What if you could stick your hand into a little box and all of a sudden find yourself in a virtual, parallel, world? Well, thanks to designer and maker, Jayne Vidheecharoen, you might be able to quite soon! The project is still undergoing development, but the prototype already shows a lot of promise, and Jayne is currently running a kickstarter campaign to help develop it further. Check it out in action after the jump…
Stefan G. Bucher is a graphic designer, illustrator, author, creator of monsters, and pursuer of obsessions. The (sole) creative force behind 344, his clients have included art galleries, film directors, magazines, record companies, Saks Fifth Avenue and the Blue Man Group. If you’ve seen the Yeti themed Saks Christmas windows, you’ve seen Stefan’s work. The Daily Monster is his, too. The cover of The Matrix soundtrack; typography for Mirror, Mirror; Blue Man Theater. All Stefan G. Bucher.
Aside from his amazing and prodigious creative skills, Stefan is an astute observer of culture and a consistently funny writer. He agreed to be interviewed for Beautiful/Decay.
B/D: Thanks for talking with me, Stefan—I’m just going to jump right in. What’s the most interesting thing you’re working on right now?
Stefan Bucher: It’s my pleasure. The most interesting project I’m working on right now is the pitch for an animated show surrounding the Daily Monsters. It’s a long process of uncertain outcome, but it involves a lot of things I love—illustration, working with a brilliant writer and a genius animation producer, thinking about music and character design. It’s great! I’m also working on a solo gallery show for the spring. That’s just a big beast breathing down my neck. I don’t know how much of it will be retrospective and how much will be new work. I just want it to be a fun trip for the audience.
On an ethereal ground of white light Christophe Avella-Bagur shows us archetypal representations of male and female bodies that answer our expectations of mass-produced perfection. Avella-Bagur disrupts this ideal with a second layer of portraits painted in visceral flesh-tones that never quite register with the face’s outline. The two portraits are collapsed together to create disturbingly distorted juxtapositions painted in the grotesque manner of El Greco or Goya.
Avella-Bagur first began the Floating Souls series in 2005, working in a medium-sized format. These paintings contained archetypal figures with their eyes closed, in which a “floating soul” was depicted attempting to register with its host. Now the idealized bodies have their eyes open, creating tension and visual complexity between the two faces.
Shay Aaron creates delicious looking, incredibly small, and extremely photo realistic sculptures of all your favorite food items from a delicious stack of cupcakes to the most tasty BBQ favorites. The only shortcoming of the work is that I’d have to eat at least 100,000 pieces by her to justify it even as an afternoon snack.(via gaks)
If you don’t remember last year gas prices were through the roof in the states. Immediately everyone was wondering why we weren’t switching to futuristic electric vehicles. This movie has some of the answers for why we are going at a snail pace towards a cleaner, more efficient world.
With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius’ sold this year), this story couldn’t be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country’s future; issues which affect everyone from progressive liberals to the neo-conservative right. Written by Richard D. Titus
“Dushi” is the title of Dutch artist Florentijn Hofman‘s current exhibition, on display until July 4th, 2009 at Gallery West in the Hague, Netherlands. The show is comprised of gigantic stuffed animals “where the change of scale completely changes their function and feeling.” The giant animal motif is not a new one for Hofman, as you’ll see after the jump.
Mathieu Connery, aka 500M was busy from this past May to the middle of July. During this time, he painted 10 abstract geometric murals on sidewalks for the second edition of the MURAL festival in Montreal. Connery produced one of them per week that are located along Saint-Laurent Boulevard, which was the official location for the event. His minimalist spray-painted pieces are colorful works that sprawl across the cement and are best enjoyed when looking at them from above.
Connery’s pieces for the festival feature a host of geometric shapes that include criss-crossing lines, block forms, and the illusion of them being in 3D. They are influenced by urban architecture, which you can see in the artist’s organization of these pieces. There’s a fluid rigidity, where lines aren’t exactly straight but mimic things like a net, a building tower, or even a maze. People can interact with them as a work of art (and look at them from afar) or follow the lines and move through them. (Via Vandalog)