Gorgeous and juicy oil paintings by Joseba Eskubi.
Gorgeous and juicy oil paintings by Joseba Eskubi.
Okay okay, while I know that 1) Halloween was more than a week ago 2) This video doesn’t look like much, you gotta watch it because some high school teacher really attempted to make math class awesome & also used some really clever video art techniques in the process. WATCH IT!
It’s refreshing to see fashion photography that doesn’t look like your run of the mill fashion editorial. Bela Borsodi’s massive portfolio is full of playful and experimental photographs that walk the fine line between design, fashion, and art.
Aptitude, a digital agency based in Bedfordshire, U.K., pays cheeky homage to the (lost?) art of the album cover. They’ve picked an array of such album covers, some more tongue-in-cheek than others, and played around with the design by showing what’s been left out. On their site, you can scroll over each photo and “zoom out” to view the imagined bits from the cutting floor.
“Album cover art used to be meticulously created to portray some kind of message that the band or artist was trying to convey,” Aptitude says. In a way, that sums up their mission with this project as they set out to turn that message on its head. Their designs also function as a retrospective as they add a time traveler’s souvenirs into the mix: Justin Bieber’s My World pans out to reveal his untimely arrest; Bubbles glares balefully from a jail cell on the outskirts of Off the Wall.
Bruce Springsteen’s iconic Born in the U.S.A. zooms out to show the rock star approaching food truck serving — what else — burgers. In the foreground is a stereotypically hefty American. A bit on the nose? Maybe, but all in good fun.
“We all have a favourite album,” the agency says. “One that means something to us more than others.” (via Demilked)
Korean artist Inbai Kim works from countless drawings to create these incredibly simple, yet haunting sculptures. He takes it all down to basics, keeps it surprisingly simple. No color, simple shapes, and pencil as main mark-making – yet riveting with voices.
Canadian artist Maskull Lasserre’s “recarved” sculptures are aptly named—Lasserre takes existing clichéd figural wood carvings and “exposes” the skeleton underneath. Of course, the new carving only seems like a reveal of what lies beneath. Part of the success of these works is how inevitable they feel.
Lasserre’s drawings and sculptures explore the unexpected potential of the everyday through allegories of value, expectation, and utility. Elements of nostalgia, accident, humor, and the macabre are incorporated into works that induce strangeness in the familiar, and provoke uncertainty in the expected.
In the style of an anatomy book, the bifurcated sculptures preserve the existing sculpture on one side while exposing the fantasy skeleton on the other. It’s a reverse of the classical artist’s process of learning about anatomy in order to draw more realistic figures. Lasserre is taking fully realized figures and imagining their bones. In an interview with Joseph Kendrick, Lasserre said,
“There is an intrinsic honesty and humility to the carving process. There is no magic, no hidden technology or trick, just the simple subtraction of what was already there. This humble quality makes the amazing alchemy that carving can achieve so much more interesting. … Like the physical materials I use, and the processes I apply, there is something categorical about death/mortality. The aspect of it that I try to coax out is that death is a potent sign of life — albeit an ended one. To carve skeletons into inanimate objects infers their past — and maybe even future — potential for life.” (Source)
Although these sculptures are whimsical, in concept if not execution, there’s an “Alas, poor Yorick!” undertone that’s sobering. Those who are fortunate enough to be healthy and whole rarely think of the inevitable end, the skull beneath the skin. Lasserre’s skilled carving work reveals what was never there, and in doing so makes us think of what eventually will be.
Michael Van Den Besselaar’s hyper realistic paintings pack a powerful punch, combining retro imagery, nostalgia, pop culture and politics.
Italy-based photographer Andrea Frazzetta gives us a little glimpse into the lives and rituals of modern healers from Lima, Peru. His project called “Urban Shamans” peeks behind the doors of the rear private shops where shamans, or the so called curanderos, perform their traditional mystical rituals which are not subject to the laws and orders of today’s world.
Up to this day, curanderos are trusted by the majority of Peruvians and are considered to be in line with psychiatrists and physicians. At some point, the parliament of Peru considered regarding them as doctors. However, bigger part of the healers are frauds as they don’t really deal with physical disorders, rather with emotional issues like fear, evil eye or even business and love life related questions.
“Nestled in plain sight throughout the streets of Lima, these generations of shamans and their sometimes shocking ritual practices toe the line between cultural fixture and anomalous spectacle.”
In his pictures, Frazzetta managed to capture even the very intimate, strange and eerie details of these healing ceremonies. Most of them include the use of a small animal (guinea pig, black hen or a white dove) or a doll to whom the illnesses of the patient are transferred. (via Feature Shot)