Super Nova Warehouse is featuring works by artists Yami Duarte and Jason Redwood in a show titled Acrux (an optical double star whose certain mass and brightness is speculated to cause a supernova 321 lightyears from our solar system- tight). The opening is this Saturday from 6-10PM in Pasadena. So go check out their show and then hop on over to our B/D Book 2 Release Party!
Dutch photographer Arjen Born has a hell of a sense of humor which is perfectly displayed in this series of hilarious photographs of imaginary robots that help out senior citizens with all sorts of mundane yet challenging tasks such as getting out of a chair, eating breakfast, or simply seeing. I’m not sure if these robots are created digitally or if Born literally builds these futuristic creatures but either way there is a humorous charm to them that carries throughout the entire series.
Chinese architect Ye Chang‘s Kong Shanshui/Empty Shanshui is a naturally transforming installation consisting of over 10,000 petri dishes. Part of the “Pavilion of China – Architecture China 2013” exhibition, which recently opened at the Palacio Quintanar in the Segovia, Spain, the piece has a unique, changing quality. The base of the installation consists of layers of white stones which fill the ancient palace’s courtyard, echoing peaceful, meditative gardens. On top of the stones are piles or gatherings of petri dishes, some ten thousand in total, stacked in various forms, resembling miniature hills, mountains and rock formations.
According to Sue Wang at Cafa Art Info, the installation transforms at different stages of the day, citing firsthand that, “…there is dew in the petri dishes in the morning; light is gentle in the morning and the glass is transparent; when there is direct sunlight at noon, the installation is entirely placed in the sun, strongly reflecting, which is in contrast to the dry surrounding environment, making people feel cool; the setting sun is blocked by the house in the evening, so the glass reflects the light from the sky, seen as backlit, it looks like the scales of a huge creature stranded on the beach, with rich tones; the whole glass hills is self-luminous at night, producing a transition effect changing from semi darkness to darkness.” This daily, natural transformation of the installation not only is a quickly-viewable message of transition, but it’s meditative qualities also call to attention how both art and architecture can effect a viewer’s ability to feel at peace in a home, garden or museum experience. (via myampgoesto11 and CAFA Art Info)
Dutch illustrator/designer Parra has done some seriously cool work. His posters, which he plasters throughout Amsterdam, are apparently highly sought after, as are his limited edition Nikes, shirts, skateboards…you name it, Parra has done an illustration for it. His style is very 1970s, with a hint of sleaze.
I’m more interested in Holton Rower’s process of creating these abstract paintings than the final result. Sure the end result is beautiful but you’ll see what I mean once you watch the process video after the jump. It’s a simple technique that packs a lot of punch!
“André da Loba was born in 1979 in Portugal, to a mama and a centaur. In a family of nine brothers he was the ugliest. His nose was very big, and still is. As a result, his parents sent him to join a sea circus”. His work has been published in a myriad of publications including the New York Times, Time Magazine, The New Yorker, Newsweek, and the Washington Post. “Currently he lives in New York City, where he is secretly happy”.
French artist Debit de Beau creates gorgeous photo collages that seem to inhabit their own world. With wide skies dwarfing tiny inhabitants, Beau’s artwork seems both expansive and a little lonely.
Beau uses both illustration and textures, such cloth with raw edges, to liven up his collages. His landscapes meet at the intersection of the manmade and the natural world. A boy meets a whale just off a lighthouse’s shore, while a man walks his pet snail and considers a crossroads marked with all of life’s milestones: hope, loss, guilt, and success.
The emotional palette that Beau works with seems quite varied, his subjects by turn leaping joyfully off of a ferris wheel and pause, questioning a ladder that hangs from a lone window. The surreality of his collages aims to capture not a perfectly realistic scene but to cause emotional resonance, placing us in that person’s frame of mind. To climb or not to climb? Should I follow the snail? Or contemplate a quiet fall of rain? (via Optically Addicted)