Just bought my tickets to see Foxy Shazam Oct 28! The video above, “Unstoppable,” is a triumphant fist pumping sports-arena rocker a la “We Will Rock You” by Queen. I think these lyrics sum it up for me perfectly: “I don’t want my friends to think I’m so punk rock/ So punk rock’n’roll/ And all you hipsters say I’m gay/ Well I’m not gay at all!” Pop-glam rock ‘n’ roll translated through a half ridiculous, half sincere drunk, warbling Freddie Mercury with an Inigo Montoya-style ‘stache and Pippi Longstocking freckles? Yes!
Most of Andrés Medina‘s photographs are of places and things we might overlook or have forgotten about.
This past Sunday I headed out to the Music Box to see Die Antwoord. By my previous posts you know that I’ve been into the group’s videos, but I wondered if they held up on a stage with a few thousand fans. It’s too soon to tell if the group is just the flavor of the month or a powerhouse that will hold the attention spans of youth for years to come, but I will say that I enjoyed every minute of the show from beginning to end. Not only did they sound great but these guys are simply bonkers. With only a simple backdrop and crazy costumes that look like homemade Halloween costumes they managed to tear up the stage. Here’s a few photos and thoughts from the show….
Leif Huron incredibly captures his subjects in awesome vibrancy and beautiful tonality. Huron’s photographs are incredibly detailed and are a treat to the eyes; especially the portrait series. Done in high key, the color contrast of white skin and background to rich colored hair and strikingly deep colored eyes makes for one hell of an image.
Joseph Cruz constructs incredibly narrative, and romantic sculptures that which stem from his inspiration of the production and reception of information. They are physical representations of the intuitive questions of himself, and the world around him.
EE Belanger has captivated us with magnificent drawings that intertwine human and animal species. This entanglement of man/wild showcases the age old struggle… this time in artistic splendor.
Kate Bieschke’s narrative photographic series, Performance for the Camera, revolves around the theme of having grown up as the “wild child.” She addresses nostalgic internal issues of needing drama, connection, rejection, and solitude. Through her own relatable explorations, she invites the viewer to anonymously reflect on their self as well.
Jack Vanzet, an Australia-based designer, is not limited to just one look but an array of styles all equally beautifully mastered. The one common ground between these differing pieces is that each of these show great attention to the foundational design.