Although we aren’t hiring here at Beautiful/Decay, we wanted to share Manny G‘s portfolio with you all. Navigating through media seamlessly, this recent CalArts graduate pretty much does it all. Whether it’s transforming a found book inside and out, illustrating Chewbacca with only one intense image-making technique, or revealing the cuter (?!) side of sex, Manny G delivers visual feasts.
The ink drawings of Anton Vill are exquisite and small – about the size of your average fork. Vill is highly skilled in wielding a pen, and he makes tiny marks so fine that they appear as a pencil drawing or even as an engraving from the 17th century. But, looking closely at the subject matter, you discover that they are wholly contemporary, like something out of a nightmare.
We see babies piled in a shopping cart, a grotesque separation of someone’s head, and countless people that are wrapped up in the long hair of a Cousin It-type character. Vill’s work is quietly visceral and bizarre, and it doesn’t immediately strike you as strange; this creates a greater impact when you study his drawings. The longer that you look, the more you’ll discover and get a glimpse into the artist’s imagination. (Via Faith is Torment)
Daniel Arsham’s structural interventions cause walls to appear in a state of flux, as if they are melting or dripping, reverse the notion of architectural rigidity and of a partition’s standard presentation. His aestheticized sculpture and installations realize hypothetical architectural elements and counter intuitive designs, queuing possibilities and coercing material to behave atypically.
Working with materials such as glue, pre-mixed craft paint and food coloring, Robert Moya‘s pieces are meticulously crafted using hand made materials and “dried and colored glue remnants taken from previously or simultaneously-made paintings“. Creating a cycle or as he calls it a “one process, one orientation and one modular shape” rigorous routine, these crafted “paintings” are an enjoyable mixture between a sculpture and an abstract painting. While some of them contain a variety of colors and “pieces”, he is still able to elegantly hold everything together within the frame of the panels.
Michael Bussell, a student at the Maryland Institute College of Art, is already creating some beautiful photography. His most recent series “Shrines” is a study of habitual human practices and how they relate to religious iconography. Maybe cleanliness really is next to Godliness.