Spotted this giant New York-city-as-a-pizza (aptly titled “Pizzatopia”) by The Bruce High Quality Foundation as a piece for the VOLTA show somewhere on the internet and suddenly became very hungry. There’s more pictures of it after the jump just because I feel like I am eating it vicariously through blog text ingestion.
Libby Black‘s sculptures are delicately pieced together paper, hot glue, and acrylic paint. In this way she recreates everyday objects as designer products. Though Black’s sculptures are constructed with care, each is clearly playful. Rather than use a heavy-handed sarcasm, she seems careful to be at once ironic and earnest, critical and in praise of materialism. Her sculptures effectively investigate a complex love/hate relationship with a name brand life.
Appropriately, Libby Black’s enviable ‘luxury’ sculptures are featured in the “Seven Deadly Sins” themed Beautiful/Decay Book: 9. Be sure to check out Black and many other amazing artists, illustrators, designers, and writers also featured in the book.
We’re not in the habit of sharing stuff that’s not contemporary here, but sometimes you come along something that shouldn’t be overlooked, as it seems relevant no matter when it was created, and could use a little more attention. Jugendstil, the German Art Nouveau movement, was named after the late nineteenth century literary magazine Jugend, which promoted the aesthetic within its pages and on its covers. If you’re looking for some fresh typography/design/illustration inspiration, check out this online resource, which contains lots of images from and info on the magazine. There’s even some Impressionistic stuff mixed with the Art Nouveau goodness, but it all comes off as really fresh. I wonder what Jugend, which didn’t make it out of World War II and Nazism, would be like if it were around today.
Olivier Ratsi‘s latest project Onion Skin is an attempt to create an unreachable plane by physical means. Two walls are connected at 90 degree angles, and a series of visual light displays plays simultaneously off of the joined walls, created a uniquely intangible, unreachable dimension. This type of work is typically elaborate for Ratsi, who describes his works as “The deconstruction or fragmentation acts mainly as an emotion trigger, which does not aim at showing what things could be, but more at questioning their references.”
Shapes that begin to form are quickly changed, morphing into others and blending into a seemingly 3-Dimensional landscape. Ratsi, who is also the co-founder of visual art label AntiVJ, gives the viewer a sound component to coincide with Onion Skin‘s hypnotic geometric shapes overlapping, peeling and unfolding. Ratsi explains, “Its aim is to generate a break with the meaning of the original items, to propose a new viewing angle and to provide the public a new field of experience, another way of looking at space and time.”
Onion skin is currently installed in Belo Horizonte, Brazil (until November 30th, 2013), after which it will be included at an exhibition at the Parque Lage in Rio De Janeiro (December 7th and 8th, 2013). (via designboom)
Antonella Arismendi is an Argentine fashion photographer and visual artist whose colorfully esoteric works explore alternate planes of consciousness. In a striking divergence from mainstream fashion photography, Antonella splices her work with dark symbols and glitch-like art, dissolving bodies into a white-noise fuzz and superimposing faces over volcanic eruptions. In some of her more quiet and scenic pieces — such as Tephra, for example — Antonella uses fashion to explore haunting-yet-spirituality rich worlds, depicting a model who stands in reverence beneath an empty, alien sky. By blending darkness with light and incorporating multiple symbols, Antonella produces beautifully obscure images of enigmatic and ever-transforming power.
What inspires me the most is to isolate myself from everything that has already been done visually and create something new. It’s an intense process to convert ideas from the ethereal to the tangible plane — it’s when the alchemical act happens. (Source)
By utilizing and fusing symbols of the occult, the Cabbala, and astrology, Antonella’s expressive photography reinvests such symbolism with contemporary meaning; like a visualization of cyber-age witchcraft, the images are portraits of inherited, ancient spiritual practices, blended with visual art to show the plateaus of meaning between apparently disparate traditions. As she continues in the interview, “I believe that the spiritual movements that have occurred in different times arise from the same origin and have simply reinterpreted it. […] One of my greatest motivations is based in astrology and spiritual knowledge. Photography is simply the tool to express them.” (Source)
Bill McRight, of Philly powerhouse Space 1026, employs gnarly printmaking skills in the creation of images not confined to a place in time. In McRight’s work, Garish figures sans-pupils populate a stark environment of violence, movement, and open mouths containing sharp teeth. But it all looks so good that the reaction of the viewer is inclined toward pleasure rather than pain.
Chen Chen’s products are at once beautiful and repulsive, which is what I love about them. Imagine serving your guests a frosty beverage on his “Cold Cuts” coasters or arranging your Lilies of the Valley in his “Swell” vase.