Rhiannon Schneiderman‘s self portrait series “Lady Mane” takes on societies ideals for women but with a hilarious tongue-in-cheek spin. Striking the same types of poses you’d find in fashion magazines with hip accessories across a neutral background, the artist stares into the camera while long wispy ponytails, four foot hair braids, and jheri curls dangle from her crotch. In a recent interview with Design Taxi Schneiderman states about the project:
The Lady Manes is a series of eight self-portraits. In each image I’m standing in your typical feminine pose in an outfit or article of clothing, and I’ve accessorized each outfit with its own unique, stylized ‘Lady Mane.’ A ‘Lady Mane’ is just a somewhat empowering pseudonym for a bunch of pubes, a “bush,” your “hair down there”… And that’s what the series was about for me: empowerment. I can’t really pinpoint any one source of inspiration for the project because it really was a culmination of so many things going on at the time; I’d moved to and lived in Daytona Beach, the armpit of Florida and possibly all of civilization, for almost two years (for school) during which time I’d witnessed and been subject to some pretty amazingly sexist ordeals. I was moving more into my hardcore feminist phase, which I think every lesbian in their 20’s goes through, and just so happened to have a hardcore feminist, fine-arts-major professor who had been giving me a semester of the most intense and life-altering class critiques I’d ever experienced. I’d been introduced to Cass Bird’s “Rewilding”, an amazing body of work that continues to influence me. All of these things, and maybe a few Lady Gaga songs, were inspiration enough to create a series that kind of laughed at conventional gender norms. I wanted to tell people that they were ridiculous, make them uncomfortable for a change. I wanted to challenge femininity and the objectification of women that is still so incredibly prevalent in society. I guess it was my way of saying, “Fuck you. Enough is enough.”
It’s difficult to gauge scale in the work of Petros Chrisostomou. The giant shoes seem so detailed; the galleries look immaculate. If you want to know I’ll spoil it for you…it’s the galleries that are tiny. Chrisostomou uses small mundane objects as the center of his photographs. He places these in the middle of amazingly detailed miniature galleries. Chrisostomou painstakingly gives attention to lighting, scale, perspective, and detail. The realism of his sets force the eye and mind to alternate between small and large scales, doubting each in the process.
Artist Henrik Aarrestad Uldalen combines something that we’ve seen many, many times throughout the history of art – figure painting. But, he does it with a contemporary approach. His moody paintings feature partially obscured people as they rest beneath the water. They are just below the surface of the dark, deep pool, and the light from their bodies is all that’s visible.
According to Uldalen’s artist statement, his work, “…explores the dark sides of life, nihilism, existentialism, longing and loneliness, juxtaposed with fragile beauty. The atmosphere in his subject matter is often presented in a dream or limbo-like state, with elements of surrealism.” Although these figures are rendered realistically, they rest in a void with little additional visual information. We can’t be sure of where they are or what brought them there. And, for some, if they are dead or alive. It’s this open-ended narrative that gives drama to Uldalen’s paintings, and the hauntingly gorgeous images are the kind that will stay with you – even if you don’t want them to. (Via I Need a Guide)
Welcome to the future! A time where the good folks at LG have brought you the new 34 inch, 21:9 Curved UltraWide monitor which will surpass your wildest dreams of technology meeting form and function. Not only is this monitor an exquisite piece of design but it pushes the boundaries of how monitors are used by creatives working in film, graphic design, and photography.
As the name implies the LG 21:9 Curved UltraWide monitor is not only a beautifully wide 34-inch screen but it also is curved. This design detail helps viewers see every inch of the 178 degree field of view with ease. Gone are the days of having to daisy chain multiple monitors to one another only to spend hours calibrating colors from one monitor to the next. Now you have QHD resolution 3440×1440 on one immaculate state-of-the-art surface which will allow you to fully immerse yourself in your projects.
If that’s not enough innovation to get you to rush to the stores and pick up the 21:9 Curved UltraWide then maybe the above video will help. Watch it carefully until the end to see how the monitors can be linked together to create a unique 360-degree video experience that’s impossible with any other monitor on the market. Now that’s technological advancement!
David Mach creates sculptures using a wide variety of materials from coat hangers to collaged paper but his bold portraits made out of thousands of matchsticks are some of my favorites. Gluing tens of thousands of matchsticks together, Mach (appropriate last name huh?) uses matches with various colored tips to create the realistic heads that have a psychedelic meets tribal art feel to them.
Over the past six years, Stephen Dupont has traveled to Papua New Guinea, photographically documenting its changing face and the powerful impact of globalisation on the fabric of Melanesian society. From the effects of violence and lawlessness in Port Moresby to the westernization of traditional society in the Highlands, Raskols and Sing-Sing is an in-depth study of cultural erosion as well as a celebration of an ancient people.
Stephen Mattheu Booth knows how to make a character worth remembering. I can’t say exactly what it is I enjoy about his characters, but they all just seem like they would be awesome to hang around with, and even his abstractions retain this figurative charm. I’ve always had an appreciation for this manner of art in which one can imagine the artist making these awesome drawings on a couch, or in bed, or at a bar, all without having to go to a studio and worshiping an easel, or using some computer tool to clean up his lines. It just feels right. And fortunately, he doesn’t draw fan artish mutated forms of Spongebob or Mickey Mouse, but instead, his work seems to sprout (growth being important here) from characters like Slimer, Donald Duck, Pluto, and other childhood favorites. How could you look at that #$!@*☁ duck and not smile?
The figure on the left is a product of Nik Daum‘s imagination, and I feel like that’s exactly where it takes you, into some imaginary world. Cool colors, awkward angles, this piece is definitely a reflection of his own personal aesthetic, best summed up by himself in his bio on his website – which I highly recommend you read! And if you’re up for some stalking, he’s got 5 webcams in different parts of his house, tracking his every move. Daum’s also done quite a bit of commercial work; you’re bound to be familiar with several of the campaigns he’s been involved with, like Target, Jamba Juice, and Nike. He’s got a whole lot going on, take a few minutes and just check it out! Everything is laced with his humor, and though it says you’ll be disappointed on his homepage, trust me, you won’t.