Back in March B/D teamed up with Toyota Prius to bring you the Future Perfect Project. Due to certain circumstances beyond our control we couldn’t consider submissions from international artists. However that didn’t stop hundreds of loyal international B/D readers to send in work. We figured that the only honorable way to approach the situation would be to feature all of these artists day by day in a short series. For day numero uno we bring to you Tom Dorkin, a 21 year old illustrator from London who is quite creative when it comes to showing off the natural detail in decay. Maybe the only way our future will be perfect is if we realize our commonality in being decaying mammals and that we must seize the day rather than waste away.
Robert Lazzarini is best known as a sculptor. But that is actually an oversimplification of what he does. Walking the line between reality and illusion, Lazarrini creates compound distortions of common objects, challenging perception and what we understand to be the limits of the material world.
Lazzarini’s works are not mere deformities. Using mathematical distortions and algorithm-based operations, such as mappings and translations, Lazzarini bases his alterations in reality. Along the same lines, he chooses to fabricate the warped objects in their true material. A skull is made of reconstituted bone, a hammer of wood and steel, etc. This intense attention to detail is important to Lazzarini. Earlier this year he and his team attempted to create a series of broken liquor bottle sculptures. Despite consulting MIT experts and Dale Chihuly’s team the project was sidelined because it was too difficult to realize. Such dedication and through research are major components of Lazarrini’s artistic practice. Part of this obsessive thoroughness is his desire is to eliminate art-specific materials from his work. In doing so the viewer’s experience is completely different. There is a sense of authenticity, which makes the distortion all the more extraordinary.
Violence is another component of Lazzarini’s work and it extends beyond the fact that he chooses to work with guns, bullets, knives and skulls. The objects themselves are disturbing, and the way they exist in our visual field is also disquieting. We so want to make sense of them, to right the disfiguration so that we can easily understand them. Ultimately though, Lazzarini’s works completely refuse that possibility, making them all the more compelling.
Philip Kwame Apagya is a Ghanaian artist whose color photographs reflect a contemporary twist on traditional West African portraiture. In Apagya’s photos, subjects interact with his brightly painted 2-D backdrops, interiors and exteriors that catalogue the trappings and accoutrement of an affluent international culture. Subjects inhabit faux living rooms showing library shelves or consoles stuffed with expensive electronics, or chat on cell phones standing before home computers, or prepare to board that international flight to happiness. While Apagya’s photographs reflect a young and prosperous generation of consumers, one can imagine that for some, the photographs also present a “reality” beyond their means.
Evie Woltil Richner is a Florida based artist. She combines personal family photographs with feathery shroud like drawings creating a beautiful monument to memorialize family members that have passed on.
Photographer Henry Hargreaves and food stylist Caitlin Levin have joined forces to bring you the tastiest architectural photo series on earth! Focusing on iconic museums and institutions from around the world the duo has painstakingly recreated every little detail out of licorice, gummy bears, chocolates, bubblegum and of course gingerbread! Museums such as the Guggenheim in New York City and the Louvre in Paris are transformed into tasty morsels of architecture by Levin and then dramatically shot by Hargreaves. The result is a delicious treat that will satisfy your artsy academic side as well as your belly!
Hargreaves and Levin will be exhibiting this series during Miami Basel at Dylan’s Candy Bar. Go see them in person and have some candy for us! (via design boom)
Remember the urban legends that Disney movies had ‘sex’ written in the stars or that Aladdin whispers “good teenagers take off their clothes”? Artist Jose Rodolfo Loaiza Ontiveros took that imagery to heart, and much further, in his series Dishollywood. The artist depicts Disney characters in rebellion, experimenting with substances, sexuality, or pairs them with pop-culture icons. Ontiveros is trying to show that these characters are ours to experiment with, and that we may appropriate them as we like, and combine them with what we like, to create new and contemporary characters.
“It is a collection of visual curiosities that pushes the audience to reimagine the world of pop as a personalized mash-up with the freedom to merge situations, rewrite the script, and provide new dialogue in alternative scenarios to tell new stories.
DisHollywood is also a barometer for measuring our tolerance and acceptance levels; a new way of observing the “happy ending” that trumpets the time of equality is now. In contrast to the baroque fantasy implied by the original, idealized presentation of these characters, a new context of social vulnerability shows the darker side of our contemporary society.”
Some of it does demonstrate the degenerate side of our culture. Tiana – whose name is suspiciously close to Rihanna’s to begin with – is shown as a mashup with the pop-star, with bruises on her face, presumably post-Chris Brown. In a way the images do a good job of highlighting our sometimes-questionable behavior without lecturing. The characters who are originally totally pure, are defiled, making them more real, and also making our reality seem darker in that contrast. It’s also just hilarious to see Minnie Mouse and Daisy Duck taking hits from the bong, though. (Via Huffington Post)
For Australian photographer Sarah Bahbah, food and sex are intimately tied. Her series is called Sex and Takeout, and it’s exactly what it sounds. There’s nudity and canoodling, all with a greasy side of fries. Or pizza. Or, even Chinese takeout. Bahbah runs the gamut of meals while posting it on her Instagram, @raisebywolvesau.
Subjects are seen sharing meals, eating it while laying in bed, or looking post-coital with their food. And sometimes, takeout boxes are pushed to the side as people get down to business. It’s indulgent, visceral, and at times a little silly. But, above all, Sex and Takeout is strangely satisfying for the viewer/voyeur of these private moments. Food and sex conjure the same pleased feelings and pleasurable experiences, so it’s only natural that the two would be enjoyed in the company of one another. (Via Flavorwire and Design You Trust)