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Tonya Corkey Creates Portraits Out Of Lint

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Canadian artist Tonya Corkey creates portraits made out of lint on canvas. Through her choice of material and subject, the artist looks to investigate an unavoidable aspect of human nature- precisely, the the need to collect memories and reconstruct the past. The series, “See You In the Future,” looks to further analyze this desire to recollect objects and moments of the past through a medium that encompasses the essence of loss and decay over time.

My work hybridizes the discarded material of lint with the second hand image – the iconic school photograph – to conceptualize my interests. Materiality conceptually layers the work. As a byproduct of society, lint consists of fibers, hair, dead skin and other debris, and thus directly referencing people and their daily activity. Lint and cast off photographs are both discarded materials – materials that reflect the idea of a decaying memory. Our desire for memory in absence is triggered by sensations of smell and touch, a trait of my work.

(via The Jealous Curator)

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Jason Hughes’ Creates Artwork From Shredded Dollar Bills

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Now that the US government is not longer shut down (at least for the time being…), it feels like an appropriate time to visit the work of Jason Hughes. For years, he has used money as his medium, literally. Hughes obtains dollar bills previously removed from circulation and shredded by the government. He takes the bills, weaving them together or applying them to panel. With both approaches, it is staggering to think about the amount of work, attention to detail, and time that goes into each piece.

Sometimes, Hughes will take the scraps and weave them together, while other times he will arrange them to form different icons like a heart, bullseye, and eye. The imagery has ties to American culture. For instance, the star inside of the circle is reminiscent of the classic Converse All Star shoes.

The process of Hughes’ work is as important as the outcome. The act of creating a piece explores ideas of labor, value, and worth. It highlights the disparity between skilled labor and industry in the United States. Jobs that are often tedious, like working in a factory, for instance, are very low on the pay scale. But, they make things we have work and keep our homes, buildings, and society running smoothly.  Another Day, Another Dollar (directly above) reconstructs the dollar bill, which seems to say that yes, another day is another dollar, but when you consider the amount of work that went into that single dollars, it isn’t enough.

By taking this shredded money, which was otherwise worthless before, Hughes assigns a new value by changing its context. Now, composed and presented as art, he creates something that is worth much more than the sum of its parts.

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The Magnetism Behind Danielle Nelson Mourning’s Photography

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If you take a peek at Danielle Nelson Mourning’s blog, you will find wonderfully candid observations about places, things, or people she’s encountered and how they influence her creative perspective. For instance, there is a post about Marchus who has Stargardt, a rare eye condition. Mourning writes about his desire to experience more smells in artwork, specifically, “leaves in a forest which change constantly depending on light.” Then, there is Tod Papageorge’s brave encounter with Garry Winogrand which leads to a lifelong art-filled friendship. Mourning talks about this pair with honest admiration.

Each quick note or meditation brings us back to Mourning’s own body of work– drawing us deeper into the magnetism which aids in cultivating her own quietly powerful narratives. It’s an appreciation for the human condition and all its ephemeral passions. Although Mourning started out in the commercial world, it’s clear her heart transcends that superficial artifice.

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DAVID BEREZIN’S STOCK PHOTO STILL LIFES


San Francisco-based artist David Berezin creates still lifes by manipulating low-res stock photos, often found on Google Images, and Photoshopping the disparate parts into coherent collages that mimic commercial photography. Berezin’s use of “new media” methods of making produces an ironic contrast between contemporary, post-internet life and all that cultural baggage left by the Twentieth century’s top-down, capitalist media. These digital assemblages make the ha-has by reconstructing the out-moded logic of genre narratives through the use of culturally-loaded objects that rely on vocabularies of cliché developed in pop forms like B-movies and boilerplate novels.

Berezin’s artwork is on display in The Art of Cooking at the L.A. gallery Royal T until August 1st; and a video loop of Berezin’s, Fun For a While, is showing at the Columbus Museum of Art in Columbus, Ohio, until June 30th.

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Amazing Photos Of Japan Earthquake

We wanted to take a moment and share some of these amazing (and horrifying) photographs that The Atlantic posted of the Japan earthquake and Tsunami. Our friends out there are still putting back the pieces and we want you to join us in sending lots of positive vibes and wish them a speedy recovery. Since we’re in a “Sending” mood  why don’t we also reach into our wallets and send a few bucks to the Red Cross to help in the relief. You can fill out a quick form on the Red Cross site or just text 9099 to make a $10 donation. More photos after the jump.

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Jenn Ackerman Photographs The Reality Of Mentally Ill Prisoners In America

“To accurately portray the reality of living with mental illness for prisoners in an effort to call attention to the increased imprisonment of the mentally ill in the US” is the stated goal of Jenn Ackerman’s series Trapped.

Ackerman began photographing inside Kentucky State Reformatory in 2008. Over the course of her time there she gained trust of the inmates and guards and unprecedented access to their facility and procedure. The resulting series is a stunning look inside the experience of the mentally ill shuffled through a prison system not equipped to withstand, care for, or rehabilitate them. A system in dire need of attention and reform. (via)

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Meg Adamson

Portland artist Meg Adamson’s work is delicate without coming off as forced or mechanical. This dynamic reflects her natural, organic subject matter very well. She is participating in PangeaSeed’s Great Artist Migration benefit tour, which begins in July.

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Mess Lab Interviews Amir Fallah

 

 

Mess Lab recently caught up with founder/Creative Director/main man Amir at Pool tradeshow. Watch Amir discuss the Beautiful/Decay brand, and give advice for anyone looking to get into the art/fashion/design fields!

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