David Shaw, one of the featured geniuses in issue Z, is opening his solo exhibition on april 30th in the Bowery. its the second of three exhibitions Feature inc. has curated on the theme “psycholoptical”.
Like all good contemporary photography, Elena Montemurro‘s Coming Of Age series highlights a particular zeitgeist, or a certain subculture you wouldn’t normally see so clearly. Her study of American teens discovering life is like a Sophie Coppola film – featuring kids full of ennui, walking wistfully through the streets and sitting aimlessly in diners throwing food in their mouths and at each other. She candidly captures a time of innocence and sincerity. Her images show kids doing exactly what they want, authentically expressing how they feel, and being outright bored. Her photos feel like you are following your cousin around an affluent suburb somewhere in America.
Flirting between gaming arcades, car parks, playgrounds at night, pet shops, lonely trains and empty beaches, Montemurro is able to show an accurate view of the disjointedness of modern life. The way we live our daily lives are quite ho-hum and underwhelming and she manages to turn the dreariness of it all into something a bit magical. Just because something is mundane doesn’t mean it can’t be appreciated. Montemurro transforms unexciting routines and the in-between space into something worth having a second look at. The waiting room somehow doesn’t seem like such a boring place after all.
Russian-born painter Polina Tereshina has a love for the awkward and bizarre aspects of our daily lives, so much so that she interprets them through her abstract, figurative paintings. Utilizing acrylic, ink, and watercolor, she disassembles the body to arrive at a newly resolved aspect, one which speaks more clearly to the reality of our movements.
“I am fascinated with passing feelings and short private moments of human interaction. In particular, I look for the humor in our struggle for balance. I find inspiration by looking both outward and inward. From these observations I have developed a cast of characters who help me tell the stories. Then I pose the characters out of context in a simple, shallow space. The personal experience of each and every one of us dictates the way we interpret the interactions.”
The rigid lines of the geometric and lined backgrounds add a sense of control to the piece, one which the subject interacts around. This brings balance, along with the idea of limits and structure. Through this we can relate to the modified human. By simplifying the body to the elemental aspects of the figure, often just a silhouette, she draws the viewer into the exaggerated trait, like lending it a megaphone. All in all, each piece seems to detail a specific frequency of the beauty of being in the moment, however graceless or messy that may be in reality. (Excerpt from Source)
Meticulous attention to detail helps Zipora Fried transform ordinary objects into compelling works of art. I recently saw several sculptural pieces by Fried at the Greater New York 2010 exhibition at P.S.1 and thoroughly enjoyed her use of playfully poignant and enigmatic materials, along with her sustained focus on repetition. Arduous process? Yes. Emphatically handmade? Yes. Beautiful in it’s simplicity, yet endlessly complex? Yes, indeed.
With Halloween just around the corner, costumes don’t have to be the only spooky things you you do to celebrate the holiday. We’ve been introduced to the lifelike, creepy cakes of Conjurer’s Kitchen, and they aren’t the only ones turning delicious treats into something sinister. So, here are a couple of other food artists having some ghoulish fun with conventional desserts.
Christine McConnell is an artist, photographer, and baker who makes elaborate delicacies like screamberries, a life-sized facehugger pastry, and chocolate-covered spiders. The details on these foods are incredible and so convincing that they don’t appear like they’re edible (though they are!). But, they look so impressive that you wouldn’t want to. (via Who Killed Bambi and Laughing Squid)
Ruth & Sira created their own version of the sugar skull by opening the top of the heads and sticking things like berries, nuts, and gummies. The walnuts look like a strange, dried-up brains while they’ve also created the more traditional-looking organs. Their creations look very sweet, and easy to pop skull after skull (as strange as that sounds) into your mouth. (via Who Killed Bambi and Boing Boing)
“Choosing to focus on natural elements that are not commonly appreciated or used for decorative purposes, my artwork is connected to the ‘wildness’ in nature even as it is taming it by the creation of formal patterning.”
Drawing on her background in textile design, Lisa A. Frank creates large-scale “repeating patterns”, “tapestry-like designs”, and “floor to ceiling ‘sections'” from her own nature photography. The artist’s works (some of which are composed of over 100 digital layers) obviously draw on a strong connection to nature and its various trappings: flaura, fauna, etc. Such elements are inherently wild and unpredictable. So Frank’s application of computerized media and pattern work, logical processes very unlike the mysterious mechanisms that govern the natural world, sets up a really interesting dynamic. And, like in the natural environment, there’s a lot going on in these works. The effort really shows and I could spend a long time looking at each one.
Great stuff. Definitely worth a click past the jump to check out more images of the artist’s work, which draws material from all four seasons.
Adam Batchelor is a very talented young artist from Norfolk, England. He creates work about the influence of western civilization on the developing world.
German artist Lars Teichmann goops on the black and white paint in his rich textured works.