Chinese street artist DALeast studied sculpture at the Institute of Fine Arts and began doing art on public space at 2004 under the alias DAL. He is inspired by the way the material world revolves, how the spiritual world unfolds, life’s emotions and the infinite space around us. His massive murals resemble thousands of strands of yarn or thread that are continuously unraveling and coming together to create incredible sweeping imagery. (via)
Australian artist Ben Frost’s Lost in the Supermarket (now showing at Bout, a reference to The Clash song, remarks on the over stimulation, confusion and daily hypnosis we are trapped by, as we struggle to stand still on a buzzing psychedelic landscape of brands, identities and social demands.
When Sally Mann published a series of photographs of her children titled Immediate Family in 1992, she spotlighted childhood with a rich tonal backdrop of a Virginia riverside summer house, and she was met with accusations of child pornography. About twenty years later, caught in a starkly different contemporary artistic current, the photographer Alain LaBoile presents La Famillie, a series that for its distinctive silver gelatin aesthetic and subject matter seems to pick up where Mann left off.
LaBoile’s work, unlike Mann’s, lacks the suggestion of immediacy, binding viewers within the nostalgic frame of childhood play, entirely carefree and unabashed. Mann’s work is urgent: she reveals a haloed shot of her daughter, blonde hair dancing in pool of water like some inexperienced Ophelia, and she tragically subverts its innocence with image of the last nude swimming photo her son let her take. Childhood for Mann is something to be beautifully lost, but for LaBoile, it’s more of a constant realm, easily returned to with a flash and made blindingly undeniable by jarring accents of white.
The innovative power of this contemporary work relies upon oh-so-subtle symbols of purity and incorruptibility of youth; a boy digs himself from mud filled and grave-like abyss, resurrected in glowing white to a young girl who prances about the Edenic verdure. Similarly, another daughter remains preserved in a class case, safely nuzzled between fine china and a white cat. Bums innocently moon the camera like those of cherubs. A boy printed in a blinding sort of white appears to hang from a tree; yet upon closer inspection, he’s just climbing, playing the part of a-not-yet-fallen Adam for an onlooking sister. Take a look. (via Feature Shoot)
Want to see what kind of music video a bit of creativity and $200,a two car garage, soldering iron, handmade clay molds, christmas lights, and no CGI can produce? If so watch this great promo video for Reds by Houses directed by LAMAR+NIK after the jump!
I don’t neccassirily associate Italy with Communism, so I was shocked to find so many hammer and sickle logos and graffiti in every single city that I traveled in. The above plaque is actually part of a Communist bulletin board that I ran into in a small town called Montepulciano in Tuscany. For those of you uber nerds New Moon was filmed there. The entire country was covered with political graffiti, stencils, and posters. It’s interesting because you don’t find too much of that in the states. Sure you’ll run into an occasional “stop the war” bumper sticker on a minivan but seeing so many hammer and sickle’s and anti-government slogans spray painted on thousand year old buildings gave Italy a surprising twist. Here’s a collection of some of my favorite finds.
JUCO (JUlia Galdo & COdy Cloud) is a photography duo out of Eagle Rock, CA making some stunning photographs. Drawing inspiration from African big timers Seidou Keita and Malick Sibidé, they’re the best blend of fine art and fashion photography since Steven Meisel. Enjoy!( via )
Iris Schieferstein’s work can’t be bothered with traditional sculpture materials like wood, marble or metal. Instead the Dutch artist used the medium of dead animals as raw material for works. She joins fragments of animals together to create new creatures and thus gives a new face to death. We searched on her site and couldn’t find how she aquires her animals but I’m hoping that it doesn’t involve the back of the house and a shot gun. What do you think? Should artists be able to use animals in their works even if it’s a cute cuddly dog? Share your thoughts in our comment section after the jump.