Artist Gabriel Schama demonstrates that lasers aren’t just for starships: He uses them to carve out incredibly intricate designs and patterns from materials such as wood, paper, and even leather. His works come alive with “surreal textures” that create a kinetic feeling, the kind you might get from studying a Magic Eye poster. There’s also the structural element, which lends his artwork literal depth as they seem almost excavated, blooming into mandalas and swirls.
The cool thing about Schama’s work is that it’s clearly informed by the natural world, some sporting the same frills as aquatic flowers and others looking like any garden-worthy blossom. There’s also a very rigid manmade feel to his work, though, not just in the precision with which he carves them but in some elements of his designs that look almost retro-futuristic chic.
Schama’s art is evolving, growing from his early hands-on approach that used mixed-media materials. In the description of his second Kickstarter project, he says:
“I have long been possessed with a desire to make my work bigger and more intricate at the same time. A modestly sized cut paper piece could take me weeks of nonstop work to execute. This project is not only the next step forward stylistically, but a means to achieve far more daring and exciting projects.”
Jeremy Olson, an artist based in Brooklyn, New York, is interested in geometry and simultaneous perspective. Much like the canonical works of Pablo Picasso and Georges Braque, Olson looks at portraits in a different manner; the intricate ways in which he chooses to scramble the geometric pieces that make up the sitter’s face, makes for a fun time. The viewer must intently figure out which pieces go where to make sense of the portrait as a whole.
Aside from his interest in geometry, Olson, also plays with traditional painterly portrait styles by using a hyperreal approach. By including all of these three elements [geometry, traditional and hyperreal portraiture], the artist breaks down the face into a spectrum of beauty that simultaneously makes for a violent yet charming visual. (via Ignant)
Konstantin Shalev is a Russian illustrator who, at 23, is tearing up the internets (his Behance username is appropriately Ripper). Sporting a slick, cartoony style, Shalev’s characters and patterns have been featured on multiple Threadless shirts, in Popular Mechanics magazine, and more.
One of the most iconic artists of our time Mike Kelley passed away today at the age of 58. With over four decades of activity within the international art world spanning dozens dozens of museum shows, several art noise bands, and multiple Whitney Biennial inclusions, Kelley will be sorely missed by the art community. Watch an interview with Kelley about his work after the jump.
Chris Maynard‘s tools of trade include a scalpel, forceps, and a love for the literal art of flight. With a deft hand, he etches delicate shapes and patterns into shed feathers, transforming them into more than just a part of a whole. In doing so, he coaxes out the secret lives of birds.
“My work with feathers gives me a satisfying perch from which to view the world,” Maynard says in his artist’s bio.
Maynard’s art is nothing short of celebratory at times: Six feathers arranged with miniature songbirds in mid-flight. Others are a peek into the everyday life, such as a bisected feather yielding the tiny form of a robin working industriously on catching the early worm.
With the kind of precision needed for such minute knifework, each piece could have easily been sterile and dispassionate. Instead, they are each joyful in their own way, from the flurry of movement of a flock of birds circling a roost to the burst of sapphire blue on a peacock’s plume.
Though the feathers were discarded, shed, or forgotten by their previous owners, Maynard has given them new flight. (via This Is Colossal)
Brooklyn based SVA grad Ran Hwang makes these huge, flowing sculptures with nothing but beads and pins! The uplifting, spiritual elements involved here work really well with the light, dispersed beads. You can almost see the birds’ wings flapping, and everything seems sort of frozen in time at some climactic, freeing moment. Obviously the Zen influence is deliberate. From the artist’s website: “The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen.” I guess patience does pay off. (via)
Baptiste Debombourg’s unique approach to medium and spacial presentation includes spending 75 hours pushing staples into a wall to create a “wall painting”, and UV-glueing shards of glass around an urban bus stop, with intention to “provoke some emotion or empathy”. He turns the scenario of each of his installation/sculptures from violent destruction to that of aesthetic appreciation.
Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME’s (coronal mass ejections) heading towards Earth. Data courtesy of courtesy of the Heliospheric Imager on the NASA STEREO mission.
Working with STEREO scientists, Semiconductor collected all the HI image data to date, revealing the journey of the satellites from their initial orientation, to their current tracing of the Earth’s orbit around the Sun. Solar wind, CME’s, passing planets and comets orbiting the sun can be seen as background stars and the milky way pass by.
As in Semiconductors previous work ‘Brilliant Noise‘ which looked into the sun, they work with raw scientific satellite data which has not yet been cleaned and processed for public consumption. By embracing the artefacts, calibration and phenomena of the capturing process we are reminded of the presence of the human observer who endeavors to extend our perceptions and knowledge through technological innovation.