Adam Vorhees’ photographs portray animals in a new light. Gone is the image of a pathetic beast destined for a crappy zoo or slaughter house. Instead Adam presents portraits of complex and intriguing animals that you want to keep around forever and maybe even go for a jog with (Babe’s training for a marathon!).
Ashley Zelinskie is making art for computers. I admit when she told me about it, I was a little freaked out. Basically, she constructs three-dimensional sculpture on the computer, then has it printed in three-dimensions. It consists of a form humans understand, like a chair, and a code computers can understand too. Zelinskie also makes “paintings” which consist of a series of numbers, after the jump you can see Van Gogh’s Starry Night recoded for artificial intelligence.
In a darkly poetic new video titled “Quand c’est?” (When it is), singer and songwriter Paul Van Haver (aka, Stromae) sings a chilling address to cancer. The video, shot all in black and white, depicts Stromae performing for an audience of animated alien limbs and nettle-like growths—a creative portrayal of the disease. His words are emotional, bold, and honest:
“Oh yes, we know each other well
You even tried to get my mother
Starting with her breasts
And my father’s lungs
D’you remember then?”
As the video proceeds, Stromae dances across stage, moving in the same strange, articulated fashion as the disease that seeks to devour him. As the music builds, his graceful movements unravel into desperation as one of the limbs seizes him while another—approaching unseen from the back—strikes him dead. The remainder of the video spirals into a fervor, depicting his ghost being his cast into a black pit festooned with the bodies of countless others.
Stromae is known for his videos that touch upon topics of an important nature; the award-winning song “Papaoutai,” for example, explores the experience of growing up without a father. “Quand c’est?” (which is also a homophone for the French pronunciation of “cancer”) explores the trauma of the disease from both an intimate and universal perspective; the majority of us have been touched by cancer in some way, as is expressed by the network of bodies trapped in the alien nest. Weaving together vocals, dance, and animation, Stromae’s haunting performance is an expressive embodiment of human pain and perseverance.
Photographer Josef Schulz’s new series entitled “Sign out” focuses on a great variety of billboards in their natural habitats (a billboard tour one could say) during his travels in the States. He has “freed” the large-scale ads of their functions, thereby breaking off all communication and “signing out”. Removed of their contexts, all that’s left are pleasant forms and even more beautiful colors against their blue-sky canvases.
Already a huge presence in Australia, Flume has been gaining a lot more attention in the US, especially with the recent release of his self-titled debut on Mom + Pop Music. I was lucky enough to catch his recent sold out performance at the Echoplex in Los Angeles.
Truth be told, I don’t go to a lot of EDM shows, but after hearing his album I was hoping to see some of the guest vocalists that are heavily featured on his debut. WIth the likes of George Maple, Chet Faker, Moon Holiday, and Jezzabell Doran all appearing on his record, it would have been extra special to see some of them perform live. Unfortunately that didn’t happen, BUT I did manage to dance my ass off with a crazy sold out crowd to his ear-shattering beats.
Songs like “Insane” featuring the before mentioned Moon Holiday had the crowd singing along and jumping wildly to every beat. He’s currently in the midst of a US tour with shows coming up at Portland’s Mississippi Studios on March 31st and a sold out show at Brooklyn’s Music Hall of Williamsburg on April 2nd among others. In May he’ll be back in Australia for his first headlining tour titled, The Infinity Prism Tour with Chet Faker supporting. Check out the video for Left Alone and definitely try to catch him live before he heads back down under.
What a perfect name for a design super-hero. The making of videos and fight-scene choreography are so entertaining, due to leopard pants wearing said hero. Tarantino and Rodriguez should take these dudes on for the next low-budget flick.