Beautiful/Decay has saved just 10 final pages in our upcoming Book 3 to feature YOUR work! So far we’ve received hundreds of responses in all media from around the world. Due to overwhelming response we are opening up the last 10 slots just for you! PLEASE, read ALL requirements before submitting or your entry will not be considered!
The theme is “Underdogs” and is totally open to interpretation. However, it has to be a piece created especially for this issue, and not published in any other magazine, website, or in any shows before its release in March 2010. So go wild- what does your idea of “Underdogs” look like?
Macabre artist Jonathan Monaghan creates digital sculptures, prints, and animations that definitely puts us in a sense of discomfort. His clean, almost sterile use of style in detail, color, and light is both beautiful and extremely uncomfortable.
Cezar Berger, a Brazil based illustrator/ graphic designer, creates these incredibly saturated, bold, and grotesque drawings. Looking through these, it makes me think of meat and candy being digested together inside a carcass of a circus clown.
Chewbacca is a Wookiee. Bipedal and furry, a “big walking carpets,” Star Wars Wookiees run and fight and shoot. In Mako Miyamoto’s photo series, found on his website Neon Werewolf, Wookiees do much more: yoga on the lawn, roller skate in knee socks and satin jacket, swim underwater, water the lawn. In fact, Miyamoto’s Wookiees could be your next-door neighbor…in a furry mask.
“Masks have always intrigued me; being born near Halloween may have had something to do with it. I’ve always been fascinated by how they hide the person behind them while at the same time bring forth pieces of [their selves] that at first glance were shadowed by their expressions.” (Source)
This whimsical series alternates between mash-ups of TV Shows and movies (Star Wars and The Heist; Star Wars and Game of Thrones) and everyday scenes with a twist (salad bar and Wookiee, ping pong and Wookiees, wedding day and Wookiees). Funny and slightly alarming, the masks’ staring eyes, fixed grimaces, and cascades of fur make the scenes bizarre mimicries of life. Each image is individually titled, and they include “Kiss My Ace II”, “Stop Blocking my Fist with your Face”, and “Corndog Airplane.” The series is ongoing—idea after idea, Wookiee after Wookiee. Miyamoto says:
“I get my inspiration from all over; thrift stores, books, movies, open spaces, the coast, clouds, Stanley Kubrick, Portland, John Carpenter, the golden hour, the way that reflections create an unreachable reality, things that are orange, and the ocean. But not necessarily in that order.” (Source) (Via Feature Shoot)
If you happen to be in sunny San Diego on the 27th of March, check out Andrew Holders new show at Subtexts mutually new gallery space. San Diego from what I hear is also a standard for fish tacos if your into that sorta thing. Why not eat one on the way to the gallery and make a day of it? Wink!
20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)
New York based artist William Steinman creates sexy and raw pieces that carry a strong undertone of their source of inspiration: street culture and Pop art. Growing up, he kept himself busy by exploring downtown Phoenix on his skateboard. In doing so, he was introduced to the graffiti art that populated his surroundings, and fell in love with it. Though William was initially inspired, he started to notice how increasingly redundant graffiti was turning out. He decided to focus his artistic endeavors elsewhere, and started to study painting. But first love is always the strongest, and William found himself charmed by the bold lines and appropriated imagery of Pop art.
Observing William Steinman’s paintings and sculptures is the equivalent of trying to stay perfectly still inside a hurricane of motion. He constantly plays with adaptation and reconstruction within an environment of deconstruction. Using found materials, store bought objects, comic books, and finishing them off with industrial glue, the end result is what he likes to accurately describe as “the dark side of Pop.”
William is currently an MFA student over at Queens College in New York City. In a few weeks he will be presenting his bold, raw, and sexy portfolio of work at his MFA Thesis show. Unfortunately, I live much too far and will not be able to attend. However, anyone out there who will be in the area should definitely indulge themselves! Go!
For his latest project, titled the Abyss Table, designer Christopher Duff of Duffy London constructs a detailed cross section of the sea bed from sheets of glass and wood. Inspired by mythology, he designed the piece of furniture to look like one belonging to an ancient deity, capable of pulling up chunks of the earth for his own decorative use. From above, the table resembles a topographical map laid flat, but when viewed from the side, it becomes a multilayered and multidimensional model of a three-dimensional mass forged over millennia.
The brilliance of the Abyss Table lies in part in the conflicting nature of its form and function. By its very definition, the table is not an abyss but the exact opposite: a protruding surface capable of supporting objects. Here, the liquid surface of the ocean is transmuted into an imperturbable solid, and fluid space becomes sturdy and unbroken.
On the website of Duffy London, the preliminary image of the table, which will be released this fall, is accompanied with a line from Friedrich Nietzche’s “Beyond Food and Evil:” “And when you gaze long into an abyss, the abyss also gazes into you.” This oft-quoted passage, almost always meant metaphorically, finds a very literal manifestation here. Contained in this table, the dark, unknowable emptiness that consumes the human mind moves poetically into the home, merging its mysteries with the normal routines of domesticity. Each image shown here is a digital model from which the actual table will be built. Take a look. (via Colossal)