Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
The saying “the more things change, the more they stay the same” proves itself to be true with this outstanding series of work by redditor, Shystone.
On this body of work, the artist cleverly juxtaposes paintings of London from the 18th and 19th century with London’s modern-day settings in Google Street View. Taking inspiration from the film “London, Then and Now”, Shystone takes several popular landmarks on Google maps, including Westminster Abbey and the River Thames, and just like a puzzle, he inserts the matching 18th/19thth century painting where it belongs on the GSV’s shot. The beauty of this is how much we think things have changed over time, but truly, as we can see here, everything still kind of remain the same, at least aesthetically/architecturally. The 19th/18th century paintings make us nostalgic for the simpler times, but the Google Maps image makes us cynical about today’s highly industrialized, loud and filthy London. It is interesting to think about how we are looking and thinking about these polar opposite characteristics in a place that has physically changed very little. (via The Atlantic Cities)
Zutto is an illustrator and designer based in Russia. The imaginative worlds she creates are quite spectacular, so check it out.
Wookjae Maeng creates ceramic sculptures exclusively representing animals. Most of the time hung off the wall like trophies or mixed with human body parts. His purpose is to not only to trigger a feeling but also a reaction when facing the pieces. Environment, nature and human kind are themes the artist wants to support. He is choosing ceramics to do so.
The animals Wookjae Maeng designs are perfect depictions. Deers, rhinoceroses, mice, pigs and rams, the variety is large. The details of the features are flawlessly imitated. The artist chooses to apply neutral colors to the body of the animals. A dominant of white with a touch of grey, black and brown. The eyes are the part that’s always rendered in shiny gold no exception.
The relationship between the animals and human kind is the focus here. The artist wants to create a 3 way conversation. ‘Within this process the viewer not only intellectually comprehends the work but also viscerally appreciates it if their preconceptions are challenged or senses other than sight are stimulated.’ The presence of nature and its creatures needs nurturing and special care. In an elegant and optimistic way, Wookjae Maeng is suggesting that we all take care of each other, however small and insignificant we may appear to each other. (Via Trendland).
Roshan Adhihetty regularly takes off his clothes and photographs other people without theirs on either. Despite what that sounds like, the series he has put together is a tasteful, candid look at a popular past time. Die Nacktwanderer, or The Nude Hikers captures groups of hikers reconnecting with nature and immersing their bodies into their surroundings. Growing up in Lausanne, an area which is quite accustomed to nudity, Adhihetty is no stranger to seeing the human body without clothes on. But after visiting his first nudist beach in Corsica, he decided to take a closer look at the culture of nudity, and in particular, the modern trend of naked hiking. He says:
Nudity and Nature have always been big subjects in art. Inspired by the romantic paintings I was hunting for photographs which feature this tension between romantic nature and disturbing contemporary elements – an opposition between nature and culture. (Source)
His photographs are a brazen look at a subject not often talked about, and sometimes even sneered at. But Adhihetty portrays his subjects with respect and grace, after he had to put himself in their shoes, so to speak. After tracking down a group of willing participants through Craigslist, the photographer had to join them in the buff to be allowed his camera on the hikes. Along with his other observations, Adhihetty realized that many of his subjects were male, and women only make up about a fifth of the hiking population. He notes that this is most likely linked to the social pressures and judgements our current society places on the female figure.
Hopefully with projects like this photographic series, we will stop seeing the naked body as only a sexual thing, but also as a very natural way to exist in the world around us. (Via Feature Shoot)
Sako Kojima’s sculptures channel all the pain, suffering, and heartbreak of the human species into the bodies of cute and cuddly creatures. Here is a description of the artists work in his own words:
“I use a variety of medium including sculpture, performance, photography and drawing to explore the people of modern society. At present I’m interested in the psychology of diseased human psychology for the civilized world, because it’ s the same as my pain. Humans are animals, therefore we get tired, sad, and go mad. I want to become a small animal, because they don’ t meditate, they aren’t thinking deep. All of my works are rather optimistic than gloomy. At first sight, the works appear unique and cute but after time the works show a sense of irony, pain, and sadness of the individual human experience.”
Chelsea Dirck is an art student majoring in Art Education and Fibers at the Massachusetts College of Art and Design in Boston, Massachusetts. I met her through the DIY punk scene five years ago, and her drawings are still resonant with the energy, sincerity, and immediacy of that time period. Dirck’s artwork is often derived from her innumerable personal journals, some of which have recently been released as zines. These zines are full of emotive jottings and ink drawings that are paired with humorous or poignant words and slogans – oftentimes directly referring to Dirck’s personal life. The drawings in her zines are influenced by such disparate quarters as advertising, comics, Internet memes, David Shrigley’s drawings, the book More Things Like This, and other forms of text and image combination – which seems to be the predominant mode of expression for us “Millennials.”
Dirck’s journal-based artwork seems almost tailor-made for Internet distribution through sites like Tumblr, where she has cultivated a sizable following. However, she has recently expanded her art practice to include mediums where physicality is a central concern: embroidery, quilt-making, and large-scale drawings. With an upcoming show this spring at MassArt and an ongoing relationship with the Boston gallery Lincoln Arts Project, Dirck seems to be coming into her own – just in time for her 24th birthday, which, by the way, is today. So go do some celebratory pillaging of her Etsy for prints, originals drawings, postcards, and zines of many of the images found after the jump.