For the past five years, NYC based Akira Horikawa has been working on the “1000 Drawing Project.” In pocket size sketchbooks, he draws and reinterpret images that come into his mind, happenings, dreams, and any and all unusual events. Akira welcome the nonsense of the world with awe and documents it for all of us to enjoy. So head over to his blog and follow along as Akira makes drawing look easy and works towards his goal of 1000 drawings!
X-Ray photographer Roy Livingston’s latest series is at the junction of retro and modern. X-Ray Visions is series of electric x-ray photographs which radiate neon colors. His series is composed mainly of photographs of toy robots and toy guns brings a sort of eerie atmosphere to the compositions regardless of the heavy use of neon. The fact that the inner workings of the objects are visible makes them all the more captivating and fascinating to look at. Being able to see the cogs and gears of the toys in the photographs gives them a sort of scientific feeling.
The process behind theses colorful x-rays is also interesting in its own respects: Livingston starts off with black and white xrays which he then edits digitally ino order to achieve the final neon result. Livingston is not only about the final product of his work but also focused on the process itself and what he refers to as an “artistic joyride” .
X-Ray visions is the product of a well thought out process, fueled by Livingston’s fascination for industrial design and the digital manipulation of photographs. His combination of both old and new media makes for a captivating project that speaks to the audience, not only with regard to the process but also the symbolic nature of retro-futurism and the neo 80s mindset.
On his blog, “The Daily Doodles”, self-taught artist David Michael Chandler features an illustration or gif every day accompanied by a story or poem. Most of his work is representative of childhood fears and nostalgia, and includes science fiction and fantastical elements. I love his bright color palettes and dreamy narratives. His worlds are full of childhood imagination and possibility.
Chandler says, “Everything I create on my site is written and drawn by me alone, and I love how I can control every aspect of my art and have it succeed or fail with only me to blame. I try to keep it all as original as possible, and as a rule I don’t reference anything from pop culture, such as TV or movies.”
Chandler currently lives in Los Angeles. (via art chipel)
Paris-based Lebanese Illustrator and artist Lamia Ziadé has a “Pop Art” style identified by bright patterns and childishly feminine materials. She is a fan of playing with the historically and socially inappropriate- depicting women flaunting their sexuality, engaging the viewer’s curiosity in the subject’s (often deadpan) gaze. Her work seems to also be concerned with war: she participated in an exhibition titled “Hotel’s War”, addressing the 1970s when different militias involved in the war took over several luxurious hotels in Beirut and forcefully transformed them into their own territory.
The French digital painter Lostfish creates an uncomfortable yet irresistibly alluring landscape of feminine powers; her bashful, pink-cheeked subjects reign supreme, adorned in precious jewels and sparkling crowns. The artist’s characters are abuzz with their own fertility, as expressed by bouncing nude breasts and lush flowers that seem to spring up from underfoot; also pictured are rabbits and eggs, symbols art historically associated with breeding and copulation.
The artist, influenced in part by 19th century art, works within a Victorian sensibility, reveling in an innocent, doll-like vision of femininity; her subjects, pale skinned and with impossibly delicate figures, become queens, armed with crowns and tridents. Lostfish’s female characters also seem pious, divine even; a few wear dismembered hands as jewelry, reminiscent of religious icons like the hand of God or the hand of Fatima. White flowers with yellow centers, often symbolic of the Virgin Mary in Christian art, stand in the place of youthful, milky nipples.
Yet within Lostfish’s ethereal and seductive images, there seems to linger an ominous supernatural strength within womankind. Where the Victorian woman is domestic and obedient, Lostfish’s heroines roam like wood nymphs, emboldened by their own reproductive powers; in one image depicting a human fetus within a pink oval, a foreboding reptilian creature seems to invade the womb, its grotesque navel in full view. In one painting, doll faces emerge in a group of six from blood red roses, reminiscent of biblical devil. These tempting, enchanting women dress in excess, giving themselves over to material pleasures. In Lostfish’s gorgeous imaginings the female is both delicate and demure, ravenous and dangerous. Take a look. (via HiFructose)
German brothers Qbrk and Nerd make up the artistic duo extraordinaire known as Low Bros. With their awesome creative powers combined, they save urban spaces from being dreadfully dull, leaving their instantly recognizable geometric characters on walls and canvases around Germany and beyond. If you like what you see here, then be sure to check out their respective websites for more creative inspiration!
In Vietnamese cities, a motorbike is the preferred method of transportation, even when hauling many large items. In 1991, photographer Hans Kemp visited Vietnam where he was overwhelmed and captivated by the streams of motorbikes rushing to prepare for the Vietnamese New Year. “I couldn’t believe my eyes…There were entire families on a bike, guys in suits, girls dolled up. I stood there mesmerized, intoxicated by this all-permeating scent of petrol mixed with perfume, sound, color, and motion. There was an incredible vibrancy to it all,” Kemp tells Slate.
In 1995, Kemp decided to move to Ho Chi Minh City from Hong Kong, and in 2000, a commercial client of his commissioned him to photographs some of the loaded motorbikes. Though Kemp found it difficult to capture all of the motorbikes he wanted because of safety, speed, or traffic concerns, he kept up with bikes’ paces pretty well.
His incredible book documenting these ambitious motorbikers, Bikes of Burden, was published in 2005. (via slate)