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Margi Geerlinks

Margi Geerlinks’ work is concerned with the ways the human species creates an identity for themselves, and the forces that seem to govern this process. She takes four of the Ten Commandments and digitally imprints them on children. She portrays the ageing process by commenting on the ways modern society tries to slow that same process down. The directness of these images may come across as quite blunt, but every visible detail is there to warn us not to jump to conclusions. The children may bear these condemning moral codes on their chests, their pose and actions display a very human insecurity.

Being deeply physical, her art confronts us with the many things that literally mold our beings into shape. Displaying the effects of science, religion, morality and time, Geerlinks photographs are a timeless testament of the human condition. Taking the body as a canvas she tries to show both the current identity of the person photographed and the things that make her become someone else. She seems to categorize the different stages of a human life by representing them symbolically, but at the same time she makes us question the necessity of an age divided society.

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Performance Artist Imitates Gustav Courbet’s Painting”The Origin of the World” By Exposing Herself

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On May 29 at the Musée d’Orsay in Paris, Luxembourgian performance artist Deborah de Robertis, wearing a gold sequined dress, plopped down in front of Gustav Courbet’s painting “The Origin of the World,” and spread her legs and vaginal lips, publicly exposing herself. The artist’s intent was to re-enact the famous painting, but with an open, exposed vagina in contrast to the vagina presented in Courbet’s piece. Eventually, de Robertis was escorted from the premises by police officers, and two museum guards filed sexual exhibitionist complaints against her after the incident.

“This is a typical case of disrespecting the museum’s rules, whether for a performance or not,” the Musée d’Orsay’s administration said in a statement. “No request for authorization was filed with us. And even if it had been, it’s not certain we would have accepted it as that may have upset our visitors.”

de Robertis, of course, disagrees with these accusations (as does Banksy). “If you ignore the context, you could construe this performance as an act of exhibitionism, but what I did was not an impulsive act,” she explained to Luxemburger Wort. “There is a gap in art history, the absent point of view of the object of the gaze. In his realist painting, the painter shows the open legs, but the vagina remains closed. He does not reveal the hole, that is to say, the eye. I am not showing my vagina, but I am revealing what we do not see in the painting, the eye of the vagina, the black hole, this concealed eye, this chasm, which, beyond the flesh, refers to infinity, to the origin of the origin.”

de Robertis says she’s performed this piece, “Mirror of Origin,” more than once in the same museum without causing a hysteric scene, and unsurprisingly, this is not the first time a performance artist has imitated a famous work of art by exposing their body: last year, performance artist Arthur G stripped down and appeared in front of Musée d’Orsay’s parade of male nudes, “Masculin/Masculin.” It is also not unusual for female performance artists to use their bodies as a medium for messages about our culture and the way it conceptualizes female anatomy and sexuality: I’m thinking of recent Beautiful/Decay features, like Milo Moire’s vaginal egg-dropping and Casey Jenkins’ vaginal knitting. The reactions garnered from such performances reflect our culture’s current conception of female anatomy and sexuality and prove that our stripped-bare biology continues to be seen as obscene, threatening, and attention-seeking, even within performance-based contexts. (via art fido)

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Christian Engelmann

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This is a picture of a picture projected onto the scene that the picture was taken of. Duh. Needless to say, artist Christian Engelmann likes to mess with people. His art is often interactive and always maintains a sense of playfulness aimed at eliciting exaggerated double-takes. Engelmann tries to jolt people out of their every day state of being and remind us that the universe is full of surprises.

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Lionel Williams

Beautifully surreal paintings and drawings by Lionel Williams.

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Toy Stories – Children With Their Most Prized Possessions

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Photographer Gabriele Galinberti‘s series Toy Stories is a simple concept revealing a complex story.  Over the course of 18 months the artist photographed children throughout the world with their most prized possessions.  He would often play with the toys along with the children prior to arranging them for the photographs.  It is surprising how much the toys can reveal about each child.  Often children would prize toys that reflected the occupations of their parents – a large collection of cars for the son of a taxi driver or rakes and shovels for the daughter of a farmer.  Also, Galinberti relates that poorer children’s play focused more on friends and activities rather than possessions.  He says:

“The richest children were more possessive. At the beginning, they wouldn’t want me to touch their toys, and I would need more time before they would let me play with them.  In poor countries, it was much easier. Even if they only had two or three toys, they didn’t really care. In Africa, the kids would mostly play with their friends outside.”

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Petra Zlonoga


Petra Zlonoga is an artist living in Zagreb, Croatia. This is her first hand drawn animated film. Pretty impressive, right? This glorious video reminds me of cartoon shorts I adored as a kind. Good ole’ hand drawn animations. Makes me want to see more! Besides being an animator, she is also a very talented illustrator. You can check out here work on her blog that she updates 3 times a week.

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Aaron Nagel’s Nudes

Self taught painter Aaron Nagel’s masterfully executed nudes are full of mystery and elegance.

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