Some may say basketball is their religion. Well, if you worship the game, then these stained glass basketball backboards might be right up your alley. Like stained glass windows that depict religious icons in churches and cathedrals, artist Victor Solomon places breathtaking and beautiful stained glass windows in place of basketball backboards. These are not likely to be used at any court that you’ve ever seen, as they are likely to shatter into a thousand pieces. Each piece is ornamented in luxurious materials and gems, including the basketball goal’s net and rim. This series, cleverly titled Literally Balling, embodies the lavish lifestyle and luxury that NBA all-stars. These superstars being like royalty, Victor Solomon adds an age old, delicate art to their domain.
Solomon hand assembles these brilliant and intricate creations in the timeless beauty of the Tiffany Style. What is ironic about this work is that although hypnotizing to look at, none of the remarkable basketball goals are by any means functional. They are as fragile and as easily broken as success and wealth. If a basketball player gets injured, they can be done with playing the game forever. Their career could be over. Solomon’s goals embody this brilliance, power, and delicateness that a life in the sports industry can have. If you want to see more of Victor Solomon’s amazing work, you can see more of his work here.
London based photographer Hana Knížová‘s new series Young Hollywood focuses on the dreams, goals, hopes and aspirations of the optimistic youth of L.A looking to make a break in the industry. Noted for it’s cut throat competitiveness, Hollywood is no child’s playground. These portraits capture a time of these people’s lives when they are aware of the challenges ahead, but not intimated enough to stop trying. Knížová says of her inspiration:
I am interested in the topic of youth and its ambitions, as it’s something which develops and changes as we grow older. Our motivation and priorities change. Some personal goals might not be achieved for several different reasons – it can be quite disappointing and bitter, but other goals might gradually and naturally start lacking relevance in one’s life. Only time will show.
Stylistically the photographs are shot in various locations, either in personal cars, or homes, local diners, street corners or burger joints – all seeming very personal. It is a rare look at a performer’s inner emotions. It is easy to see boundless optimism and hope, but somewhere niggling doubts are also lingering. Knížová goes on:
I also asked my sitters to fill a short questionnaire about their current situation, about their aspirations, and what “fame” and “success” mean to them. This serves for my personal record, although it was certainly challenging for them verbalise the thoughts. Sometimes we catch ourselves in auto pilot or chasing a dream without forming some sort of context, this exercise is both reaffirming and acknowledging of these big picture goals they set for themselves.
It will indeed be an interesting social experiment to see just where these young Hollywood star and starlets end up down the track. To see more of Knížová’s beautiful work visit her tumblr site. (Via Juxtapoz)
Artist Neil Powell recently opened the show, “Down By The Side Of The Road” at 222 Gallery on July 10th. The exhibition featured a selection of works on paper and sculptures. Powell’s work evokes a whimsical, yet graphic approach—appearing as indexical maps of personal narrative or scatological documentations. His illustrative worlds are littered with idiosyncratic characters, situations and translations. Neil Powell’s show will be up at 222 Gallery until August 1st.
Perhaps one of the more curious photo projects to surface recently is the glow worm pictures from Joe Michael. He photographed the insect in its natural environment on million year old limestone caves in New Zealand. The bioluminescent effect on the viewer is mystical and shows the perfect combination of scientific documentation and aesthetic beauty. Very Lord Of the Rings or Elfish, the glow worms allow you to see the caves in a different way. Because of their unique structure the insects project a nature consciously created by a higher design and you begin wondering for what purpose? In the meantime we can enjoy the spectacle they have become. Their green light projects an unusual glow reminiscent of constellations and lighthouses seen off into the distance on a foggy night. It also hints at infrared paranormal activity.
The worms vary in size attesting to the irregular light structure captured in the caves which provides further awe to their curiosity. In some Larvae species the adult female will glow to attract males during mating season. In others the light is used as a warning signal to predators or to lure prey.
If you’ve ever wondered what it would be like to live and work out of a airstream then watch this great short documentary about landscape architect Andreas Stavropulos. Watch the full doc after the jump!
Artist Peter Kogler takes ordinary spaces and converts them into optical illusions with little more than paint and projections. His installations completely encompass the gallery room or public space in which they inhabit and cause it to appear warped, stretched, distorted and twisted. These eye-tricking spaces devour the viewer in their endless lines and pattern while they creates a disorienting effect. Each strategically placed line is created by paint, but also sometimes by a projection onto the walls. Because Kogler’s patterns and lines are often on every side of the space, including the ceiling and floor, they create a powerful and overwhelming environment. The wall-to-wall spaces are completely taken over by lined grids, tubes weaving around each other, and swirling scribbles that create funhouse walls.
The settings for Kogler’s elaborate and impressive installations vary from gallery rooms to subway tunnels. One can truly get lost in these complex compositions trailing all over each wall. Each installation is like a beautiful labyrinth that entraps and engulfs the viewer. Kogler’s work uses mostly bold colors like white and black, and sometimes red. This creates a harsh, stark contrast that allows the optical illusion to be more apparent with a highly dramatic feel. The artist’s talent does not only lie in his incredible installations, but also his sculpture and two-dimensional work. His use of geometrics and line is similar in his other work, which makes them look absolutely stunning when they are exhibited within his installations. Kogler’s multifaceted style compliments whichever medium he desires.(via Illusion.scene360)
I like to use the shorthand of “night paintings” to describe Austrian-born, Swedish painter Glen Sorenson’s solemn, melancholic works. He consistently utilizes black backgrounds against a washed out, expertly mixed color palette that consists of pink, lavender, yellow, periwinkle and turquoise hues. A large majority of his work is made up of simplistic still lives of slumped over, crispy, dead flowers; his remaining works depict unconventionally cropped objects and wistful, stagnant scenes .
Street Artist Joe Boruchow is an expert at manipulating positive and negative space. His work intertwines stark black and white graphic cut outs, often cleverly playing each off the other. Boruchow’s street art compositions are made up of simple but powerful images, wheat paste posters in public spaces. He interacts with his work, much like a stencil or etching, indeed, frequently creating corresponding cut paper pieces of his posters. While adeptly balancing positive and negative space in each poster, Boruchow also give careful attention to the postivie and negative space of the city. His posters can be found filling empty areas of doorways, windows, and walls.