Alexandra Levasseur’s complex paintings are filled with emotion and beauty. With heavy brushstrokes dripping with color, she creates scenes of tormented women in a strange world filled with golden halos, burning asteroids, and melting faces. These faces depict a deathly pale beauty that is often transformed and altered by thick globs of color or all encompassing flora. Levasseur explores themes of love and fear, anguish and unsatisfied desire in her body of work.
I am interested in depicting both the solitude and the bipolarity of the existence of the human being, through the representation of memories. I question the relationship between physical comfort and peace of mind, and how the environment around us can affect this state of mind.
Her women are set in scenes of rolling hills of flowers and palpable paint amongst other wilderness. However picturesque the setting may seem, there is a sense of distress and loss. Some of the women lie in a lush, colorful sea of flowers, but still have a look of distress on their face. There is repeatedly a flaming asteroid in the background, implying an impending doom. Levasseur beautifully portrays these women full of emotion, with an inevitable tragedy behind their eyes, if they even have eyes at all. Many of the faces have eyes hiding behind strokes of color, or holes where their eyes used to be. Each woman, beautiful in their own right, is lost and being engulfed in her equally as beautiful surroundings. All of the seeping colors, crushing flora, and heartbreaking women become meshed together in Levaseur’s paintings. She represents this world as a single organism, blending color and form.
Alexandra Levasseur’s solo exhibition Body of Land is on view now at Mirus Gallery in San Francisco.
Columbus, Ohio based Illustrator, Adam Levene, graduated from Columbus College of Art and Design with a BFA, and attended Illustration Academy for an extended study. His illustrations have a very classic style to them with a very strong sense of narration. Out of everything of his work, I really enjoyed his portraitures. Not only is he consistently generous in story, but character as well.
In her series, Real American Beauty, photographer and filmmaker Liza Mandelup invites us to follow her on a challenge to define the word Beauty. Throughout the series, we travel with Mandelup to different regions of the country where she exposes each place for its own unique glamor.
The first episode takes us to Mr @ Ms Hair Studio in South Central, LA. Here we meet a group of women who speak about their time spent getting dolled up as therapeutic revival. The second episode brings us to a prom focused suburb in Long Island, New York. There we meet a town of mothers obsessed with their daughters’ ability to fit in. In the third, most recent episode, we are introduced to a boxing community of young Cuban men in Miami, FL. The members yearn to look tough and to stand out (and believe they can do so with the perfect hair cut).
Through her short documentary series, Mandelup stimulates us to question if there is such thing as a singular beauty. Her work hints that the notion of beauty is in no way universal. Her series conveys to us that, possibly, our perceptions of beauty are ingrained in us no differently than our senses of right and wrong. Maybe our aesthetic prerogatives are just as complicated as any other set of ideologies. Here we see that the concept of style is just as vastly extensive as identity itself. Perhaps Liza Mandelup is showing us that the word “beauty” has itself become obsolete.
The title of this very short,clever, and funny (and a bit sad) video by Kurtis Hough pretty much explains everything you need to know. Just click the read more button below and let the good times roll.
Angela Bacon Kidwell’s photographs come from her long obsession of exploring how her subconscious generates dreams. She uses a variety of props and constructed sets to create images of what a waking dream might look like.
Porn stars are faced with a conundrum. If they act well, can the audience believe that they’re enjoying the sex? That acting may be beside the point entirely is made clear by the found photographs in Issue #008 of Useful Photography magazine, published by KesselsKramer. Each image is taken from the introductory, non-intimate scenes from adult movies and magazines.
Pornographic films, websites and magazines all plough the same furrow – the repetition of the same act, in all its variations. Where they differ is their opening sequences, the patently fake and false scenarios, which are an afterthought to the main event. … Useful Photography celebrates these opening scenes, often cliche, sometimes bizarrely inventive, but always supremely fake.
These stills act like creative prompts: what’s happening and what’s going to happen next? Where did those weeping women find those netted hats? Why so many pigtails? Is that a dead man on that table and blood on the nurse’s apron? And, perhaps more to the point, is any of this a turn on?
Recontextualising found photographs and curating them into books and exhibitions is Kessels’ speciality. Useful Photography #008 is the eighth title in the popular series; previous subjects include missing persons’ photographs, amateur trophy winners and professional trade images of cows. (Source)
Frozen in time these images are a compilation of heavy make-up and leers, short skirts and creative facial hair. Clearly dated, it’s difficult to find their try hard sexiness titillating. It could be argued that one doesn’t watch porn for the acting… or the scenery, the wardrobe, the script, or the music. These ridiculous introductory scenes provide atmosphere, serving laughter as foreplay. (via Feature Shoot)