The goal of Japanese designer Takayuki Fukusawa’s work is “to create things that make people say , ‘he made another ridiculous thing.’” And that he did. His newest series of works is called Tanama Diver, and it features pendants that resemble human and animals who are poised to look like divers and climbers. They are positioned in a way that they appear as if they’re headed into the cleavage of whomever is wearing them.
The silly accessory includes figurines like a salaryman diver, a skydiver, an astronaut, and canyon climber. There’s even a sloth and wolf thrown into the mix. Alone, they look innocuous, but when around someone’s neck suddenly transform into provocative pieces of tiny, site-specific works of art that interact with your breasts. (Via Demilked and Spoon and Tamago)
Miranda Donovan explores the invasion of graffiti from the exterior world of landscapes and buildings to the interior one– of bathrooms, bedrooms, and yes, even galleries, where street artists are finding more and more of a home these days. However, Donovan’s work is not just about street politics or the art of tagging here– each piece also examines the quality, textures, associations, and contexts of walls themselves.
Of her work, in Cool Hunting, Donovan states, “The point of departure is a wall, which so often people just overlook . . . It’s something in our daily space constantly, internally and externally, and there’s a romanticism in that, which draws me in. The different combination of languages, the grid, the broken plaster breaking up that grid, the colors, the erosion, is something that really excites me. It’s about combining those languages to tell a story about the passage of time and the analogy of the human psyche, peeling back the onion layers to find the core.”
Chicago-based artist Gracie Hagen has created a photography series titled “Illusions of the Body” that captures nude bodies in contrasting poses. In the “attractive” image on the left, the models represent their bodies with straight backs, pulled-back shoulders, and demure expressions – many of them stand posed in positions that reflect classical sculpture. In the “unattractive” image on the right, the bodies are turned and the models push out their stomachs, hunch their backs, and evoke expressions of indifference.
“‘Illusions of the Body'” was made to tackle the supposed norms of what we think our bodies are supposed to look like. Most of us realize that the media displays only the prettiest photos of people, yet we compare ourselves to those images. We never get to see those photos juxtaposed against a picture of that same person looking unflattering. That contrast would help a lot of body image issues we as a culture have.
Within the series I tried get a range of body types, ethnicities & genders to show how everyone is a different shape & size; there is no “normal”. Each photo was taken with the same lighting & the same angle.
Celebrate your shapes, sizes & the odd contortions your body can get itself into. The human body is a weird & beautiful thing.”
So this is a two part deal: fashion designer Annie Larson of Minneapolis enlists the help of fiber artist & weaver-friend Susan Johnson of Avalance, Wisconsin, to create these custom, don’t forget cozy, knit-wear garments. Get your coffee mugs & get that fire goin y’all – storm’s a brewin!!
What happens when molten aluminium is poured into an anthill, allowed to dry, then excavated and cleaned off? Anthill Art – an anonymous American artist – creates intricate metallic sculptures by doing just that. These forms reveal the depth and styles of various ant species’ hills, mainly from the beds of pesky fire ants. The complex and beautiful systems of these ant beds are revealed through this process, but has created a bit of controversy. People concerned with this method of sculpture work have commented on Anthill Art’s Facebook page, where the artist has responded generally to these concerns.
“I regret every day calling it anthillart. To be honest it was a short memorable name and I went with it. I’m not really a fan of art and would never refer to myself as an artist, I guess I considered the ants to be the artists (and architects). If someone created these themselves and called it art I would call it modern art crap. That the ants created it makes me love it.
I first started doing this just out of pure interest (always having been interested in biology and science). A few of my teacher friends took them to school and camp, the kids loved it and it really seemed to get them interested in science. So, I decided to start the site and try to sell a few.
The fire ant colonies are not abandoned. The justification being that there are so many of them and I need to kill them anyway, with kids and pets around. Plus they’re an invasive species in this area and wreak havoc. Some states have eradication programs. The other ants (usually carpenter ants), I try to find abandoned nests but it doesn’t always work out. Either way, I do it sparingly and the property is still over run with them.”
Cyriak Harris is an artist living in Brighton. He makes splendid videos that remind me of the sensation of sugar on my tongue. I feel the urge to push and push, but each video tells me to sit down and understand that “everything is going to be okay.”
Crystal Barbre, a Seattle painter, has created an alternate universe where women call the shots, their raw glory shining prominently through the head of an animal. These hungry scenes, at first glance, just look like a skillfully painted playground of lust: voluptuous animal-headed women in the throes of passion, yet there is much more at work here. The mysterious and enigmatic quality of rawness within the animal expression offers more to interpret than just sex. Barbre is giving these animals a power they may not otherwise have; with an animal head the women are operating on an instinctual basis; one not vulnerable to the persuasive effect of emotions.Their strength lies in the fact that they cannot be conned, by themselves or others. They are eternally present, and they engage with their sexuality while remaining a powerful, wild, and even threatening figure. Theriocephaly, or, the condition of having the head of an animal, dates back to Greek mythology and is often used in art and storytelling as a symbolic element. Barbre has used this subject matter to explore dealing with sexual abuse, as a way of allotting power where, for many women, there sometimes isn’t any.
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