Christopher Rimmer’s haunting photography series Sign of Life chronicles two towns that are slowly being buried by sand. The desolate and surreal works were shot in the diamond mining towns of Elizabeth Bay and Kolmanskop in South Western Namibia. Here, we see the hospital, ballroom, power station, theater, casino, and more slowly filling up of sand. The amount of it makes these places indistinguishable from one another as well as uninhabitable as the spaces are totally devoured.
The juxtaposition of the once-ornate interiors and the giant drifts of sand is fascinating. We see how the material, which is the same thing that’s used to build children’s sandcastles, is really destructive, as it takes doors off its hinges and works of filing rooms to the brim.
With Sign of Life, Rimmer explores the ultimate futility of human endeavor. The now ghost towns depicted in the work were extremely wealthy due to diamond mining and were once a symbol of growth and prosperity. After the diamonds ran out, the last resident moved away in 1951 and left the town to the elements. Now, they are no match for nature as it destroys the structures residents worked so hard to build. (Via Yellowtrace)
Joris Kuipers‘ installations are meant to be experienced viscerally. Inspired by bodily cross-sections from MRI scans, CT scans, and even botany, Kuipers’ artwork is alien yet immediately familiar. We are intimately familiar with the vascular bends and twists of his pieces, as well as the palette of reds and purples and blues.
Blown up to the size of huge wall reliefs, these biological artforms are also a little unsettling, particularly because they’ve been deconstructed, unmade, and re-formed into startling configurations. Organic deconstruction, after all, is just a hop skip away from decomposition. Of these twin concepts, Kuipers says: “Loveliness and morbidity; both Eros and Thanatos flow through my red lines.”
In some collections, Kuipers steps away from the blatantly macabre. “Letting Go” contains a brightly colored installation that looks like dreamy clouds or floating alien flowers. Other pieces in the collection involve splashes of color amidst a staid black background and plays with light, flashing and blinking at the touch of a switch. This too recalls the cathode ray tubes and autopsy scans of Kuipers’ other work, but from a subtler angle.
Subtler or not, Kuipers work is, as always, intended to be evocative. “I hope that my work will initially be experienced ‘from the abdomen’,” Kuipers says in an artist’s statement, “to gradually make itself felt in the mind of the visitor.”
It doesn’t get better than being loved by a fluffy, soft animal. It is said that the love between a guardian and their pet is unconditional; an-almost familial bond that grows bigger and tighter as time goes on.
Thirteen years ago, Japanese photographer Miyoko Ihara began snapping pictures of her now 88-year-old grandmother, Misao, and her odd-eyed kitten, Fukumaru. Misao, a farmer and merchant of fresh vegetables, found the cat abandoned in a shed, and the pair has been inseparable since then. She named the cat ‘Fukumaru” in hope that “God of fuku (good fortune) would follow her. Lucky for the 88-year old MIsao, Fukumaru stayed by her side through hard work and disability. They simply make their life better just by being together. The photographs are just a gilmpse at how wonderful, and important their friendship is to each other.
You can find the complete series in Miyoko Ihara’s book, Misao the Big Mama and Fukumaru the Cat. The book can be purchased directly through Little More Books. (via Before it’s News)
Some people are so creative, original, and unique that they have to constantly tell you how creative, original, and unique they are all the time. This entertaining video is about them.
Watch the full video after the jump.
I’m really enjoying the dreamy, Trapper-Keeper sketchbook-esque fanciful designs by Mexico City-based designer Alejandra Quesada. Loving the layered wide lapels above, they look like construction paper cut-outs held together by glue sticks and secrets!
Helle Mardahl holds nothing back in her work both in subject and materials. Her background in fashion is evident, but her collections are not made for any runway. Start with her show A Royal Orgy Of Consumptionwhich was on display atWAS gallery in Copenhagen, August 2008. Keep exploring; there’s a world of intricacies and complexities wanting to be seen.
Thomas Allen, of Michigan, uses pulp fiction novel covers to his advantage. Instead of staring at the busty women on the covers, Allen creates amazingly simple literary dioramas. Using the characters, he fabricates whole new stories in one frame of film.
Phillipines-born, New York City-based artist Dominic Mangila is currently having a single-painting show entitled New Republic at Marvelli Gallery through April 4. Also the name of the massive, near-7 by 9 foot painting, New Republic represents a 2 ½ year effort to portray Mangila’s family’s home province of Pampanga which was left in a state of destruction following the eruption of Mt. Pinatubo in 1991.