Django Django‘s crazy new video for “WOR” features India’s Wall of Death Riders in Allahabad. Our friends at Noisey shot the video in a documentary style standing right in the middle of all the action.
I was able to catch the Django’s last show of their US tour at the Fonda Theatre in Hollywood last month. “Hello citizens of Los Angeles”, yelled out singer Vincent Neff before they jammed into “Hail Bop”. The band was a lot of fun to watch since they barely came up for air during their hour long set except when they went acoustic for their song, “Hand of Man”.
After being apart from her own birth mother for more than 22 years, photographer Ashley Comer decided to meet the woman missing from her life and document the very personal and intense journey. While living in Georgia, Ashley decided to contact the adoption agency that facilitated her very own adoption and found that her birth mother Sheila was living in Florida, a mere 4 hour drive away from her at the time.
Using the excuse of the photographic project, Ashley contacted her birth mother and over several weekends and took some intimate and touching photographs. She managed to capture beautiful scenes of the two of them getting to know one another again, and the similarities in their physical appearance. They not only feature in the photographs together, the images are actually a collaboration between the pair.
It is easy to see the natural bond between the two women in Ashley’s snaps. And even though Ashley has now returned to Massachusetts, meaning they are unable to spend weekends together, she doesn’t doubt that they will keep the newly formed relationship going.
You can see the full collection of photographs from Ashley’s project Meeting Sheilahere. (Via Feature Shoot)
We sent off Book 4 to the printers the other day, so we thought we’d give you a sneak peak of what we have in store for you. The above is a screen cap from an amazing collaboration between 26 artists from around the world. I don’t want to give away all the details for this project, but think of it as a Y2K version of one of the most classic art-based games. Confused? Good! Read on to see more behind-the-scenes tidbits….
Julie Schenkelberg makes installations that look like domestic earthquakes. Her monumental pieces talk to us about the collective memory we share in objects and its inevitable disintegration. As most all domestic objects have some sort of function, their ubiquity–tables, chairs, lamps, plates, etc in every home– is a sign that our experience of the life is much more communal than individual, and likewise our memories. Julie takes the objects of our experience and compiles them into globs of memory, as they are probably situated in our own brains. But, like our own memories, she shows us these objects as broken and decaying in structures that look strong and sound but are, in the grand scheme of things, utterly tenuous. Her work is physical poetry at its best.
New York based artist, the theatrical Cai-Guo Qiang, is yet another artist I dream of to meet one day. He is mostly known for his gunpowder explosions, where the guided impact of exploded gunpowder creates beautiful marks on the paper it is placed over. Proof how beauty and violence are sometimes intertwined with each other, a concept Cai-Guo works with often.
Bristol artist Camila Carlow creates these lovely renderings of human organs by foraging for wild plants, weeds, and the occasional animal part and then sculpting and arranging these various bits of flora. Her series, entitled “Eye ‘Heart’ Spleen,” recontextualizes images of organs such as a heart, lungs, stomach, uterus, liver, and testicles, demonstrating the reflection of internal biological structures with external natural structures. From Carlow’s site, “This work invites the viewer to regard our vital structures as beautiful living organisms, and to contemplate the miraculous work taking place inside our bodies, even in this very moment.” You can order prints and keep up with this particular project’s developments via its Facebook page. (via unknown editors)
Wangechi Mutu is a Kenyan born, New York based artist whose work has been featured in galleries across the globe. Her work was also featured on the cover of B/D issue L “Sex Sells.” She recently had an interview with Daily Serving’s Aimée Reid. Click here to read the interview.