Matt Rota‘s illustrations seem to mix reality and myth — equal parts Bosch and Ernst. Rota’s sensitive lines add a surreal approach to morality and belief systems and how we respond to them. Also they just look really cool (nod to you, Krampus).
Beautiful and mysterious drawings by illustrator JeanPaul Mallozzi.
Kyary Pamyu Pamyu is a model, blogger, and apparently a musician from Tokyo Japan. I have no idea what she’s singing but I’m praying to the Hello Kitty gods that the lyrics are as completely crazy and bizarre as this video is.Each frame of the video is full of candy coated everything, flying slices of toast, giant tongues, and all sorts of other things that are just to weird to explain. Watch the full video in all it’s Harajuku, kawaii, and decora madness after the jump.
For centuries, artists have funneled suffering and anger into their art. Columbia University senior Emma Sulkowicz is doing the same, using her work “Mattress Performance: Carry That Weight” as an endurance performance art piece protesting the lack of school imposed consequences on the man she says raped her in her dorm room.
American colleges are notorious for their treatment of sexual assault cases brought to them by students, often pressuring victims not to report attacks to the police and conducting disciplinary hearings related to sexual assault led by improperly trained personnel.
Sulkowicz’s story is similar to many — in fact she says that her rapist committed the same crime on a number of other women on their campus. The difference is the way that she’s chosen to use her art piece as a call to action. Sulkowicz will carry a dorm room mattress with her until her alleged attacker either moves off campus or the school expels him. She says:
I’ve written up 5 pages for the rules of engagement for the piece. I’ve tried to make it as thorough and well-researched as I can – as long as I’m on Columbia campus or any Columbia-owned property, I have to have this mattress with me. It’s an extra-long twin and made of foam so it’s not heavy and impossible, but it’s floppy and unruly. … I could have taken my pillow, but I want people to see how it weighs down a person to be ignored by the school administration and harassed by police.
One of the rules of engagement she’s created is that she’s not allowed to ask for help in carrying the mattress, but others are allowed to offer help, which she can accept. This is an interesting choice, implying that perhaps she’s still dealing with the self-blame survivors of rape frequently experience.
The entire project serves as a self-imposed scarlet letter in many ways. Sulkowicz has bravely allowed herself to become the visible face of a horrifying violation, one that still carries significant victim shaming. Just read the You Tube comments to see what she’s enduring by going public. She says, “I feel like it’s taken over my entire college experience. It’s like a cloud that will always hang over me.” Yet by committing to this public performance, she is continuing to burden herself every day, literally and figuratively, with memories of the experience. In her creation of art in the face of terrible pain, one can only hope that Emma Sulkowicz finds peace. (via New York)
The photographer Sarah Anne Johnson snaps shots of the most intimate kind, asking friends and acquaintances to sit for her while engaging in sexual activity: intercourse, foreplay, kissing, masturbation. Later, the artist enters into a new kind of dialogue with the erotic photos, covering her portraits in glitter and gold plate or scratching away their emulsion in strategic places.
The form of Johnson’s series, titled Wanderlust, brilliantly echoes its content. In penetrating the materiality of the photographic medium by altering its surface, Johnson makes as much of a statement about artistic or creative lust than she does about human sexuality. The gently cracked, ashy layer of a burnt chromogenic print mirrors a lover’s tender caress; similarly, a halo of scratches parallels a couple’s orgiastic pleasure.
Despite Johnson’s unconventional process—perhaps even because of it—Wanderlust seems a powerfully honest rendering of sexual intimacy. At times, human closeness becomes cosmically infinite, a moment of love solidified in gold plate or starry glitter. But many of the photographs complicate the notion of what it means to be truly vulnerable; often, her collage work obscures and flattens one lover, leaving his or her partner alone, isolated in the frame and utterly naked.
Johnson’s work relies on this tension between connection and isolation, a theme which serves to imbue the series with a palpable sense of sexual tension; for instance, two bodies are deconstructed in Puzzle Pieces, formatted to appear unified under one complex and paradoxically disjointed aesthetic. Simultaneously penetrating the viewer and and leaving us to gasp for air, the body of work is a must-see. It is currently on view at Toronto’s Stephen Bulger Gallery. (via Art in America and Feature Shoot)
Ori Toor of Tel-aviv is a recent graduate of the Shenkar School of Design where he majored in illustration and animation. This spontaneously created frame by frame flash animation flows to the beats of Animal Collective’s song Lion in a Coma and itself has a spontaneous but cohesive flow that constantly grows, splits and changes with the music.
Anthony Record’s work with acrylic, burlap, acrylic and other materials is really taking me to that happy primary place. Looks like glitter is also involved.