Sacha Goldberger‘s done it again, capturing the spark of magic realism in a world similar to his Super Grandma series. This time, his photographs look like snapshots from an alternate super-history: one where Captain America poses for a 17th Flemish painter, the Hulk is super fancy, and Wolverine struggles mightily to dress himself in the morning. The series, called “Super Flemish,” shows a softer side of iconic childhood heroes and villains. Rather than valiant, Batman strikes a contemplative pose; beside him is a stoically dignified Robin. Alice of Wonderland fame seems grown up and wiser, perhaps having taken some of her own advice. Hands folded modestly, Wonderwoman looks almost docile.
“The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times,” reads the artist’s statement. “… The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to ‘fix’ their narcissism denied.”
Goldberger’s photo series reframes modern heroes in a way that’s almost mundane but still removed enough by a handful of centuries so as to seem magical. Instead of fighting world-eaters and galactic villains, one could imagines them instead taking tea in the garden and brooding over their eighth praline — or whatever it is that’s hip in the county of Flanders.
He also pulls back the mask to show something undeniably human. “As science fiction meets history of art,” Goldberger says, “time meets an inexhaustible desire for mythology which is within each of us.”
Saul Bass (1920-1996) was a legendary American graphic designer and filmmaker. In 1980, twenty years after collaborating with Stanley Kubrick on storyboards for Spartacus, the two artists came together again to produce posters for The Shining. However, many drafts were needed before the recognizable, yellow one-sheet depicting a crazed, stippled face emerged into existence. Here, you will see four designs from Design Buddy and TOH, all of which Kubrick rejected, his reasons for each scrawled (somewhat harshly) in the margins. Bass’ cover letter and Kubrick’s response are also included.
Among the rejected designs are images of the maze and the hotel, which Kubrick deemed respectively as “too abstract” and “looks peculiar.” Bass also tried more interpretive approaches, such as a toppled tricycle lying eerily inside a hand, or the family of three crumbling into terrifying abstraction. Kubrick’s response was likewise as blunt: “too irrelevant,” “looks like science fiction film.” While Bass’ designs are skillfully done and represent genuine efforts to capture the essence of the groundbreaking psychological horror, most of us would probably agree that the final product — the face disintegrating into madness — suits the film best. (Via The Film Stage).
Matthew Kelly is a photographer living and working in NYC. His photography is definitely nothing less than unique. His current project “As My Father,” depicts a young man stepping into his father’s shoes, literally. Matthew’s other photos have the same portrait like qualities, and just like the first project, tell a dramatic story. Check out his website for more of his work and upcoming projects.
Artist Peter Madden splices tiny elements to create large collages that are a dizzying combination of imagery. Using pictures extracted from encyclopedias, National Geographic magazines, and found photographs, he arranges all of the disparate pieces to form detailed compositions. The large groups are suspended on a transparent background, as if they are capture a moment in time before everything falls apart.
Madden’s collections create different narrative by virtue of the individual elements’ pairings. Some of the things included in his collages include: exotic birds, monkeys, the letter “m,” fishes, and clocks. They are often formed into some sort of larger shape, such as the outskirts of a giant hole, as if it’s surrounding the eye of a tornado.
The use of so many different pieces and the meticulously-constructed explosion-looking compositions feel as though we’re looking at windy, inclement weather that’s strong enough to make these pieces whip through the air. (via Inkult)
Lord Of The Rings’ fans have always been a bit eccentric but Utah based balloon artist Jeremy Telford has raised the bar by more than a few notches by constructing Bilbo Baggins’ hobbit house entirely out of balloons. The Tolkien super fan spent over 40 hours with swollen fingers creating the life size structure right in the middle of his living room using only a hand held balloon pump, his imagination, and a spiffy green vest to hold the balloons in. The structure comes complete with a fireplace filled with wood and flames, ornate chandelier, ceiling beams and closet doors that open and close! Watch a time lapse video after the jump of Telford in action as he creates the ultimate nerd shrine to Lord Of The Rings. (via)
Daniel Aristizábal is a graphic designer and illustrator who creates incredible digital works of art that are surreal and transport the viewers to a topsy-turvy Rube Goldberg-esque world. His Huevos series is playfully inspired by Dali’s “Eggs on the Plate without the Plate,” showing colorful variations on the common egg.
In some of Aristizabal’s work, the 3D elements pop out, almost like digital sculptures. Other works, such as his “Glitched Cubism” piece, utilizes the 2D GIF format to play with the dimensions and perspective of cubism. In an interview with Instagram, he says that his work is a “retro, colorful, geometric bonanza.” His art seems to draw on a palette that is by turns neon and sherbet but always whimsical.
Aristizabal continues to say:
“My main sources of inspiration are random thoughts that pop in my mind, like memories of dreams and places that I used to imagine when I was a child. I think the term ‘pop surrealism’ works well for me. My work is full of simplicity and organic shapes. It is nostalgic in its essence.”
Gianna Commito makes paintings that feel almost sign-like – like a road sign warning you that the road has erupted and time is about to stop. The watercolor and gouache, or w.color and casein paintings don’t let you through the rabbit’s hole too quickly, but when given consideration they transform into tumultuous, imploding space scapes with virtuoso shifts in direction and scale. Using architectural source imagery allows the abstract paintings to have oddly real looking color and light shifts. In an interview Gianna compared the space in her paintings to origami or the inside of a tent. More paintings and a studio shot after the jump…
Vilnius, Lithuania based artist Dziugas Valancauskas‘ work is a mix of creative typography and bold illustrations. His work explores different style: from clean, vectorized illustration, to more loose, handmade lines. Not only is he a graphic designer/illustrator, he also was the art director for a Suicide Dj’s video, Sea Boat.