Monument for transition is a monument for the constant changes that the people of Moengo are subject to. It’s as well a monument for changes in the past as for changes that are happening on this very moment. It’s a monument for small changes, that are hardly noticable, and huge changes with great concequenses. It’s a monument for nature, that rapidly changes all unused objects into jungle by covering it with moss, bushes and tropical flowers. It’s a monument for Toyota, that changed the streetscape drastically by filling up the streets with their cars. And it’s a monument for the Chinese that came to Suriname and took over almost all of the supermarkets. It’s a monument for the enormous amount of schoolchildren that grow up in Moengo and are developping their talents and eventually might use these talents to make even more transitions to the town. But it’s also a monument for the enormous transition that took place after the civil war. A transition that is still having it’s effect on the people. And at last there are the transitions that are still to come. What transition will the current government bring? And what transition will take place after Suralco, the mining company where many Moengonese are employed, leaves the city? -Wouter Klein Velderman
Telling the story of a young man – the author himself – and his attempts to fly with different kinds of self-made aeroplanes and wings, the photographic series “Sacred bird” by Finnish photographer Janne Lehtinen presents a fictional narrative based on autobiographical facts. Lehtinen – the son of a renowned glider pilot – tries to relive the experiences of his father while himself attempting to leave the ground behind. His numerous efforts to oppose the force of gravity never come to anything, however, and the giant leap into infinity never occurs. While the models he conceives are extravagant, surreal and impressive in their construction, they are nevertheless destined to fail, and remain purposeless, anachronistic reinventions of the human-powered prototypes which marked the pioneering days of aviation. -Dominique Somers
One year in the making, Loom is an epic story of a moth caught in a spiders web. You probably can guess the outcome but rest assured that you’ve never seen nature take its course in such an intense and vivid way. Watch the full video after the jump.
I could spend months staring at Alexandra Mackenzie’s ultra detailed drawings. Featuring tribal shamans, flesh eating wolfs, and tiny unicorns running around in balls of hair, Alexandra’s drawings have something for everyone. The only thing missing is that there aren’t more drawing on Alexandra’s site. While the drawings are in short supply she does have a great series of collage work that relate to the drawings in a very interesting way.
Nestled around a fire, inside a cozy cave, the first painter picked up some charcoal and drew a Mastodon. The Cave is also the place where Plato described the world unenlightened people view as “shadows of the images the fire throws” against the back wall. Courbet painted his cavern, The Source of the Loue, with an oarsman like the mythical Charon, ferrying people across the river Styx for a coin. Caves are mysterious places, tied into our deepest roots: metaphors for our experiences, fears, and knowledge. Melissa Brown, who we did a studio visit with a few months ago, has been working with an interesting group of printmakers at Random Number. She has a new silkscreen out – Cave View. Check, it, out.