The engineering and design studio Bot & Dolly created the video Box. In it a simple flat surface is visually transformed in unbelievable ways. Projection mapping has been especially popular lately because of its extreme versatility among other things. For projection mapping a computer basically maps a surface, one often considered too irregular for traditional projection. The software’s images are then projected on precise locations on the surface. In this way projects can appear to interact with the surface or produce the illusion of depth. For the video Bot & Dolly seem to push the potential of projection mapping. Flat surfaces are attached to large robotics, thus the projection not only interacts with the nontraditional surface but also its movement. It does this so effectively that at times its difficult to remember the surface is indeed flat. Amazingly, all of the effects are in camera – that is, no special effects were applied after recording. After watching the video, its interesting to think about the potential use of such technology. Bot & Dolly go on to speak about the project saying:
“Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.”
Adam Helms is known for drawing radicals and constructing ominous wooden watch towers. His current project is a series of 48 charcoal portraits in response to Gerhard Richter’s “48 Portraits.” Richter’s work used encyclopedia photos to catalog the iconic males of Western culture. Helms is also cataloging icons, but shifts focus to the dangerous fringes where civil wars and insurrections take place. Ranging over the entire political spectrum, from anti-establishment and anti-government groups to official government troops, Helms’ portraits are intentionally politically ambiguous, stating “The politics are less interesting to me then this idea of a repeated identity.”
Russell Leng’s paintings have an immense depth to them; his latest series, “Nature Systems,” features floating geometric shapes that look like faceted crystals. On his site Leng says he wants to “explore the relationship between constructed and natural terrains,” (which might explain why the organic yet jagged shapes suggest both a harmony and a dissonance.) If his paintings make you think he’s too calm and cool, check out his website to see him shovel cake into his face in his short film, “Let Them Eat Cake”.
In the photographic works by Kevin Corrado, human limbs and objects intersect with the landscape. They are painted over, dipped, and blend in the with the horizon line. The series entitled Transfer best showcases this idea as different hands are encased in varying colors of paint. Corrado talks about how this is not only a connection made design-wise, but our notions about the things we see. He writes:
The project began as a playful idea of the ocean being a giant sea of blue paint rather than water. The idea of a blue sea is so engraved into our minds, even though in most cases, water is not actually blue. In all three pieces, a hand becomes covered in paint by touching a landscape of that color. In its entirety, the project speaks about our intense connection between common landscapes and their assigned colors. Possibly something that was instilled in us during our elementary days. The project also addresses my role as an artist, and what color I will choose for my landscapes, even though my tool of choice is a camera (a tad bit ironic). A painter is given the task to paint a tree, but that painter must choose to use green paint.
The quietly compelling images play with our sense of scale; hands are huge, looking like giants and whose veins appear large enough to line up with the choppy waves. (Via Slow Art Day)
Shinji Ohmaki’s interactive floor installations are composed of traditional floral patterns made out of food coloring, laid on the floor for viewers to walk over, destroying it as they do so.
This work transformed with the passage of time, and the space too was reborn through this process.
Kike Besada’s layered posters and illustration perfectly combine digital illustration and vintage paper collage to create imagery that is contemporary yet has a dash of antiquity tossed in for good measure.
Kike Besada is presented by Next Day Flyers who make poster printing easy and affordable. For fast postcard printing services, order online.