Marc Sinaj has such an eye for detail and dedication to quality, that his sculptures have observers constantly mistaking them for actual people. Strangers often try to interact with the figures, talk with them and even complain when they don’t receive any response. Born and based in Milwaukee, Sinaj often spends anywhere from 6 months to a year on a single sculpture (although usually working on multiple ones at the same time), and the hours he invests definitely show in the finished piece. He chooses to replicate figures with stories; people and characters with many wrinkles, pimples, blemishes, pores, stretchmarks, ingrown toenails and grey hairs.
…the vast majority [of the sculptures] are of all shapes and forms, some scrawny, other obese, some old, some young, some weak, some burly, the gamut of humanity. Sijan is like a superb writer in that regard who writes not only about the rich and famous, but instead about all facets of life on earth. (Source)
Working for over 40 years, Sinaj has perfected his skill of realistically reproducing the human form. Carrying on from the traditions of Roman and Grecian marble sculptors, Sinaj is a true modern master of bodies. Painstakingly building up layers of paint, and placing every individual hair, goose bump and freckle exactly where they should be, he shows of the extent of his talent. He never replicates someone without their permission, and always asks before taking their photo, as he is, in a way, cloning them.
Sinaj not only creates unbelievably realistic sculptures, he is effectively turning a mirror back onto ourselves – showing us in such a blinding light, we can’t ignore that humanity (with all of our flaws) is a strange and wonderful thing. He is celebrating the ugliness of reality. (Via Ignant)
I have a deep respect for anyone who is willing to put their face on a bus stop bench knowing what people do to them. I thought it would be fun to do my own take on our local realtor advertisements.
We are all very familiar with the ridiculous realtor portraits on the bus benches, right? Well, freelance designer and creative director Phil Jones gives them an even more ridiculous spin.
As you can see on the images, Jones is eager to channel his inner realtor as he inserts himself into these local realtors’ advertisements. He goes deep into character by imitating the realtors’ poses, clothing choices, and even their hair and make-up! It is obvious that Jones wants to look as fake as possible; I think that this is part of the plan. There is no way that someone could pass by and not notice the wigs, the weird poses, and the overall awkwardness…or is there?
Although there isn’t much similarity between the mock and the real thing, it is still possible that many of the onlookers didn’t even notice the difference. Jones looks as ridiculous as the realtors do in the original, so it might of just passed as normal.
It all goes to make us question if these absurd ads make any impact at all. Do we expect these ads to always be this bizarre and comedic?
Now, I’m not even sure which one is funnier. (via)
You might remember Kumi Yamashita from one of our October posts featuring her extraordinary collection of works with light and shadow. If you recall, Yamashita subtly manipulated materials such as paper, fabric and wood to strategically use lighting on them in order to create shadow art installations. Her imagination and impressive craft skills lead her to create this new ongoing series entitled Constellation (a title that references the Greek tradition of tracing mythical figures in the sky).
This body of work consists of three materials: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread. She creates these stunning portraits by using the single,unbroken thread wrapped around thousands of nails. The task at hand is laborious, but the result is well worth the work.
Don’t we all love to hate those kitschy landscape paintings at the local thrift store? I know I do. But what if we can make them became exciting again?
Artists Chris McMahon and Thryza Segal give thrift shop paintings new life by embedding monster-like creatures. The finished product resembles a pop-surrealist version of Nickelodeon’s Aaahh! Real Monsters.
Both artist carefully blend the monsters into the original scene as if they were always there. The process can be tricky, since it can be a challenge to match the original textures and colors, but it can be said that their attempts have been a success. They are pretty awesome.
