Torafu Architects has installed an interactive haunted playhouse in the Museum of Contemporary Art in Tokyo. Paintings move, portrait eyes dart back and forth, and children climb through picture frames installed at the museum. A secret passageway exists within the installation, allowing children to interact with nearly all of the featured art, most of them re-creations of classic works. Museums and galleries are usually places reserved for more serious contemplative reflection, discouraging touching and interaction of any kind. Torafu Architects has transformed this perception, creating a space that encourages engagement and creativity. Be sure to check out our previous post about Torafu’s kid-friendly designer information kiosk here.
“Bela Lugos’s dead, undead undead undead…” sang Peter Murphy to the first of two sold out shows at Los Angeles’ Fonda Theatre a couple of weeks ago celebrating thirty five years of Bauhaus with the Mr. Moonlight Tour. While I would have liked to have seen Bauhaus perform, I wasn’t going to pass up the chance to see Peter Murphy and his band perform an all Bauhaus set.
Opening the show with King Volcano and playing songs like Stigmata Martyr, The Passion of Lovers and of course Bela Lugosi’s Dead, it was definitely a sing-a-long with Peter Murphy kind of night. Peter Murphy looked as cool as ever dancing around stage with his trademark moves. Of course the show wouldn’t have been complete without them ending with the Bauhaus versions of T. Rex‘s Telegram Sam and David Bowie‘s Ziggy Stardust.
The US tour has ended, but he’ll be in Mexico at the Teatro Metropólitan tonight Thursday, August 8th and will follow with shows in Chile, Argentina, Uruguay, and ending in Sao Paolo, Brazil on Wednesday, August 14th at the Carioca Club
Chris Labrooy (previously featured here) is United Kingdom based artist and graphic designer who thrives in small projects which take a small idea and run with it. His most recent project, Auto Aerobics began as an exercise in place and context. Inspired by a winter trip to Brooklyn, La Brooy began to manipulate a Pontiac car which originally only served as a background object, but became the focus of the entire series.
By taking the familiar shapes and forms of the American Auto’s chassis, La Brooy digitally manipulates them by bending, stretching and combining, and seemlessly building them into the landscapes which they were inspired by. The bizarre, impossible, and totally impracticle images result in strikingly memorable floating sculptures that feel both alien and familiar. (via ignant)
Matthew The Horse is an illustrator from across the pond. Check him out.
Artist Neil Powell recently opened the show, “Down By The Side Of The Road” at 222 Gallery on July 10th. The exhibition featured a selection of works on paper and sculptures. Powell’s work evokes a whimsical, yet graphic approach—appearing as indexical maps of personal narrative or scatological documentations. His illustrative worlds are littered with idiosyncratic characters, situations and translations. Neil Powell’s show will be up at 222 Gallery until August 1st.
Echoliia, a collection of photographs taken by Timothy Archibald, is a heart-warming study of the photographer’s 5-year-old autistic son, Eli. In hopes to get his frustrations out through creativity, Archibald photographed his son’s odd but endearing behaviors in order to understand him better and create a stronger, trustworthy relationship between the two of them.
The collection reveals the child’s unique perspectives and interaction with the world around him. With a trashcan on his head and a cardboard tube ’arm’, Eli conquers his world. His dad couldn’t be prouder to capture the uniqueness he exudes.
“I never wanted [Eli] to think that he was normal. I wanted him to be aware of how different he was and see that as an asset.”
Through this series, not only do you acknowledge Eli’s quirks, but also witness Archibald’s accepting and loving gaze.The father and child collaboration is available in book form on the artist’s website. (via My Modern Met)
In an effort to raise awareness about environmental degradation and decreasing water quality, Washington-based photographer Michael Dyrland turned some botched plans to go surfing into a series of disturbingly prophetic images. In October 2014, he traveled to Los Angeles to take photos for a friend who lives there. “I was really looking forward to this trip because I wanted to make the most of it and try my hand at surfing,” he explained in a statement provided to Beautiful/Decay. After a night of heavy rainfall, Dyrland asked when they could head to the beach and his friend was aghast. Apparently, following a storm, the 10 billion gallons of runoff contains “sewage, garbage, oil, and shit” — the types of human-derived waste that transform the ocean into a cesspool of disease.
From this unsettling experience, Hazmat Surfing was born. Dyrland wanted to show the world in a creative way what a future of continued environmental abuse and neglect would look like, and how it would impact our lifestyles that we take for granted. Coordinating through email and Google maps, Dyrland chose LA’s famous Venice Beach for the shoot location. A lifeguard was posted to keep an eye on the surfers, and out they went, garbed in gas masks and full-body suits that glisten a sickly yellow against the storm-bruised sky. Capturing the surfers treading water, riding the waves, and gazing seaward, Dyrland has instilled sport photography with a quiet-but-powerful social message. It is not unrealistic to believe that our relationship with the sea might one day look as dark and alienating as this.
Dyrland hopes to continue Hazmat Surfing at different locations in the US and beyond. His next shoot is aimed for Rio, where he hopes to “focus on the water quality issues and let [his] photos speak louder then words.” Visit his website, Facebook, and Instagram to follow this fascinating project. (Via Feature Shoot)
I am by no means a typography or design buff. I have heard at length discussions on Helvetica and whatnot- don’t ask me, I definitely used Comic Sans back in highschool to make my Pug Fans of the World website. Lol. Maybe I wasn’t that bad. Anyways, while perusing one of my favorite websites, FairSpot (an amazing directory for new creative talent) I came across Craig Ward. I really liked some of his takes on typography- like above, a weird silly string metal record looking layout that seems to vibrate. More creative solutions below.