Through the lens of Mona Kuhn, images turn into memories that slip through your fingers. Her photography captures fragmented pieces of time, filled with shameless beauty with an ethereal aura. An enigmatic narrative flows through her series Private, as Kuhn offers us delicate and intimate moments filled with breathtaking nudes and spider webs. Kuhn explains that this particular series is a personal journey of hers, exploring beauty and mysticism. The color palette in Private is serene, airy, and embracing all at the same time. Seeing each photograph of Kuhn’s is like uncovering a clue to a past life, like looking inwards through your memories that have slipped through the cracks of time.
In Kuhn’s equally stunning series Acido Dorado, translating to “acid gold”, the nude also appears often. Kuhn’s nudes represent a timeless sense of self, of all humans, and our direction on this earth. The artist often pushes the nude figure to abstraction, creating new context and meaning. There is a mysterious atmosphere that follows Kuhn’s work that is both seductive and mesmerizing. Both series’ are filled with surreal scenes and abstracted imagery that is like a mirage. Large format nude photography being a reoccurring theme in Kuhn’s work, she explains the draw to this raw form of a person or subject.
“I realized I ought to photograph the human in us, without shame, without regret, free and timeless.”
Sishir Bommakanti is a freelance illustrator and designer out of Sarasota, Florida. Bommakanti employs some really creative technique in the creation of warped, figurative paintings. Definitely right at home with the work of Francis Bacon, maybe just a little WK Interact (+ color), as well.
More images after the jump, as well as a really cool process video.
If the black mask on the cover wasn’t an indicator to you that theme was unorthodox, then I don’t know what is! It’s definitely interesting how he places a black mask over the faces of his subjects. In the one instance that he doesn’t, he removes the model’s eyes. Just a little creepy. Maybe it’s a shot at the fashion industry or maybe a comment on the concept of beauty itself. In any case, Bryan Schnelle’s work has definitely struck a nerve with me.
Texas-based graphic designer Parker Jones has come up with a cheeky and clever idea to help women suffering from mood swings and cravings during ‘that time of the month’. Her college project features different fictional flavors of PMS Ice Cream. Named after moods and emotions that she herself has been a victim of, Jones has come up with some witty names. “Don’t Come Near Me” is a tub full of chocolatey rocky road and nuts. It also features a scale marked on the side showing how much you have eaten. Victims of PMS can eat their way through anger, rage, whining, crying, anxiety and laughter again and again until they reach the bottom of the container.
The series also features “I Need Some More” – which is full of mint chocolate chips, and “I Think I’m Dying” – a sweet strawberry flavor. The strawberry package bears a countdown of sorts, listing the different days and the various things women tell themselves to get through the monthly process:
Day One: it’s only just begun
Day Two: hell is coming
Day Three: can’t turn back now
Day Four: only a few more days
Day Five: dear god make it stop
Day Six: please tell me it’s over
Day Seven: sweet relief
Parker’s fictional products are sure to make women (and men) who are familiar with the different stages of PMS laugh. As I’m sure we all know, sometimes PMS can be no laughing matter. It definitely is a shame that this ice cream isn’t available to buy…. (Via DeMilked)
Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME’s (coronal mass ejections) heading towards Earth. Data courtesy of courtesy of the Heliospheric Imager on the NASA STEREO mission.
Working with STEREO scientists, Semiconductor collected all the HI image data to date, revealing the journey of the satellites from their initial orientation, to their current tracing of the Earth’s orbit around the Sun. Solar wind, CME’s, passing planets and comets orbiting the sun can be seen as background stars and the milky way pass by.
As in Semiconductors previous work ‘Brilliant Noise‘ which looked into the sun, they work with raw scientific satellite data which has not yet been cleaned and processed for public consumption. By embracing the artefacts, calibration and phenomena of the capturing process we are reminded of the presence of the human observer who endeavors to extend our perceptions and knowledge through technological innovation.
At first glance, media artist Nicholas Hanna‘s installation looks like some kind of DIY gallows. It’s sparsely constructed: just wood and string set before a simple $20 table fan. Below the string, a tray filled with liquid soap — death by Mr. Clean, perhaps?
Then the machine kicks into gear, dipping the string into the soap, drawing it up slowly, and suddenly an iridescent bubble blooms out of nothing. Magic.
Hanna works seem to incorporate one part engineering and two parts childhood wonder. One of his other pieces is a Beijing tricycle that, as the rider pedals, uses water droplets to write Chinese calligraphy in Courier New. Another piece utilizes motion sensors to cause a cascade of light depending on how a candle flame is shielded by a hand. And another still is a long gunmetal trumpet mounted on a toy truck, labeled simply as “Fire Truck #1.” What does the fire truck do? It starts sounding the alarms at 7:30 p.m., of course.
The bubble machine — “Bubble Device #1,” naturally — is another one of these curiosities. It’s unusual to see beautiful bubbles created by something as sterile as Hanna’s spare framed machine, in an environment as austere as a plain white-walled room. But the wonder is still there.