apocalypse.
2. Mark Vomit manipulates images and sounds.
3. You Have No Voice, You Have No Choice, the New Order Nation has Taken Over and
Everything You Like Is Wrong.
4. Vomiting is the involuntary, forceful expulsion of the contents of one’s stomach through themouth and sometimes the nose.
5. Manipulate: to use or change in a skillful way or for a particular purpose.
6. Studies in Post 20th Century Culture and Media.”
This philosophical and aesthetic difference made Vomit (who also performs in the the art-doom-rock band Bollywood) a competitive contender in a recent head-to-head tournament of the world’s best .gif artists organizes by the influential new media art and tech site VIA. Considering the often too-cutesy and completely referential (read: unoriginal) work which proliferates Tumblr posts, it serves as a refreshingly radical reaction to have an artist defacing and exploring the medium with a grittier, grimier approach.
Artist Kristen Schiele produces vibrant paintings and shadow boxes. Schiele richly layers her work both in her medium – paint, thread, collage – and in narrative. Her work merges indistinct structures and landscapes with rays and patterns of color as well as collaged human figures. Each piece seems at once to be about stories and tell one of its own. Speaking about the sources for her layers of images she says:
“I do keep a sketchbook. I also have a library of images printed out, some scanned in from libraries. They are from years of collecting. I get ideas and start folders of images for different paintings. I narrow the folders down into a show.” [via]
We’ve covered Kris Kuksi’s Churchtanks series in the past, which invoked religion alongside symbols of modern warfare to create a curious blend of spirituality and the profane. “Ascension of Eos” is a more recent work, taking the exploration of larger than life mythos intersecting with the mortal coil.
Eos, the goddess of dawn in Greek mythology, or perhaps a statue of Eos rises up from a sea of humans. She’s being worshipped or built — or perhaps the two are one in the same. The humans around her are in a frenzy — some are tangled together in frantic sex, others are being crushed by wheels and impaled by arrows. Her congregation’s agony can just as easily be interpreted as divine ecstasy, and painted with a dark patine, the entire tableau seems truly gothic.
“I get inspired by the industrial world, all the rigidity of machinery, the network of pipes, wires, refineries, etc.,” says Kuksi. “Then I join that with an opposite of flowing graceful, harmonious, and pleasing design of the baroque and rococo.”
Beautiful, dark, and mysterious, Kuksi’s work contains tons of detail. It’s created through mixed media assemblage, which adds texture and physicality to the piece. At more than four and a half feet tall and three and a half feet wide, it looks almost like an altar or a memorial. (h/t Dark Silence in Suburbia)
Using toys, computer hardware, beading, and even money, Argentinian-based artist Elisa Insua assembles images of popular culture with the items that make up popular culture. The intricate works take similar textures, colors, and shapes to form iconic portraits of Darth Vader, a Playstation controller, and the lion from the 20th Century Fox logo. Sometimes, Insua also covers three dimensional objects, like Maneki-neko (fortune cat) and toy guns and dinosaurs.
Erika Rae on Core77 described these works as appealing to someone who used to thumb through the I Spy series, a set of books where the reader would find a specific object among many, many others to solve a puzzle or riddle. Looking at Insua’s works, this description feels very appropriate. The mosaic of bright and cheery objects is alluring to our eyes, and focusing on the innocence of all of the toys in every image is almost escapist. For a period of time, we can slowly look over every part of Insua’s and be mesmerized by past popular culture. (via Core77)
LA local Ashlie Chavez shoots only in film. Her images are captivating. I love the texture and depth in her work . Her photographs at times have minor imperfections that create beautiful images…reminds me of the human touch that you don’t see with digital. Ashlie collaborates with her twin sister Amber, also a very skilled photographer.
For a plastic doll, Barbie can be polarizing. Emiliano Paolini and Marianela Perelli discovered this recently when their exhibit “Barbie: The Plastic Religion” at POPA gallery in Buenos Aires was cancelled. “Given repeated anonymous threats concerning the event, the artists decided not to exhibit his work, fearing for the physical safety of visitors,” a notice on the gallery’s website announced.
The 33 pieces in the controversial collection are each one-of-a-kind, and they include Barbie dolls as the Virgin Mary; Joan of Arc; Kali, the Hindu goddess of destruction; and the Virgin of Guadalupe, patron saint of Mexico. Ken becomes Christ on the cross, Buddha, Moses, St. Sebastian and the Sacred Heart of Jesus. The sculptures represent figures from Christianity, Judaism, Hinduism, Buddhism, and Argentine folk religion. The Muslim prophet Muhammad is not included in the series—the artists told Reuters that since Islam prohibits the creation of his image they omitted him out of respect.
Questions of taste and faith have been raised by Argentine Catholic Priests, Italian Bishops, and Hindu Clerics, much to the surprise of the artists. “We have a sanctuary in the kitchen that has more saints than the Vatican,” Paolini told the Associated Press. Some have accused the artists of grandstanding—disrespecting religion in order to gain notoriety. They disagree.
“The true message of our work was mutilated by magazines and television. That’s a shame. The media is killing our art.” (Source)
The sculpted dolls are additional portrayals in the canon of religious iconography, weighted down with the 55-year legacy of a plastic girl and her boyfriend.