Lui Liu’s surreal paintings combine his Chinese heritage with his western upbringing to create a new hybrid world that transcends cultures and spaces.
Built in 1995 in the Austrian village of Wattens, Swarovski World is perhaps the worlds most unusual Flagship store/theme park. Designed by multimedia artist André Heller, the site features 14 underground chambers of wonder dedicated to the versatile artistic interpretation of the material crystal. The result is a universe of discoveries and a simply unique experience that is a must see for your next Austrian vacation.
Some of our favorite Attractions at Swarovski World include:
Crystal Dome: With 590 mirrors covering its walls, the Crystal Dome offers a kaleidoscope rich with colours: light is reflected in all facets. This breathtaking spectacle is stylishly accentuated with music by Brian Eno.
Mechanical Theater: The desire for transformation, passion and erotic fantasies excites people – and also the mechanical world of Jim Whiting. An Adonis and the graceful Walking Woman represent the male-female relationship and form the central motif of the British artist’s stomping, leaping installation. However, the mechanical theatre could also be described as a surreal fashion show in which rigid things suddenly spring to life and clothes fly and dance through the air as if by magic.
Crystaloscope: The crystaloscope is the biggest kaleidoscope in the world. Upon taking a look inside, the harmonizing power of crystal becomes perceivable to body and soul. The installation, designed by André Heller and therapist Peter Mandl, casts endless variations of images that appear from the ever emerging crystal formations.
Watch a video of Swarovski World and see more pictures after the jump! (via)
Artist Peregrine Church creates a special brand of street art. Instead of wild colors and sprawling compositions, you can only see his handiwork when the ground is wet. Otherwise, his clever paintings are invisible. Church calls these pieces Rainworks, and it’s part of an ongoing series of over 25.
A quick demonstration shows just how inconspicuous Church’s works are. A dry sidewalk reveals nothing, but as soon as a bucket of water is poured on it – magic. The secret is hydrophilic chemicals. Once they’re activated, the clandestine designs reveal uplifting messages, hopscotch, and funny sayings. They last anywhere from four months to a year. (Via The Creator’s Project)
Recently nominated for a Mercury Prize, ∆ (Alt-J) is stepping up venues on their next tour of the West Coast. LA’s Fonda Theatre will have them on December 12th which is sure to be a quick sell out. I recently saw them at the Bootleg Theatre and they have really come a long way since their US debut at School Night in Hollywood earlier this year. I’ve been listening to their album, An Awesome Wave since it was released in the UK this past May, thanks Rough Trade! Even though one of my friends thinks the singer sounds a little like Elmer Fudd, the music is infectious. Check out the video for Breezeblocks after the jump and buy your tickets ASAP for their show at the Fonda at Ticketmaster.
Brooklyn artist James Blagden isn’t worried about offending you with racial stereotypes. Or rather the aim is to offend to get the point across. Fusing together a myriad of influences and topics found in African American popular culture, the artist pokes fun at the ideas and images we accept on a regular broadcasted basis. Whatever the common conception, the nerdiness of Asians in mainstream cinema, African Americans and basketball, gold teeth and bling, he’s done it all. Check out an interview Format Mag did on James.
Born in Tokyo and living in NYC since 1996, well known as founding member of art collective FAILE. In 2006 she started her solo career and has been exhibiting her stencil/silk screen paintings in major cities such as NY, LA, London, Berlin, Tokyo and Barcelona.
Artist Sun K. Kwak paints with tape. She had begun her career as a painter but had felt disconnected with the medium. After experimenting with black masking tape Kwak had found her choice medium. Speaking of her first experience working with the tape, she says, “It felt like black ink pouring out over my fingers. It was very fresh, alive, and free.” The large installation pictured here is found at the Brooklyn Museum and is titled Enfolding 280 Hours – a reference to the amount of time needed to install the work.