Take a gander at these layered, fantasy-inducing pictures from model-turned-photographer Tierney Gearon. Gearon has received a lot of attention in a short period of time for her multi-exposures that often feature members of her family. Some of these have a flawless capability for transportation, taking you to rural locales and private backyards that you feel like you’ve seen before. Maybe in a dream. Family, nature, adventure, love; a lifetime captured in one image. More after the jump.
Straight out of Rutger’s MFA Painting program, Paul DeMuro is creating some wildly thick paintings. The first time I ever saw his work was at Jolie Laide’s Tri-State show, and he flat-out stole the show. These paintings are way too physically powerful for the internet to capture any of the ka-pow they possess, but you can still get a general feel for these high-energy works. Unfortunately, he just finished up a two-man show with Alex Da Corte at Jolie Laide, entitled BLEACH, but I’m sure he’ll have plenty of future shows so you can get a chance to check out his work in its proper environment (a primer).
Elijah Burgher. Courtesy of Western Exhibitions (aka Scott Speh Gallery), Chicago
Nicholas Nyland. Courtesy of Prole Drift, Seattle
Dana Schutz. Courtesy of Friedrich Petzel Gallery, New York City
I put together my first selection of Forty Galleries You Should Know if You Love Paint in 2012. As with everything in life, a lot has changed in the art world over the past two years. Some of my favorite galleries have closed, including Harris Lieberman in New York City and the legendary Daniel Weinberg Gallery in Los Angeles, while some younger galleries have either suddenly appeared or have developed their programming in truly noteworthy ways.
Of all the changes since 2012, the most difficult has been the recent loss of the visionary and beloved New York art dealer who simply went by the name Hudson. His gallery, Feature, Inc., has been a critical part of the city’s frenetic art scene since the mid-1980s. Hudson brought early exposure to dozens of important artists, including Alexander Ross and Tom Friedman. In the past few years, his championing of mid-career artists such as Andrew Masullo and David Deutsch helped bring their work much-deserved attention. While Hudson will long be remembered for his impact on the art world, it is his quiet intelligence and gentle spirit that I will miss the most. There is no word yet as to what will become of Feature, Inc. – Steven Zevitas, Publisher New American Paintings
Steven Zevitas founded New American Paintings magazine in 1994 as a vehicle for providing promising emerging artists with international exposure. Working closely with museum curators, New American Paintings reviews the work of thousands of artists each year. Forty artists are selected to appear in each bi-monthly edition, many of whom go on to receive substantial critical and commercial success. Additional magazine content focuses on the medium of painting, those who influence its direction, and the role painting plays within the wider contemporary art world. Visit New American Paintings for more information or to subscribe.
Interested in the floor, the wall, their flatness and the way his sculptures engage with both of them, artist Joel Shapiro’s installations and sculptures are dynamic and engaging. Suspending sculptures at various points and angles throughout a space, Shapiro seeks to create a sense of movement that depends on the forms and their relationships to one another. Though not site-specific, his installations are in direct dialogue with architecture. Shapiro is compelled by what he refers to as that “capricious” moment where forms come together to become something else.
Born in Sunnyside, Queens to a physician and microbiologist Shapiro tried to follow his parents into science, but realized that he had to become an artist. Of the need to make art he says, “You have to have some real drive and deep belief, a combination of ego and humility, so it’s difficult. You have to have some sense of self and have to have some doubting sense of self in order to externalize your interior, so it’s a peculiar combination of factors, at least in my case, that you sort of, in retrospect, allow. I’m always surprised that the work looks good!”
The extreme structural and architectural nature of Shapiro’s work, however, perhaps begs at that scientific inclination. There is a precision to his abstraction that is challenging in the way it defies gravity and logic. Catch his show currently up at LA Louver through January 14th.
Via Colossal: “Sculptor Manuel Martí Moreno lives and works in Valencia, Spain and forms these wonderful figurative pieces out of iron nuts. Via email Moreno says that he is most interested in showing the passage of time, the transience of life, and our collective awareness of our own mortality, seemingly evidenced by the spectre of decay at the edges of his works. You can see more images including installation shots on his blog, and also here. If you liked this, also check out the sculptures of Park Chan-Girl.”
Richard Hughes is an artist living and working in London. Although there hasn’t been any recent work from him, one of my favorite pieces would have to be Loveseat, 2005. From 2003 to 2008, he has produced a variety of works that one way or another seem to address this methodical juxtaposition between urban decadence of objects and organic matter.
In cities around the world, trash has started to take on a new face—literally. In the middle of the night, street artist Francisco de Pájaro has been adorning garbage with fiendish faces and gangly limbs. His collage materials include stuffed plastic bags, abandoned mattresses, and soiled cardboard—anything that has been left on the curb to rot. The result is a cast of absurd, endearingly twisted (and occasionally perverted) monsters that populate the streets in various states of exuberant disarray until they are swept off by a garbage truck.
Accompanying each site-specific creation is de Pájaro’s signature statement: “Art is Trash,” referring to his subversively creative celebration of human debris. Garbage—the output of our material, earthly lives—is usually a miserable sight, symptomatic of our obsessive consumption and the processes of decay. By bringing humor to such unpleasant sights, de Pájaro allows pedestrians in London, Barcelona, New York and more to engage with trash in a more thought-provoking way—one that playfully criticizes consumerism and examines our fear of death and abjection. As the artist’s about page describes,
“Art Is Trash is the hypnotic hand that resuscitates the cadavers of hyper consumerism—the trash—back to fruition in our current, material, state of consciousness. The process behind every installation is a ritual, similar to a shamanic one. A ritual of connection with Mother Nature, where [the] life of matter is a cycle that never ends. Francisco’s work reflects the analogy that exists between the life cycle of the objects and that of physical bodies. Both never cease to exist. They continue to live in parallel realities. The cadavers of consumerism live a new life in the urban, artistic realm.” (Source)
“Art is Trash” is currently on tour in New York. Check out the artist’s website to see which streets his moldering-yet-merry creations will be inhabiting next. De Pájaro also recently published a book documenting this project. (Via Design Faves)