I was tipped off by electroniccottage about Jonathan Haggard. He is a great graphic designer and illustrator with a defined style. I appreciate his poster’s strange facts, honesty, and humor, check him out!
Caro Suerkemper’s graceless ladies (you know who I am) are somehow classical and vulgar at the same time- perhaps because she uses mediums typically reserved for refined culture or antiquities, such as fine china and delicate gouache wash paintings to convey her gals, usually in awkward stages of self or imposed bondage.
Photographer Mark Dorf‘s photoseries //_Path is an exploration of how technology and encroaching singularity affect our relationship and place in the natural world. The Brooklyn-based artist notes “…there is barely a single situation that is not influenced by digital technology and communication through the World Wide Web – the Internet and digital technology has been integrated into nearly every part of our lives and will only continue to become more and more present in our daily routines.”
//_Path seeks to explore this integration in its most visual form; combining bucolic and lush photography with images from collage, digital photographs and renderings, and early 3D scanning techniques. These symbolically-loaded, technologically-sourced alterations serve to represent a “…synthetic form to contrast against the landscape in which they are manifested; a comparison of language.”
Though Dorf is certainly not the only artist working with juxtapositions of technology and the natural world, his work specifically calls attention to the psychological and sociological damage our dependence on the tools we depend on, which once served us and now control us. Acknowledging that this dilemma too is human nature, Dorf seems to call for a combination of understanding: an existence both within the frameworks of our digital lives, and within our natural environment. Dorf explains, “It is no longer about logging on or off, but rather living within and creating harmony with the realms and constructs of the internet for our newest generation of inhabitants.”
Lee Mawdsley is a British photographer whose work spans the medium’s breadth- advertising, brand, editorial, he’s done it all! I love these shots from his “High speed test” series.
Filip Dujardin photographs buildings that are post modern and mundane. They are nondescript and unassuming. He has a way of spicing things up, though. With the help of Photoshop, Dujardin uses these photos and remixes them into structures we’ve never seen before and could never exist in our world. His series of images, titled Fictions, is just that, but done so seamlessly and with such mastery that we might think they are real.
Dujardin’s work contains some spectacular things. Buildings are labyrinths and Escher-eque in their construction. You could travel the same path over and over again, but never get anywhere. Oh well, who cares? You probably can’t even get inside. They don’t have entrances; they are simply a mass of siding and concrete.
Dujardin’s architecture is a mass of things that we love looking at buildings. Surface decoration is more important than structural integrity. Take, for instance, the windows. In multiple photographs, he’s adorned building with all different factory-style windows.The varying color and size is a design decision, and he places them in clusters. Likewise, he uses the repeating of balconies, ducts, and vents to create patterns. Metal siding is collaged based on color combination than anything having to do with an actual building.
We can try to apply logic to Dujardin’s structures. We’re probably familiar with these types of buildings, and expect them to look a certain way. But, with Dujardin’s doctored photographs, we cannot. Instead, we can admire them for the fantasy that they are.
After gazing at Dujardin’s work for awhile, it occurs to that this series was probably a lot of fun to create. It’s the digital equivalent of playing with Legos. There are a lot of pieces, and with the help of Photoshop you can cut them up, flip them, and arrange them however you wish.
If you’re in the Los Angeles area you still have time to check out Barry McGee’s show up at Prism until June 30th. As usual with all of McGee’s shows his latest offering features dynamic installations that cover every corner of Prism’s massive gallery space. With this new body of work you’ll notice a greater transition towards the abstract and patterning with only moments of his signature graffiti references and typography. Could this be signs of an evolution out of the street iconography that McGee built his career on? I doubt it but the new evolution is quite nice nonetheless.
Jenn Mann taps into her subconscious where beautiful naked ladies climb geodes and man lives harmoniously with our flying feathered friends in the sky.
Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson