Not only does he have the COOLEST name ever, but illustrator extraordinaire Maxwell Loren Holyoke-Hirsch also happens to be one of my favorite artists. I am so inspired by his work and so excited to be blogging about him. Check out his work after the jump!
Wonderful, unique art and illustration by Los Angeles based artist Niv Bavarsky.
Los Angeles-based artist Ken Garduno studied illustration at Pasadena’s Art Center College of Design, graduating in 2006. Since then, he has been hard at work as a freelance illustrator and gallery artist. His paintings and illustrations are one part psychedelic, one part the occult, a pinch of old-timey goodness, and flavored to taste with science fiction. The end product? Delicious.
Paris’ Avalanche Design Studio is a collaboration between Alexandra Roucheray and Delfine Roux. These two definitely have a unique take on process, which seems to lead each piece down a path very distant and varied from the one previously worked. Perhaps it’s the hint of Dadaist influence I’m detecting?
For her series of ceramic sculptures titled Shadow Circus, Kirsten Stingle draws upon her extensive training in the theater to create subtle narrative pieces. Incorporating found objects with her considerable technical ability, the artist summons dreamy stories through her command over gesture and shape; the blend of rusted objects and newly formed faces stands in for any physical movement normally employed to convey the passage of time.
Shadow Circus is evocative of miniature puppetry works like Alexander Calder’s legendary circus, where only the slightest details make the inanimate appear human. The narrative power of the circus lies of course in motion, which Calder once evoked with his pulleys and threads; Stingle impressively avoids the performative, and her painfully still works appear as if frozen, on the verge of animation.
In this way, each figure reveals itself like a funerary figure, meant to accompany not Cleopatra but the modern woman into her tomb, bringing with her objects useful in some imagined underworld: a machine-horse hybrid motorbike, a foreboding rowboat with wheels. The work’s religious iconography further realizes this thrust toward an otherworldly eternity; a Catholic-style papal mitre makes an appearance, surrounded by delicate symbols of the cross.
The artist also seems to pull from the work of women artists like Georgia O’Keeffe, combining fatalistic bleach white bone with the seductive prettiness of a pink rose, red lipstick, or a baby doll wearing pale bunny ears. Placed firmly within this feminine aesthetic, Shadow Circus is simultaneously blossoming and fertile and eerily disquieting; Stingle’s nuanced work appeals both to a fear of death and a hope for rebirth. Each piece, with its antique aesthetic and meticulously fashioned visage, is poignantly left eternally waiting for the movement and life that feels so inherent within her. (via Hi-Fructose)
Michael Pietrocarlo is a photographer whose solemn photos of abandoned buildings capture the beauty of ruin and the renewing power of decay. Three series are featured here: Rust Belt, Forlorn Faith, and Unmanned Posts. Rust Belt explores the communities of Buffalo, Detroit, and Pittsburgh, which struggled during the economic turbulence of the 1980s; Forlorn Faith shows us vast spaces of spiritual worship left in decline; and Unmanned Posts guides us through the dust and stillness of the Bethlemhem Steel Admin Building, which closed in 1982. In his images, Pietrocarlo both shocks and stirs the imagination by revealing what happens when places once invested with love, energy, and hope are neglected; windows break, ceilings crack, paints peels. They become breathless ghost spaces, engraved with memory and mystery, breaking down and moldering in silence.
As these photos show us, however, there is beauty in deterioration; skeletons of industry and worship become tangible links to the past, signifiers of a passion and a hope that has preceded us. Decay becomes the passage to renewal, both personal and shared. As Pietrocarlo explains further:
I am drawn to the mystery of spaces where longevity has defied significance: forlorn constructs ravaged by nature, time, and the boundaries of ruin. I discover and appropriate these “found places” in my photographs to expose the brutal beauty of their (inevitable) decay, exploring contrasting themes of transience/permanence, deterioration/renewal, and abandonment/reclamation.
[…] Above all, these acts of discovery and documentation help me confront my own struggles with mortality in an attempt to illustrate artistry in dereliction, hope in obsolescence, intimacy in emptiness. (Source)
We love DIY art and design here at B/D, so it goes without saying that home made Strange Cams certainly caught our eye. An ongoing project initiated by Los Angeles artists Aurelia Friedland and Michael Manalo, Stange Cams investigates the affordances of defamiliarized, modified, low technology instruments, and how those instruments can shift a user’s perspective (literally) on the community and environment around them. I love the sketchy approach the artists took in designing these new cameras – who would have thought a good ol’ roll of duck-tape, a can of spray paint, and some CVS brand disposable cameras would lead to a whole new genre of photography? Check out more of the resulting photographs, and some of the Strange Cams themselves after the jump.
Ryan Chapman’s iconic illustrations are proof that sometimes simple is best. His quirky and playful illustrations go back and forth between digital, hand drawn, and the occasional 3D sculpture. Find all this and more after the jump!
Presented by the leader in fast business card printing, Next Day Flyers.