Not only was Brad Elterman always present at the right time and the right place, but he also has a story to tell about every moment he captured with his camera. From nearly getting beaten up by Robert Plant’s roadies for getting a shot of the singer in his briefs playing soccer, to the moment Joan Jett flicked him off and thus allowed him to get one of the most quintessential late 1970’s images of rock n’ roll. He’s still shooting like crazy and if you follow him on Tumblr, where he’s quite the sensation, you can check out all of his great photos of yesterday as well as today. Brad Elterman’s photographs will also be on display at Kana Manglapus Gallery in Venice Beach from June 28th – September 10th.
Yes, that really is a literally rainb0w-gradated longhair headband wearing naked dude making some kind of Buddhist meditational gang sign. Francis Upritchard wraps up all that is right and wrong of the neo-crystal optimism of the 60’s psychedelic counterculture and fuses it with her own blend of futurism.
Inspirational Tattoo artist Vinnie Myers boosts the confidence of breast cancer survivors by giving them back what they lost.
Working out of his Finksburg, MD studio, Myers gives women back the bodies they loved before surgery by tattooing special nipple designs on their lovely lady lumps. Myers, who started as a traditional tattoo artist while in the army, currently mixes a wide palette of paint to achieve a 3-D effect design of areolas. Too often, he says, women just get the basic, nothing too fancy but that does the job of bringing back color and livelihood to the area. The women he tattoos say that the process doesn’t hurt much since most sensation is lost during surgery.
CMRTYZ makes lo-fi, hand made posters and prints just like the ones to your favorite punk shows from when you were a teenager. It’s refreshing to see that some people are keeping the DIY show posters alive and still having fun with it. Makes me want to start a band, make my own flyers and play in front of 200 of my closest friends in a smelly old basement.
New York artist Bill Durgin’s photographs reflect a fascination with the body as form. The complex figurations, undulating arrangements of flesh, as the body seems to collapse onto it self, image an almost abstracted figure lacking appendages and hair. The physical structure becomes not just a shell, but a moving sculpture of skin, muscle, fat, and bone.
The gesture within each photograph is created through exploring his own physical limitations and collaborative improvisation with dancers and performers. Often Durgin will come up with a pose and demonstrate it and then ask the model to repeat or respond to it. Each pose transmogrifies the figure towards abstraction; exaggerating or diminishing the skeletal structure until it approaches an amorphic form. Durgin wants the bodies to be recognized as bodies, but also to be detached from common perceptions of the figure. Bound within each singular view, the uncanny figures convey the body as both abject and marvelous.
Simon Monk lives and works in London. He has an ongoing body of work entitled Secret Identity that consists of various action figures painted with oils exactly to scale. Depicting these figures within a plastic confine allows for a reflection on consumerism and commodification. These encapsulated mythic heroes are simultaneously honored and belittled.