The work of photographer Nadia Lee Cohen is a stimulating, modern take on vintage American and British style. Her diorama-esque compositions — with their nude, cigarette-smoking femme fatales and garish 1950s/60s/70s iconography — explode with color, attitude, and fetishized, retro-suburban life. Scattered throughout are bold insertions of cultural, consumer artifacts, from packs of Marlboro cigarettes, to Coca-Cola bottles, to lip-shaped telephones, which further emphasize the images’ glossy and style-saturated appeal. David Lynch and Alfred Hitchcock fans will certainly be able to identify a few crafty allusions; whether it is red curtains, or birds hovering menacingly in the background, Cohen has seamlessly meshed her own cinematic style with that of influential film directors, thereby creating a clever and campy pastiche of Western arts and culture.
When I asked Cohen what drives her work, she expressed that she primarily hopes that people enjoy the aesthetics of her photography, which is a “humorous, tongue-in-cheek” response to the way she views the world. And, aside from creating fascinating portraits of what she identifies as “strong, quirky, dark characters,” Cohen’s exploration of retro aesthetics through a modern lens provides a visible commentary on the way styles and cultural tastes have shifted over the decades — all from an alternative and progressive point of view; her work represents a range of personal styles, as well as a variety of body shapes and sizes. “I hope to convey a wider message of changing our perception of taste in terms of modern beauty ideals in fashion,” she explains, “which is why I tend to look to the interesting people around me rather than casting from agencies.”
Cohen has recently finished her MA in Fashion Photography at the London College of Fashion, and judging by her success and the in-depth nature of her style, she will be creating a lot of exciting work in 2015. Be sure to check out her website and Instagram. More adventurous (and amusingly retrospective) images after the jump. (Via Huffington Post)
Sydney, Australia based Alexander Seton’s sculptures are a thing of wonder. Stare at them for a while and you’ll soon realize that these casual images of light weight clothing are in fact carved out of marble, one of the heaviest stones around!
“Alexander Seton’s work memorializes impermanence and the transitory. His marble sculptures give permanent form to fleeting cultural moments and fashions, capturing icons of the contemporary world. In Elegy On Resistance Seton has arranged around a central figure [Soloist] a group of CCTV cameras [Quartet 1 – 4] and hanging hoodies [Chorus 1-7]. The naming of these objects implies a relationship, like a musical performance, an ensemble that bears witness to the resistance of the individual against the apparatus of surveillance and control. The central track-suited man might be a heroic figure, but, in reality, the cities of the modern world are full of such figures, faces shrouded and bodies stooped, faceless everymen who habitually pass through train stations, shopping centres and the outer zones of the non-place. These hooded figures are ambiguous citizens, often feared as potential criminals, or as wild youth gone wrong. In Seton’s work, however, the figure recalls the pose of a Buddha, but with its substance – the body within – missing. There are connotations of religious art here, but in the generic striping of the tracksuit, the hands in pockets, the crossed legs and the unmistakably casual pose of a street beggar, a skillful conceptual play between the ubiquity and invisibility of an instantly recognizable, yet largely ignored figure.” -Andrew Frost
Like graffiti? Me too! And you’ll find some of the best graffiti art within the city of Berlin. Perhaps its for this very reason the Circleculture Gallery is focused on promoting urban art & artists such as Daniel Tagno. This Berlin-based grafitti artist has been playing with the configuration of his paintcans into a tool he calls the gadget to manipulate their patterns; like writing with multiple pens in parallel, and the results are beautiful! Daniel also takes his art beyond the paintcan in his series titled FÜR SEMPRE and beyond the walls with his PAINTINGS.
Hey guys- we haven’t run a contest in a while because we were holding out for something that would really benefit our readers! Well, here’s a contest that will put cold, hard cash in your pockets as well as further your creative careers. We’re offering the opportunity to win $1000.45, as well as be featured in a month-long exhibition at Synchronicity Gallery here in Los Angeles. The event will be curated and promoted by yours truly and the directors there. Synchronicity is quickly becoming a go-to gallery for discovering & breaking emerging artists! We thought this would be a great opportunity to give some recognition to our readers… See below for full rules and how to enter, and good luck!