Took me a while to figure out what was going on in this image (well actually, they’re almost all videos) but it’s an awesome visual trick. The rest of Michael Guidetti’s work is along the same vein. Kind of 2D into 3D…so 2.5D?
The art of pencil carving is becoming more and more widespread, intricate, and skilled. Over the past few years we have come to see many incredible things being carved from the humble pencil. Whether it is colored, or plain graphite, a leaden tip can be transformed into many icons, symbols or dioramas. Artist Tom Lynall‘s effort sees him shaping pencil tips into emojis, tiny characters and landscapes. From an artist’s paint palette, to idyllic pastoral views, to Rapunzel in her tower, to the hearts, lightning bolts and happy faces from our smart phones, Lynall is capable of achieving great detail on a minute scale.
A bespoke jeweler by trade, Lynall is no stranger to working at this level, or at the pace required to finish a delicate piece. But only having started his pencil carving hobby last November, he is quickly adapting to his new material. Being malleable and dense, graphite is an ideal material to carve intricate and complicate details into. He says about his new time consuming hobby:
I love art but I have never been able to draw so this is a good way for me to create things with the limitations of my skill. The main tool I use is the scalpel blade shown in the pictures as well as a few pins which I have altered the end of to give me different blades.
This is great fun to do so if you would like to give it a go the best advice I can give is to not get annoyed when they break, they are extremely fragile but once your done they are fantastically satisfying. (Source)
Jess de Wahls is a London-based artist whose colorful multilayered and multifaceted textile works incorporate feminism, gender equality as well as recycling. Using a variety of fabrics, beads, and other materials, she creates 3D portraits that depict strong, inspirational women of all ages, shapes, and ethnicities. She sees her pieces as a way to raise awareness of gender inequality, explaining to TextileArtist.org, “…all the while celebrating great minds and artists of the past and present.”
In her artist statement, de Wahls also goes on to say:
Their influence on myself as a modern woman, Feminist and Artist, on Feminism as a whole and on their position as Role models to young girls growing up in a society that has, no doubt, come a long way in liberating its women but has yet a great length ahead of it. Not to mention the work that needs to be done in other parts of our planet, where women are to date still oppressed, belittled and generally treated as second class humans.
So, by creating these pieces, she ensures that their legacy isn’t forgotten.
De Wahls unique style is the product of a self-made called Retex which is short for recycled textile sculpture. She explains:
For the medium of Retex Sculpting, old garments serve as fabric for the works and cushion filler helps me to create a relief that raises the silhouette off the canvas creating greater depth.
The box-frame, in which the work is mounted, is integral to the piece and can be seen as a modern day relic box. (Via TextileArtist.org)
When you think of graffiti you don’t usually think of cute imagery but you got to admit that these super cute characters by Bue The Warrior are pretty engaging. Bue has circled the globe painting his joyous figures in all sorts of places adding a bit of joyous fun to the tough guy world of graffiti art. So we ask you do you think there is room in the world for cute graffiti? (via iheartmyart)
So last week, B/D teamed up with MSTRKRFT & SPRFKR to present a creative giveaway. All you have to do is send us your COOLEST drawing of two dudes sporting mustaches and shades! You can draw MSTRKRFT if you want- or any other two guys sporting this incognito look. Three lucky winners will receive a MSTRKRFT prize package of a SPRFKR poster & MSTRKRFT’s latest cd, “Fist of God.” Winning submissions will also be featured on the Beautiful/Decay blog! So get creative- submissions can be digital, painted, crocheted, Bento boxes, whatever!
Submit to: email@example.com
Or send hard copies/CD’s with images/fake mustaches to:
Attn: Mustache & Shade Competition
PO Box 2336
Culver City, CA 90231
(All snail mail submissions will not be returned unless a self-addressed stamped envelope is included.)
-1 copy of MSTRKRFT’s latest album, “Fist of God”
-Feature on Beautiful/Decay blog
Only 3 more weeks til the contest ends May 20th!
Beehives, sunglasses, beards, and rocks are all images and materials that find their way into the playful work of Davd Bodhi Boylan‘s sculptures, drawings and paintings.
“The officer asked me if I could describe my rapist. When I told him it was my husband, he dropped his notebook on the table and asked me, ‘Why are you wasting my time?’ They never did anything” “Once we have a place to talk about it, it’s like releasing a poison from inside us.” Rochester, NY- 2013
With her stunning series Trigger Warning, the photographer Lydia Billings works to “craft [a] collective voice” for survivors of rape and sexual abuse, and in doing so, she creates a complex visual and narrative mapping of diverse stages of human coping, healing, and experience. She powerfully avoids any impulse to re-victimize her subjects, granting them the power to speak out and to reveal only what they are ready to share. She first meets with each subject without a camera, allowing organic and intimate conversations to flow for as long as three hours. When she returns with her camera, she gets her shot in as little as ten minutes to one hour.
She cherishes her connection to her subjects and aims simply to make all “feel like they’re being seen honestly.” She explains, “I can celebrate every day the strength […] and beauty of survivors.” And her intent resounds throughout each piece; her sharp focus on the individual highlights steady tears, streaming locks of hair, set wrinkled brows, and unrelentingly magnificent eyes that stare straight ahead. With the focus on her subject, the various backgrounds take a back seat, becoming blurred and out of focus, and ultimately resting in peaceful deference to the details of the human face.
Trigger Warning also features a complimentary series of third person stories of assault alongside topographical shots of places in which rape could conceivably occur (note: none of the locations photographed are actual reported sites of rape or abuse). Sprinkled amidst the emotionally charged human portraits, the jarringly objective images are evocative of the work of 1970s New Topographics photographers, who shot man-made industrial structures and landscapes without the sentimentality or emotionality of early landscape photography. The power of this chapter of Billing’s work lies in an elegant slippage between fact and very real possibility, between emotional impulses and objective aesthetics; the dizzying relationship between neutral and candidly seen places familiar to us all—a wood, a church, a home— and simply told yet harrowing stories of very real traumas forces viewers to acknowledge the faces before us, to enter into dialogue with their experience, and ultimately, to applaud their courage. (via Bust, Daily Mail, and Huff Post)
For fans of pop-culture mash-ups, Rocky Davies has an amusing throwback for you. The artist takes iconic villains of the 1980’s and fuses them with the music of the same era. Its outcome is a bizarre series of fictional album covers. Using fonts and colors that are reminiscent of the time, Davies creates slick designs that channel a darker version of Lisa Frank art.
The stark black backgrounds give way to fluorescent accents, and nearly all of his designs feature his subjects wearing Wayfarer sunglasses. Looking impossibly cool, these characters intermingle with bold, geometric patterns and a lot of lens flare. Lyrics from songs like the Eurythmics’ Sweet Dreams (Are Made Of This)are designed around the floating head portraits and take on a new meaning.
Davies’ series comes at the right time. It’s no doubt nostalgic, and it speaks to those who were coming of age in the 80’s. There’s enough time between their popularity and present day for people to realize how borderline cheesy these things were. These fake album covers are both an homage and poke fun at an era of visual excess. (Via Brother Tedd)