Sako Kojima’s sculptures channel all the pain, suffering, and heartbreak of the human species into the bodies of cute and cuddly creatures. Here is a description of the artists work in his own words:
“I use a variety of medium including sculpture, performance, photography and drawing to explore the people of modern society. At present I’m interested in the psychology of diseased human psychology for the civilized world, because it’ s the same as my pain. Humans are animals, therefore we get tired, sad, and go mad. I want to become a small animal, because they don’ t meditate, they aren’t thinking deep. All of my works are rather optimistic than gloomy. At first sight, the works appear unique and cute but after time the works show a sense of irony, pain, and sadness of the individual human experience.”
Something big is happening at the 5th Avenue flagship Uniqlo store in New York City. We just watched this mysterious video that teases at a massive installation on the second floor of the store. The video shows a time-lapse of the second floor of the store being cleared out with massive lettering covering the walls spelling out SPRZ. We at B/D don’t have a clue as to what SPRZ could possibly mean but we’re intrigued! An outside shot shows a crazy cast of character working on the installation throughout the night. Not much clues in the video as to what they’re up to but we’re spotting T-Rex’s, giant bananas, and dancing chorus lines running around like crazy. Hopefully one of our NYC readers can go on a spy mission and fill us in on the details.
Danish graphic designer Mads Burcharth puts a fresh spin on typography, challenging the way we think about the art form. Burcharth also is a graphic/web designer. A lover of minimalism, music, social media, technology and the juice that keeps him going: coffee!
British artist Ben Long works in a wide variety of mediums from billboards to dust drawings, to massive sculptures made out of scaffolding.
Using his finger to scribe into the layer of dirt built-up from exhaust emissions, Long creates elaborate drawings on the rear shutters of white haulage trucks. In this on-going series, collectively entitled The Great Traveling Art Exhibition, he expands upon the daubing and crude slogans that commonly adorn commercial freight vehicles.
By conceiving the project so that it may exist beyond the confines of the traditional gallery space, The Great Traveling Art Exhibition fulfilled Long’s desire to target and appeal to individuals unreceptive to the presentation of contemporary art in museums and art institutions. Furthermore, as a project born of pragmatic concerns, it enabled the artist to exercise creative expression early-on in his career without the need for a studio, gallery or financial backing.
Long’s Scaffolding sculptures are Inspired by his experiences working on building sites as a teenager, the project asserts the value of a disciplined working practice, the hard graft of manual employment and celebrates the role the construction industry plays in the advancement of urban development.
Thematically, Scaffolding Sculptures utilize cultural archetypes familiar in domestic and decorative art, whilst also making reference to art historical imagery such as Monarch of the Glen by Sir Edwin Landseer and Whistlejacket by George Stubbs. With each artwork the base structure serves to visually reinforce the sculptural intent of the project, making comparisons with the plinth, as well as reminding the viewer of a conventional use of scaffolding based on the familiar right-angle and cross bracing process.
I came across Ken Reid‘s work through various internet wanderings, and his humor and technical skills still blow me away every moment I look at them. His work bears resemblance to Basil Wolverton‘s, and both mastered the art of the humorously grotesque image which dominated 70’s comic magazines. It’s easy to see how work like this went on to influence ZAP Comix and WEIRDO, and these in turn went on to influence a large portion of contemporary independent and underground comix. Below is Reid’s WORLD WIDE WEIRDIES series, an extensive collection of visual puns inspired by different locations in the world, which originally appeared in WHOOPEE! and Shiver and Shake. Some of these fly right over my head, but its makes no difference when the imagery is as compelling as it is. ‘Nuff said.
My good buddies at Two Rabbits Studios have recently updated their site and online store. If you haven’t heard of these fellas, you should put your ears to the ground more often. Though they may be named after a small gentle animal, they are a stampeding herd of buffalos who will trample you with their design and printing skills. They’ve done concert posters for all of your favorite musicians and probably your mother’s favorites as well. (P.S. They silk screened one of the inserts in Book 2).
Okay Documentary lovers I just saw this doc last night and I loved it. Imagine Spinal Tap meets Forest Gump! It’s still in select theaters so if you can go see it on the big screen.
In the early 1980s, the Canadian metal band Anvil wrote the thrash blueprint for followers like Anthrax, Metallica, and Slayer. While those bands went on to become metal titans, Anvil faded into obscurity–so much that decades later, the band’s core members–guitarist Steve “Lips” Kudlow and drummer Robb Reiner–work menial day-jobs even as they continue to churn out little-heard records and dream of rock-star success. Director Sacha Gervasi (who was once a roadie for the band) chronicles the duo’s efforts to regain their ’80s glory in the funny and touching documentary ANVIL! THE STORY OF ANVIL.
Chinese street artist DALeast studied sculpture at the Institute of Fine Arts and began doing art on public space at 2004 under the alias DAL. He is inspired by the way the material world revolves, how the spiritual world unfolds, life’s emotions and the infinite space around us. His massive murals resemble thousands of strands of yarn or thread that are continuously unraveling and coming together to create incredible sweeping imagery. (via)