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Click To Collect- AFFORDABLE ARTIST ORIGINALS PRESENTS: Justin B. Nelson

Begone/Bygone, 2010
8″ x 10″, ink and watercolor on paper

Welcome to our third offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is Justin B. Nelson whose delicately rendered watercolor , charcoal, and ink drawings have graced the pages of Beautiful/Decay as well as our website many times. For the first time ever we are offering Justin’s original drawings for sale as part of our Click To Collect initiative to bring original works of art to the masses at affordable prices. Read more about Justin’s fantastic work and see more pieces that are available for sale after the jump!

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Brendan Tang Sculpts Machine-Vase Hybrids That Explore Technology, Culture, And Globalization

Brendan Tang - Ceramics Brendan Tang - Ceramics Brendan Tang - Ceramics Brendan Tang - Ceramics

Brendan Tang is a ceramic artist who sculpts elaborate pieces that fuse together various cultural imageries and traditions. The series of work featured here, titled Manga Ormolu, can best be described as “mechanized vases”—vases that combine Ming-style ceramics with the biomorphic mechas of comic books and science fiction. The forms are abstract and futuristic-looking; there are pots and plates with rocket engines, valves, wires, tubes, and more. Some of the creations seem to be caught in the moment of “turning,” creasing ceramic skin to expose the robotic structures beneath. As objects of curiosity and ambiguity, Tang’s works look as unpredictable and otherworldly as they do beautiful and decorative.

The seamless hybridity of Tang’s Manga Ormolu explore contemporary discourses on technology and globalization. Born in Ireland to Trinidadian parents and currently residing in Canada, Tang brings his own diverse background and experience into his work. As his sculptures evolve into unique cultural-technological beings, they comment on how disparate cultural histories are encountering each other in the present-day world—and the speed at which they are doing so. The harmony embodied by each vase-hybrid, however, also seems to signify a unique form of transnational identity: one that overcomes the limitations and demarcations of national borders without losing its sense of culture and history.

Visit Tang’s website and Instagram to view more of his works. (Via Hi-Fructose)

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Beautiful/Decay Cyber Monday Sale Starts Now!

Who needs Black Friday when you can have Cyber Monday from the comfort of your home? For only today get everything on the entire shop for a fraction of the regular price at 30% off! We won’t be having a massive sale like this until summer so stock up now and get that print for your wall, complete your Beautiful/Decay magazine collection, and buy that shirt so you can impress your sexy robot girlfriend!

Use discount code“Turkeycult2”


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Jay Davis’ Subconscious Symbolism Pierces Pop Culture

throwingupdoritostastetherainbow snacktaichi jaydavis-minimalpicnicing

Jay Davis makes paintings which recombine everyday things into elegant assemblages.  A single painting might combine corporate logos with the food we eat, alongside expressive abstract paintings, placing all these separate symbols side-by-side inside one larger painting that retains a semi-abstract composition.  I was briefly in Jay’s studio, and he talked to me about Doritos logos, MasterCard colors, and the way an orange unfolds when you cut it and press it flat on a table, and while he was talking I had the feeling of a deep rustling in my subconscious, like he was talking to my id, or hypnotizing me with corporate jargon.  If you are in Montgomery, Alabama you can see a solo shows of Davis’ work at Triumph and Disaster Gallery until December 31st ’14.  You can also pick up the Exquisite Corpse catalog from Mass Gallery in Austin, Texas, which has a nice spread of his paintings.

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Ricardo Fumanal’s layered drawings

 

London-based illustrator Ricardo Fumanal creates tight graphite drawings that combine many elements to create an almost collage-like effect. The drawings might have come off as cold and without human touch if it hadn’t been for Fumanal’s skill in capturing the expressions of his subects. And then again, if you get so good at rendering in graphite that people find it hard to see a human touch in the first place, maybe that’s not such a bad thing. See more of the artist’s work after the jump.

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Ed Spence’s Creates Pixel Art By Hand

pixel art

Ed Spence - Pixel Art

Ed Spence - Collage Pixel Art

Ed Spence - Collage

Collage artist Ed Spence uses hundreds of hand-cut pixels to interpret photographs. The original works, mundane scenes like floral arrangements and out-of-focus landscapes, are made infinitely more interesting with his additions. Spence abstracts the original image by organizing the tiny squares on top of it. In doing so, he presents his alternative and desired image.

Spence’s works are modern-day pointillism, and the stippling effect made by squares rather than dots. While pointillism has existed since the late 1800’s, the artist puts a modern spin on it by referencing pixels. It looks like this idea was born from our increasingly digital world.

Spence states that he uses a knife and ruler to dissect the information within the photograph. In other words, he chooses what to distort and enhance, which explains the way he pixelates his work. I started to view his collages assuming that he had precisely pixelated the original image. I quickly realized this was not the case. If you squint your eyes, sometimes Spence’s pixels complete the image. Other times, colors and shapes don’t really match up. There’s an obvious disconnect between what I expect the image to be and how Spence wants to depict it. While pixels are often a warped but true representation of an image, the artist plays with this idea. Not only does he craft something analog that should be digital, but he skews what we’d come to expect from it. (Via iGNANT)

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Counting Bodies Like Sheep to the Rhythm of the War Drums

 

 

I have to start out by saying that A Perfect Circle’s “Counting Bodies Like Sheep to the Rhythm of the War Drums”  is one of my favorite songs. This animation is an excellent interpretation of the trance the song puts the listener into as well as the false sense of security and comfort we often get from the media.

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“Star Wars Bands”: Superfi Spoofs Popular Album Covers Using Star Wars Puns

Lady JarJar - The Shame

Lady JarJar – The Shame

R2DMC feat.  Aerosith - Ewok This Way

R2DMC feat. Aerosith – Ewok This Way

Taylor Sith - 1977

Taylor Sith – 1977

Obi Wan Direction - Up All Knight

Obi Wan Direction – Up All Knight

With the release of Star Wars Episode VII later this year, the bloggers at Superfi have used the escalating hype to create something rather amusing: “Star Wars Bands,” a series of iconic album covers twisted to match Star Wars-related puns. Lady Gaga’s face from The Fame is mutated into a grinning “Lady JarJar”; Chewbacca throws up Tupac’s “westside” on the cover of 2paca: all jediz on me. Other spoofs include the Sex Pistols, Run-D.M.C., and Green Day. Clever and good-humored, “Star Wars Bands” will amuse music and movie lovers alike.

Superfi’s brand of playful (and somewhat absurd) humor has manifested in a couple of other entertaining series, such as “Classic Beatles Album Covers Recreated by Apple,” “Desperate Movie Sequels” (my personal favorite being a hopeless reincarnation of The Matrix: “Turns out, there was a spoon”), as well as the “Hipster Album Generator.” Superfi encourages participation from their similarly humored audience, so if you have a music-related Star Wars pun of your own, hashtag it #StarWarsBands on Twitter for a chance to be featured.

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