Exploring the gestures and movements of calligraphy, nantes-based artist kaalam (aka julien breton) has created a body of work that uses hand-held light and long-exposure photographic techniques to capture the transient form within a real setting. often utilizing urban or historical sites as his three-dimensional canvas, the self-taught artist creates his own latin-based alphabet that heavily draws from traditional arabic and eastern calligraphy. arresting and provocative, the floating light forms are not mere superimposed subjects but display a direct engagement with the surroundings.
the capturing process, which can take as long as ten minutes, requires a choreographed movement which kaalam practices before hand in heavy repetition. different colours of ‘ink’ is achieved through pigmented gelatin which is applied directly onto the lamps. none of the photographs are retouched or edited, illustrating the laborious process in a single shot.
The human figure is at the forefront of the research and production of the young Korean artist Dongwook Lee. His remodelling of the body is an obsession that had led him over the last few years to breathe life into a new human species, an army of figures characterised by two leitmotifs: Dongwook’s man is always to be found naked and in miniature. On one hand, working on a microscopic level links him up to a long tradition of interest in the skilful rendering of minute details in a small-scale reality; on the other, it reflects a desire to cover up, camouflage or conceal these “figurines” in the backwaters of the most banal normality to which they might instinctively belong. One pokes his head out from the shell of a snail; another cries out desperately from behind a dry twig like a malignant wood spirit; yet another is to be found squashed inside a syringe, as if ready to be injected to another body along with all his dramatic charge. Their nudity seems to reflect the will to do away with the mystification of the human body, to show it without frills, without any indication of social status. It is here that Dongwook would appear to denote a break with the cultural traditions of his origins.
Have you ever wanted to meet tennis legend Roger Federer? Here is your chance. All you have to do is go to the Credit Suisse Facebook page and vote for the best ending of the Roger Federer, Relaxed video. There are four different endings, so watch all of them and vote!
In addition to the meet and greet with Roger Federer, the following runner-up prizes are also available:
• 2nd to 6th prize: A signed Roger Federer cap.
• 7th to 26th prize: A Nike Roger Federer cap (without autograph)
The competition starts on Thursday, October 13 and lasts until midnight (GMT) on Sunday, November 6. It will take place globally. The winner will be picked on Monday, November 7 and notified by email.
Seoul, Korea based artist Gwon Osang’s work blurs the line between sculpture and photography by photographing a 360 view of figures and object and using the printed photographs to create a three dimensional sculpture. The result is slightly off -kilter figurative sculptures that are as arresting as they are strange.
Dan Olsen is proof that the midwest (Toledo, OH) creates the most tripped out, bugged out, and amazing artists. I can stare at his humorous and surreal drawings for days thinking that if I just squint my eyes a bit more I’ll unlock their epic psychedelic meaning and change my life forever. Also make sure to check out his equally bizarre collages after the jump.
Mathieu Lefevre’s multidisciplinary practice, encompassing sculpture, painting, and photography use humor, irony and cynicism to test the fragility and the flexibility of the mediums he employs in his work.By seeking to rearrange and disrupt the relationships between viewer, creator, commodity and context his work raise questions as to what art can be, what it is worth and what is its role in a cultural and commercial framework.
For three nights the sky above Woodward Avenue in Detroit was filled with bellows of smoke and light as the artist studio Minimaforms transformed the Detroit Institute of Art into a transient light environment. The ephemeral clouds acted as smoke signals, each cloud carrying a unique message and story. Memory Cloud Detroit was a platform that offered the people of Detroit an opportunity to engage in a dialogue about the city. This interactive space animated the DIA Woodward entrance with stories collected from the public. During the two weeks leading up to the event, messages consisting of memories, stories and personal aspirations for the city of Detroit were collected and archived on-line at Voice Of Detroit. Each individual expression became a part of a continuous story about the city, a narrative written by participants over the duration of the project transforming the steps of the DIA into a dynamic space for communication. Audience members were also able to contribute messages via text-message during the performance each night. These collected text messages will be added to the Voice of Detroit archive, becoming part of an evolving diary and a voice that will speak of Detroit’s past, Detroit’s present and Detroit’s future. An archive of collected stories and documentation of three day performance will go live at Voice Of Detroit in the coming weeks.