Margie Livingston’s work articulates the interaction between the architectural grid and the natural, organic world. Based on three–dimensional models that she builds in the studio, her paintings directly translate the phenomena of space, light, color and gravity upon these hybrid structures into lines and bands of color that hang seemingly suspended in space. Now, letting accident and discovery meet invention and experimentation, Livingston reverses her usual process, using paint to construct objects. Her new paint objects—built entirely from dots, strips, and skins of dried acrylic pigment investigate the properties of paint pushed into three dimensions and offer a compelling view into how the medium of paint can be used sculpturally. The sculpture featured above contains 62 layers of poured color going from dark to light.
Nathalie Croquet is a French stylist and journalist who has cleverly recreated high fashion and beauty advertisements in an Instagram series entitled “Spoof”. Having once worked as Biba’s fashion editor and Jean Paul Gaultier’s photo director, Croquet is deeply familiar with the types of imagery that have defined such marketing campaigns, from Eric Bompard’s pink-toned whimsy to Isabel Marant’s sultry and pseudo-dishevelled aesthetic. The lighting, makeup, and styling are remarkably similar between the originals and their spoofs (the studded plaid shirt in the Eleven Paris parody appears near-identical, for example), with the critical differences lying in the models themselves: they encompass a diversity of body types and ages.
Playful and light-hearted, Croquet’s imagery reminds us of the theatricality of fashion advertising; lighting, makeup, and costumes are carefully arranged to appeal to marketed notions of high-end beauty. The “Spoof” models do a great job recreating the postures and facial expressions to reveal both the parody and the construction of the original campaign imagery. Visit Croquet’s Instagram and website to learn more. (Via AnOther)
Mark Todd is an illustrator based out of Los Angeles who’s revered as a mystical figure in the world of zines. His booths are always the most presentable and his work has this well-balanced dichotomy of childlike proportions and lucid clarity, which makes for a fun finished product. When he draws people, like he did in his book BAD ASSES, they not only look like perfect personifications of their originals, but also give off this nostalgic vibe as well. It’s like he’s able to channel the innocent energy of the kid in grade school who was the best artist in the class, while also being able to back it up with a vicious stealth attack. I mean, you try drawing someone random like Geraldo Rivera, getting a stranger to recognize it without giving them any hints, and then repeating it with others — so now the strangers not only recognize your subjects, but also your own style as an artist as well. Mark is a busy guy and when he isn’t influencing the crap out of young minds at Art Center or working on a commercial project, he and his wife, Esther Pearl Watson, run the publishing company Fun Chicken.
Swedish architect Gert Wingårdh and Finnish artist Kustaa Saksi have teamed up to produce a massive installation for the 2013 Stockholm Furniture Fair. The project consists of 700,000 illustrated sheets of A3 paper and 44,000 suspension points. The result is a vibrant mosaic of art and design. In Kutsaa Saksi’s own words: “I’m fascinated by architecture and antique ceiling paintings in temples all over the world, and the way they’ve attracted people to share their thoughts and ideas. I’ve wanted to create a similar aesthetics, mixed with orientalism, art, mathematics, science and psychedelia, by depicting communication as Darwinistic evolution. Constantly on the move and a work in progress, like bacteria and marine animals when they crawled out of the depths of the sea millions of years ago.”
Watch a time lapse video of the installation being built after the jump! (via)
David Clarke brings on a whole new meaning to metal work. He is known as Britain’s very own groundbreaking silversmith. Master of his craft, he has a way of transforming domestic household items into intelligent and engaging pieces of art. Clarke’s work uses traditional silversmith techniques and takes it to a whole new extreme. His willingness to experiment sets his work apart from anyone else.
In their inaugural unveiling, Dethkills will display 21 pieces that have been meticulously crafted over the past year. Each piece demonstrates their intricate and unconventional uses of “wet-in-wet” washes and dry brush technique, in conjunction with latex and acrylic paints.
This collection will display a group of works entitled “The 27 Club,” featuring iconic images of musicians and artists, such as Jimi Hendrix and Kurt Cobain, who were taken well before their time. Painted in the stark contrast of black and white, these legends are given new life.
The exhibition also includes a series of smaller works that illuminate the intricacies of everyday items, like a phone booth that you pass on your daily route or a box of your grandfather’s medals in the attic; relics of a not so distant, yet highly divergent, past.
The first 100 people at the exhibit will receive a handmade one-of-a-kind Dethkills photozine, with silk-screened cover and silk-screened insert, that showcases the process and progression of each piece in the show from beginning to end.