Interesting and illusionistic, artist Jen Pack‘s fiber-on-frame works take on elements of both painting and weaving. After spinning and stitching together colorful compositions of thread, chiffon & cotton, she stretches out the works on a wooden frame like a canvas, paying attention to the way the colors and textures interact on the wall. Her interest in abstraction and slightly meditative clustering or patterning of materials give the works a dreamy effortlessness, and they exist as a space for the viewer to step in and lose themselves in the reverie of observation.
From afar, the works feel bold—even slightly aggressive—but upon further inspection, each piece reveals a soft, extremely fragile surface quality, complete with tiny, wild threads left to catch in the breeze. The duality is pleasing, and Pack’s finishing of the pieces leave the fragments of fabric interacting like paint on panel, illuminated from within by meticulous layering and draping of translucent materials.
Recently deceased Hip Hop legend RAMMELLZEE was such an enigma. I often have a hard time deciphering some of his rhetoric. But his genius is so evident. His work (on any platform, vocal or visual) was always a cut above. He always had something slightly different going on. Take his “Letter Racers” (above), for example. Customized skateboard warriors fighting epic alphabet wars? Always on another level. See more from the late great artist after the jump, and listen to “Beat Bop”, the game-changing single that included cover art from Jean-Michel Basquiat.
All photos Copyright The Estate of Rammellzee, Courtesy the Suzanne Geiss Company, New York.
Jeremy Little is a graphic designer based out of Los Angeles, His poster designs dwell in the realm of the mystic. Themes such as totality and modernity are examined and radiated through his cosmic visual style.
Søren Løkke Juul aka Indians released his debut album, Somewhere Else on 4AD this past January and I was lucky enough to catch him perform earlier this month at New York’s Mercury Lounge.
With the help of two additional musicians, Heather Woods Broderick and Laurel Simmons, the songs sounded extra lush. The added harmonies and a slowly grooving crowd were just what I needed to get lost in his hypnotic voice and electronic soundscapes. Check out the video for I Am Haunted and see why the Village Voice calls him, “Denmark’s Bon Iver“.
If you noticed we didn’t make a lot of posts yesterday. Why do you ask? Because the entire B/D team was knee deep in sanding, painting and other horrible acts of construction on our new office space in downtown LA. The move couldn’t have come in a better time as we have been literally crawling over boxes of t-shirts and magazines at our office. Some photos taken during some much needed breaks after the jump!
Alexandra Levasseur’s complex paintings are filled with emotion and beauty. With heavy brushstrokes dripping with color, she creates scenes of tormented women in a strange world filled with golden halos, burning asteroids, and melting faces. These faces depict a deathly pale beauty that is often transformed and altered by thick globs of color or all encompassing flora. Levasseur explores themes of love and fear, anguish and unsatisfied desire in her body of work.
I am interested in depicting both the solitude and the bipolarity of the existence of the human being, through the representation of memories. I question the relationship between physical comfort and peace of mind, and how the environment around us can affect this state of mind.
Her women are set in scenes of rolling hills of flowers and palpable paint amongst other wilderness. However picturesque the setting may seem, there is a sense of distress and loss. Some of the women lie in a lush, colorful sea of flowers, but still have a look of distress on their face. There is repeatedly a flaming asteroid in the background, implying an impending doom. Levasseur beautifully portrays these women full of emotion, with an inevitable tragedy behind their eyes, if they even have eyes at all. Many of the faces have eyes hiding behind strokes of color, or holes where their eyes used to be. Each woman, beautiful in their own right, is lost and being engulfed in her equally as beautiful surroundings. All of the seeping colors, crushing flora, and heartbreaking women become meshed together in Levaseur’s paintings. She represents this world as a single organism, blending color and form.
Alexandra Levasseur’s solo exhibition Body of Land is on view now at Mirus Gallery in San Francisco.